Songs like Those Memories of You - 2015 Remaster by Dolly Parton
Based on a tempo of (+/- 10%) and a similar genre
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Ronnie Milsap
Smoky Mountain Rain
140 bpm • G Maj • 03:43 • -8.62db
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Dolly Parton
Those Memories of You - 2015 Remaster
140 bpm • E Maj • 04:00 • -14.61db
47% Popularity • 58% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 58% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara Mandrell
Sleeping Single In A Double Bed - Single...
139 bpm • C Maj • 02:19 • -9.2db
45% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Gordon Lightfoot
Cotton Jenny
139 bpm • A Maj • 03:24 • -11db
36% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Crystal Gayle
River Road
139 bpm • F# Maj • 03:09 • -9.98db
34% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Mark Knopfler
One Deep River
139 bpm • E Maj • 04:17 • -16.93db
53% Popularity • 57% Danceability • 22% Energy • 12% Liveness
73% Instrumentalness • 12% Positiveness
53% Popularity • 57% Danceability • 22% Energy • 12% Liveness
73% Instrumentalness • 12% Positiveness
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Linda Ronstadt
Willin'
141 bpm • E Maj • 03:02 • -10.81db
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Porter Wagoner
There'll Always Be Music
141 bpm • C Maj • 03:13 • -12.84db
8% Popularity • 38% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 38% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Tish Hinojosa
In The Real West
138 bpm • A Maj • 02:48 • -12.92db
21% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Wynonna
Tell Me Why
142 bpm • D# Maj • 03:50 • -6.72db
54% Popularity • 62% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 62% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Hoyt Axton
I Dream Of Highways
138 bpm • G Maj • 02:35 • -18.21db
31% Popularity • 54% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
31% Popularity • 54% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Ricky Skaggs
I Wouldn't Change You If I Could
138 bpm • F Maj • 02:59 • -10.94db
41% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mark Knopfler
I Dug Up A Diamond
138 bpm • B min • 03:35 • -9.12db
40% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Dolly Parton
Steady As The Rain
138 bpm • F Maj • 03:05 • -7.41db
22% Popularity • 59% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 59% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Paycheck
Someone To Give My Love To
142 bpm • A Maj • 03:06 • -16.61db
26% Popularity • 68% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 68% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Crystal Gayle
You Never Miss A Real Good Thing (Till H...
142 bpm • F# Maj • 03:51 • -14.19db
28% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny Rogers
Lucille
142 bpm • F Maj • 03:40 • -11.95db
61% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Kitty Wells
It Wasn't God Who Made Honky Tonk Angels...
138 bpm • A Maj • 02:32 • -10db
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Randy Travis
Deeper Than the Holler
143 bpm • F Maj • 03:39 • -8.59db
67% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Loretta Lynn
Coal Miner's Daughter - Single Version
137 bpm • A Maj • 03:00 • -14.07db
61% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dolly Parton
Travelin’ Prayer
143 bpm • B Maj • 04:16 • -7db
26% Popularity • 49% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 49% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Merle Haggard & The Strangers
Running Kind
137 bpm • G Maj • 03:04 • -10db
37% Popularity • 54% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 54% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 76% Positiveness
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Jerry Lee Lewis
Middle Age Crazy
143 bpm • D Maj • 03:56 • -12.99db
38% Popularity • 51% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 51% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Hoyt Axton
Lion In Winter
137 bpm • A Maj • 03:23 • -6.23db
23% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
70% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Judds
Rockin' With The Rhythm Of The Rain
143 bpm • C Maj • 02:40 • -9db
54% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Dolly Parton
Old Flames Can't Hold a Candle to You
137 bpm • D Maj • 03:23 • -13db
46% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James Ingram
The Day I Fall In Love - Featuring Dolly...
143 bpm • G# Maj • 04:05 • -7.64db
49% Popularity • 43% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 43% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Connie Smith
Once a Day
137 bpm • F# Maj • 02:20 • -9.96db
48% Popularity • 50% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 50% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Mark Knopfler
Belle Starr
137 bpm • C Maj • 03:04 • -4.9db
35% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Carrie Rodriguez
Your Lonely Heart
144 bpm • E Maj • 02:58 • -6.54db
14% Popularity • 59% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 59% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Lyle Lovett
Don't Touch My Hat
136 bpm • G Maj • 03:46 • -8.91db
33% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Ricky Nelson
Garden Party
144 bpm • D Maj • 03:49 • -22db
55% Popularity • 77% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
55% Popularity • 77% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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Dolly Parton
In the Sweet by and By
144 bpm • D Maj • 03:55 • -11.01db
35% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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for KING & COUNTRY
God Only Knows
144 bpm • B min • 03:33 • -6db
42% Popularity • 65% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 65% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Mary Gauthier
Different Kind Of Gone
144 bpm • C Maj • 03:41 • -14.69db
29% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Zach Williams
Lookin' for You
144 bpm • F# Maj • 03:46 • -8.66db
45% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Linda Ronstadt
Silver Threads and Golden Needles
144 bpm • B Maj • 02:28 • -13.77db
42% Popularity • 58% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 58% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
61% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Dolly Parton
I Will Always Love You
136 bpm • A Maj • 02:56 • -13.5db
61% Popularity • 45% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 45% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lacy J. Dalton
16th Avenue
144 bpm • G Maj • 03:09 • -13db
42% Popularity • 54% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 54% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Gretchen Peters
The Night You Wrote That Song
136 bpm • A# Maj • 04:55 • -12.45db
29% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Tom T. Hall
Country Is
145 bpm • C Maj • 02:09 • -13.4db
51% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Anne Murray
Danny's Song
145 bpm • B min • 03:08 • -12.25db
51% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mark Knopfler
Rollin' On
145 bpm • G# min • 04:12 • -8.05db
37% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Dolly Parton
Train, Train
144 bpm • F Maj • 02:50 • -7.37db
25% Popularity • 43% Danceability • 74% Energy • 14% Liveness
2% Instrumentalness • 70% Positiveness
25% Popularity • 43% Danceability • 74% Energy • 14% Liveness
2% Instrumentalness • 70% Positiveness
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Linda Ronstadt
Love Is a Rose
145 bpm • C Maj • 02:46 • -8.18db
40% Popularity • 61% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 61% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Lefty Frizzell
Saginaw, Michigan
145 bpm • A# Maj • 03:06 • -14db
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Tom T. Hall
Ravishing Ruby - Single Version
145 bpm • C# Maj • 02:29 • -16db
42% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Charlie Daniels Band
Long Haired Country Boy
145 bpm • D Maj • 04:00 • -11.65db
61% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Shania Twain
No One Needs To Know
135 bpm • G Maj • 03:03 • -9.67db
64% Popularity • 66% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 66% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Don Williams
If I Needed You
146 bpm • C Maj • 03:35 • -18.63db
44% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Mavericks
There Goes My Heart
135 bpm • C# min • 03:17 • -8.59db
42% Popularity • 66% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 66% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Henson Cargill
Skip a Rope
146 bpm • F# min • 02:40 • -13db
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kieran Kane
This Dirty Little Town
135 bpm • E Maj • 02:56 • -12.01db
19% Popularity • 66% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 66% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Marty Robbins
Devil Woman
146 bpm • E Maj • 02:50 • -12.46db
48% Popularity • 70% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 70% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Emmylou Harris
Two More Bottles of Wine - 2003 Remaster
134 bpm • D# Maj • 03:06 • -7.57db
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Arlo Guthrie
The City of New Orleans
146 bpm • C# Maj • 04:34 • -8.83db
53% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Dolly Parton
Waltz Across Texas Tonight - Unreleased ...
146 bpm • A# Maj • 03:51 • -6.83db
20% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Crystal Gayle
Why Have You Left The One You Left Me Fo...
146 bpm • A# Maj • 02:56 • -8.11db
42% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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k.d.lang & The Reclines
Three Days
134 bpm • G Maj • 03:17 • -9.64db
19% Popularity • 51% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 51% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Janson
21 Forever
134 bpm • C Maj • 05:19 • -4.76db
27% Popularity • 38% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 38% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Linda Ronstadt
The Sweetest Gift
134 bpm • C Maj • 03:03 • -18.46db
25% Popularity • 35% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 35% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Nitty Gritty Dirt Band
Oh Cumberland
134 bpm • F Maj • 04:21 • -11.76db
12% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Loudon Wainwright III
Dead Skunk
147 bpm • G Maj • 03:05 • -11.51db
41% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Townes Van Zandt
Poncho & Lefty
133 bpm • C# Maj • 03:40 • -14db
54% Popularity • 64% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 64% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Rogers
Daytime Friends
147 bpm • G Maj • 03:14 • -12db
53% Popularity • 46% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 46% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Louvin Brothers
My Baby's Gone
147 bpm • D# Maj • 02:46 • -8.16db
31% Popularity • 56% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 56% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Tom T. Hall
The Year That Clayton Delaney Died
133 bpm • C# Maj • 02:44 • -11db
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Connie Smith
Once More
147 bpm • C# Maj • 02:32 • -6.91db
32% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Tish Hinojosa
By The Rio Grande
148 bpm • A Maj • 03:35 • -12.93db
20% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Emmylou Harris
Bottle Let Me Down - 2003 Remaster
133 bpm • G# Maj • 03:17 • -10.19db
27% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Porter Wagoner
Holding On to Nothin'
132 bpm • D# Maj • 02:30 • -12.81db
23% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Linda Ronstadt
When Will I Be Loved
133 bpm • A Maj • 02:04 • -10.02db
61% Popularity • 51% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 51% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dolly Parton
My Dear Companion - 2015 Remaster
149 bpm • C Maj • 02:56 • -14.92db
30% Popularity • 32% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 32% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Mary Gauthier
The War After the War
132 bpm • G Maj • 03:44 • -8.14db
24% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -10.57db
41% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
41% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Eddie Rabbitt
Every Which Way but Loose - 2009 Remaste...
131 bpm • G Maj • 02:51 • -7db
55% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Charley Pride
Kiss an Angel Good Mornin'
131 bpm • E Maj • 02:03 • -11db
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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George Strait
All My Ex's Live In Texas
131 bpm • A Maj • 03:20 • -16.02db
64% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Gillian Welch
Elvis Presley Blues
151 bpm • D Maj • 04:56 • -12db
25% Popularity • 53% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 53% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Gauthier
Drag Queens In Limousines
131 bpm • F Maj • 05:39 • -10db
28% Popularity • 54% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
28% Popularity • 54% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Don Williams
You're My Best Friend
130 bpm • C# Maj • 02:49 • -15.6db
56% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ricky Skaggs
Uncle Pen
130 bpm • A Maj • 02:23 • -10.95db
43% Popularity • 58% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 58% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Tom T. Hall
Me And Jesus - Single Version
151 bpm • G Maj • 03:20 • -14.59db
36% Popularity • 55% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 55% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Eliza Gilkyson
Borderline
151 bpm • E Maj • 02:42 • -12.21db
33% Popularity • 47% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 47% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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The Pointer Sisters
Fairytale
129 bpm • G# Maj • 05:03 • -6db
31% Popularity • 44% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 44% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Secret Sisters
King Cotton
152 bpm • D# Maj • 03:12 • -6.5db
26% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Dolly Parton
Mule Skinner Blues (Blue Yodel No. 8)
129 bpm • B Maj • 03:08 • -9.86db
29% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Lyle Lovett
If I Needed You
129 bpm • D# Maj • 03:46 • -11.12db
36% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tom T. Hall
Tulsa Telephone Book
152 bpm • F# Maj • 02:23 • -10.09db
34% Popularity • 59% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 59% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Lefty Frizzell
The Long Black Veil
128 bpm • E Maj • 03:08 • -18db
30% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Linda Ronstadt
Poor, Poor Pitiful Me
128 bpm • C# Maj • 03:40 • -8.07db
44% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Knopfler
Beachcombing
128 bpm • C Maj • 04:14 • -6.74db
44% Popularity • 72% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
44% Popularity • 72% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Jim Croce
Walkin’ Back to Georgia
128 bpm • F# min • 02:51 • -16.17db
72% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
72% Popularity • 68% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Ricky Skaggs
Crying My Heart Out Over You (excerpt)
128 bpm • G Maj • 02:58 • -9.54db
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
