Songs like Thotline by Maurice Moore
Based on a tempo of (+/- 10%) and a similar genre
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USHER
ATA
140 bpm • F min • 03:07 • -6db
36% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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PJ
One Missed Call
140 bpm • B Maj • 02:47 • -10db
25% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Kalin White
wake em up
140 bpm • F# Maj • 04:14 • -7.36db
15% Popularity • 71% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 71% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Maurice Moore
it's on you
140 bpm • C Maj • 02:34 • -10.49db
12% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Reo Cragun
The Feels
140 bpm • B min • 03:53 • -8.71db
22% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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T-Pain
May I
140 bpm • A Maj • 07:53 • -8.55db
28% Popularity • 40% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 40% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Elliott Trent
Wasn't Love
140 bpm • G# min • 03:31 • -6.76db
29% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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JAYLIEN
Lucky Guy
140 bpm • A Maj • 03:54 • -6.43db
7% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Rico Love
Can't Afford Her
140 bpm • G# Maj • 03:02 • -6.55db
9% Popularity • 69% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 69% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Maurice Moore
Fortnite (Toasted)
140 bpm • C# min • 03:06 • -12.98db
5% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Paces
Payday
140 bpm • C# Maj • 03:40 • -8.25db
5% Popularity • 74% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
5% Popularity • 74% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ar'mon & Trey
Drown
140 bpm • C min • 03:18 • -5.28db
42% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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southernwade
U Feel Like
140 bpm • C# Maj • 02:34 • -13.12db
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Nbdy
Battlezone
140 bpm • E min • 03:52 • -8db
33% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Zae France
T.L.C
139 bpm • D min • 02:51 • -17db
35% Popularity • 51% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 51% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Maurice Moore
Thotline
140 bpm • D# Maj • 02:53 • -11.15db
10% Popularity • 72% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 72% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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NR
Relationship Goals
139 bpm • F min • 03:09 • -8.28db
10% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Mickey Shiloh
Love You Anyway
138 bpm • D# min • 02:37 • -5.77db
1% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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NO1-NOAH
Stuck on Stupid - Edit
138 bpm • F Maj • 03:45 • -7db
33% Popularity • 66% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 66% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Khalil
Simple
142 bpm • D# min • 03:36 • -9.02db
30% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Sufyvn
Thinking ‘Bout You (Sleepless In Cairo...
138 bpm • F# min • 03:01 • -8.86db
20% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Maurice Moore
Please You
140 bpm • C# min • 03:29 • -7.32db
12% Popularity • 80% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 80% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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BJ The Chicago Kid
Going Once, Going Twice
142 bpm • C# min • 03:43 • -4.68db
15% Popularity • 58% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 58% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Toni Romiti
Who Dis
138 bpm • F min • 03:20 • -6.32db
29% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bri Steves
Jealousy
142 bpm • G# Maj • 03:06 • -3.73db
24% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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DAY26
4 Shots
137 bpm • F# Maj • 02:34 • -4.94db
11% Popularity • 69% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 69% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Brian Puspos
Hide It
144 bpm • B Maj • 03:49 • -10.43db
11% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Maurice Moore
Show You
141 bpm • B min • 02:36 • -12.03db
7% Popularity • 77% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 77% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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JYDN HILL
Right Side
144 bpm • G# Maj • 03:18 • -10.9db
23% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lloyd
Infinity
144 bpm • E min • 04:30 • -6.32db
18% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ne-Yo
APOLOGY
144 bpm • A# Maj • 04:07 • -7db
25% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Roy Woods
You Love It
136 bpm • F# min • 03:06 • -10.39db
34% Popularity • 56% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 56% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Toni Romiti
Somebody
136 bpm • B min • 02:34 • -5.95db
27% Popularity • 61% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 61% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Maurice Moore
Having Fun
142 bpm • A# Maj • 03:38 • -11.63db
4% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
4% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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T-Pain
Your Friend
135 bpm • C# Maj • 04:05 • -2.91db
20% Popularity • 73% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 73% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Quincy
Don't Know Nothing
135 bpm • D Maj • 03:36 • -7.67db
15% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Army Aiono
Black Beatles Confessions
135 bpm • G Maj • 02:45 • -11.55db
40% Popularity • 84% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 84% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ebon Lurks
All My Ex's
145 bpm • F# min • 03:08 • -7.16db
12% Popularity • 73% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 73% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Pryde
message left on read
145 bpm • A Maj • 02:28 • -5.71db
23% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Maurice Moore
Waste Man
138 bpm • E Maj • 03:26 • -12.77db
5% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Skattaisdead
Hold You Down
145 bpm • F# min • 03:00 • -13.02db
8% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 74% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Mishon
Complicated
145 bpm • E min • 03:45 • -7.75db
12% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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fiction.
driveway
135 bpm • C min • 02:25 • -12.47db
2% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Zany Williams
Freak 2x
135 bpm • F Maj • 03:38 • -11.7db
0% Popularity • 63% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 63% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Melii
Bk Woe
145 bpm • E min • 03:45 • -9db
18% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Maurice Moore
eyes.
137 bpm • G# Maj • 03:50 • -8.4db
5% Popularity • 64% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 64% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Tdot illdude
You and I
135 bpm • A# Maj • 03:20 • -6db
17% Popularity • 61% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 61% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Brian Puspos
Flavor
135 bpm • G Maj • 03:33 • -8.76db
20% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Saudin
The Road
135 bpm • F# Maj • 03:35 • -6.34db
9% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Oshea
Freak 2x
135 bpm • F Maj • 04:04 • -11.22db
1% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gladius James
Rich (With Wiz Khalifa)
135 bpm • D# min • 03:32 • -7db
20% Popularity • 72% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 72% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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Maurice Moore
Destination Unknown
136 bpm • C min • 03:10 • -13.56db
5% Popularity • 69% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 69% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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London Richards
Far Away
146 bpm • C# Maj • 02:34 • -9db
18% Popularity • 69% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 69% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Toni Romiti
Options
146 bpm • A# Maj • 02:29 • -7.33db
39% Popularity • 71% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 71% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Elliott Trent
Computer Love
134 bpm • A Maj • 03:06 • -7.47db
45% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Oshea
You
134 bpm • B min • 04:23 • -10.43db
25% Popularity • 46% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 46% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Pryde
Left Field
146 bpm • C# Maj • 02:43 • -5.59db
23% Popularity • 70% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 70% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Maurice Moore
One Night Stand
136 bpm • E min • 03:06 • -15.19db
6% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mickey Shiloh
Funny When
134 bpm • G# min • 03:43 • -8.98db
8% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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MIKExANGEL
N2S
134 bpm • G# Maj • 03:31 • -7.08db
16% Popularity • 80% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 80% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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JYDN HILL
R U Down
147 bpm • A# min • 02:28 • -7.25db
17% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Brian Puspos
Safe Sex (Remix)
133 bpm • G Maj • 03:32 • -6.04db
12% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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MiC LOWRY
Know What You Like
133 bpm • E min • 03:56 • -5.32db
12% Popularity • 82% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 82% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Maurice Moore
Diamonds On Splash
145 bpm • C Maj • 02:28 • -9.96db
3% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
3% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Nbdy
Let Me Down
148 bpm • F# min • 03:19 • -7db
32% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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P.Keys
Simultaneously
132 bpm • F# min • 03:50 • -5.86db
13% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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JED
The Low
132 bpm • C# Maj • 03:27 • -7.37db
22% Popularity • 74% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 74% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Brian Puspos
Safe Sex
133 bpm • G Maj • 03:52 • -7.41db
15% Popularity • 64% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 64% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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RAJAN
They
150 bpm • C# min • 03:33 • -12.84db
9% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Marteen
Two Days
149 bpm • D min • 03:29 • -3.87db
24% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Blaq Tuxedo
Kiss & Tell
150 bpm • F Maj • 03:11 • -8.15db
22% Popularity • 57% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Clay Newton
Wrong Time
150 bpm • F min • 04:22 • -7db
33% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Stan Sono
Fantasies
131 bpm • A Maj • 03:27 • -6.43db
4% Popularity • 75% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 75% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Brian Puspos
Insomnia
148 bpm • A min • 04:18 • -9.79db
16% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Maurice Moore
My Girl
150 bpm • A min • 03:00 • -6.7db
8% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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MiC LOWRY
Boomerang
150 bpm • B min • 04:05 • -5.27db
15% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Ar'mon & Trey
Breakdown
150 bpm • F# min • 03:37 • -6db
38% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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B5
Do That
150 bpm • C# Maj • 03:27 • -5.83db
21% Popularity • 64% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 64% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Teenear
Need Your Love
150 bpm • F min • 03:07 • -9db
33% Popularity • 60% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 60% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Brian Puspos
Backseat
150 bpm • G min • 04:04 • -12.54db
13% Popularity • 55% Danceability • 43% Energy • 66% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 55% Danceability • 43% Energy • 66% Liveness
0% Instrumentalness • 40% Positiveness
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Roy Woods
Top Left
130 bpm • G# Maj • 02:58 • -11.02db
26% Popularity • 66% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
26% Popularity • 66% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Charlie Stardom
My Love
130 bpm • C# Maj • 04:11 • -5.92db
0% Popularity • 45% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 45% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Ejay Mallard.
Drake & Drive.
130 bpm • F min • 02:58 • -4.26db
19% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Wasionkey
Castles
130 bpm • G# Maj • 03:14 • -6.79db
17% Popularity • 67% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 67% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Dainá
Baeless
130 bpm • D# min • 03:44 • -10.46db
12% Popularity • 61% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 61% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Sig Roy
Her
130 bpm • E min • 03:58 • -12.26db
26% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Serayah
Driving Me
130 bpm • E min • 03:47 • -5.94db
21% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Elliott Trent
Just so You Know
130 bpm • D Maj • 03:20 • -6.73db
20% Popularity • 72% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 72% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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B. Smyth
Too Many Reasons
130 bpm • F min • 03:17 • -6.6db
34% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Brian Puspos
Grind
130 bpm • F min • 04:49 • -13.82db
9% Popularity • 68% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 68% Danceability • 28% Energy • 66% Liveness
0% Instrumentalness • 19% Positiveness
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Rico Love
Did You Tell Your Boyfriend
130 bpm • F Maj • 02:57 • -6.79db
9% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ebon Lurks
Twisted
130 bpm • G# min • 03:00 • -11.56db
26% Popularity • 82% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 82% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Maurice Moore
Ready
130 bpm • C Maj • 04:26 • -6.59db
8% Popularity • 72% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 72% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Pryde
Emrata
130 bpm • F min • 03:17 • -4.65db
17% Popularity • 77% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 77% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Blaq Tuxedo
Cherish
130 bpm • A Maj • 03:24 • -6.04db
12% Popularity • 54% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jordan Hush
Came 4
130 bpm • D min • 03:28 • -8.33db
13% Popularity • 47% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 47% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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August Rigo
Trust Me
130 bpm • F Maj • 03:19 • -6db
10% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ginette Claudette
True
130 bpm • D Maj • 03:28 • -7.7db
8% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
