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Thousand Eyes
Songs like
Thousand Eyes
by
Of Monsters and Men
Based on a tempo of (+/- 10%) and a similar genre
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Of Monsters and Men
Thousand Eyes
117 bpm • A min • 04:00 • -10.1db
40% Popularity • 49% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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X Ambassadors
Unsteady
117 bpm • C Maj • 03:13 • -6.17db
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Malarkey
Dancing in the Grey
117 bpm • A Maj • 04:58 • -8.78db
27% Popularity • 62% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
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Fahrenhaidt
In The Beginning
117 bpm • F# min • 03:25 • -6.37db
30% Popularity • 33% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Woodkid
Never Let You Down
118 bpm • B min • 04:32 • -9.7db
43% Popularity • 47% Danceability • 42% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Adna
Night
117 bpm • G Maj • 04:00 • -13.06db
30% Popularity • 40% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 9% Positiveness
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Of Monsters and Men
Slow And Steady
117 bpm • G# min • 05:01 • -7.14db
46% Popularity • 32% Danceability • 80% Energy • 36% Liveness
17% Instrumentalness • 31% Positiveness
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Gabriel Bruce
Sleep Paralysis
116 bpm • F Maj • 04:17 • -7.96db
21% Popularity • 57% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Fleurie
Fire in My Bones
118 bpm • A min • 03:35 • -10.57db
30% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Carina Round
For Everything a Reason
116 bpm • G# Maj • 05:15 • -10.46db
36% Popularity • 44% Danceability • 33% Energy • 52% Liveness
2% Instrumentalness • 7% Positiveness
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Solomon Grey
Glas / Green
116 bpm • A min • 04:11 • -12db
23% Popularity • 32% Danceability • 38% Energy • 38% Liveness
69% Instrumentalness • 3% Positiveness
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Laleh
Speaking Of Truth - Orchestrated
118 bpm • F Maj • 04:15 • -7.12db
30% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Of Monsters and Men
Silhouettes
117 bpm • B min • 04:31 • -9.05db
48% Popularity • 49% Danceability • 59% Energy • 20% Liveness
40% Instrumentalness • 15% Positiveness
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Mindy Smith
Returning Fire with Fire
116 bpm • C Maj • 03:31 • -7.81db
23% Popularity • 51% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Joseph William Morgan
What a Wonderful World
118 bpm • C Maj • 02:32 • -7.48db
36% Popularity • 40% Danceability • 58% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Christopher Smith
Pillars & Pyre
118 bpm • C# min • 03:50 • -9.16db
2% Popularity • 35% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
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Lera Lynn
Ring of Fire
119 bpm • G Maj • 04:53 • -15.61db
32% Popularity • 40% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Wrongchilde
Love Is a Battlefield
115 bpm • D min • 04:13 • -6.93db
23% Popularity • 48% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Of Monsters and Men
Your Bones
117 bpm • D min • 04:09 • -6db
48% Popularity • 41% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Radical Face
Holy Branches
115 bpm • C# Maj • 03:37 • -8.8db
41% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
72% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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Ólafur Arnalds
So Far
115 bpm • F# min • 04:32 • -14.3db
49% Popularity • 46% Danceability • 34% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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AWOLNATION
Sail
119 bpm • C# Maj • 04:19 • -9.58db
74% Popularity • 83% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 27% Positiveness
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The Phantoms
We Carry On
115 bpm • C# min • 02:57 • -6db
34% Popularity • 63% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Of Monsters and Men
Wild Roses
116 bpm • F# min • 04:02 • -6.38db
50% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Mumford & Sons
Believe
115 bpm • D Maj • 03:40 • -5.99db
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Florence + The Machine
What Kind Of Man
115 bpm • B min • 03:36 • -4.68db
57% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Ólafur Arnalds
So Close
115 bpm • F# min • 03:51 • -13.45db
44% Popularity • 78% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Mourning Ritual
Bad Moon Rising
120 bpm • G Maj • 03:33 • -10.39db
38% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Zola Jesus
Skin
120 bpm • G# Maj • 04:21 • -17db
40% Popularity • 35% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Of Monsters and Men
Black Water - Chris Taylor Of Grizzly Be...
116 bpm • C Maj • 04:25 • -7.98db
27% Popularity • 49% Danceability • 87% Energy • 39% Liveness
90% Instrumentalness • 42% Positiveness
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flora cash
Sadness Is Taking Over
120 bpm • G# min • 03:48 • -7.69db
37% Popularity • 51% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Zella Day
1965
120 bpm • C Maj • 03:38 • -5.53db
40% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Hidden Citizens
I Ran (So Far Away) - Epic Trailer Versi...
120 bpm • A min • 03:20 • -8.57db
44% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Barbarossa
Dark Hopes
120 bpm • C Maj • 04:22 • -9.9db
18% Popularity • 60% Danceability • 43% Energy • 30% Liveness
68% Instrumentalness • 31% Positiveness
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PHILDEL
Storm Song
120 bpm • G min • 03:50 • -7.48db
42% Popularity • 64% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Of Monsters and Men
Empire
119 bpm • F min • 04:20 • -6.32db
51% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Florence + The Machine
I Will Be
114 bpm • A Maj • 05:24 • -8.19db
36% Popularity • 46% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Adna
Shiver
120 bpm • F min • 03:50 • -11.42db
13% Popularity • 51% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Greg Laswell
Comes And Goes (In Waves)
120 bpm • C Maj • 04:13 • -8.6db
48% Popularity • 56% Danceability • 70% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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The Hope Arsenal
Wake Your Soul
120 bpm • A min • 05:58 • -10db
31% Popularity • 52% Danceability • 50% Energy • 18% Liveness
57% Instrumentalness • 4% Positiveness
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Hayden Calnin
For My Help
120 bpm • B Maj • 04:18 • -7.98db
42% Popularity • 47% Danceability • 46% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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Of Monsters and Men
Black Water
115 bpm • C Maj • 04:13 • -7.75db
45% Popularity • 47% Danceability • 59% Energy • 7% Liveness
31% Instrumentalness • 19% Positiveness
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SHELLS
Jagwar
120 bpm • G Maj • 03:32 • -11.05db
39% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Haux
Homegrown
120 bpm • A Maj • 04:02 • -13.68db
49% Popularity • 66% Danceability • 33% Energy • 19% Liveness
39% Instrumentalness • 22% Positiveness
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The Spiritual Machines
Couldn't Stop Caring
120 bpm • B min • 03:14 • -5db
33% Popularity • 58% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Zola Jesus
Run Me Out
120 bpm • F min • 03:42 • -10db
22% Popularity • 44% Danceability • 41% Energy • 11% Liveness
10% Instrumentalness • 25% Positiveness
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Dave Thomas Junior
Lost At Sea
120 bpm • A# Maj • 05:11 • -10.3db
20% Popularity • 50% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Of Monsters and Men
King And Lionheart
120 bpm • G min • 02:57 • -13.2db
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Myers
March: Hills to Climb
114 bpm • F# Maj • 03:59 • -7db
31% Popularity • 47% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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Adna
Beautiful Hell
120 bpm • B min • 02:56 • -12db
47% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mirror Fury
The One I Love
120 bpm • F# Maj • 03:04 • -10.27db
37% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Sital-Singh
Benediction
121 bpm • D Maj • 03:39 • -11.37db
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Vancouver Sleep Clinic
Unworthy
113 bpm • C Maj • 04:30 • -9.5db
36% Popularity • 28% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Of Monsters and Men
Destroyer
120 bpm • F Maj • 04:24 • -7.3db
45% Popularity • 27% Danceability • 42% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Grizfolk
The Struggle
113 bpm • B min • 03:33 • -4.66db
43% Popularity • 55% Danceability • 84% Energy • 34% Liveness
25% Instrumentalness • 67% Positiveness
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Daniel Wilson
If You Went Away
113 bpm • C# Maj • 03:44 • -8.42db
25% Popularity • 59% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Owl John
Songs About Roses
122 bpm • D# min • 03:50 • -10.99db
24% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Half Earth
Borders
122 bpm • A Maj • 03:25 • -10db
9% Popularity • 48% Danceability • 42% Energy • 18% Liveness
2% Instrumentalness • 11% Positiveness
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Of Monsters and Men
Alligator
120 bpm • G# Maj • 03:04 • -5.51db
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Frames
Rise
122 bpm • E min • 03:26 • -11.14db
6% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Cat Pierce
You Belong to Me
122 bpm • C min • 04:01 • -6db
47% Popularity • 32% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Darcys
The River
112 bpm • F# min • 03:58 • -6.85db
25% Popularity • 68% Danceability • 81% Energy • 12% Liveness
19% Instrumentalness • 26% Positiveness
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Armon Jay
Edge of the Dark
122 bpm • D min • 03:13 • -9.33db
25% Popularity • 27% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Sharon Van Etten
Serpents (Basement)
112 bpm • A min • 04:08 • -6.26db
36% Popularity • 30% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Of Monsters and Men
Under A Dome
120 bpm • G min • 04:33 • -9.38db
33% Popularity • 57% Danceability • 67% Energy • 9% Liveness
73% Instrumentalness • 30% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Adna
Living
123 bpm • F# min • 04:41 • -7.19db
19% Popularity • 50% Danceability • 55% Energy • 10% Liveness
39% Instrumentalness • 6% Positiveness
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MEG MYERS
The Morning After
123 bpm • A min • 03:23 • -11.77db
29% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Lee DeWyze
Weight
123 bpm • C Maj • 02:27 • -10db
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 14% Positiveness
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Hurts
Mercy
123 bpm • B min • 04:06 • -8db
40% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Of Monsters and Men
Wars
112 bpm • F# min • 03:37 • -6.24db
48% Popularity • 56% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Fleurie
Love and War
123 bpm • D min • 05:14 • -8.54db
54% Popularity • 45% Danceability • 37% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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The Head And The Heart
Shake
111 bpm • E Maj • 04:01 • -8db
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
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Hayden Calnin
So Nice to Meet Ya
123 bpm • F# Maj • 06:06 • -16.84db
23% Popularity • 22% Danceability • 14% Energy • 9% Liveness
35% Instrumentalness • 5% Positiveness
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Lorde
Everybody Wants To Rule The World
111 bpm • B min • 02:35 • -9.29db
66% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jetta
I'd Love To Change The World
111 bpm • B min • 03:07 • -11.51db
35% Popularity • 48% Danceability • 57% Energy • 36% Liveness
20% Instrumentalness • 17% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Sanders Bohlke
My Baby
111 bpm • D min • 02:51 • -9.09db
23% Popularity • 49% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Robot Koch
Separated
111 bpm • G# Maj • 04:34 • -11.34db
23% Popularity • 56% Danceability • 26% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Maty Noyes
Haunted
124 bpm • D min • 02:44 • -11.25db
30% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Woodkid
Ghost Lights
124 bpm • F min • 03:40 • -5.07db
40% Popularity • 53% Danceability • 89% Energy • 14% Liveness
36% Instrumentalness • 27% Positiveness
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Hayden Calnin
Coward
124 bpm • C Maj • 04:12 • -9db
32% Popularity • 41% Danceability • 47% Energy • 13% Liveness
25% Instrumentalness • 22% Positiveness
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Of Monsters and Men
Dirty Paws - LIVE FROM VATNAGARÐAR
111 bpm • D# Maj • 05:00 • -8db
26% Popularity • 27% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Damien Rice
Long Long Way
124 bpm • C Maj • 06:21 • -9.88db
29% Popularity • 28% Danceability • 28% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Grace Mitchell
Your Design
124 bpm • E min • 04:13 • -10db
24% Popularity • 62% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Margolnick
The Tracks (The Fool)
124 bpm • C min • 07:23 • -9.25db
9% Popularity • 24% Danceability • 47% Energy • 12% Liveness
18% Instrumentalness • 14% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
30% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Barbarossa
Bloodline
124 bpm • C Maj • 04:38 • -8.72db
34% Popularity • 41% Danceability • 55% Energy • 8% Liveness
63% Instrumentalness • 13% Positiveness
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Of Monsters and Men
Love Love Love
111 bpm • G Maj • 03:58 • -10db
54% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Allman Brown
Between the Wars
124 bpm • A min • 04:17 • -14.55db
36% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Robin Loxley
Be What You Want
110 bpm • E Maj • 03:22 • -7.68db
23% Popularity • 41% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew And The Atlas
Counting Paths
110 bpm • G Maj • 04:06 • -11.5db
33% Popularity • 53% Danceability • 51% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Roman Remains
Killing Moon
110 bpm • D# Maj • 05:30 • -9.06db
36% Popularity • 51% Danceability • 64% Energy • 17% Liveness
8% Instrumentalness • 5% Positiveness
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LOLO
Weapon For Saturday
110 bpm • G Maj • 04:12 • -5db
20% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Of Monsters and Men
We Sink
111 bpm • B min • 04:21 • -6.02db
41% Popularity • 46% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Hannah Cartwright
All You Leave Behind
110 bpm • C Maj • 02:57 • -8.26db
35% Popularity • 47% Danceability • 67% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Hidden Citizens
Silent Running - Epic Trailer Version
110 bpm • A# Maj • 03:55 • -8.71db
35% Popularity • 46% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Butterfly Boucher
It Pulls Me Under
110 bpm • A min • 05:10 • -11.02db
28% Popularity • 42% Danceability • 35% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Thousand Eyes