Songs like Three Chords and the Truth by Ry Cooder
Based on a tempo of (+/- 10%) and a similar genre
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Corey Harris
Keep Your Lamp Trimmed And Burning
134 bpm • E Maj • 02:54 • -20.98db
36% Popularity • 65% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 65% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ry Cooder
Highway 23
134 bpm • G Maj • 01:56 • -18.26db
23% Popularity • 81% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 86% Positiveness
23% Popularity • 81% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 86% Positiveness
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Nick Lowe
Cracking Up
135 bpm • F Maj • 02:59 • -13db
35% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Pink Anderson
I Got A Woman 'Way Cross Town
133 bpm • G Maj • 03:01 • -17.15db
29% Popularity • 71% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 71% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Rickie Lee Jones
Up From The Skies
133 bpm • A min • 04:30 • -19.09db
25% Popularity • 71% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
25% Popularity • 71% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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The Staple Singers
A Hard Rain's Gonna Fall
135 bpm • G# Maj • 07:31 • -13.69db
25% Popularity • 71% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 71% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Flaco Jimenez
Next Time You See Me - Live
135 bpm • C Maj • 04:04 • -17.87db
7% Popularity • 50% Danceability • 41% Energy • 74% Liveness
1% Instrumentalness • 80% Positiveness
7% Popularity • 50% Danceability • 41% Energy • 74% Liveness
1% Instrumentalness • 80% Positiveness
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Ry Cooder
Great Dream from Heaven
135 bpm • D Maj • 01:55 • -22.81db
30% Popularity • 61% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 60% Positiveness
30% Popularity • 61% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 60% Positiveness
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John Martyn
Goin' Down To Memphis
133 bpm • B min • 03:09 • -8db
14% Popularity • 38% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
14% Popularity • 38% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Tim Buckley
Make It Right
135 bpm • F min • 04:20 • -7db
26% Popularity • 52% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
26% Popularity • 52% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 91% Positiveness
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Lonnie Mack
The Man in Me
133 bpm • A# Maj • 03:08 • -9.98db
23% Popularity • 53% Danceability • 52% Energy • 22% Liveness
12% Instrumentalness • 74% Positiveness
23% Popularity • 53% Danceability • 52% Energy • 22% Liveness
12% Instrumentalness • 74% Positiveness
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Stephen Stills
Old Times Good Times
133 bpm • F Maj • 03:39 • -10db
29% Popularity • 52% Danceability • 80% Energy • 18% Liveness
28% Instrumentalness • 57% Positiveness
29% Popularity • 52% Danceability • 80% Energy • 18% Liveness
28% Instrumentalness • 57% Positiveness
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Grinderswitch
Pickin' the Blues
132 bpm • A Maj • 05:01 • -10.17db
14% Popularity • 49% Danceability • 56% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
14% Popularity • 49% Danceability • 56% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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David Lindley
Brother John
132 bpm • C Maj • 05:50 • -13db
19% Popularity • 76% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 76% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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John Martyn
The Easy Blues
133 bpm • F Maj • 03:21 • -13db
35% Popularity • 53% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
35% Popularity • 53% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
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Ry Cooder
Boomer's Story
136 bpm • G Maj • 04:15 • -10.39db
24% Popularity • 58% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 58% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Kevin Coyne
Sunday Morning Sunrise
132 bpm • B Maj • 05:33 • -14.67db
18% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Leon Redbone
My Walking Stick
136 bpm • G min • 03:41 • -16.07db
26% Popularity • 70% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
26% Popularity • 70% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
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Dan Hicks & His Hot Licks
I Scare Myself
131 bpm • C Maj • 05:38 • -16.66db
11% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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J.B. Lenoir
Mama Talk To Your Daughter
137 bpm • A min • 02:21 • -9db
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Taj Mahal
Hooray Hooray
137 bpm • G Maj • 04:19 • -9.05db
31% Popularity • 52% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 52% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Ry Cooder
Crossroads - 2008 Remaster
136 bpm • C Maj • 04:24 • -13.95db
39% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Kevin Coyne
Marlene
137 bpm • B Maj • 02:43 • -15db
28% Popularity • 56% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 56% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Leon Redbone
Sweet Mama Hurry Home or I'll Be Gone
131 bpm • A# Maj • 02:35 • -17.25db
20% Popularity • 55% Danceability • 9% Energy • 11% Liveness
14% Instrumentalness • 54% Positiveness
20% Popularity • 55% Danceability • 9% Energy • 11% Liveness
14% Instrumentalness • 54% Positiveness
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Canned Heat
Sugar Bee
137 bpm • A Maj • 02:39 • -10.09db
37% Popularity • 60% Danceability • 62% Energy • 33% Liveness
25% Instrumentalness • 92% Positiveness
37% Popularity • 60% Danceability • 62% Energy • 33% Liveness
25% Instrumentalness • 92% Positiveness
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John Martyn
Rock Salt & Nails
131 bpm • G Maj • 05:00 • -16.64db
10% Popularity • 55% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
10% Popularity • 55% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Jugalbandi
El Gato
130 bpm • A min • 04:03 • -6.94db
20% Popularity • 57% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 63% Positiveness
20% Popularity • 57% Danceability • 71% Energy • 10% Liveness
5% Instrumentalness • 63% Positiveness
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Ry Cooder
Look at Granny Run Run
137 bpm • C# Maj • 03:12 • -17.6db
23% Popularity • 73% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 73% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Big Bill Broonzy
John Henry
138 bpm • G Maj • 04:44 • -13.85db
14% Popularity • 55% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 91% Positiveness
14% Popularity • 55% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 91% Positiveness
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The Flying Burrito Brothers
Wild Horses
130 bpm • G Maj • 06:20 • -12.2db
44% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dave Alvin
Ashgrove
130 bpm • F Maj • 06:15 • -10db
23% Popularity • 60% Danceability • 66% Energy • 23% Liveness
4% Instrumentalness • 49% Positiveness
23% Popularity • 60% Danceability • 66% Energy • 23% Liveness
4% Instrumentalness • 49% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Corey Harris
Coahoma
130 bpm • E Maj • 01:49 • -18.28db
29% Popularity • 55% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
29% Popularity • 55% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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John Hiatt
What Do We Do Now
130 bpm • D Maj • 02:58 • -10.81db
46% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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David Olney
Jerusalem Tomorrow
130 bpm • B min • 05:09 • -16.2db
16% Popularity • 55% Danceability • 25% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 55% Danceability • 25% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
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David Lindley
Monkey Wash, Donkey Rinse
139 bpm • G Maj • 03:19 • -9.08db
15% Popularity • 49% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 49% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Ry Cooder
Sunny's Tune
139 bpm • G Maj • 02:56 • -18.46db
24% Popularity • 37% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 35% Positiveness
24% Popularity • 37% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 35% Positiveness
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Otis Spann
Ain't Nobody's Business
139 bpm • C Maj • 05:11 • -17db
34% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Pete Townshend
April Fool
139 bpm • D Maj • 03:34 • -23db
33% Popularity • 50% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
33% Popularity • 50% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Arlo Guthrie
Coming into Los Angeles - Remastered
129 bpm • E min • 03:06 • -7.79db
43% Popularity • 56% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 56% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Mink DeVille
Mixed Up, Shook Up Girl
129 bpm • A Maj • 03:42 • -16db
36% Popularity • 75% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
36% Popularity • 75% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
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Flaco Jimenez
Viva Sequin / Do Re Mi - Live
129 bpm • G Maj • 05:57 • -19db
4% Popularity • 60% Danceability • 49% Energy • 86% Liveness
2% Instrumentalness • 72% Positiveness
4% Popularity • 60% Danceability • 49% Energy • 86% Liveness
2% Instrumentalness • 72% Positiveness
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Ry Cooder
Paris, Texas
129 bpm • G Maj • 02:54 • -20.96db
48% Popularity • 36% Danceability • 1% Energy • 6% Liveness
16% Instrumentalness • 20% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 6% Liveness
16% Instrumentalness • 20% Positiveness
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Taj Mahal
Drinkin’ Wine Spo-Dee-O-Dee
129 bpm • D Maj • 03:15 • -9.65db
15% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Bruce Cockburn
Café Society
140 bpm • D Maj • 04:37 • -6.66db
13% Popularity • 52% Danceability • 76% Energy • 14% Liveness
61% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 76% Energy • 14% Liveness
61% Instrumentalness • 70% Positiveness
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Boz Scaggs
Loan Me a Dime
140 bpm • A min • 12:31 • -10.52db
43% Popularity • 39% Danceability • 47% Energy • 29% Liveness
6% Instrumentalness • 38% Positiveness
43% Popularity • 39% Danceability • 47% Energy • 29% Liveness
6% Instrumentalness • 38% Positiveness
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Crazy Horse
I Don't Want to Talk About It
128 bpm • G Maj • 05:18 • -12db
36% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Flaco Jimenez
(Hey Baby) Que Paso - Live
129 bpm • D Maj • 04:11 • -18.59db
5% Popularity • 61% Danceability • 50% Energy • 59% Liveness
12% Instrumentalness • 82% Positiveness
5% Popularity • 61% Danceability • 50% Energy • 59% Liveness
12% Instrumentalness • 82% Positiveness
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Stephen Stills
Blues Man
140 bpm • D Maj • 04:04 • -14.99db
22% Popularity • 61% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
22% Popularity • 61% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Jesse Winchester
Isn't That So
128 bpm • D min • 02:25 • -11.48db
21% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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David Crosby
Laughing - 2021 Remaster
140 bpm • D Maj • 05:23 • -13.26db
33% Popularity • 24% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
33% Popularity • 24% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
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Little Feat
Forty-Four Blues / How Many More Years
127 bpm • A# Maj • 06:32 • -12.78db
17% Popularity • 49% Danceability • 47% Energy • 18% Liveness
43% Instrumentalness • 72% Positiveness
17% Popularity • 49% Danceability • 47% Energy • 18% Liveness
43% Instrumentalness • 72% Positiveness
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Ry Cooder
Nitty Gritty Mississippi - 2008 Remaster
141 bpm • D Maj • 02:57 • -16.03db
20% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Flaco Jimenez
Marina - Live
128 bpm • G Maj • 04:24 • -18.58db
7% Popularity • 63% Danceability • 55% Energy • 59% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 63% Danceability • 55% Energy • 59% Liveness
0% Instrumentalness • 88% Positiveness
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Crosby, Stills, Nash & Young
4 + 20
141 bpm • E Maj • 02:06 • -25.24db
54% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
54% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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Nick Lowe
Homewrecker
127 bpm • G Maj • 03:08 • -14.41db
29% Popularity • 51% Danceability • 20% Energy • 26% Liveness
2% Instrumentalness • 29% Positiveness
29% Popularity • 51% Danceability • 20% Energy • 26% Liveness
2% Instrumentalness • 29% Positiveness
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James Booker
Junco Partner
142 bpm • G Maj • 05:10 • -17.8db
30% Popularity • 57% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 70% Positiveness
30% Popularity • 57% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 70% Positiveness
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Boz Scaggs
Sweet Release
142 bpm • G Maj • 06:14 • -11.3db
18% Popularity • 40% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 40% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Slim Harpo
Tip On In
127 bpm • E Maj • 02:51 • -15.28db
36% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
36% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
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Canned Heat
Rollin' And Tumblin'
127 bpm • G Maj • 03:11 • -12.5db
44% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Terry Callier
It’s About Time
142 bpm • B min • 03:33 • -20.96db
25% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Guy Davis
You Don't Know My Mind
127 bpm • A Maj • 02:46 • -15.7db
24% Popularity • 58% Danceability • 29% Energy • 14% Liveness
4% Instrumentalness • 45% Positiveness
24% Popularity • 58% Danceability • 29% Energy • 14% Liveness
4% Instrumentalness • 45% Positiveness
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Dan Hicks & His Hot Licks
You Gotta Believe
127 bpm • F Maj • 02:44 • -9.59db
12% Popularity • 74% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 74% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Solomon Burke
Fast Train
126 bpm • D# Maj • 05:43 • -10db
36% Popularity • 66% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
36% Popularity • 66% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Steve Forbert
What Kinda Guy?
142 bpm • A Maj • 02:35 • -14db
31% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Vaughan Brothers
Hillbillies from Outerspace
142 bpm • G# Maj • 03:45 • -15.34db
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
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Gregg Allman
Floating Bridge
142 bpm • F# min • 04:45 • -8db
26% Popularity • 70% Danceability • 60% Energy • 10% Liveness
5% Instrumentalness • 87% Positiveness
26% Popularity • 70% Danceability • 60% Energy • 10% Liveness
5% Instrumentalness • 87% Positiveness
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Alvin Youngblood Hart
Moonlight Mile
142 bpm • C# Maj • 04:28 • -15.13db
16% Popularity • 42% Danceability • 18% Energy • 7% Liveness
5% Instrumentalness • 23% Positiveness
16% Popularity • 42% Danceability • 18% Energy • 7% Liveness
5% Instrumentalness • 23% Positiveness
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Bryan Ferry
Just Like Tom Thumb's Blues
126 bpm • A Maj • 03:50 • -5.82db
34% Popularity • 72% Danceability • 87% Energy • 10% Liveness
14% Instrumentalness • 93% Positiveness
34% Popularity • 72% Danceability • 87% Energy • 10% Liveness
14% Instrumentalness • 93% Positiveness
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Flaco Jimenez
Streets Of Bakersfield - Live
126 bpm • A# Maj • 03:39 • -17.1db
6% Popularity • 61% Danceability • 65% Energy • 64% Liveness
2% Instrumentalness • 88% Positiveness
6% Popularity • 61% Danceability • 65% Energy • 64% Liveness
2% Instrumentalness • 88% Positiveness
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Chet Atkins
Caravan
126 bpm • D Maj • 03:17 • -15.04db
27% Popularity • 62% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 71% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 71% Positiveness
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Corey Harris
Fish Ain't Bitin'
126 bpm • G Maj • 03:28 • -15db
31% Popularity • 89% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 89% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Stephen Stills
All I Know Is What You Tell Me - Demo
143 bpm • G Maj • 01:39 • -14db
32% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ry Cooder
Jesus on the Mainline
143 bpm • C Maj • 04:10 • -15.01db
26% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Rickie Lee Jones
Danny's All-Star Joint
143 bpm • E Maj • 04:06 • -14.19db
30% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Leon Redbone
Crazy Blues
125 bpm • C Maj • 04:17 • -18.35db
12% Popularity • 76% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 76% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Tim Buckley
Hong Kong Bar
125 bpm • D Maj • 06:57 • -15.4db
21% Popularity • 75% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
21% Popularity • 75% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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David Lindley
Petit Fleur
125 bpm • A Maj • 03:11 • -14.23db
15% Popularity • 37% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 37% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Little
Willin'
144 bpm • G Maj • 02:54 • -7.2db
55% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Ry Cooder
Smack Dab in the Middle
125 bpm • A# Maj • 03:19 • -14.58db
26% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Pete Townshend
Misunderstood
124 bpm • E Maj • 03:01 • -20.56db
33% Popularity • 86% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 86% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Otis Spann
She Needs Some Loving
124 bpm • F Maj • 03:05 • -10db
7% Popularity • 58% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 58% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Stefan Grossman
Crow Jane
144 bpm • E Maj • 01:53 • -12db
29% Popularity • 63% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 78% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 78% Positiveness
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Levon Helm
When I Go Away
124 bpm • G# Maj • 04:32 • -6db
43% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Little
Trouble
125 bpm • G Maj • 02:17 • -8.11db
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Ry Cooder
Crazy 'Bout an Automobile (Every Woman I...
144 bpm • D# Maj • 05:07 • -19.49db
19% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Smith
Ode To Billie Joe
124 bpm • C Maj • 06:24 • -17.03db
26% Popularity • 66% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 31% Positiveness
26% Popularity • 66% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 31% Positiveness
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Dave Alvin
(Variations on Earl Hooker's) Guitar Rum...
145 bpm • G Maj • 05:30 • -7.48db
9% Popularity • 46% Danceability • 80% Energy • 6% Liveness
52% Instrumentalness • 70% Positiveness
9% Popularity • 46% Danceability • 80% Energy • 6% Liveness
52% Instrumentalness • 70% Positiveness
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Loudon Wainwright III
Hard Day On The Planet
123 bpm • E min • 04:50 • -13db
17% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Eilen Jewell
Radio City
145 bpm • D min • 01:36 • -6.88db
24% Popularity • 47% Danceability • 64% Energy • 25% Liveness
52% Instrumentalness • 75% Positiveness
24% Popularity • 47% Danceability • 64% Energy • 25% Liveness
52% Instrumentalness • 75% Positiveness
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Corey Harris
Roots Woman
123 bpm • A Maj • 02:50 • -18.37db
33% Popularity • 82% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
33% Popularity • 82% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Ry Cooder
Money Honey
124 bpm • A# Maj • 03:29 • -10.36db
21% Popularity • 72% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 72% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Stephen Stills
Suite: Judy Blue Eyes - Demo
146 bpm • E Maj • 06:31 • -11.1db
19% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John Martyn
The Glory Of Love
146 bpm • C# min • 02:17 • -15.68db
26% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Lightnin' Hopkins
Mojo Hand
147 bpm • B min • 02:59 • -9db
48% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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The Chieftains
The Sands of Mexico
122 bpm • D Maj • 04:47 • -11db
13% Popularity • 50% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 50% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Smither
Link Of Chain
147 bpm • F# Maj • 04:50 • -9db
35% Popularity • 44% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
35% Popularity • 44% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
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Ry Cooder
How Can a Poor Man Stand Such Times and ...
123 bpm • A# Maj • 02:46 • -10.84db
22% Popularity • 51% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 51% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
