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Three Day Bank
Songs like
Three Day Bank
by
Daniel Hart
Based on a tempo of (+/- 10%) and a similar genre
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Jed Kurzel
The Child, Pt.2
152 bpm • E min • 01:16 • -11.94db
32% Popularity • 11% Danceability • 48% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Trevor Gureckis
Hobart & Blackwell
151 bpm • D# min • 01:53 • -22.31db
14% Popularity • 22% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Brooke Blair
The Peacemaker
152 bpm • C Maj • 01:19 • -12.27db
8% Popularity • 22% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 17% Positiveness
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Daniel Hart
My Very Nature That of the Devil
154 bpm • F Maj • 02:14 • -22.83db
18% Popularity • 11% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Dan Romer
We Travel for a Reason
149 bpm • E Maj • 03:51 • -21.62db
16% Popularity • 12% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Adam Taylor
Forbidden Love
147 bpm • F# Maj • 01:38 • -25.74db
13% Popularity • 13% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Rachel Portman
Bumper Crop
145 bpm • C Maj • 03:07 • -25.18db
16% Popularity • 29% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Anjimile
1978 (Reunion) - Instrumental
146 bpm • B min • 04:29 • -13.83db
1% Popularity • 43% Danceability • 13% Energy • 39% Liveness
73% Instrumentalness • 45% Positiveness
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Rob Lane
How Magic Will Be Lost
145 bpm • G Maj • 02:17 • -26.37db
18% Popularity • 13% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Hart
I Will Strike Thee Down With Every Care ...
147 bpm • G min • 01:33 • -20.04db
16% Popularity • 17% Danceability • 21% Energy • 20% Liveness
82% Instrumentalness • 4% Positiveness
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Tom Howe
Professor Marston
160 bpm • A min • 01:27 • -18.22db
11% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Christian Henson
The Journey to Moonacre
160 bpm • A# min • 01:51 • -16.99db
39% Popularity • 36% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Dickon Hinchliffe
The Causeway
144 bpm • D Maj • 03:47 • -21.78db
39% Popularity • 15% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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Thomas Newman
Helheimr (End Crawl)
144 bpm • D min • 03:30 • -18.14db
30% Popularity • 44% Danceability • 30% Energy • 12% Liveness
98% Instrumentalness • 18% Positiveness
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Lovett
Monsters
143 bpm • F min • 01:42 • -20.44db
22% Popularity • 16% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Mark Isham
Crossing the Sound
162 bpm • D min • 02:33 • -13.59db
17% Popularity • 31% Danceability • 32% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
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Tom Howe
Olive Kisses Elizabeth
160 bpm • D min • 02:17 • -19db
18% Popularity • 34% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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David Buckley
Meet Ethel Cripps
142 bpm • A# min • 02:54 • -35.13db
26% Popularity • 14% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Adam Taylor
They Were Once Madly in Love
142 bpm • A# min • 01:47 • -34.62db
17% Popularity • 16% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Hart
The Fantasy of Happiness
142 bpm • F Maj • 04:04 • -18.92db
20% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Giacchino
A Few of My Shiniest Things
142 bpm • A# Maj • 01:38 • -26.45db
11% Popularity • 21% Danceability • 3% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
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Bear McCreary
A Return to Compassion
163 bpm • G Maj • 05:53 • -22.33db
24% Popularity • 9% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Bobby Krlic
Hålsingland
141 bpm • B Maj • 03:05 • -28.19db
25% Popularity • 16% Danceability • 20% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Christian Lundberg
An Intimate Dance
164 bpm • F Maj • 01:15 • -19.62db
21% Popularity • 9% Danceability • 22% Energy • 36% Liveness
36% Instrumentalness • 4% Positiveness
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Nathan Johnson
Grindle's Ghost
141 bpm • B min • 07:13 • -13.51db
10% Popularity • 16% Danceability • 36% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
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Marco Beltrami
A Quiet Moment
140 bpm • C Maj • 01:13 • -30.59db
30% Popularity • 26% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Christopher Spelman
In the Hospital
141 bpm • C# min • 03:33 • -15.57db
9% Popularity • 14% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Dan Romer
Into the Night
165 bpm • A# min • 01:40 • -14.27db
16% Popularity • 48% Danceability • 36% Energy • 9% Liveness
98% Instrumentalness • 27% Positiveness
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Bear McCreary
The Shape of Things to Come
140 bpm • A Maj • 02:55 • -13db
27% Popularity • 16% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Adam Taylor
Promenade of Stolen Children
140 bpm • D Maj • 03:09 • -20.39db
13% Popularity • 16% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
42% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Michael Giacchino
Oceanic 815
139 bpm • C Maj • 06:11 • -29.64db
25% Popularity • 14% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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조영욱과 THE SOUNDTRACKINGS
Feels Just Fine
140 bpm • C min • 03:08 • -13.05db
20% Popularity • 22% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Dan Romer
Where Lost Boys Go
140 bpm • A Maj • 02:06 • -19.25db
25% Popularity • 37% Danceability • 9% Energy • 39% Liveness
85% Instrumentalness • 5% Positiveness
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Robin Carolan
Cut the Thread of Fate
166 bpm • A# min • 01:13 • -18db
43% Popularity • 9% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Johannes Lehniger
Runaway
139 bpm • A Maj • 01:55 • -18.57db
35% Popularity • 31% Danceability • 15% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Lovett
You're Safe Now
139 bpm • A min • 02:04 • -19.27db
14% Popularity • 14% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Ben Salisbury
The Turing Test
139 bpm • C# Maj • 04:34 • -31db
40% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Daniel Hart
In Stori Stif And Stronge
139 bpm • C# Maj • 02:01 • -17db
22% Popularity • 45% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
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Dickon Hinchliffe
The Affair
139 bpm • G min • 03:47 • -14.1db
15% Popularity • 19% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Nathan Johnson
Like Father, Like Son
138 bpm • D Maj • 01:01 • -21.18db
36% Popularity • 15% Danceability • 13% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
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Steven Price
Frailty in Love
138 bpm • A min • 02:47 • -30.2db
17% Popularity • 15% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Immediate
Where We Met
138 bpm • A# Maj • 03:32 • -10.85db
11% Popularity • 38% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
35% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jed Kurzel
Blood
138 bpm • E min • 04:04 • -17.39db
20% Popularity • 15% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Dickon Hinchliffe
Glass of Water
138 bpm • D# Maj • 01:57 • -22.41db
16% Popularity • 17% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Daniel Hart
Excalibur
137 bpm • F Maj • 01:54 • -18.07db
22% Popularity • 15% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Thomas Ross Fitzsimons
Apocalypse Practice
137 bpm • D Maj • 02:22 • -13.75db
30% Popularity • 54% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
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Valentin Hadjadj
Remi’s Torments
137 bpm • E min • 03:51 • -21.54db
21% Popularity • 16% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Max Richter
A Claim to the Throne
137 bpm • G min • 03:05 • -17.35db
21% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Dominik Scherrer
The Good of This City
170 bpm • G Maj • 02:08 • -18.45db
13% Popularity • 8% Danceability • 8% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Anjimile
In Your Eyes (Reflection) - Instrumental
170 bpm • G# min • 03:15 • -11.74db
3% Popularity • 23% Danceability • 27% Energy • 31% Liveness
80% Instrumentalness • 52% Positiveness
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Daniel Hart
The Giant's Call
137 bpm • D Maj • 02:57 • -17.59db
18% Popularity • 20% Danceability • 18% Energy • 13% Liveness
9% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
45% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Dan Romer
Straight On 'till Morning
170 bpm • D min • 02:21 • -9.7db
15% Popularity • 52% Danceability • 62% Energy • 36% Liveness
95% Instrumentalness • 54% Positiveness
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Hanan Townshend
Marina's Theme - The Call
136 bpm • C# Maj • 01:06 • -20db
28% Popularity • 17% Danceability • 5% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Brett Detar
Treasured Things
170 bpm • D# Maj • 02:28 • -30.79db
10% Popularity • 49% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Nathan Johnson
Theme from Nightmare Alley - Solo Piano
135 bpm • G min • 03:52 • -24.13db
13% Popularity • 46% Danceability • 4% Energy • 27% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Hart
This Is Not a Dream
136 bpm • D min • 01:37 • -23.66db
23% Popularity • 54% Danceability • 7% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
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David Arnold
That is Everything
171 bpm • G# min • 02:01 • -19.4db
0% Popularity • 8% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Adam Taylor
Nick and Offred
171 bpm • F# Maj • 02:05 • -29.65db
16% Popularity • 8% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Newman
Iris
135 bpm • D min • 01:20 • -34.36db
24% Popularity • 16% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Guy Farley
The Grand Bakery
172 bpm • A min • 03:15 • -16db
34% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Max Richter
My Crown
134 bpm • A min • 02:51 • -16db
22% Popularity • 18% Danceability • 23% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Daniel Hart
In Throes of Increasing Wonder
135 bpm • E Maj • 02:12 • -18.41db
20% Popularity • 17% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Alexis Grapsas
Bottom Of The Ocean
134 bpm • D Maj • 01:43 • -19.68db
14% Popularity • 17% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Christopher Willis
My Own Story
134 bpm • A min • 01:46 • -14.87db
19% Popularity • 44% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
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The Prestige
Are You Watching Closely?
173 bpm • E min • 01:51 • -22db
31% Popularity • 8% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Maurice Jarre
Kwan's Sacrifice
134 bpm • C Maj • 07:57 • -24.93db
15% Popularity • 19% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Max Richter
Scream at the Sky
134 bpm • A# min • 06:04 • -27.86db
22% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel L.K. Caldwell
Cee
134 bpm • A min • 01:50 • -25.04db
20% Popularity • 18% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Daniel Hart
Sciunt Se Esse Mortui
133 bpm • A# min • 03:09 • -17.31db
14% Popularity • 16% Danceability • 9% Energy • 8% Liveness
86% Instrumentalness • 2% Positiveness
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Lovett
Came Here To Die
133 bpm • G Maj • 03:14 • -21.02db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Johan Söderqvist
Eli and Oscar
175 bpm • F# min • 03:11 • -24.05db
22% Popularity • 12% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Sarah Schachner
Naru and Sarii
175 bpm • G# Maj • 00:58 • -24.42db
44% Popularity • 16% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Roque Baños
Young Nickerson
132 bpm • F Maj • 02:16 • -20.17db
25% Popularity • 32% Danceability • 16% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Daniel Hart
Remember It Is Only A Game
133 bpm • A min • 02:27 • -17.51db
19% Popularity • 20% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Clint Mansell
Last Night I Dreamt I Went To Manderley ...
176 bpm • D min • 02:59 • -15.7db
8% Popularity • 14% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Pretty Corny
131 bpm • A min • 01:44 • -30.01db
47% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Dan Romer
The Haunted Train
176 bpm • C# Maj • 02:06 • -14db
9% Popularity • 66% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
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Anjimile
Maker (Refraction) - Instrumental
177 bpm • A Maj • 02:58 • -9.4db
2% Popularity • 49% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Michael Giacchino
Win One For The Reaper
130 bpm • A# Maj • 02:39 • -41.51db
29% Popularity • 37% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Daniel Hart
One Door Closes
175 bpm • F Maj • 03:30 • -19.76db
16% Popularity • 8% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Defending Jacob Theme (Extended Version)
130 bpm • B min • 02:11 • -17db
29% Popularity • 36% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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David Buckley
Dream's Escape
130 bpm • D min • 02:51 • -14.89db
28% Popularity • 17% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Dan Romer
To the Monsters We're the Monsters
130 bpm • E min • 01:49 • -18db
25% Popularity • 23% Danceability • 15% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Amie Doherty
Why I Caused The Accident
178 bpm • A# min • 01:52 • -17.51db
14% Popularity • 14% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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David Hirschfelder
Burning Down Dungatar
180 bpm • G Maj • 02:08 • -15db
24% Popularity • 15% Danceability • 17% Energy • 14% Liveness
74% Instrumentalness • 8% Positiveness
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Clint Mansell
Coda
180 bpm • A min • 03:38 • -16.09db
20% Popularity • 7% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Marco Beltrami
7573'
181 bpm • E min • 05:49 • -15.89db
28% Popularity • 8% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Three Day Bank