Songs like Three Jamaican Dances: No. 2 by Oswald Russell
Based on a tempo of (+/- 10%) and a similar genre
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Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Akin Euba
Igba Kinni
117 bpm • G# Maj • 01:11 • -22.68db
0% Popularity • 60% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 13% Positiveness
0% Popularity • 60% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 13% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Ludwig van Beethoven
Symphony No. 6 in F Major, Op. 68, "Past...
117 bpm • F Maj • 11:51 • -23.05db
51% Popularity • 37% Danceability • 6% Energy • 13% Liveness
70% Instrumentalness • 28% Positiveness
51% Popularity • 37% Danceability • 6% Energy • 13% Liveness
70% Instrumentalness • 28% Positiveness
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Stephan Koncz
GoldBergHain (Quodlibet on "Kraut und R�...
117 bpm • G Maj • 02:44 • -19.88db
48% Popularity • 39% Danceability • 13% Energy • 17% Liveness
10% Instrumentalness • 41% Positiveness
48% Popularity • 39% Danceability • 13% Energy • 17% Liveness
10% Instrumentalness • 41% Positiveness
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Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
58% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
58% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Christian Onyeji
Ufie III
117 bpm • G Maj • 02:31 • -24.25db
0% Popularity • 53% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 90% Positiveness
0% Popularity • 53% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 90% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Fiona Joy Hawkins
Prelude to Fire (Chopin, E Minor #4)
116 bpm • A min • 02:57 • -18.94db
25% Popularity • 38% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 38% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Louis Spohr
Spohr : Sonata for Cello & Harp in G maj...
116 bpm • E Maj • 05:04 • -24.76db
19% Popularity • 28% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
19% Popularity • 28% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Louise Farrenc
Cello Sonata in B-Flat Major, Op. 46: II...
116 bpm • D# Maj • 05:36 • -29.49db
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
37% Popularity • 26% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618 (Transcr. Liszt...
115 bpm • B Maj • 04:02 • -38.66db
22% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Florence Beatrice Price
Ticklin' Toes
117 bpm • C Maj • 01:05 • -27.67db
1% Popularity • 57% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
1% Popularity • 57% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
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Antonín Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Karl Jenkins
White Water
119 bpm • F Maj • 03:00 • -18db
33% Popularity • 38% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 38% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
32% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
32% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Alexander Litvinovsky
Le grand cahier: I. La forêt et la rivi...
115 bpm • G Maj • 02:46 • -20.43db
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
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William Wilson
Lakmé: Flower Duet
114 bpm • B Maj • 01:28 • -23db
42% Popularity • 78% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
42% Popularity • 78% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Robert Kwami
Piano Piece No. 2 - Call and Response
118 bpm • A# Maj • 01:29 • -31.72db
1% Popularity • 54% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
1% Popularity • 54% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
49% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
49% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Aaron Copland
Rodeo - 4 Dance Episodes (arr. A. Gold a...
121 bpm • D# Maj • 04:45 • -34.55db
0% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
0% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Ulysses Kay
Invention No. 2
115 bpm • A min • 01:00 • -24.22db
0% Popularity • 57% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 84% Positiveness
0% Popularity • 57% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 84% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (USA): II. Trop...
122 bpm • A Maj • 03:58 • -28.84db
1% Popularity • 45% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
1% Popularity • 45% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
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Víkingur Ólafsson
…And at the Hour of Death
122 bpm • C Maj • 02:32 • -36.33db
48% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
48% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
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Florian Christl
Schumann Variation (on a Theme from Pian...
112 bpm • C Maj • 02:30 • -19.78db
41% Popularity • 52% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
41% Popularity • 52% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Eleanor Alberga
If the Silver Bird Could Speak
112 bpm • C# Maj • 03:21 • -26.23db
0% Popularity • 53% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
0% Popularity • 53% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Stella Sung
Epicycles for Piano Four-Hands: V. Prest...
123 bpm • C# Maj • 02:26 • -22.68db
0% Popularity • 29% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
0% Popularity • 29% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Robert Kwami
January Dance (Kpanlogo)
112 bpm • C Maj • 02:51 • -22.69db
0% Popularity • 56% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 81% Positiveness
0% Popularity • 56% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 81% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 12 in A Major, K. 414...
112 bpm • D Maj • 07:36 • -25.77db
45% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
45% Popularity • 31% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Quartet in G major / Sol majeur / G-dur:...
123 bpm • F# Maj • 03:38 • -20.75db
33% Popularity • 32% Danceability • 11% Energy • 26% Liveness
6% Instrumentalness • 30% Positiveness
33% Popularity • 32% Danceability • 11% Energy • 26% Liveness
6% Instrumentalness • 30% Positiveness
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Nkeiru Okoye
Dusk
124 bpm • D# min • 03:24 • -34.7db
6% Popularity • 68% Danceability • 0% Energy • 9% Liveness
48% Instrumentalness • 14% Positiveness
6% Popularity • 68% Danceability • 0% Energy • 9% Liveness
48% Instrumentalness • 14% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Aaron Copland
Billy the Kid (version for piano duo): I...
124 bpm • F Maj • 02:50 • -31.21db
0% Popularity • 43% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 14% Positiveness
0% Popularity • 43% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 14% Positiveness
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Isaac Albéniz
Mallorca (Barcarola), Op. 202
124 bpm • F min • 06:14 • -27.05db
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Adagio in E Major, K. 261
112 bpm • E Maj • 07:42 • -25.46db
38% Popularity • 22% Danceability • 5% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
38% Popularity • 22% Danceability • 5% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Marina Baranova
The Canopy of Heaven
124 bpm • C# Maj • 02:15 • -24db
34% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Akin Euba
Igba Kerin
110 bpm • F# min • 00:40 • -24.46db
0% Popularity • 48% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
0% Popularity • 48% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
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Robert Nathaniel Dett
In the Bottoms - Suite: V. Dance
110 bpm • F Maj • 02:17 • -19.96db
1% Popularity • 48% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 66% Positiveness
1% Popularity • 48% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 66% Positiveness
► Preview
Aaron Copland
Rodeo - 4 Dance Episodes (arr. A. Gold a...
110 bpm • D Maj • 03:19 • -18.86db
0% Popularity • 56% Danceability • 15% Energy • 7% Liveness
84% Instrumentalness • 54% Positiveness
0% Popularity • 56% Danceability • 15% Energy • 7% Liveness
84% Instrumentalness • 54% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448/3...
110 bpm • G Maj • 09:23 • -29.33db
43% Popularity • 38% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
43% Popularity • 38% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Malcolm Arnold
Fantasy for Guitar Op. 107: III. Arietta...
109 bpm • D Maj • 02:03 • -38db
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Isak Roux
Kwela No. 1
124 bpm • C Maj • 00:46 • -27.49db
1% Popularity • 57% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 49% Positiveness
1% Popularity • 57% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 49% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Oswald Russell
Three Jamaican Dances: No. 1
109 bpm • G Maj • 01:02 • -27.88db
1% Popularity • 56% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
1% Popularity • 56% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
49% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
49% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Ludovic Lamothe
La Dangereuse (Haiti)
109 bpm • E Maj • 05:03 • -26.5db
0% Popularity • 38% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 21% Positiveness
0% Popularity • 38% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 21% Positiveness
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Chad Lawson
Preludium in C Major (Variation) - J.S. ...
126 bpm • C Maj • 04:10 • -32.14db
27% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
27% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Antonín Dvořák
Gypsy Songs, Op. 55, B. 104: No. 4, Song...
108 bpm • A min • 01:58 • -29db
37% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
37% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Fred Onovwerosuoke
Studies in African Rhythm (Nigeria): VI....
108 bpm • F# Maj • 01:24 • -21.66db
0% Popularity • 67% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
0% Popularity • 67% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
► Preview
Donald Grantham
Fantasy Variations on Gershwin’s Piano...
128 bpm • C# Maj • 11:54 • -23.81db
0% Popularity • 52% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
0% Popularity • 52% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
41% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
► Preview
Aaron Copland
Billy the Kid (version for piano duo): V...
107 bpm • C min • 01:46 • -15.86db
0% Popularity • 64% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
0% Popularity • 64% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Enrique Granados
IV. La campana de la tarde. Allegretto
129 bpm • F Maj • 02:17 • -36db
27% Popularity • 48% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 48% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
129 bpm • F min • 04:07 • -25db
30% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Isak Roux
Preludes in African Rhythm (South Africa...
106 bpm • E min • 05:24 • -25.17db
0% Popularity • 39% Danceability • 19% Energy • 14% Liveness
82% Instrumentalness • 40% Positiveness
0% Popularity • 39% Danceability • 19% Energy • 14% Liveness
82% Instrumentalness • 40% Positiveness
► Preview
Paul Reade
Suite from The Victorian Kitchen Garden:...
129 bpm • D# Maj • 02:07 • -32db
36% Popularity • 18% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
36% Popularity • 18% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Astor Piazzolla
La Muerte del Ángel (Arranged for Two P...
129 bpm • A min • 03:59 • -21.84db
0% Popularity • 48% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
0% Popularity • 48% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
129 bpm • A min • 02:57 • -32db
41% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
41% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Gamal Abdel-Rahim
Variations on an Egyptian Folksong: Vari...
106 bpm • F min • 06:20 • -24.99db
1% Popularity • 34% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
1% Popularity • 34% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Songs Without Words, Book I...
130 bpm • B Maj • 04:12 • -26db
21% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Fred Onovwerosuoke
Studies in African Rhythm (Nigeria): I. ...
106 bpm • D Maj • 01:22 • -21.87db
1% Popularity • 40% Danceability • 28% Energy • 13% Liveness
84% Instrumentalness • 92% Positiveness
1% Popularity • 40% Danceability • 28% Energy • 13% Liveness
84% Instrumentalness • 92% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Eleanor Alberga
Two-Piano Suite
129 bpm • A# Maj • 12:10 • -23.24db
0% Popularity • 49% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
0% Popularity • 49% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Divertimento No. 11 in D Major, K. 251: ...
131 bpm • A Maj • 03:44 • -20.88db
35% Popularity • 28% Danceability • 7% Energy • 19% Liveness
80% Instrumentalness • 20% Positiveness
35% Popularity • 28% Danceability • 7% Energy • 19% Liveness
80% Instrumentalness • 20% Positiveness
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Robert Nathaniel Dett
In the Bottoms - Suite: I. Prelude
129 bpm • D Maj • 04:24 • -24.16db
0% Popularity • 36% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
0% Popularity • 36% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Nkeiru Okoye
Dancing Barefoot in the Rain
131 bpm • F# Maj • 01:01 • -26.6db
4% Popularity • 59% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 73% Positiveness
4% Popularity • 59% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 73% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
26% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
26% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Eleanor Alberga
3-Day Mix for Piano Four-Hands
105 bpm • A# Maj • 08:48 • -23.68db
0% Popularity • 55% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 52% Positiveness
0% Popularity • 55% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 52% Positiveness
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Fred Onovwerosuoke
Studies in African Rhythm (Nigeria): III...
104 bpm • F Maj • 01:27 • -21.41db
0% Popularity • 55% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 87% Positiveness
0% Popularity • 55% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 87% Positiveness
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Robert Nathaniel Dett
In the Bottoms - Suite: III. Honey
105 bpm • F Maj • 01:29 • -27.41db
0% Popularity • 45% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
0% Popularity • 45% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 18% Positiveness
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Christian Onyeji
Oga
104 bpm • C# Maj • 03:37 • -25.33db
0% Popularity • 48% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
0% Popularity • 48% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
41% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
37% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Karl Jenkins
Hymn
133 bpm • F Maj • 02:32 • -29.95db
49% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
49% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
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Chad Lawson
Herr Jesu Christ, Meins Lebens Licht, Ch...
134 bpm • B min • 02:54 • -34db
30% Popularity • 40% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Laurindo Almeida
Lament in Tremelo Form
103 bpm • D min • 04:27 • -29.5db
33% Popularity • 42% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
33% Popularity • 42% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Antonín Dvořák
Suite in A Major, Op. 98: I. Moderato - ...
103 bpm • A Maj • 04:25 • -24.08db
20% Popularity • 40% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
20% Popularity • 40% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Víkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
58% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
58% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Coleridge-Taylor Perkinson
Toccata (USA)
102 bpm • D min • 02:35 • -18.93db
0% Popularity • 30% Danceability • 32% Energy • 8% Liveness
81% Instrumentalness • 55% Positiveness
0% Popularity • 30% Danceability • 32% Energy • 8% Liveness
81% Instrumentalness • 55% Positiveness
► Preview
Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Robert Nathaniel Dett
Honey
103 bpm • G min • 01:36 • -29.58db
1% Popularity • 45% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
1% Popularity • 45% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
