Songs like Three Poems for Two Violins and Piano: I. First Movement (Simple) by Laura Hamilton
Based on a tempo of (+/- 10%) and a similar genre
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Brad Oscar
In Old Bavaria
87 bpm • A# Maj • 00:56 • -13.15db
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Gavin Creel
I Turned the Corner / I'm Falling in Lov...
87 bpm • F# Maj • 04:11 • -14.05db
23% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Hamilton
Three Poems for Two Violins and Piano: I...
87 bpm • E Maj • 03:53 • -29.91db
0% Popularity • 11% Danceability • 4% Energy • 7% Liveness
47% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 7% Liveness
47% Instrumentalness • 4% Positiveness
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Jill Santoriello
Who Are You
87 bpm • C# Maj • 01:21 • -18.2db
12% Popularity • 28% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 28% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Brian Stokes Mitchell
Coalhouse's Soliloquy
87 bpm • G min • 01:36 • -7.31db
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
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Jimmy Roberts
I Can Live With That
87 bpm • G# min • 03:56 • -12.92db
11% Popularity • 45% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 45% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall Quartet
87 bpm • F min • 02:01 • -17.28db
14% Popularity • 25% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Jekyll, John Utterson
Pursue the Truth
87 bpm • G# min • 01:27 • -14.65db
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Audrey Vixen
Gossamer
86 bpm • B min • 06:50 • -10.54db
0% Popularity • 16% Danceability • 51% Energy • 44% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 51% Energy • 44% Liveness
81% Instrumentalness • 4% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sherie Rene Scott
A Miracle Would Happen / When You Come H...
86 bpm • D Maj • 05:20 • -10.39db
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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David Aaron Baker
Man to Man Talk
88 bpm • A Maj • 04:37 • -15.9db
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andrea Frierson
And the Gods Heard Her Prayer / Rain
86 bpm • E Maj • 04:22 • -16.02db
17% Popularity • 38% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 38% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Maury Yeston
The Launching: Godspeed Titanic
88 bpm • F Maj • 02:03 • -12.7db
25% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
"Ten Minutes Ago" (Reprise)
86 bpm • F Maj • 01:40 • -7.34db
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Original Broadway Cast Of 'Passion'
Farewell Letter
89 bpm • C# min • 03:09 • -18.49db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
24% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
26% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Jill Santoriello
Out of Sight, out of Mind
89 bpm • G# min • 03:21 • -8db
21% Popularity • 21% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 21% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
23% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Kirby Ward
What Causes That?
85 bpm • C Maj • 03:42 • -21db
19% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 60% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Norbert Leo Butz
The Schmuel Song
85 bpm • F# min • 07:32 • -13.49db
26% Popularity • 50% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 50% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Lucy
Sympathy, Tenderness
85 bpm • E min • 01:34 • -19.6db
27% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
24% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Mack
I Won't Send Roses
85 bpm • F Maj • 03:11 • -13.65db
9% Popularity • 28% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Norbert Leo Butz
Nobody Needs to Know
89 bpm • G# Maj • 07:00 • -16.41db
25% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
24% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Songs for a New World Ensemble
Hear My Song
84 bpm • G Maj • 05:41 • -11.72db
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Douglas Sills
Vivez
90 bpm • D Maj • 04:18 • -12.64db
20% Popularity • 38% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Hugh Jackman
People Will Say We're in Love (Reprise)
84 bpm • D Maj • 01:32 • -9.97db
31% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Daisy Eagan
Show Me the Key
90 bpm • A Maj • 03:35 • -21.14db
20% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
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LaChanze
Waiting for Life
84 bpm • B Maj • 03:27 • -15db
21% Popularity • 50% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 50% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Marin Mazzie
What Kind of Woman
90 bpm • F min • 02:35 • -16.65db
20% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Corey Cott
Gigi
91 bpm • F Maj • 03:12 • -9.54db
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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William Finn
Sailing
83 bpm • C# Maj • 03:06 • -12.02db
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
21% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Radcliffe
I Believe In You
91 bpm • C Maj • 03:15 • -12.56db
20% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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David Delve
That's Your Funeral
91 bpm • E min • 02:39 • -16.89db
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 73% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
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'[title of show]' Original Cast
Untitled Opening Number
91 bpm • D Maj • 02:15 • -8.98db
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
83 bpm • E Maj • 02:47 • -12.83db
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
David De Silva
Think Of Meryl Streep
91 bpm • D Maj • 02:45 • -12.12db
13% Popularity • 45% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 45% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Richard Adler
The Pajama Game: Small Talk
83 bpm • C# Maj • 03:52 • -13.14db
12% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
37% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Jeff Edgerton
Prologue: The Old Red Hills Of Home
92 bpm • A# Maj • 06:33 • -11.13db
23% Popularity • 37% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 37% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
The "Honk!" Company
The Blizzard
82 bpm • G Maj • 03:02 • -12db
10% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Once on This Island Ensemble
We Dance
82 bpm • G# min • 05:27 • -18db
19% Popularity • 52% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 52% Danceability • 27% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Laura Osnes
Goodbye, Little Dream, Goodbye
92 bpm • F Maj • 02:23 • -14.26db
26% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Alison Fraser
Scene: Mary's Sitting Room / If I Had a ...
92 bpm • G Maj • 02:35 • -17.53db
21% Popularity • 51% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 51% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Douglas Sills
They Seek Him Here
82 bpm • G Maj • 03:01 • -12.87db
18% Popularity • 50% Danceability • 25% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 50% Danceability • 25% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
The "Crazy for You" Ensemble
Entrance To Nevada
82 bpm • D# Maj • 02:41 • -14db
19% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Francine Lefrak
Four Jews In A Room Bitching
93 bpm • B Maj • 02:37 • -11.22db
23% Popularity • 74% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 74% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
John Babcock
Round-Shouldered Man
82 bpm • A Maj • 01:53 • -20.07db
18% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Jessica Molaskey
The Flagmaker, 1775
93 bpm • G Maj • 04:25 • -12.93db
13% Popularity • 37% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 37% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter Foster
You're Never Alone
93 bpm • A min • 02:56 • -7.12db
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Douglas Sills
Believe
93 bpm • G Maj • 02:08 • -11.6db
20% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
15% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Gilford
I'm Calm
94 bpm • B min • 02:50 • -19.55db
7% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Douglas Sills
The Creation of Man
94 bpm • B Maj • 03:41 • -11.03db
22% Popularity • 70% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 70% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Gwen Verdon
Funny Honey
94 bpm • C# Maj • 03:10 • -12.26db
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 48% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
