Songs like Three Poems for Two Violins and Piano: III. Third Movement (Be-Bop) by Laura Hamilton
Based on a tempo of (+/- 10%) and a similar genre
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Stephen Schwartz
Finale "Wicked"
128 bpm • G Maj • 01:41 • -10.59db
32% Popularity • 25% Danceability • 20% Energy • 25% Liveness
5% Instrumentalness • 7% Positiveness
32% Popularity • 25% Danceability • 20% Energy • 25% Liveness
5% Instrumentalness • 7% Positiveness
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Laura Hamilton
Three Poems for Two Violins and Piano: I...
128 bpm • A Maj • 03:42 • -18.26db
0% Popularity • 41% Danceability • 20% Energy • 5% Liveness
48% Instrumentalness • 21% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 5% Liveness
48% Instrumentalness • 21% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Company - Into the Woods (Motion Picture Cast)
Finale/Children Will Listen (Pt. 2)
127 bpm • C# Maj • 01:44 • -14.59db
35% Popularity • 61% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 61% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Liz Callaway
Meadowlark (The Baker's Wife)
129 bpm • E Maj • 05:31 • -8.37db
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Idina Menzel
No More Wasted Time
127 bpm • C# Maj • 03:41 • -7.75db
19% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Aaron Tveit
Drink With Me
129 bpm • F Maj • 01:42 • -21.79db
40% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Original Broadway Cast Of 'Passion'
I Wish I Could Forget You
130 bpm • A# min • 03:14 • -25db
15% Popularity • 38% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 38% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Daniel Radcliffe
The Company Way
128 bpm • G# min • 02:52 • -12db
27% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Cast of Ghost - The Musical
Rain/Hold On
130 bpm • F Maj • 06:17 • -8db
20% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Andrea Bowen
So Long, Farewell
126 bpm • C Maj • 02:43 • -17.21db
13% Popularity • 45% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 45% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Frederick Loewe
Camelot: The Simple Joys of Maidenhood
130 bpm • B Maj • 03:01 • -17.3db
23% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 42% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Original Broadway Cast "Rent"
Tango: Maureen - Best Of Version
130 bpm • G min • 03:09 • -10.54db
33% Popularity • 70% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 70% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanine Tesori
On My Way
130 bpm • G Maj • 04:18 • -8.24db
25% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Weller
I'm Martin Guerre
126 bpm • D Maj • 03:02 • -9db
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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LaChanze
It's a Sign
126 bpm • C min • 03:08 • -7.88db
17% Popularity • 61% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 61% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Julie Andrews
Putting It Together
131 bpm • D Maj • 03:36 • -16db
20% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Anthony Warlowe
Dawn Of Anguish
131 bpm • F Maj • 01:47 • -25.25db
15% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Preshy Marker
That'll Show Him
125 bpm • C Maj • 01:48 • -15db
14% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Santino Fontana
The Prince Is Giving a Ball / Now Is the...
125 bpm • F Maj • 06:34 • -5.84db
31% Popularity • 54% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 54% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Heather Headley
Dance Of The Robe
131 bpm • C# Maj • 04:05 • -8.3db
30% Popularity • 46% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 46% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Brian Stokes Mitchell
Dulcinea
131 bpm • C Maj • 03:11 • -11.4db
28% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Charles Strouse
Annie: We'd Like to Thank You, Herbert H...
131 bpm • C Maj • 02:27 • -13.71db
29% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
40% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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'Dogfight' Original Cast Ensemble
Finale: Take Me Back
132 bpm • D Maj • 01:25 • -14.48db
21% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 41% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lucy Harris
No One Knows Who I Am
132 bpm • G min • 02:26 • -16db
27% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Lea Michele
The Word Of Your Body - Original Broadwa...
124 bpm • E min • 02:58 • -11.06db
37% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rita Gardner
Much More
132 bpm • E min • 02:33 • -12db
4% Popularity • 49% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 49% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Stephanie D'Abruzzo
I Wish I Could Go Back to College
132 bpm • A Maj • 02:09 • -8.8db
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Idina Menzel
Over the Moon
124 bpm • F# Maj • 06:23 • -8.15db
37% Popularity • 65% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 65% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Burstein
Chavaleh / Tevye's Denial
132 bpm • A# Maj • 03:41 • -16.15db
20% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Hugh Jackman
Valjean’s Confession
132 bpm • G# Maj • 02:17 • -20.6db
33% Popularity • 41% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 41% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Norbert Leo Butz
Get Me to the Church on Time
124 bpm • D Maj • 05:19 • -7db
22% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Johnston
Kansas City
133 bpm • D# Maj • 05:28 • -13.61db
21% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
38% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Sir Danvers Carew, Emma
Letting Go
133 bpm • E Maj • 01:41 • -15.35db
22% Popularity • 33% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 33% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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David Hyde Pierce
It Takes a Woman
123 bpm • G Maj • 02:36 • -10db
24% Popularity • 65% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 65% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 76% Positiveness
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Roger Bart
Life, Life
123 bpm • C# min • 03:18 • -7.5db
21% Popularity • 36% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 36% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Original Broadway Cast Of 'Curtains'
Kansasland - Curtains/Original Cast Reco...
134 bpm • G min • 04:12 • -13.06db
17% Popularity • 61% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Don Mayo
Knight of the Woeful Countenance
134 bpm • C# min • 02:04 • -14db
20% Popularity • 60% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 60% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jekyll
This Is the Moment
135 bpm • D# Maj • 03:14 • -8.69db
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 32% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lindsay Mendez
Give Way
122 bpm • G# Maj • 03:21 • -10.81db
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Pirates Of Penzance
Climbing over Rocky Mountain
121 bpm • A# Maj • 04:07 • -14db
22% Popularity • 54% Danceability • 31% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 54% Danceability • 31% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sierra Boggess as Ariel
Beyond My Wildest Dreams
121 bpm • F Maj • 03:03 • -20.01db
36% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Friedman
Gliding
136 bpm • F# Maj • 03:51 • -13.73db
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Russell Crowe
Javert At The Barricade
121 bpm • E min • 01:45 • -14.37db
37% Popularity • 60% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Patrick Wilson
There But For You Go I
136 bpm • C Maj • 03:17 • -8.97db
16% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Angela Christian
How the Other Half Lives
136 bpm • A Maj • 02:42 • -13.98db
23% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 56% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Strouse
NYC Reprise/Lullaby (Oliver Warbucks) - ...
136 bpm • C Maj • 01:08 • -19.07db
18% Popularity • 21% Danceability • 13% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
18% Popularity • 21% Danceability • 13% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
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Cathy Rigby
I'm Flying - Stage Version
136 bpm • A Maj • 05:03 • -10.11db
9% Popularity • 47% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 47% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Danny Burstein
Sunrise, Sunset
120 bpm • D min • 03:27 • -7db
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Jonathan B. Wright
The Word Of Your Body (Reprise) - Origin...
120 bpm • F# min • 03:10 • -14.62db
32% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Alun Armstrong
Dog Eats Dog
120 bpm • C Maj • 01:54 • -8.78db
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Cast of Ghost - The Musical
More
137 bpm • C Maj • 02:24 • -7.7db
19% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 57% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jan Maxwell
No Way to Stop It
120 bpm • F Maj • 02:54 • -13db
15% Popularity • 70% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 70% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Nathan Taylor as Valentine
Temper, Temper - London Cast Recording
137 bpm • A# Maj • 04:15 • -15.01db
21% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 53% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Norbert Leo Butz
With a Little Bit of Luck
119 bpm • C Maj • 03:01 • -6.15db
18% Popularity • 71% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 71% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
The Last One You'd Expect
119 bpm • A Maj • 06:21 • -9.62db
20% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Dirty Rotten Scoundrels Original Broadway Cast
Great Big Stuff
119 bpm • D Maj • 04:02 • -11.21db
22% Popularity • 75% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 75% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Josefina Gabrielle
Many A New Day
138 bpm • D Maj • 04:17 • -13.03db
20% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Miss Saigon Original Cast
The American Dream - Live
119 bpm • F# Maj • 08:03 • -10.23db
29% Popularity • 50% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 50% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
28% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
30% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
Transformations
138 bpm • G Maj • 02:10 • -9.29db
26% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jimmy Roberts
Cantata Reprise / Always A Bridesmaid
118 bpm • B Maj • 05:07 • -10db
15% Popularity • 53% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 53% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Sidney Livingstone
The Farmer And The Cowman
138 bpm • F Maj • 07:27 • -12.57db
21% Popularity • 59% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 59% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Kate Baldwin
Motherhood
118 bpm • G# Maj • 01:40 • -9.04db
25% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 73% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Lea Michele
My Junk - Original Broadway Cast Recordi...
118 bpm • D Maj • 02:25 • -6.64db
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Honk! Original Demo Cast
The Wild Goose Chase
139 bpm • A# Maj • 05:56 • -12.43db
12% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Brian D'Arcy James
What a Party
118 bpm • F min • 03:35 • -6.6db
19% Popularity • 55% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
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Vicki Simon
I Cain't Say No
139 bpm • F Maj • 02:53 • -10db
25% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Emily Blunt
Moments in the Woods
140 bpm • D Maj • 03:07 • -17.64db
37% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Sherie Rene Scott
Goodbye Until Tomorrow / I Could Never R...
117 bpm • F Maj • 07:27 • -13db
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Christy Altomare
We'll Go from There
117 bpm • G Maj • 02:52 • -8.5db
43% Popularity • 63% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 63% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Melissa Hart
Lullaby
141 bpm • G Maj • 01:15 • -24.55db
16% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sherman Edwards
1776: Piddle, Twiddle, and Resolve / Til...
116 bpm • C# Maj • 04:54 • -13.74db
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Schwartz
Dear Old Shiz
116 bpm • D# min • 01:26 • -15db
35% Popularity • 39% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 39% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Jessica Molaskey
Just One Step
141 bpm • B min • 04:05 • -12.88db
19% Popularity • 55% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 55% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Bette Midler
Before the Parade Passes By
116 bpm • G min • 04:32 • -10.97db
24% Popularity • 43% Danceability • 39% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 43% Danceability • 39% Energy • 49% Liveness
0% Instrumentalness • 34% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Oklahoma?
116 bpm • B Maj • 02:22 • -12.13db
17% Popularity • 72% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 72% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Faith Prince
Sue Me
116 bpm • C min • 02:50 • -19db
30% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 61% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Zoe Hart
Castle On A Cloud
116 bpm • A min • 01:35 • -15.14db
37% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
