Songs like Three Preludes for Piano (1926) - Arr. for Piano Duet: III. Allegro ben ritmato e deciso, in E flat minor by George Gershwin
Based on a tempo of (+/- 10%) and a similar genre
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George Gershwin
Let 'Em Eat Cake: Overture
122 bpm • G Maj • 08:18 • -18.99db
17% Popularity • 30% Danceability • 25% Energy • 24% Liveness
39% Instrumentalness • 15% Positiveness
17% Popularity • 30% Danceability • 25% Energy • 24% Liveness
39% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Fritz Kreisler
Kreisler: Schön Rosmarin
121 bpm • G Maj • 01:57 • -15db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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George Gershwin
I Got Rhythm Variations
122 bpm • F Maj • 08:48 • -18.43db
7% Popularity • 38% Danceability • 23% Energy • 5% Liveness
81% Instrumentalness • 10% Positiveness
7% Popularity • 38% Danceability • 23% Energy • 5% Liveness
81% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Darius Milhaud
Suite for Violin, Clarinet and Piano, Op...
124 bpm • D Maj • 01:45 • -19db
16% Popularity • 47% Danceability • 17% Energy • 10% Liveness
46% Instrumentalness • 70% Positiveness
16% Popularity • 47% Danceability • 17% Energy • 10% Liveness
46% Instrumentalness • 70% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Jascha Heifetz
3 Preludes (arr. J. Heifetz): No. 3. All...
119 bpm • D# min • 01:34 • -16.71db
19% Popularity • 43% Danceability • 41% Energy • 7% Liveness
48% Instrumentalness • 56% Positiveness
19% Popularity • 43% Danceability • 41% Energy • 7% Liveness
48% Instrumentalness • 56% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra, in E...
126 bpm • D# Maj • 06:50 • -20db
31% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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George Gershwin
Promenade: Walking the Dog
121 bpm • C Maj • 02:54 • -27.61db
18% Popularity • 52% Danceability • 4% Energy • 13% Liveness
5% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 4% Energy • 13% Liveness
5% Instrumentalness • 47% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Maurice Ravel
Alborada del gracioso, M. 43 - Orchestra...
118 bpm • D Maj • 07:45 • -22.63db
6% Popularity • 28% Danceability • 7% Energy • 4% Liveness
75% Instrumentalness • 8% Positiveness
6% Popularity • 28% Danceability • 7% Energy • 4% Liveness
75% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
0% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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George Gershwin
Catfish Row: Suite from Porgy and Bess (...
123 bpm • B min • 06:52 • -21.71db
15% Popularity • 31% Danceability • 10% Energy • 37% Liveness
68% Instrumentalness • 4% Positiveness
15% Popularity • 31% Danceability • 10% Energy • 37% Liveness
68% Instrumentalness • 4% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 4: In Aut...
127 bpm • F# Maj • 01:36 • -30db
22% Popularity • 49% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
22% Popularity • 49% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Gabriel Fauré
Berceuse Op. 16
127 bpm • D Maj • 05:25 • -27.11db
19% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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George Gershwin
Walking the Dog
120 bpm • C Maj • 03:06 • -13.47db
26% Popularity • 39% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 39% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
128 bpm • C min • 07:39 • -16.87db
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 8% Positiveness
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George Gershwin
Strike Up the Band: Overture (arr. D. Ro...
126 bpm • D Maj • 06:57 • -20.9db
17% Popularity • 32% Danceability • 16% Energy • 6% Liveness
85% Instrumentalness • 7% Positiveness
17% Popularity • 32% Danceability • 16% Energy • 6% Liveness
85% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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William Bolcom
3 Ghost Rags: No. 1. The Graceful Ghost
116 bpm • A# min • 04:34 • -26.77db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Nino Rota
Rota / Arr. Capelletti: La Dolce Vita Su...
129 bpm • C Maj • 04:31 • -22.8db
8% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
8% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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George Gershwin
Love Walked In
125 bpm • C# Maj • 03:59 • -24.5db
22% Popularity • 39% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
129 bpm • A# Maj • 04:08 • -25.68db
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Aaron Copland
4 Dance Episodes from Rodeo: I. Buckaroo...
129 bpm • F Maj • 06:58 • -13.35db
25% Popularity • 40% Danceability • 41% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
25% Popularity • 40% Danceability • 41% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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George Gershwin
Song Book: That Certain Feeling. Ardentl...
118 bpm • D# Maj • 01:36 • -29.59db
26% Popularity • 48% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 48% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 1: II. The Augu...
115 bpm • A# Maj • 03:02 • -22db
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, Prelu...
131 bpm • F min • 01:17 • -17.74db
33% Popularity • 30% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 30% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
47% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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George Gershwin
Piano Concerto in F Major: III. Allegro ...
127 bpm • F Maj • 07:18 • -17.01db
16% Popularity • 38% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F major, Op. 96...
113 bpm • F Maj • 09:28 • -22db
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
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Scott Joplin
Heliotrope Bouquet: A Slow Drag Two-Step
132 bpm • G Maj • 04:29 • -24.14db
18% Popularity • 46% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 35% Positiveness
18% Popularity • 46% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 35% Positiveness
► Preview
George Gershwin
Oh, Kay!: Overture
117 bpm • A# Maj • 07:06 • -18.7db
18% Popularity • 27% Danceability • 19% Energy • 34% Liveness
96% Instrumentalness • 20% Positiveness
18% Popularity • 27% Danceability • 19% Energy • 34% Liveness
96% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Quintet in A Major, K. 581: I. ...
132 bpm • A Maj • 09:09 • -20.14db
23% Popularity • 27% Danceability • 5% Energy • 6% Liveness
36% Instrumentalness • 15% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 6% Liveness
36% Instrumentalness • 15% Positiveness
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Aram Khachaturian
Maskerade-Suite: IV. Romance
112 bpm • G# Maj • 04:13 • -23.01db
11% Popularity • 17% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Joseph F. Lamb
The Ragtime Nightingale
133 bpm • D# Maj • 04:18 • -26.53db
13% Popularity • 46% Danceability • 8% Energy • 15% Liveness
84% Instrumentalness • 32% Positiveness
13% Popularity • 46% Danceability • 8% Energy • 15% Liveness
84% Instrumentalness • 32% Positiveness
► Preview
AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Scott Joplin
Gladiolus Rag
133 bpm • C# Maj • 04:29 • -24.25db
25% Popularity • 40% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
25% Popularity • 40% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
George Gershwin
Porgy and Bess: It Ain't Necessarily So ...
117 bpm • D min • 02:41 • -15.97db
23% Popularity • 41% Danceability • 20% Energy • 18% Liveness
6% Instrumentalness • 34% Positiveness
23% Popularity • 41% Danceability • 20% Energy • 18% Liveness
6% Instrumentalness • 34% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Lang Lang
Danzas Argentinas, Op. 2: II. Danza de l...
134 bpm • A min • 04:00 • -24db
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
George Gershwin
Girl Crazy: Embraceable You
129 bpm • G Maj • 04:52 • -34.67db
26% Popularity • 42% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
26% Popularity • 42% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Scott Joplin
Bethena - A Concert Waltz
134 bpm • G Maj • 05:20 • -24db
22% Popularity • 35% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 14% Positiveness
22% Popularity • 35% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
47% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
George Gershwin
'I Got Rhythm' Variations for Piano and ...
114 bpm • C Maj • 08:29 • -13.36db
11% Popularity • 40% Danceability • 33% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
11% Popularity • 40% Danceability • 33% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Eric Coates
By the Sleepy Lagoon
135 bpm • C Maj • 03:57 • -29.36db
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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George Gershwin
Someone to Watch over Me (Arr. for Piano...
112 bpm • A# Maj • 04:59 • -29.3db
19% Popularity • 38% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
19% Popularity • 38% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Kurt Weill
Kleine Dreigroschenmusik: VI. Tango-Ball...
136 bpm • C Maj • 02:42 • -30db
16% Popularity • 33% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 33% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Scott Joplin
Gladiolus Rag
137 bpm • G# Maj • 04:24 • -21.94db
14% Popularity • 45% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 56% Positiveness
14% Popularity • 45% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 56% Positiveness
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Sergei Prokofiev
Lieutenant Kijé Suite, Op. 60: II. Roma...
109 bpm • C min • 04:09 • -35.56db
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 8% Positiveness
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Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Leonard Bernstein
Bernstein: Symphonic Dances from West Si...
137 bpm • B Maj • 04:34 • -27.36db
17% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 2% Energy • 29% Liveness
83% Instrumentalness • 4% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Gustav Holst
The Planets, Op. 32: 3. Mercury, the Win...
108 bpm • A Maj • 04:16 • -31db
42% Popularity • 26% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
42% Popularity • 26% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
