Songs like Three Whitman Settings: 2. Quicksand Years by The Singers - Minnesota Choral Artists
Based on a tempo of (+/- 10%) and a similar genre
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 2. Quicksand Yea...
173 bpm • G# min • 02:01 • -21.27db
1% Popularity • 16% Danceability • 16% Energy • 9% Liveness
19% Instrumentalness • 7% Positiveness
1% Popularity • 16% Danceability • 16% Energy • 9% Liveness
19% Instrumentalness • 7% Positiveness
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Paul Hindemith
6 Chansons: No. 6. Verger
173 bpm • G Maj • 01:10 • -23db
27% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 1. Come Away De...
174 bpm • F# Maj • 02:59 • -23.78db
13% Popularity • 14% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
O sacred head sore wounded
174 bpm • C Maj • 02:41 • -31db
13% Popularity • 8% Danceability • 10% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
13% Popularity • 8% Danceability • 10% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
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Karen Marrolli
O Dayspring
174 bpm • D min • 02:43 • -23.33db
0% Popularity • 12% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
0% Popularity • 12% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
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Sarah Quartel
How can I keep from singing? - SATB
171 bpm • G# Maj • 03:43 • -19.21db
14% Popularity • 20% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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John Dunstable
Ave Maris Stella
171 bpm • A# min • 03:57 • -29db
11% Popularity • 9% Danceability • 9% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 9% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Cradle Hymn
176 bpm • C# Maj • 06:18 • -30db
24% Popularity • 10% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
24% Popularity • 10% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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The Singers - Minnesota Choral Artists
The Road Home
170 bpm • F# Maj • 03:53 • -23.48db
3% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 5% Positiveness
3% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 5% Positiveness
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![St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] cover art](https://i.scdn.co/image/ab67616d00001e022ea472c8e0b24c025a7aea28)
Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1 (Exc...
176 bpm • E Maj • 01:08 • -22db
20% Popularity • 12% Danceability • 17% Energy • 13% Liveness
71% Instrumentalness • 13% Positiveness
20% Popularity • 12% Danceability • 17% Energy • 13% Liveness
71% Instrumentalness • 13% Positiveness
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William Walker
Hallelujah (Arr. Shawn Kirchner)
170 bpm • A Maj • 03:27 • -23db
7% Popularity • 18% Danceability • 12% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
7% Popularity • 18% Danceability • 12% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
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Charles Villiers Stanford
For lo, I raise up, Op. 145
170 bpm • C# Maj • 07:53 • -21.66db
12% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Ola, o che bon eccho!
168 bpm • C Maj • 01:14 • -25.18db
23% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The University Of Utah Singers
The Conversion Of Saul
165 bpm • F# Maj • 03:35 • -17.28db
19% Popularity • 25% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 25% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Hymn to the Eternal Flame
169 bpm • C# Maj • 02:34 • -20db
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1 (Exc...
176 bpm • F Maj • 01:14 • -23db
25% Popularity • 9% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
25% Popularity • 9% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Shawn Kirchner
I’ll Be On My Way
167 bpm • G Maj • 03:35 • -18.83db
12% Popularity • 24% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Cristobal de Morales
Domine Deus, Agnus Dei in F Major, ICM 1...
163 bpm • D Maj • 01:27 • -23.73db
39% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Messe in C-Moll, K. 427 "Große Messe" (...
161 bpm • C min • 06:45 • -21.92db
14% Popularity • 12% Danceability • 9% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
Dirait-on
164 bpm • C# Maj • 04:48 • -24.82db
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 8% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 8% Positiveness
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The Singers - Minnesota Choral Artists
Four Madrigals On Renaissance Texts: IV....
164 bpm • A Maj • 02:51 • -20.13db
2% Popularity • 38% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 38% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Judith Weir
Drop down, ye heavens, from above
148 bpm • D min • 01:47 • -19.47db
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness