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Through the Barricades - Remastered
Songs like
Through the Barricades - Remastered
by
Spandau Ballet
Based on a tempo of (+/- 10%) and a similar genre
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Cutting Crew
I've Been In Love Before
146 bpm • D Maj • 05:08 • -13.33db
53% Popularity • 49% Danceability • 57% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Spandau Ballet
Through the Barricades - Remastered
146 bpm • G Maj • 05:59 • -14.06db
55% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Swing Out Sister
You On My Mind
146 bpm • D Maj • 03:32 • -10.63db
43% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Alan Parsons Project
Time
147 bpm • F min • 05:14 • -12.7db
53% Popularity • 34% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 11% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Propaganda
Duel
145 bpm • F min • 04:42 • -7.75db
55% Popularity • 68% Danceability • 83% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
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Cutting Crew
I've Been In Love Before - Edit Version ...
146 bpm • D Maj • 03:58 • -9.45db
47% Popularity • 53% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
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Spandau Ballet
Through the Barricades - One Track Vocal...
146 bpm • G Maj • 04:52 • -15db
21% Popularity • 64% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Deacon Blue
When Will You (Make My Telephone Ring)?
145 bpm • G Maj • 05:01 • -15db
21% Popularity • 54% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Alison Moyet
All Cried Out
145 bpm • D min • 06:48 • -13.78db
27% Popularity • 67% Danceability • 63% Energy • 38% Liveness
26% Instrumentalness • 92% Positiveness
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Ultravox
Dancing with Tears in My Eyes
144 bpm • A Maj • 04:04 • -8.12db
65% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Style Council
Shout To The Top - USA Remix
144 bpm • G Maj • 04:17 • -5.86db
52% Popularity • 69% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Spandau Ballet
Through the Barricades (Extended Version...
146 bpm • G Maj • 07:08 • -13.42db
23% Popularity • 32% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Gino Vannelli
Hurts to Be In Love
143 bpm • D min • 04:50 • -6.87db
46% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Alison Moyet
All Cried Out
145 bpm • D min • 03:41 • -7db
50% Popularity • 64% Danceability • 84% Energy • 17% Liveness
3% Instrumentalness • 85% Positiveness
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Ultravox
Dancing with Tears in My Eyes - 2009 Rem...
144 bpm • A Maj • 04:40 • -9.46db
42% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Van Morrison
Have I Told You Lately
144 bpm • E Maj • 04:20 • -10.27db
63% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Spandau Ballet
Snakes and Lovers - Remastered
144 bpm • C Maj • 04:35 • -10.58db
17% Popularity • 59% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Fairground Attraction
Find My Love
149 bpm • C Maj • 03:45 • -16.46db
38% Popularity • 53% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Joshua Kadison
Jessie
143 bpm • G Maj • 05:19 • -11.59db
56% Popularity • 65% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Roxette
Crash! Boom! Bang!
142 bpm • B Maj • 05:01 • -6db
55% Popularity • 44% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Christopher Cross
Sailing
150 bpm • D Maj • 04:16 • -13.2db
69% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Will To Power
Baby, I Love Your Way/Freebird
151 bpm • G Maj • 04:07 • -12.02db
56% Popularity • 62% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Spandau Ballet
Gold - 2003 Remaster
143 bpm • A# min • 04:50 • -6.12db
62% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Barbra Streisand
Guilty
151 bpm • C Maj • 04:24 • -15.66db
63% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
73% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Roxy Music
Oh Yeah!
140 bpm • C Maj • 04:50 • -8.42db
52% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Spandau Ballet
Gold - 2010 Remaster
143 bpm • A# min • 07:14 • -5db
28% Popularity • 64% Danceability • 84% Energy • 15% Liveness
2% Instrumentalness • 48% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Wham!
The Edge of Heaven
153 bpm • A min • 04:30 • -13.82db
54% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:22 • -15.17db
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Queen
Who Wants To Live Forever - Remastered 2...
139 bpm • E min • 04:55 • -8.67db
62% Popularity • 18% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Palmer
Johnny And Mary
153 bpm • D Maj • 03:59 • -10.95db
59% Popularity • 66% Danceability • 60% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
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Spandau Ballet
Gold - 12" Mix
143 bpm • A# min • 07:14 • -6.7db
34% Popularity • 64% Danceability • 81% Energy • 16% Liveness
2% Instrumentalness • 48% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Joel
Leningrad
139 bpm • D Maj • 04:02 • -6.32db
49% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Marillion
Lavender
138 bpm • A Maj • 03:44 • -6db
48% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
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Living In A Box
Room in Your Heart
138 bpm • F Maj • 04:38 • -13db
47% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Whitney Houston
One Moment in Time
155 bpm • C Maj • 04:44 • -8.13db
61% Popularity • 26% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Spandau Ballet
To Cut a Long Story Short - 2010 Remaste...
142 bpm • D Maj • 03:19 • -5.11db
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
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Frankie Goes To Hollywood
San Jose
155 bpm • C Maj • 03:10 • -24db
39% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Beautiful South
Song For Whoever
137 bpm • F# min • 06:09 • -16db
43% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
71% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Spandau Ballet
Through the Barricades - Live from the N...
141 bpm • C Maj • 06:36 • -5.68db
22% Popularity • 24% Danceability • 69% Energy • 84% Liveness
0% Instrumentalness • 14% Positiveness
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Europe
Carrie
136 bpm • G Maj • 04:32 • -7.11db
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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The Beautiful South
Song For Whoever - Single Version
137 bpm • F# min • 04:04 • -14db
53% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
73% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Alison Moyet
For You Only
136 bpm • C Maj • 04:04 • -18db
34% Popularity • 73% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Spandau Ballet
Once More
154 bpm • E min • 04:06 • -4db
40% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Curtis Stigers
I Wonder Why
135 bpm • C Maj • 04:27 • -8.97db
44% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
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Danny Wilson
Mary's Prayer
135 bpm • C Maj • 03:54 • -13.14db
55% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Prefab Sprout
When Love Breaks Down - 2007 Remastered ...
134 bpm • C# Maj • 04:05 • -8.09db
49% Popularity • 45% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 34% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Spandau Ballet
Virgin - Remastered
138 bpm • D min • 04:23 • -8.6db
28% Popularity • 63% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Beautiful South
Everybody's Talkin'
133 bpm • E Maj • 02:36 • -15db
47% Popularity • 41% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Tears For Fears
Woman In Chains
160 bpm • F Maj • 06:30 • -8.58db
64% Popularity • 43% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Spandau Ballet
This Is the Love
138 bpm • E min • 03:44 • -6.83db
31% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Paul McCartney
Ebony And Ivory - Remixed 2015
161 bpm • E Maj • 03:46 • -7.88db
60% Popularity • 57% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Whitney Houston
All at Once
133 bpm • C min • 04:28 • -16.16db
58% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Communards
Never Can Say Goodbye
132 bpm • F Maj • 04:51 • -7.98db
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
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Don Henley
New York Minute
132 bpm • G# min • 06:35 • -12.21db
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Spandau Ballet
Only When You Leave - 2010 Remaster
137 bpm • G min • 05:11 • -6db
49% Popularity • 58% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Jackson
Happy Ending
131 bpm • A Maj • 03:38 • -5.03db
43% Popularity • 64% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 04:06 • -5.63db
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The Communards
Don't Leave Me This Way
132 bpm • D# Maj • 04:31 • -5.6db
67% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Spandau Ballet
Through The Barricades
137 bpm • G Maj • 04:46 • -8.25db
25% Popularity • 47% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Prefab Sprout
Cars and Girls
131 bpm • A min • 04:25 • -11db
47% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Spandau Ballet
Only When You Leave - 12" Version
137 bpm • G min • 06:25 • -6.14db
30% Popularity • 67% Danceability • 72% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Go West
We Close Our Eyes
131 bpm • B Maj • 03:41 • -6.72db
57% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Culture Club
Church Of The Poison Mind - Remastered 2...
131 bpm • G min • 03:32 • -4.25db
45% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Level 42
Heaven In My Hands - 7" Version
130 bpm • C Maj • 04:08 • -4db
35% Popularity • 57% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Spandau Ballet
Empty Spaces
136 bpm • D min • 03:52 • -13.46db
21% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jennifer Warnes
First We Take Manhattan - Digitally Rema...
130 bpm • G min • 03:46 • -9db
47% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Bananarama
Robert De Niro's Waiting
130 bpm • G Maj • 03:42 • -5db
49% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Frankie Goes To Hollywood
Two Tribes
130 bpm • G Maj • 03:28 • -13.17db
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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The Communards
For a Friend
130 bpm • E min • 05:03 • -8db
35% Popularity • 66% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Spandau Ballet
Fight for Ourselves - Remastered
134 bpm • F min • 04:22 • -8.4db
28% Popularity • 65% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
61% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Through the Barricades - Remastered