Songs like Through The Test Of Time by Patti Austin
Based on a tempo of (+/- 10%) and a similar genre
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Patti Austin
Broken Dreams
94 bpm • C# Maj • 04:41 • -12.87db
31% Popularity • 70% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 70% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Carl Anderson
Pieces Of A Heart
94 bpm • F min • 04:08 • -11.08db
17% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Spyro Gyra
Shaker Song
94 bpm • F Maj • 04:46 • -8.55db
43% Popularity • 71% Danceability • 87% Energy • 15% Liveness
90% Instrumentalness • 77% Positiveness
43% Popularity • 71% Danceability • 87% Energy • 15% Liveness
90% Instrumentalness • 77% Positiveness
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Stephen Bishop
Parked Cars
94 bpm • G Maj • 04:45 • -12db
35% Popularity • 61% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 42% Positiveness
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Michael Johnson
Almost Like Being In Love
94 bpm • E Maj • 03:30 • -17db
33% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Anita Baker
Rhythm of Love
94 bpm • E min • 05:46 • -8db
24% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Patti Austin
Love Me Again
94 bpm • A Maj • 03:44 • -12.65db
32% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bobbi Humphrey
Good Times
94 bpm • G Maj • 04:52 • -10.4db
23% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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YUTAKA
Brazasia
94 bpm • G# Maj • 05:11 • -15.35db
25% Popularity • 68% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Jessy J
Feel Like Makin' Love
93 bpm • C# Maj • 03:34 • -12db
31% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Nielsen & Pearson
If You Should Sail
94 bpm • F# min • 03:29 • -9.22db
40% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Kevyn Lettau
Little Things
95 bpm • E min • 04:09 • -9db
18% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Patti Austin
Through The Test Of Time
94 bpm • A Maj • 05:07 • -7.78db
38% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Boz Scaggs
JoJo (2023 Remaster)
95 bpm • F min • 05:53 • -12.38db
48% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Anita Baker
Wrong Man
95 bpm • C# Maj • 05:53 • -8.54db
21% Popularity • 71% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 71% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Maze
Can't Get over You
93 bpm • B min • 05:17 • -8.65db
45% Popularity • 62% Danceability • 65% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 62% Danceability • 65% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Mike Francis
Friends - Original ReMix Version
95 bpm • G Maj • 06:24 • -12.62db
37% Popularity • 68% Danceability • 58% Energy • 8% Liveness
44% Instrumentalness • 23% Positiveness
37% Popularity • 68% Danceability • 58% Energy • 8% Liveness
44% Instrumentalness • 23% Positiveness
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Clair Marlo
Lonely Nights
95 bpm • E min • 05:11 • -13db
27% Popularity • 59% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Patti Austin
Big Bad World
93 bpm • A# min • 05:01 • -10db
7% Popularity • 68% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
7% Popularity • 68% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
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Swing Out Sister
Where Our Love Grows
93 bpm • C Maj • 03:55 • -9.14db
23% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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David Pack
Think Of U (Song 4 Kaitlyn)
93 bpm • A# Maj • 05:17 • -7.42db
22% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Tyrell
Walk On By - 2018 Remaster
95 bpm • G Maj • 03:28 • -8.17db
28% Popularity • 75% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 75% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Omar Hakim
Take My Heart
95 bpm • C# min • 04:57 • -15.43db
14% Popularity • 67% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 67% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Jaared
How Deep Is You Love
95 bpm • F min • 04:11 • -5.85db
24% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Patti Austin
The Look of Love
93 bpm • B min • 05:10 • -9db
15% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Gabriela Anders
You Know What It's Like
93 bpm • F min • 04:44 • -10db
22% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ambrosia
How Much I Feel
95 bpm • E Maj • 04:43 • -7.96db
64% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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DeBarge
Dindi
93 bpm • D Maj • 04:57 • -11.59db
38% Popularity • 70% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
38% Popularity • 70% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Daryl Hall & John Oates
One On One
96 bpm • C Maj • 04:18 • -15.33db
54% Popularity • 75% Danceability • 30% Energy • 20% Liveness
30% Instrumentalness • 82% Positiveness
54% Popularity • 75% Danceability • 30% Energy • 20% Liveness
30% Instrumentalness • 82% Positiveness
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Deon Estus
Heaven Help Me
92 bpm • G Maj • 04:40 • -16.7db
40% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Patti Austin
If We're Not In Love
93 bpm • D Maj • 04:56 • -10db
17% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kalapana
Real Thing
92 bpm • A# min • 05:04 • -10.26db
41% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Seawind
Hold On To Love / Featuring: Al Jarreau ...
92 bpm • G# min • 06:40 • -9.98db
17% Popularity • 61% Danceability • 62% Energy • 9% Liveness
12% Instrumentalness • 47% Positiveness
17% Popularity • 61% Danceability • 62% Energy • 9% Liveness
12% Instrumentalness • 47% Positiveness
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El DeBarge
Heart, Mind & Soul
96 bpm • F Maj • 04:36 • -8.31db
35% Popularity • 69% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
35% Popularity • 69% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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Workshy
You're The Summer
96 bpm • G Maj • 03:56 • -16.09db
25% Popularity • 66% Danceability • 68% Energy • 30% Liveness
11% Instrumentalness • 90% Positiveness
25% Popularity • 66% Danceability • 68% Energy • 30% Liveness
11% Instrumentalness • 90% Positiveness
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Bluey
Take a Chance on Me
92 bpm • E min • 05:09 • -8.06db
32% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Patti Austin
In My Life
92 bpm • G min • 04:21 • -14db
36% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ronnie Dyson
I Think I'll Tell Her - Single Version
96 bpm • C Maj • 04:04 • -12.79db
23% Popularity • 50% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 50% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Basia
Time and Tide
96 bpm • A min • 04:01 • -12db
40% Popularity • 70% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 70% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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El DeBarge
When Love Has Gone Away
96 bpm • F Maj • 03:10 • -17.01db
17% Popularity • 63% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 63% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Jermaine Jackson
Rise to the Occasion
92 bpm • A Maj • 04:44 • -8.6db
19% Popularity • 60% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 60% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Grant
Heaven Is Waiting - Extended Edit
96 bpm • C Maj • 05:08 • -12.47db
32% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Patti Austin
For Once in My Life
92 bpm • F# Maj • 03:35 • -7db
12% Popularity • 58% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 58% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Drizabone Soul Family
Lovin' U
97 bpm • C# min • 03:48 • -9.11db
32% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Freddie Jackson
You Are My Lady
91 bpm • A# Maj • 04:44 • -16.02db
55% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Anita Baker
Caught Up in the Rapture
91 bpm • D Maj • 04:10 • -9.71db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Darbyshire
Nothing Can Keep Me Away
91 bpm • F Maj • 04:00 • -8.91db
16% Popularity • 70% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 70% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Tom Grant
Heaven Is Waiting - 12" Mix
96 bpm • C Maj • 05:41 • -13.74db
26% Popularity • 67% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 67% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jeff Golub
Mercy Mercy Me
97 bpm • E Maj • 03:47 • -6.87db
47% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
47% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
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Patti Austin
Wait For Me
96 bpm • D Maj • 05:26 • -9.85db
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Mike Francis
I'm Missing You
97 bpm • E Maj • 03:49 • -10.76db
25% Popularity • 62% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 62% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Rachelle Ferrell
'Til You Come Back To Me
97 bpm • A min • 06:16 • -16.29db
30% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bobby Caldwell
Real Thing
91 bpm • B min • 05:33 • -14.3db
44% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 65% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Richard Darbyshire
Wherever Love Is Found
97 bpm • A Maj • 03:55 • -8.57db
29% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Anita Baker
Priceless
98 bpm • E Maj • 05:00 • -8.45db
25% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Patti Austin
Don't Go Away
92 bpm • A min • 04:17 • -14.92db
14% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Sample
U Turn
97 bpm • E min • 04:51 • -10db
33% Popularity • 79% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
33% Popularity • 79% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Rachelle Ferrell
'Til You Come Back to Me
97 bpm • G# min • 04:38 • -14db
37% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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David Benoit
Stages
90 bpm • C# Maj • 04:35 • -10.7db
29% Popularity • 48% Danceability • 50% Energy • 51% Liveness
92% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 50% Energy • 51% Liveness
92% Instrumentalness • 47% Positiveness
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Richard Darbyshire
This I Swear
98 bpm • G# Maj • 04:18 • -10db
36% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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El DeBarge
Love Always
90 bpm • F min • 05:30 • -16db
32% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Patti Austin
More Today Than Yesterday
91 bpm • F min • 05:26 • -11.32db
12% Popularity • 62% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 62% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Anita Baker
No One in the World
90 bpm • A# Maj • 04:06 • -8.24db
45% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Lisa Stansfield
Never Set Me Free
90 bpm • C min • 05:01 • -11.87db
17% Popularity • 69% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 69% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Fattburger
100 Ways
90 bpm • G# Maj • 04:53 • -10db
45% Popularity • 76% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 51% Positiveness
45% Popularity • 76% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 51% Positiveness
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DeBarge
Who's Holding Donna Now?
90 bpm • D# min • 04:27 • -15db
63% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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James Ingram
One Hundred Ways - New Version
90 bpm • G# Maj • 04:37 • -8.75db
47% Popularity • 70% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 70% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Patti Austin
Baby, Come To Me
90 bpm • G min • 03:35 • -12.08db
64% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
64% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Average White Band
No Easy Way to Say Goodbye
90 bpm • F Maj • 04:28 • -10.77db
15% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Workshy
How It Is
90 bpm • G# Maj • 04:45 • -9.34db
16% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Rippingtons
Till You Come Back To Me
90 bpm • C Maj • 03:59 • -6.44db
46% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Seawind
La La(Means I Love You)
90 bpm • B min • 03:56 • -6.97db
21% Popularity • 63% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 63% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Deniece Williams
It's Okay
98 bpm • D Maj • 05:27 • -9.86db
6% Popularity • 72% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 72% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Patti Austin
In And Out Of Love
90 bpm • F# min • 03:54 • -8db
32% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Julia Fordham
Happy Ever After
98 bpm • G Maj • 03:43 • -13.61db
35% Popularity • 74% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 74% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Stephen Bishop
It Might Be You
90 bpm • G Maj • 04:18 • -16db
59% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Petersen
Groovy Times
98 bpm • C# Maj • 03:29 • -7.19db
20% Popularity • 70% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 70% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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The New Minstrels
Smile
90 bpm • G Maj • 02:44 • -8.25db
33% Popularity • 59% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 59% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Smokey Robinson
One Heartbeat
90 bpm • D Maj • 04:07 • -15db
39% Popularity • 75% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 75% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Deon Estus
Love Can`t Wait
90 bpm • G# Maj • 03:58 • -14.55db
26% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Gene Dunlap
It's Just The Way I Feel
89 bpm • B min • 04:54 • -15.56db
33% Popularity • 60% Danceability • 37% Energy • 8% Liveness
43% Instrumentalness • 60% Positiveness
33% Popularity • 60% Danceability • 37% Energy • 8% Liveness
43% Instrumentalness • 60% Positiveness
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Amii Stewart
Dusty Road
89 bpm • G Maj • 04:31 • -16.46db
28% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Pete Belasco
All In My Mind
89 bpm • C# Maj • 04:53 • -9.34db
31% Popularity • 66% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 81% Positiveness
31% Popularity • 66% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 81% Positiveness
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Anita Baker
Sweet Love
89 bpm • A# min • 04:26 • -5.7db
60% Popularity • 50% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 50% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Patti Austin
Love Is Gonna Getcha
99 bpm • F Maj • 05:03 • -6.55db
15% Popularity • 78% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 78% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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El DeBarge
After the Dance
99 bpm • F# min • 06:02 • -11db
34% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Gene Dunlap
Before You Break My Heart
89 bpm • B min • 06:09 • -16db
27% Popularity • 64% Danceability • 35% Energy • 48% Liveness
3% Instrumentalness • 62% Positiveness
27% Popularity • 64% Danceability • 35% Energy • 48% Liveness
3% Instrumentalness • 62% Positiveness
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![After The Dance [Edit] (feat. El DeBarge) cover art](https://i.scdn.co/image/ab67616d00001e02a8a4780e569a73d3085a289c)
Fourplay
After The Dance [Edit]
99 bpm • C# min • 04:10 • -7.16db
29% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 79% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Carl Anderson
How Deep Does It Go?
100 bpm • A# min • 05:04 • -13db
15% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Lou Pardini
What Might Have Been
89 bpm • G# Maj • 05:26 • -8.25db
27% Popularity • 38% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 38% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 43% Positiveness
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Basia
Astrud
89 bpm • E min • 04:38 • -16.25db
29% Popularity • 65% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 65% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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El DeBarge
It's Got to Be Real
89 bpm • C# Maj • 03:58 • -6.19db
20% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Patti Austin
Symphony Of Love
89 bpm • B min • 03:40 • -16.26db
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
![After The Dance [Long Version] (feat. El DeBarge) - 2021 Remastered cover art](https://i.scdn.co/image/ab67616d00001e0297bf2d37082ab2c61d59acc7)
Fourplay
After The Dance [Long Version] - 2021 R...
99 bpm • F# min • 07:20 • -10.51db
14% Popularity • 75% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 75% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kalapana
The Hurt - Remastered
100 bpm • A Maj • 03:36 • -11.39db
42% Popularity • 48% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 48% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Clair Marlo
'Til They Take My Heart Away
88 bpm • A Maj • 04:18 • -14.14db
63% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Steve Oliver
Show You Love
100 bpm • E min • 04:42 • -6.85db
19% Popularity • 75% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 75% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Hiroshima
One Fine Day
100 bpm • D min • 05:53 • -5db
12% Popularity • 43% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 43% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
