Songs like Thumbs Again by Lucy Dacus
Based on a tempo of (+/- 10%) and a similar genre
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Boyish
zodiac killer
133 bpm • E Maj • 04:06 • -15.2db
26% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Lucy Dacus
Thumbs Again
133 bpm • A# Maj • 04:39 • -12db
32% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Alix Page
Pulling Teeth - Audiotree Live Version
133 bpm • C# Maj • 03:25 • -19.09db
17% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Fenne Lily
Hypochondriac - acoustic
133 bpm • D# Maj • 03:30 • -16.11db
29% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Annie DiRusso
Infinite Jest
134 bpm • D Maj • 04:34 • -7.41db
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Orla Gartland
Left Behind
134 bpm • F Maj • 04:15 • -12.79db
29% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lucy Dacus
Body to Flame
133 bpm • D Maj • 03:05 • -9.65db
47% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Bess Atwell
Red Light Heaven
132 bpm • A Maj • 03:29 • -8.94db
35% Popularity • 56% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 36% Positiveness
35% Popularity • 56% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 36% Positiveness
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Fenne Lily
Someone Else's Trees
133 bpm • E Maj • 04:50 • -15.54db
25% Popularity • 40% Danceability • 20% Energy • 37% Liveness
6% Instrumentalness • 20% Positiveness
25% Popularity • 40% Danceability • 20% Energy • 37% Liveness
6% Instrumentalness • 20% Positiveness
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Tomberlin
sunstruck
132 bpm • A Maj • 05:01 • -11.64db
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Lee Hutson
Age Difference
131 bpm • D Maj • 05:07 • -16db
20% Popularity • 34% Danceability • 17% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
20% Popularity • 34% Danceability • 17% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
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Lucy Dacus
Partner in Crime - Spotify Singles
134 bpm • A Maj • 03:53 • -14.78db
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Hayley Williams
HYD
135 bpm • D# min • 03:42 • -12.88db
37% Popularity • 54% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 54% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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quinnie
jake's car
135 bpm • D Maj • 01:33 • -10.43db
31% Popularity • 48% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 48% Danceability • 34% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
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Paramore
Thick Skull (Re: Julien Baker)
131 bpm • A Maj • 04:54 • -7.52db
49% Popularity • 55% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
49% Popularity • 55% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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Christian Lee Hutson
Twin Soul
131 bpm • D Maj • 03:52 • -8.31db
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Lucy Dacus
Addictions
135 bpm • A# Maj • 03:24 • -7.13db
48% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
48% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
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Dora Jar
Hill
131 bpm • A Maj • 02:32 • -10.95db
27% Popularity • 64% Danceability • 18% Energy • 25% Liveness
21% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 18% Energy • 25% Liveness
21% Instrumentalness • 30% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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MUNA
Grow
135 bpm • C# Maj • 01:47 • -10db
33% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Harrison Whitford
Meclizine
136 bpm • F Maj • 05:46 • -12.37db
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Christian Lee Hutson
Atheist
130 bpm • D# Maj • 03:00 • -10db
34% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Phoebe Bridgers
Would You Rather
136 bpm • A# Maj • 03:19 • -10.93db
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Runnner
Trundle Bed
136 bpm • C Maj • 03:31 • -11.36db
18% Popularity • 38% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 38% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Eliza McLamb
Lena Grove
130 bpm • A# Maj • 03:37 • -11.96db
31% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Maya Hawke
Bloomed Into Blue
130 bpm • F Maj • 03:25 • -10.43db
34% Popularity • 67% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 67% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Bleachers
Strange Behavior
130 bpm • B Maj • 03:05 • -18.55db
35% Popularity • 52% Danceability • 20% Energy • 14% Liveness
43% Instrumentalness • 33% Positiveness
35% Popularity • 52% Danceability • 20% Energy • 14% Liveness
43% Instrumentalness • 33% Positiveness
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Daisy the Great
Time Machine
130 bpm • C# Maj • 04:20 • -6.13db
31% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy Dacus
Green Eyes, Red Face
135 bpm • A Maj • 03:38 • -9db
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Katie Gregson-MacLeod
All the Love
130 bpm • D Maj • 03:46 • -8.68db
21% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Alix Page
Pulling Teeth
130 bpm • C# Maj • 03:25 • -9.76db
31% Popularity • 76% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 76% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ally Evenson
I Can't Feel (My Body)
130 bpm • D# Maj • 04:23 • -9.91db
27% Popularity • 56% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
41% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
41% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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quinnie
shape (flounder bonus track)
130 bpm • G# Maj • 02:45 • -10.48db
29% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
65% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Alix Page
Stripes
130 bpm • C Maj • 03:56 • -9.66db
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Maya Hawke
South Elroy
136 bpm • C Maj • 03:13 • -9.61db
36% Popularity • 55% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 55% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Kevin Atwater
a song about murder
130 bpm • F# Maj • 03:45 • -14.67db
26% Popularity • 54% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
26% Popularity • 54% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Bess Atwell
Love Is Not Enough
129 bpm • F min • 03:23 • -12.49db
37% Popularity • 55% Danceability • 33% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Searows
Coming Clean
129 bpm • D Maj • 06:18 • -16db
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Christian Lee Hutson
Strawberry Lemonade
137 bpm • D Maj • 04:24 • -10db
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Adult Mom
Berlin
129 bpm • F# Maj • 03:20 • -7.25db
30% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Adrianne Lenker
Steamboat
129 bpm • C# Maj • 02:41 • -12db
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Ethel Cain
Crush - Stripped
138 bpm • E Maj • 03:49 • -10db
47% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
47% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Skullcrusher
Cloudy Shoes
138 bpm • F Maj • 04:38 • -13.26db
16% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Sharon Silva
Spitting Image
138 bpm • C Maj • 04:19 • -8.28db
18% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Adrianne Lenker
Gone
138 bpm • G Maj • 04:06 • -7.14db
40% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sufjan Stevens
Lacrimae
138 bpm • F min • 02:07 • -14.24db
39% Popularity • 53% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
39% Popularity • 53% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lucy Dacus
The Shell
138 bpm • D Maj • 04:37 • -9.61db
43% Popularity • 55% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
43% Popularity • 55% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Field Medic
i want you so bad it hurts
138 bpm • E Maj • 03:03 • -6.82db
34% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Harrison Whitford
Secret Garden
138 bpm • F# Maj • 02:51 • -11.51db
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Wild Pink
Hold My Hand
128 bpm • E Maj • 05:01 • -12.62db
28% Popularity • 68% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 65% Positiveness
28% Popularity • 68% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 65% Positiveness
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Half Waif
Sourdough
128 bpm • G Maj • 02:59 • -14.13db
11% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 50% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Christian Lee Hutson
Sitting Up With A Sick Friend
138 bpm • D# Maj • 03:19 • -15.57db
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Lucy Dacus
Next of Kin
128 bpm • A# Maj • 04:06 • -7.71db
41% Popularity • 55% Danceability • 65% Energy • 12% Liveness
14% Instrumentalness • 38% Positiveness
41% Popularity • 55% Danceability • 65% Energy • 12% Liveness
14% Instrumentalness • 38% Positiveness
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Maya Hawke
Generous Heart
128 bpm • C Maj • 03:35 • -15.5db
43% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
43% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Phoebe Bridgers
Chelsea
128 bpm • B Maj • 04:42 • -15.45db
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Adrianne Lenker
Ringing Bells
139 bpm • C Maj • 03:49 • -17db
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Typhoon
And So What If You Were Right
128 bpm • E Maj • 03:58 • -14.7db
18% Popularity • 51% Danceability • 20% Energy • 15% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 51% Danceability • 20% Energy • 15% Liveness
1% Instrumentalness • 9% Positiveness
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Girlpool
Faultline
128 bpm • D# Maj • 04:11 • -5.2db
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Lucy Dacus
Strange Torpedo
139 bpm • B min • 04:24 • -6db
37% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
37% Popularity • 54% Danceability • 75% Energy • 7% Liveness
64% Instrumentalness • 24% Positiveness
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Peach Fuzz
I Saw the Moon
127 bpm • C Maj • 03:29 • -14db
30% Popularity • 59% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 59% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Fenne Lily
Car Park (Overflow)
139 bpm • B Maj • 02:24 • -19db
23% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Christian Lee Hutson
Keep You Down
139 bpm • A Maj • 04:22 • -9.4db
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Big Red Machine
Brycie
127 bpm • F Maj • 05:13 • -10.89db
26% Popularity • 63% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Haley Heynderickx
Show You a Body
127 bpm • A# min • 03:28 • -12db
47% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
47% Popularity • 46% Danceability • 18% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Katie Gregson-MacLeod
Second Single Bed
127 bpm • E Maj • 03:40 • -11.54db
35% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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quinnie
security question
140 bpm • A# Maj • 04:16 • -7.33db
31% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Claud
Rocks At Your Window
140 bpm • A# Maj • 01:36 • -8.46db
18% Popularity • 50% Danceability • 43% Energy • 37% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 50% Danceability • 43% Energy • 37% Liveness
1% Instrumentalness • 15% Positiveness
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Lucy Dacus
Timefighter
140 bpm • G min • 05:48 • -8db
45% Popularity • 48% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 37% Positiveness
45% Popularity • 48% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 37% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Haley Blais
Concrete
140 bpm • A Maj • 03:09 • -16.05db
32% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
25% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Lucy Dacus
Kissing Lessons
140 bpm • C# Maj • 01:54 • -7.07db
53% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
53% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Searows
Roadkill
126 bpm • C Maj • 04:40 • -14db
45% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Lee Hutson
You're Still The One
126 bpm • D# Maj • 03:34 • -10.57db
30% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
