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Thunderstorms and Neon Signs
Songs like
Thunderstorms and Neon Signs
by
Wayne Hancock
Based on a tempo of (+/- 10%) and a similar genre
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The Flatlanders
Bhagavan Decreed
135 bpm • G Maj • 03:00 • -9.45db
18% Popularity • 57% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Wayne Hancock
Thunderstorms and Neon Signs
135 bpm • E Maj • 03:42 • -13db
44% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Merle Travis
Sixteen Tons
135 bpm • B min • 02:57 • -16.14db
34% Popularity • 80% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Paycheck
Drinkin' and Drivin'
134 bpm • G Maj • 03:03 • -13.63db
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Noack
Shotgun House
136 bpm • C Maj • 02:29 • -11.7db
19% Popularity • 68% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Horton
Honky Tonk Man
136 bpm • E Maj • 02:11 • -14db
43% Popularity • 47% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Wills & Tommy Duncan with The Texas Playboys
Take Me Back To Tulsa
136 bpm • D Maj • 02:34 • -8.37db
35% Popularity • 73% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Wayne Hancock
Best To Be Alone
135 bpm • D Maj • 02:45 • -7.42db
15% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Justin Townes Earle
The Good Life
133 bpm • D Maj • 02:47 • -7.31db
33% Popularity • 54% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Kirchen
Hillbilly Truck Driving Man
133 bpm • E Maj • 03:24 • -9.72db
14% Popularity • 67% Danceability • 63% Energy • 27% Liveness
1% Instrumentalness • 71% Positiveness
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Eddie Noack
Two Brown Eyes
134 bpm • A Maj • 01:53 • -9.67db
28% Popularity • 61% Danceability • 46% Energy • 6% Liveness
45% Instrumentalness • 74% Positiveness
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Sarah Shook & the Disarmers
Fuck Up
133 bpm • A Maj • 03:21 • -5.34db
42% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Jessi Colter
Why You Been Gone so Long
137 bpm • A min • 03:05 • -11.53db
40% Popularity • 77% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Wayne Hancock
Cold Lonesome Wind
136 bpm • A Maj • 04:24 • -16db
23% Popularity • 66% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Flatlanders
Down in My Hometown
133 bpm • G Maj • 02:45 • -9.09db
22% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Kitty Wells
It Wasn't God Who Made Honky Tonk Angels...
138 bpm • A Maj • 02:32 • -10db
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie Noack
If It Ain't on the Menu
133 bpm • A Maj • 01:36 • -9.76db
24% Popularity • 79% Danceability • 53% Energy • 5% Liveness
3% Instrumentalness • 74% Positiveness
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Woody Pines
99 Years
132 bpm • C Maj • 02:41 • -10.5db
26% Popularity • 57% Danceability • 56% Energy • 20% Liveness
5% Instrumentalness • 64% Positiveness
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Sam Doores
Throw Another Cap in the Fire
138 bpm • C Maj • 03:32 • -9.52db
30% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Country Side Of Harmonica Sam
I've Been Draggin' Since You've Gone
138 bpm • G# Maj • 02:41 • -10.54db
21% Popularity • 61% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Luke Bell
All Blue
132 bpm • G Maj • 03:21 • -6.28db
35% Popularity • 57% Danceability • 82% Energy • 19% Liveness
34% Instrumentalness • 73% Positiveness
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Willi Carlisle
Cheap Cocaine
132 bpm • A Maj • 03:33 • -7.6db
45% Popularity • 69% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The Weary Boys
Runnin' Hidin'
139 bpm • G Maj • 01:51 • -7.55db
18% Popularity • 49% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Robbie Fulks
I Told Her Lies
132 bpm • C# Maj • 02:50 • -10.21db
23% Popularity • 69% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Country Side Of Harmonica Sam
A Drink After Midnight
139 bpm • A Maj • 02:47 • -7.73db
27% Popularity • 52% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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James Hand
Banks Of The Brazos
139 bpm • E min • 02:06 • -7db
16% Popularity • 66% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Watson
Mexican Cowboy
131 bpm • G Maj • 03:53 • -10db
23% Popularity • 54% Danceability • 45% Energy • 17% Liveness
19% Instrumentalness • 66% Positiveness
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Fred Eaglesmith
Time To Get A Gun
139 bpm • D Maj • 03:43 • -7.09db
30% Popularity • 60% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 56% Positiveness
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The Flatlanders
You've Never Seen Me Cry
131 bpm • G Maj • 02:17 • -7.8db
16% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Doc & Merle Watson
Red Rocking Chair
131 bpm • F min • 02:05 • -15.24db
40% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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Bob Wills
South Of The Border (Down Mexico Way)
140 bpm • C Maj • 02:17 • -15.52db
32% Popularity • 52% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Paycheck
Fifteen Beers
140 bpm • C Maj • 02:38 • -9.45db
44% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Joey Allcorn
Honky Tonkin' Ramblin' Man
140 bpm • A Maj • 02:19 • -5.68db
9% Popularity • 53% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Stoney Edwards
Hank And Lefty Raised My Country Soul
130 bpm • C Maj • 02:31 • -8db
26% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Buck Owens & The Buckaroos
Made In Japan
130 bpm • F Maj • 02:44 • -9.18db
43% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Commander Cody and His Lost Planet Airmen
Hot Rod Lincoln
130 bpm • E Maj • 02:44 • -13.06db
51% Popularity • 70% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Fred Eaglesmith
Trucker Speed
130 bpm • G Maj • 05:11 • -13.81db
48% Popularity • 74% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Woody Pines
Cocaine Bill
130 bpm • G Maj • 02:11 • -9.75db
31% Popularity • 73% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Sanford Clark
Go on Home
140 bpm • D Maj • 01:59 • -9.82db
31% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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The Country Side Of Harmonica Sam
My First Broken Heart (Since My Last Bro...
130 bpm • F# Maj • 02:25 • -11.74db
20% Popularity • 74% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Weary Boys
Pick Up The Steam
140 bpm • A Maj • 02:02 • -4.68db
19% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Delbert McClinton
Two More Bottles Of Wine
140 bpm • A Maj • 03:01 • -10db
42% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Fred Eaglesmith
Alcohol And Pills
130 bpm • F# min • 03:58 • -8db
31% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Horton
Ole Slew Foot
130 bpm • E Maj • 02:19 • -14.62db
39% Popularity • 64% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Ian Noe
River Fool
141 bpm • C# Maj • 03:05 • -10db
39% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Eddy Arnold
Cowpoke
141 bpm • A Maj • 02:20 • -12.32db
47% Popularity • 61% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Red Foley
Tennessee Saturday Night
141 bpm • E Maj • 02:42 • -13db
31% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Vincent Neil Emerson
Devil in My Bed
141 bpm • F# Maj • 02:00 • -6db
39% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Fred Eaglesmith
Katie
141 bpm • G Maj • 03:42 • -11.81db
38% Popularity • 72% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Bobby Bare
The Winner
129 bpm • G Maj • 05:20 • -10db
40% Popularity • 69% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Terry Allen
FFA
141 bpm • B Maj • 01:11 • -12.48db
24% Popularity • 84% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Luke Bell
Sometimes
129 bpm • G Maj • 04:07 • -5.55db
35% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Scott Miller & The Commonwealth
Drunk All Around This Town
142 bpm • F Maj • 02:35 • -7.53db
37% Popularity • 53% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
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Gram Parsons
Return of the Grievous Angel - 2006 Rema...
129 bpm • A# Maj • 04:26 • -8.67db
43% Popularity • 63% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Hancock
Viper
129 bpm • G Maj • 03:10 • -10.19db
11% Popularity • 69% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Trampled by Turtles
Whiskey
129 bpm • C min • 04:25 • -8db
57% Popularity • 60% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Woody Pines
Counting Alligators
128 bpm • D Maj • 02:23 • -10.36db
32% Popularity • 66% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Scott H. Biram
Wreck My Car
142 bpm • D Maj • 03:16 • -20.75db
30% Popularity • 45% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Wynn Stewart
Playboy
128 bpm • F Maj • 02:21 • -18.53db
42% Popularity • 38% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Zephaniah OHora
Songs My Mama Sang
128 bpm • F Maj • 03:07 • -7.12db
18% Popularity • 68% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Jimmie Dale Gilmore
My Mind's Got a Mind of Its Own
128 bpm • G Maj • 02:31 • -11.42db
22% Popularity • 63% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Robbie Fulks
Every Kind Of Music But Country
128 bpm • B min • 02:18 • -7.95db
29% Popularity • 85% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Ernest Tubb
Sometimes I Do
128 bpm • E Maj • 02:06 • -15.33db
22% Popularity • 63% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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Vincent Neil Emerson
Road Runner
128 bpm • G Maj • 02:36 • -7db
55% Popularity • 55% Danceability • 91% Energy • 14% Liveness
50% Instrumentalness • 78% Positiveness
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The Flatlanders
Stars in My Life
128 bpm • A Maj • 03:20 • -10.03db
13% Popularity • 58% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Bell
Working Man's Dream
143 bpm • G Maj • 02:11 • -6.3db
29% Popularity • 46% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Wayne Hancock
Lose Your Mind
143 bpm • A Maj • 03:18 • -7.25db
12% Popularity • 54% Danceability • 64% Energy • 76% Liveness
0% Instrumentalness • 80% Positiveness
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The Weary Boys
Freight Train Blues
127 bpm • G Maj • 02:45 • -5.34db
15% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Hank Williams III
Low Down
127 bpm • G Maj • 03:23 • -6db
45% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Sturgill Simpson
Railroad of Sin
143 bpm • G Maj • 02:04 • -4.04db
46% Popularity • 46% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Fred Eaglesmith
Cigarette Machine
144 bpm • G Maj • 04:31 • -10db
34% Popularity • 61% Danceability • 38% Energy • 35% Liveness
1% Instrumentalness • 63% Positiveness
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James Hand
Floor To Crawl
127 bpm • A Maj • 02:49 • -8.22db
19% Popularity • 64% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Legendary Shack Shakers
Blood On The Bluegrass
127 bpm • B min • 03:43 • -4.67db
37% Popularity • 59% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Louvin
See The Big Man Cry
127 bpm • C# Maj • 02:25 • -10db
38% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Stonewall Jackson
Life to Go
127 bpm • E Maj • 02:28 • -15.44db
29% Popularity • 55% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Maddox Brothers & Rose
Ugly and Slouchy
127 bpm • C# Maj • 02:09 • -10.95db
13% Popularity • 62% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Willie Watson
Keep It Clean
144 bpm • A Maj • 03:35 • -13db
22% Popularity • 66% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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James Hand
Lesson in Depression
126 bpm • G Maj • 02:58 • -7.86db
14% Popularity • 64% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Sanford Clark
It Ain't Nothing to Me
144 bpm • A Maj • 02:30 • -12.97db
38% Popularity • 69% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Noack
Beer Drinkin' Blues
126 bpm • C Maj • 02:47 • -11db
28% Popularity • 69% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Webb Pierce
I'm Walking The Dog
145 bpm • A Maj • 02:23 • -8.98db
25% Popularity • 38% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Terry Allen
The Great Joe Bob (a Regional Tragedy)
145 bpm • C Maj • 04:42 • -9db
22% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Hank Williams III
Country Heroes
126 bpm • E min • 03:28 • -7.45db
52% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Commander Cody and His Lost Planet Airmen
Lost In The Ozone
126 bpm • E Maj • 02:13 • -11.53db
29% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Levon Helm
Poor Old Dirt Farmer
145 bpm • G Maj • 03:52 • -7db
31% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Noack
Beer Drinking Blues - Alternate Take
126 bpm • C Maj • 02:44 • -10db
30% Popularity • 68% Danceability • 61% Energy • 13% Liveness
23% Instrumentalness • 81% Positiveness
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Don Walser
Texas Top Hand
126 bpm • G# Maj • 02:55 • -12.52db
13% Popularity • 79% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 97% Positiveness
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James Hand
Little Bitty Slip
145 bpm • G Maj • 03:04 • -8db
16% Popularity • 64% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
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Kinky Friedman
Sold American
145 bpm • E Maj • 03:17 • -13db
28% Popularity • 56% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Henson Cargill
Skip a Rope
146 bpm • F# min • 02:40 • -13db
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ray Wylie Hubbard
Drunken Poet's Dream
125 bpm • G Maj • 04:20 • -7.76db
40% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Deslondes
Those Were (Could've Been) the Days
125 bpm • C Maj • 02:29 • -6.08db
33% Popularity • 54% Danceability • 78% Energy • 25% Liveness
3% Instrumentalness • 88% Positiveness
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The Del McCoury Band
1952 Vincent Black Lightning
125 bpm • C Maj • 04:02 • -10db
42% Popularity • 68% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Wills
Dusty Skies
125 bpm • D Maj • 02:52 • -16.39db
16% Popularity • 54% Danceability • 10% Energy • 16% Liveness
52% Instrumentalness • 33% Positiveness
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Emily Nenni
Long Game
146 bpm • E Maj • 03:00 • -10.13db
47% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie Noack
Relief Is Just a Swallow Away
146 bpm • G Maj • 02:06 • -7.86db
30% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Robbie Fulks
Rock Bottom, Pop. 1
146 bpm • A Maj • 02:40 • -8.93db
24% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Stanley Brothers
Mountain Dew
146 bpm • D# Maj • 02:43 • -14.01db
39% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sturgill Simpson
Sitting Here Without You
124 bpm • F# Maj • 02:10 • -4.31db
47% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Thunderstorms and Neon Signs