Songs like Thy Mercy, My God by Sandra McCracken
Based on a tempo of (+/- 10%) and a similar genre
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Bifrost Arts
Lesser Loves
135 bpm • D Maj • 04:00 • -10.83db
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Zach
I Want Jesus to Walk With Me
135 bpm • F min • 03:35 • -14db
31% Popularity • 50% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 50% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Gungor
You Have Me
135 bpm • D# Maj • 04:35 • -10db
29% Popularity • 44% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
29% Popularity • 44% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Rain For Roots
Come to Me
135 bpm • A# Maj • 03:27 • -10.19db
26% Popularity • 41% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 41% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Seeker & Servant
Sovereign Hands
135 bpm • E Maj • 05:31 • -8.58db
26% Popularity • 23% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 23% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Sandra McCracken
Thy Mercy, My God
135 bpm • C# Maj • 05:14 • -11db
29% Popularity • 39% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 39% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Leeland
Carried to The Table
135 bpm • D Maj • 05:43 • -9.05db
31% Popularity • 36% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 36% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Greg LaFollette
Never Alone
135 bpm • A Maj • 04:35 • -11db
25% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gungor
We Will Run
135 bpm • E Maj • 09:24 • -10db
24% Popularity • 27% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
24% Popularity • 27% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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Chelsea Moon & Uncle Daddy
How Deep the Father's Love
136 bpm • C Maj • 05:05 • -9.79db
24% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Erik Nieder
O Rock Eternal
136 bpm • D Maj • 05:13 • -11.75db
50% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Sandra McCracken
Be Still My Soul (Psalm 131)
136 bpm • C# Maj • 03:04 • -12.02db
23% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jill Phillips
I'd Rather Have Jesus
136 bpm • G Maj • 03:50 • -10.93db
28% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Seth Talley
I Believe In You
136 bpm • D# Maj • 03:08 • -8.14db
12% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Gungor
The Earth Is Yours
136 bpm • D Maj • 03:08 • -7db
32% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Psallos
In the Eventide
136 bpm • D# Maj • 04:49 • -12.57db
20% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Enfield Hymn Sessions
Be Thou My Vision
134 bpm • E Maj • 05:07 • -8.07db
24% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sandra McCracken
He Walks With Me (1 Peter)
134 bpm • A Maj • 04:05 • -9.26db
24% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Brilliance
Dust We Are and Shall Return
134 bpm • F Maj • 03:19 • -12db
43% Popularity • 55% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 55% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Chelsea Moon & Uncle Daddy
Before the Throne
136 bpm • G# min • 05:27 • -5.8db
21% Popularity • 57% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 57% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Jill Phillips
I Am
134 bpm • C Maj • 03:38 • -12.61db
25% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Psallos
The Lord Is a Mighty King
136 bpm • D Maj • 04:43 • -12db
30% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Red Mountain Music
Come All Ye Pining
136 bpm • F# Maj • 03:17 • -11.87db
19% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Sandra McCracken
Love Will Bring You Home
136 bpm • G# Maj • 04:35 • -8.59db
18% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Brian Sauvé
Psalm 100 (Make a Joyful Noise)
133 bpm • B Maj • 03:14 • -7db
35% Popularity • 32% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 32% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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FAITHFUL
Rahab's Lullaby (God Above, God Below)
133 bpm • G Maj • 04:15 • -11.69db
25% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Caroline Cobb
Who is This Jesus?
137 bpm • G Maj • 04:08 • -13.25db
38% Popularity • 40% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 40% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew Marcus
Abide in Me
137 bpm • B Maj • 03:40 • -14db
37% Popularity • 30% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 30% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Ordinary Time
Who Will Roll Away the Stone?
133 bpm • G Maj • 03:52 • -7.37db
19% Popularity • 45% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 45% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Greg LaFollette
Softly and Tenderly
137 bpm • F# Maj • 03:28 • -10.06db
30% Popularity • 42% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 42% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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Sons of Korah
Psalm 116
133 bpm • A# Maj • 04:46 • -9db
26% Popularity • 38% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 38% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Josh Garrels
No Longer Slaves
137 bpm • F# Maj • 04:26 • -11.93db
39% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Caroline Cobb
Find Rest (Matthew 11)
133 bpm • C Maj • 04:22 • -12db
23% Popularity • 35% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 35% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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![You Have Redeemed My Soul (Psalm 107) [Remastered 2017] cover art](https://i.scdn.co/image/ab67616d00001e023398b2796abef2e1ff2bbe2e)
Enter The Worship Circle
You Have Redeemed My Soul (Psalm 107) [R...
133 bpm • F Maj • 02:16 • -16.91db
25% Popularity • 56% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 56% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Sandra McCracken
Grace Upon Grace
137 bpm • B Maj • 03:10 • -6.36db
15% Popularity • 39% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 39% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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The Enfield Hymn Sessions
Jesus, I My Cross Have Taken
138 bpm • E Maj • 05:55 • -12.16db
30% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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The Brilliance
Now and at the Hour
138 bpm • G Maj • 03:19 • -12.1db
38% Popularity • 51% Danceability • 27% Energy • 20% Liveness
4% Instrumentalness • 26% Positiveness
38% Popularity • 51% Danceability • 27% Energy • 20% Liveness
4% Instrumentalness • 26% Positiveness
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Paul Zach
From the Dust
132 bpm • D min • 03:21 • -14db
29% Popularity • 32% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 8% Positiveness
29% Popularity • 32% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 8% Positiveness
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![For All the Saints [Dan Haseltine] cover art](https://i.scdn.co/image/ab67616d00001e02955303e66356858f9eb6343d)
Indelible Grace Music
For All the Saints [Dan Haseltine]
132 bpm • D Maj • 04:01 • -10.31db
24% Popularity • 59% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Young Oceans
To Hear Your Voice
138 bpm • F# min • 04:26 • -9.14db
35% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sandra McCracken
With Great Gentleness (Live)
133 bpm • A Maj • 02:51 • -16.28db
17% Popularity • 45% Danceability • 23% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 23% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
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Ascend The Hill
I Surrender All
132 bpm • D Maj • 04:46 • -5.39db
27% Popularity • 50% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 19% Positiveness
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Red Mountain Church
Help My Unbelief
132 bpm • A# Maj • 03:37 • -12.46db
17% Popularity • 51% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 51% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Jill Phillips
Abide With Me
132 bpm • A# Maj • 02:45 • -12.69db
38% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Heather Clark
Undivided Focus
138 bpm • C Maj • 05:54 • -7.69db
16% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Village Church
Come to Me
132 bpm • C Maj • 04:40 • -9.33db
22% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sandra McCracken
In Feast Or Fallow
138 bpm • B Maj • 03:41 • -9.04db
18% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Shane Barnard
Psalm 143 (Revive Me)
132 bpm • A Maj • 06:07 • -11.11db
9% Popularity • 42% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 42% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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![Too Proud (Psalm 81) [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02694036984c7e7ca24a50a6aa)
Enter The Worship Circle
Too Proud (Psalm 81) [Remastered]
132 bpm • C Maj • 04:37 • -12db
15% Popularity • 63% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 63% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 22% Positiveness
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Generation Church
What Joy (Psalm 146)
138 bpm • E Maj • 04:49 • -6db
19% Popularity • 28% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 28% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Liturgical Folk
Epiphany: Rejoice, All You!
138 bpm • G Maj • 03:27 • -11.94db
7% Popularity • 47% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 47% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rain For Roots
Wisdom & Grace (Psalm 90)
139 bpm • E Maj • 03:47 • -11.55db
28% Popularity • 51% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 51% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Sons of Korah
Psalm 91
139 bpm • C# Maj • 06:45 • -16.97db
38% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Caedmon's Call
I Boast No More
139 bpm • A# Maj • 04:30 • -8.01db
21% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Matthew Smith
Jesus, What A Friend For Sinners
139 bpm • E Maj • 03:39 • -10db
29% Popularity • 43% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 43% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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A New Liturgy
Take My Life and Let It Be
139 bpm • C Maj • 03:53 • -7.19db
27% Popularity • 54% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 54% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Liturgical Folk
O Gracious Light
131 bpm • D Maj • 02:48 • -13.34db
30% Popularity • 66% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 66% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Rain For Roots
Come Light Our Hearts
139 bpm • E Maj • 03:49 • -9.71db
23% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 57% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sons of Korah
Psalm 1
139 bpm • B Maj • 03:16 • -12db
38% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sandra McCracken
Call Him Good (Psalm 104)
140 bpm • B min • 04:22 • -10.82db
19% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Shadowlands
Hear You
140 bpm • C Maj • 04:32 • -7.88db
13% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gungor
My Father's World - Live
130 bpm • C Maj • 04:25 • -13.32db
31% Popularity • 30% Danceability • 10% Energy • 95% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 30% Danceability • 10% Energy • 95% Liveness
0% Instrumentalness • 22% Positiveness
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Red Mountain Music
Why So Heavy?
140 bpm • E Maj • 02:37 • -11.79db
20% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Rain For Roots
All Creatures of Our God and King
140 bpm • C Maj • 02:11 • -15.61db
39% Popularity • 46% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 46% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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The Lower Lights
God Be With You Till We Meet Again
140 bpm • C Maj • 03:48 • -15db
34% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sandra McCracken
Sovereign Grace O'er Sin Abounding
140 bpm • B Maj • 03:53 • -10.39db
11% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Young Oceans
Praise the Lord Ye Heavens
140 bpm • G Maj • 04:32 • -6.34db
44% Popularity • 57% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 57% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Caroline Cobb
Shepherd, Walk Beside Me (Psalm 23)
140 bpm • C Maj • 04:19 • -8.22db
36% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jon Foreman
Thanks Be To God
140 bpm • A min • 04:02 • -9db
35% Popularity • 49% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
35% Popularity • 49% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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Sojourn
All I Have Is Yours
130 bpm • C Maj • 03:52 • -9.91db
16% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
![Abide With Me [Mp Jones] cover art](https://i.scdn.co/image/ab67616d00001e028924c32750eaa2c90aad2086)
Indelible Grace Music
Abide With Me [Mp Jones]
130 bpm • B min • 04:04 • -15.04db
39% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sandra McCracken
My Help, My God (Psalm 42)
140 bpm • F Maj • 05:17 • -11.49db
28% Popularity • 41% Danceability • 34% Energy • 13% Liveness
6% Instrumentalness • 8% Positiveness
28% Popularity • 41% Danceability • 34% Energy • 13% Liveness
6% Instrumentalness • 8% Positiveness
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Liturgical Folk
Lent 1: Refuse the Bait
140 bpm • E min • 04:28 • -11.34db
27% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Chelsea Moon & Uncle Daddy
Jesus Paid It All
140 bpm • A Maj • 04:20 • -7.9db
20% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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The Sing Team
As Long as I Live (Psalm 63)
130 bpm • C Maj • 04:03 • -7db
28% Popularity • 55% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Sojourn
Lead Us Back
130 bpm • D Maj • 05:34 • -9db
25% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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All Sons & Daughters
Almighty God
130 bpm • A Maj • 05:08 • -14.11db
23% Popularity • 47% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 47% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Sandra McCracken
The Lord's Prayer
130 bpm • D# Maj • 03:32 • -10.08db
25% Popularity • 56% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 56% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nathan Clark George
Lord Jesus, You're More Excellent
130 bpm • E Maj • 03:51 • -7.73db
38% Popularity • 52% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 52% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Sherri Youngward
I Shall Not Be Afraid - Psalm 56:3-4 Psa...
130 bpm • G Maj • 03:22 • -13.39db
14% Popularity • 38% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 38% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Caroline Cobb
Have Mercy (Psalm 51)
130 bpm • A Maj • 04:28 • -8.77db
35% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Enter The Worship Circle
I Could Run Away [Remastered 2017]
140 bpm • G Maj • 05:03 • -11.01db
20% Popularity • 48% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Joyful Noise
Your Cross, O Lord
130 bpm • D Maj • 03:26 • -11.97db
32% Popularity • 52% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 52% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Sandra McCracken
Song for Rachel
140 bpm • F Maj • 05:18 • -11.34db
16% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Bifrost Arts
Rise Up
130 bpm • C Maj • 04:13 • -9.93db
25% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sherri Youngward
With All My Heart - Psalm 119:33-37
141 bpm • D Maj • 03:22 • -14.28db
10% Popularity • 30% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 30% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Drake
Here Is Love Vast As The Ocean - Acousti...
141 bpm • F# Maj • 02:40 • -10.3db
29% Popularity • 43% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 43% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Caroline Cobb
Better Than Life (Psalm 63)
130 bpm • F Maj • 04:20 • -9.17db
37% Popularity • 49% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 49% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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![Hold Me Near (Psalm 73) [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02613df359667a707b3a1e6a66)
Enter The Worship Circle
Hold Me Near (Psalm 73) [Remastered]
141 bpm • C Maj • 01:42 • -19.1db
23% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 58% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sandra McCracken
I Boast No More - Buddy Miller
129 bpm • D Maj • 04:21 • -7.2db
10% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Modern Post
Suffering Servant
129 bpm • C# min • 04:30 • -8.69db
29% Popularity • 28% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 28% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Psallos
No Excuse (1​:​18​-​3​:​20)
142 bpm • D min • 05:16 • -7.03db
20% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jill Phillips
God Believes In You
142 bpm • A Maj • 02:35 • -6.92db
20% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 66% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Providence
We Will Feast in the House of Zion
142 bpm • E Maj • 04:20 • -5.91db
15% Popularity • 43% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Strahan
Daily Bread
128 bpm • G# Maj • 04:54 • -11.91db
31% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sandra McCracken
Have Mercy
129 bpm • C Maj • 03:02 • -16.94db
27% Popularity • 44% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
27% Popularity • 44% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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The Modern Post
Oh God
142 bpm • A Maj • 04:04 • -9.44db
26% Popularity • 55% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
26% Popularity • 55% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
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Ascend The Hill
Be Thou My Vision
128 bpm • F# Maj • 06:43 • -6.66db
42% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
42% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness