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Tick Tock
Songs like
Tick Tock
by
Simon Viklund
Based on a tempo of (+/- 10%) and a similar genre
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Simon Viklund
Tick Tock
129 bpm • C# Maj • 02:46 • -8db
34% Popularity • 60% Danceability • 91% Energy • 26% Liveness
69% Instrumentalness • 12% Positiveness
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Locknar
The 80's Called Back
129 bpm • C min • 04:05 • -6db
23% Popularity • 58% Danceability • 80% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
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Gustavo Coutinho
Sucker Punch
129 bpm • D Maj • 05:40 • -8.18db
21% Popularity • 46% Danceability • 81% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
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Yoshiya Terayama
Abyssal Time
129 bpm • D Maj • 04:03 • -7.03db
26% Popularity • 51% Danceability • 93% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
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Spencer Baggett
Entropy Zero
129 bpm • C Maj • 05:01 • -20.2db
18% Popularity • 34% Danceability • 28% Energy • 16% Liveness
91% Instrumentalness • 42% Positiveness
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morch kovalski
Sector Sweep
128 bpm • C# Maj • 04:30 • -5db
27% Popularity • 52% Danceability • 93% Energy • 9% Liveness
87% Instrumentalness • 79% Positiveness
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Patric Catani
Battleblock Theater - Wicked Mummy
130 bpm • A Maj • 03:07 • -8.95db
30% Popularity • 85% Danceability • 61% Energy • 13% Liveness
58% Instrumentalness • 43% Positiveness
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Le Castle Vania
Confirmed Thrills
128 bpm • C# Maj • 02:50 • -1.93db
34% Popularity • 63% Danceability • 98% Energy • 13% Liveness
45% Instrumentalness • 32% Positiveness
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Cheshyre
The Madness of the Hatter
130 bpm • E min • 03:04 • -11db
24% Popularity • 62% Danceability • 89% Energy • 66% Liveness
81% Instrumentalness • 44% Positiveness
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Craig Barnes
Floor 1-3: Slum Scrum
130 bpm • F min • 03:48 • -8.37db
15% Popularity • 64% Danceability • 72% Energy • 5% Liveness
63% Instrumentalness • 93% Positiveness
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Derek Duke
We Move Together As One
128 bpm • B min • 02:01 • -11db
32% Popularity • 60% Danceability • 72% Energy • 33% Liveness
48% Instrumentalness • 44% Positiveness
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Trevor Morris
Canyon Race 3: Suckers, OgenkiDesuka?
130 bpm • D Maj • 04:18 • -9.2db
19% Popularity • 65% Danceability • 86% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
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Mick Gordon
The Phantoms
128 bpm • D Maj • 03:09 • -6db
24% Popularity • 64% Danceability • 100% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Le Castle Vania
Fully Loaded Epic Win
128 bpm • C# Maj • 03:07 • -2.78db
38% Popularity • 68% Danceability • 95% Energy • 52% Liveness
69% Instrumentalness • 18% Positiveness
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Cheshyre
Madness 6.5
130 bpm • G Maj • 06:25 • -6.43db
28% Popularity • 66% Danceability • 87% Energy • 28% Liveness
83% Instrumentalness • 40% Positiveness
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Carpenter Brut
What We Fight For
130 bpm • C min • 06:44 • -8.97db
36% Popularity • 27% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Geneburn
Betrayal
130 bpm • C min • 03:56 • -11.98db
33% Popularity • 60% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Jose Pavli
Kings
130 bpm • A min • 07:04 • -11.45db
39% Popularity • 42% Danceability • 88% Energy • 48% Liveness
45% Instrumentalness • 24% Positiveness
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Matt Piersall
Into the Tunnels
128 bpm • G Maj • 01:46 • -5.87db
33% Popularity • 60% Danceability • 92% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Danny Baranowsky
Betus Blues (Ch 2 Light World)
130 bpm • A# min • 03:12 • -6.17db
32% Popularity • 54% Danceability • 88% Energy • 62% Liveness
95% Instrumentalness • 66% Positiveness
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Simon Viklund
Sirens in the Distance
128 bpm • A Maj • 04:04 • -9.07db
30% Popularity • 71% Danceability • 69% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
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morch kovalski
Questionable Ethics
130 bpm • D min • 06:03 • -3db
30% Popularity • 53% Danceability • 98% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Bill Kiley
Chinatown
130 bpm • A# min • 06:02 • -7db
36% Popularity • 56% Danceability • 96% Energy • 11% Liveness
80% Instrumentalness • 36% Positiveness
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Karl Flodin
Stuck in the Middle
128 bpm • D Maj • 03:51 • -13.43db
19% Popularity • 86% Danceability • 48% Energy • 6% Liveness
88% Instrumentalness • 35% Positiveness
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Gustavo Coutinho
Trailerblazers
130 bpm • D min • 04:23 • -8.56db
22% Popularity • 54% Danceability • 83% Energy • 12% Liveness
86% Instrumentalness • 34% Positiveness
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Danny Baranowsky
Rhythmortis
130 bpm • C Maj • 02:29 • -8.7db
34% Popularity • 79% Danceability • 65% Energy • 6% Liveness
85% Instrumentalness • 97% Positiveness
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Paul Leonard-Morgan
Trouble Finds Trouble
130 bpm • E min • 02:32 • -8db
33% Popularity • 47% Danceability • 93% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
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Scattle
To The Top
130 bpm • A min • 01:58 • -7.04db
40% Popularity • 79% Danceability • 86% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Jack Wall
Flying Squirrels
128 bpm • F min • 02:08 • -14.69db
29% Popularity • 63% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Olivier Deriviere
Rising Up
130 bpm • F min • 05:25 • -8.07db
27% Popularity • 52% Danceability • 74% Energy • 63% Liveness
83% Instrumentalness • 43% Positiveness
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Marcin Przybyłowicz
NCPD Prowl
130 bpm • C# min • 04:56 • -9.18db
37% Popularity • 54% Danceability • 95% Energy • 20% Liveness
64% Instrumentalness • 13% Positiveness
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Mega Drive
Acid Spit
128 bpm • F Maj • 04:41 • -7.32db
42% Popularity • 58% Danceability • 93% Energy • 24% Liveness
92% Instrumentalness • 42% Positiveness
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Andrew Hulshult
Reflections of Violence
130 bpm • G# Maj • 05:05 • -7.7db
24% Popularity • 50% Danceability • 79% Energy • 27% Liveness
81% Instrumentalness • 24% Positiveness
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Doseone
Lead Lords Keep
130 bpm • C# Maj • 02:42 • -6db
21% Popularity • 53% Danceability • 93% Energy • 79% Liveness
94% Instrumentalness • 34% Positiveness
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Power Glove
Sloan's Assault
130 bpm • A# min • 03:30 • -9db
28% Popularity • 68% Danceability • 92% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Simon Viklund
Focus Fire
128 bpm • A# min • 03:43 • -8.14db
10% Popularity • 70% Danceability • 76% Energy • 6% Liveness
86% Instrumentalness • 49% Positiveness
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Sophus Alf Agerbæk-Larsen
RUN!
130 bpm • C Maj • 02:28 • -10.33db
46% Popularity • 59% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 10% Positiveness
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Michael Wyckoff
Robot Spiders
128 bpm • C# Maj • 02:31 • -6.17db
19% Popularity • 66% Danceability • 87% Energy • 24% Liveness
86% Instrumentalness • 52% Positiveness
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Cheshyre
Madness 5.5
128 bpm • A# min • 05:51 • -8.51db
27% Popularity • 80% Danceability • 81% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Mick Gordon
Zellenblock B-2
127 bpm • B min • 02:09 • -13db
37% Popularity • 60% Danceability • 66% Energy • 16% Liveness
84% Instrumentalness • 10% Positiveness
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Danny Baranowsky
C.H.A.D.'s Broken Wind (Ch 2 Dark World)
127 bpm • D min • 03:46 • -7.69db
24% Popularity • 52% Danceability • 90% Energy • 46% Liveness
90% Instrumentalness • 19% Positiveness
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Simon Viklund
And Now We Run!
127 bpm • D Maj • 02:55 • -6.64db
31% Popularity • 64% Danceability • 86% Energy • 58% Liveness
74% Instrumentalness • 45% Positiveness
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Le Castle Vania
Infinite Ammo
127 bpm • G min • 03:52 • -1.94db
48% Popularity • 60% Danceability • 96% Energy • 32% Liveness
89% Instrumentalness • 14% Positiveness
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Locknar
Work of Fiktion
127 bpm • E min • 03:17 • -5.6db
20% Popularity • 76% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Gustavo Coutinho
Backlash Ink
127 bpm • F# Maj • 04:37 • -8.92db
19% Popularity • 61% Danceability • 82% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Michael Wyckoff
What Am I
127 bpm • A min • 03:46 • -10db
23% Popularity • 44% Danceability • 79% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
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Doseone
The Hollow Howl
132 bpm • C# min • 02:27 • -7.65db
20% Popularity • 45% Danceability • 96% Energy • 58% Liveness
95% Instrumentalness • 61% Positiveness
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Simon Viklund
Time Window
131 bpm • C# Maj • 02:35 • -11.04db
42% Popularity • 59% Danceability • 55% Energy • 11% Liveness
77% Instrumentalness • 22% Positiveness
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Karl Flodin
Crystal Mines
132 bpm • A# min • 05:45 • -8.11db
16% Popularity • 54% Danceability • 84% Energy • 13% Liveness
92% Instrumentalness • 94% Positiveness
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Johan Skugge
Frostbite Pillars
132 bpm • D Maj • 02:06 • -7.98db
27% Popularity • 63% Danceability • 96% Energy • 83% Liveness
84% Instrumentalness • 34% Positiveness
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Gustavo Coutinho
Deadeye
127 bpm • C# Maj • 04:49 • -7.55db
27% Popularity • 57% Danceability • 78% Energy • 15% Liveness
92% Instrumentalness • 21% Positiveness
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Raison Varner
Bandit Slaughter
126 bpm • G Maj • 03:55 • -21db
4% Popularity • 66% Danceability • 50% Energy • 72% Liveness
89% Instrumentalness • 12% Positiveness
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Carpenter Brut
Time to Wake Up
126 bpm • C min • 01:08 • -6db
48% Popularity • 52% Danceability • 71% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Simon Viklund
Armed to the Teeth
131 bpm • C# Maj • 05:59 • -7.28db
33% Popularity • 54% Danceability • 91% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Daniel Deluxe
The Orb
126 bpm • E Maj • 02:01 • -8.51db
41% Popularity • 51% Danceability • 95% Energy • 78% Liveness
84% Instrumentalness • 75% Positiveness
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Locknar
Deputized
133 bpm • C# min • 02:38 • -6.49db
28% Popularity • 74% Danceability • 69% Energy • 65% Liveness
71% Instrumentalness • 44% Positiveness
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Le Castle Vania
Operation Black Light - The Otherside Se...
126 bpm • A# min • 04:47 • -3.15db
38% Popularity • 62% Danceability • 84% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Geneburn
Dark Horizon
125 bpm • A min • 04:03 • -9.31db
37% Popularity • 58% Danceability • 63% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Net-Zone
Armed Machine
125 bpm • G min • 04:12 • -9db
20% Popularity • 39% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Simon Viklund
Steal from the Rich, Give to Myself
126 bpm • E min • 03:50 • -4.35db
47% Popularity • 47% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Doseone
Boss Battle Beating
125 bpm • A# min • 02:41 • -3.81db
19% Popularity • 44% Danceability • 97% Energy • 23% Liveness
95% Instrumentalness • 6% Positiveness
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Michael Salvatori
Gambit
125 bpm • A# Maj • 03:21 • -11.19db
32% Popularity • 49% Danceability • 79% Energy • 14% Liveness
82% Instrumentalness • 13% Positiveness
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Jesper Kyd
Interlude Combat
125 bpm • D Maj • 02:00 • -15.82db
2% Popularity • 59% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Raison Varner
Captain Haunt Phase 01
125 bpm • C Maj • 04:05 • -8.48db
11% Popularity • 56% Danceability • 94% Energy • 8% Liveness
87% Instrumentalness • 36% Positiveness
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Gustavo Coutinho
Payback Roulette
125 bpm • F# Maj • 04:38 • -8.01db
25% Popularity • 64% Danceability • 85% Energy • 13% Liveness
76% Instrumentalness • 70% Positiveness
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Simon Viklund
Ode to Greed (Techno Remix Instrumental)
126 bpm • A# min • 03:10 • -9.36db
25% Popularity • 59% Danceability • 77% Energy • 23% Liveness
68% Instrumentalness • 4% Positiveness
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Waveshaper
You Are the End
125 bpm • A min • 02:18 • -4.29db
37% Popularity • 64% Danceability • 96% Energy • 32% Liveness
51% Instrumentalness • 86% Positiveness
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Finishing Move Inc.
Carnivora RIDES!
125 bpm • A# min • 03:59 • -13.08db
18% Popularity • 59% Danceability • 56% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
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Battlejuice
Low Life on the Highway
125 bpm • C Maj • 03:20 • -4.9db
37% Popularity • 44% Danceability • 93% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Doseone
Behold the Boss Eater
125 bpm • C# min • 01:36 • -4.34db
18% Popularity • 51% Danceability • 99% Energy • 38% Liveness
90% Instrumentalness • 28% Positiveness
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Raison Varner
Captain Haunt Phase 02
125 bpm • C# Maj • 05:20 • -7.31db
27% Popularity • 67% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 76% Positiveness
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Simon Viklund
Ode to Greed (Techno Remix)
126 bpm • A# min • 03:10 • -8.56db
30% Popularity • 62% Danceability • 76% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Kn1ght
Something Memorable
125 bpm • F# min • 05:59 • -8.15db
34% Popularity • 58% Danceability • 89% Energy • 9% Liveness
68% Instrumentalness • 6% Positiveness
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Celldweller
A Shattered Eyedol
125 bpm • G# Maj • 04:59 • -6.47db
18% Popularity • 52% Danceability • 92% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Finishing Move Inc.
Wotan Awakens
133 bpm • C# Maj • 04:09 • -7.97db
21% Popularity • 24% Danceability • 92% Energy • 35% Liveness
96% Instrumentalness • 38% Positiveness
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Jesper Kyd
Escape and Panic
125 bpm • D# min • 01:33 • -9.95db
26% Popularity • 61% Danceability • 95% Energy • 7% Liveness
91% Instrumentalness • 42% Positiveness
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Karl Flodin
Stick It to the Man
134 bpm • C Maj • 03:54 • -12.85db
23% Popularity • 78% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 73% Positiveness
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Simon Viklund
Dance of the Turbo Tribe
132 bpm • A# min • 03:18 • -5.59db
18% Popularity • 71% Danceability • 91% Energy • 8% Liveness
74% Instrumentalness • 27% Positiveness
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Brian Tuey
Shadows (Outer Club Solar)
134 bpm • C# Maj • 03:40 • -7.42db
25% Popularity • 74% Danceability • 86% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
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Craig Barnes
Floor 3-3: Don't Stop Movin'! Like Reall...
134 bpm • A Maj • 03:00 • -8.78db
14% Popularity • 69% Danceability • 65% Energy • 8% Liveness
83% Instrumentalness • 84% Positiveness
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Pascal Michael Stiefel
Killing Two Birds
134 bpm • C# Maj • 02:23 • -7.78db
39% Popularity • 48% Danceability • 89% Energy • 18% Liveness
92% Instrumentalness • 69% Positiveness
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Manami Ogura
The March to Survive
134 bpm • A Maj • 04:44 • -13.9db
27% Popularity • 64% Danceability • 37% Energy • 35% Liveness
84% Instrumentalness • 38% Positiveness
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Scattle
Maximum
124 bpm • D Maj • 03:07 • -8.31db
23% Popularity • 76% Danceability • 66% Energy • 7% Liveness
69% Instrumentalness • 91% Positiveness
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Simon Viklund
Fuse Box
132 bpm • D Maj • 03:25 • -9.11db
34% Popularity • 32% Danceability • 80% Energy • 15% Liveness
87% Instrumentalness • 38% Positiveness
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Jose Pavli
Redline
124 bpm • F min • 04:04 • -10.34db
32% Popularity • 52% Danceability • 90% Energy • 8% Liveness
84% Instrumentalness • 78% Positiveness
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Martin Stig Andersen
Area 52
124 bpm • A# min • 04:02 • -12.92db
18% Popularity • 65% Danceability • 75% Energy • 46% Liveness
86% Instrumentalness • 18% Positiveness
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Andrey Avkhimovich
The Daemons from Adrian's Pen
124 bpm • C# Maj • 02:34 • -6.02db
22% Popularity • 77% Danceability • 66% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Locknar
Rock & Loaded
135 bpm • G# Maj • 04:08 • -3.49db
30% Popularity • 47% Danceability • 94% Energy • 98% Liveness
18% Instrumentalness • 19% Positiveness
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Cinematrik
The Quickening
135 bpm • E Maj • 07:40 • -8.21db
19% Popularity • 65% Danceability • 63% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Simon Viklund
Full Force Forward
126 bpm • A Maj • 04:06 • -8.8db
36% Popularity • 52% Danceability • 92% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Jack Wall
Future Wars
135 bpm • D Maj • 05:04 • -10db
23% Popularity • 60% Danceability • 86% Energy • 15% Liveness
82% Instrumentalness • 59% Positiveness
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Yoshiya Terayama
Splitting Fool
135 bpm • D Maj • 03:10 • -5.8db
34% Popularity • 58% Danceability • 98% Energy • 35% Liveness
87% Instrumentalness • 76% Positiveness
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Andrey Avkhimovich
Sweet Little Dead Bunny
123 bpm • E Maj • 01:06 • -4.94db
25% Popularity • 54% Danceability • 51% Energy • 17% Liveness
78% Instrumentalness • 34% Positiveness
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Locknar
Blood Son
135 bpm • A Maj • 03:29 • -5.11db
29% Popularity • 70% Danceability • 90% Energy • 80% Liveness
86% Instrumentalness • 43% Positiveness
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Perturbator
Sexualizer
135 bpm • F# Maj • 04:58 • -5.54db
47% Popularity • 53% Danceability • 80% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
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Simon Viklund
Buckle This!
126 bpm • B min • 03:06 • -8.4db
11% Popularity • 68% Danceability • 67% Energy • 41% Liveness
75% Instrumentalness • 34% Positiveness
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Ola Strandh
Ferro
135 bpm • D Maj • 05:29 • -13.34db
23% Popularity • 56% Danceability • 94% Energy • 10% Liveness
78% Instrumentalness • 18% Positiveness
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Danny Baranowsky
My Innermost Apocalypse
135 bpm • C Maj • 05:00 • -8.4db
36% Popularity • 49% Danceability • 83% Energy • 29% Liveness
73% Instrumentalness • 29% Positiveness
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Andrey Avkhimovich
Facing the Spider
123 bpm • A Maj • 01:41 • -7.94db
26% Popularity • 53% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 65% Positiveness
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Zardonic
Reaching the End
135 bpm • D# Maj • 01:03 • -15.44db
18% Popularity • 19% Danceability • 31% Energy • 29% Liveness
97% Instrumentalness • 23% Positiveness
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Tick Tock