Songs like Tico Tico No Fubá by 101 Strings Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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André Popp
Les papillons
124 bpm • F Maj • 02:30 • -6db
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
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Edmundo Ros & His Orchestra
Green Eyes
124 bpm • F Maj • 02:36 • -14.55db
31% Popularity • 45% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
31% Popularity • 45% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
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Anthony Collins
Vanity Fair
124 bpm • F Maj • 03:48 • -28.95db
12% Popularity • 64% Danceability • 4% Energy • 9% Liveness
64% Instrumentalness • 72% Positiveness
12% Popularity • 64% Danceability • 4% Energy • 9% Liveness
64% Instrumentalness • 72% Positiveness
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101 Strings Orchestra
New York, New York
124 bpm • C Maj • 02:28 • -6.62db
20% Popularity • 29% Danceability • 48% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
20% Popularity • 29% Danceability • 48% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Ronnie Aldrich
I'd Really Love to See You Tonight
123 bpm • F Maj • 02:38 • -15.45db
23% Popularity • 56% Danceability • 29% Energy • 12% Liveness
81% Instrumentalness • 40% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 12% Liveness
81% Instrumentalness • 40% Positiveness
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Horst Jankowski
A Lover's Concerto
125 bpm • C min • 02:49 • -10.5db
34% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
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Edmundo Ros & His Orchestra
A Felicidade
123 bpm • C min • 03:12 • -14db
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
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The Melachrino Strings
Hernando's Hideaway
123 bpm • C Maj • 02:31 • -22.29db
21% Popularity • 61% Danceability • 6% Energy • 12% Liveness
9% Instrumentalness • 46% Positiveness
21% Popularity • 61% Danceability • 6% Energy • 12% Liveness
9% Instrumentalness • 46% Positiveness
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Charlie Shaffer
Green Eyes - Amapoloa - Tangerine
125 bpm • D min • 03:20 • -17db
26% Popularity • 71% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
26% Popularity • 71% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Asi Es El Beguine
Beguine The Beguine
125 bpm • D min • 03:35 • -13db
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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David Rose Orchestra
Holiday for Strings
123 bpm • C min • 03:22 • -11.54db
4% Popularity • 35% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
4% Popularity • 35% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Alfred Hause
Sonate Nr. 15 C-Dur KV 545
125 bpm • C Maj • 03:27 • -12db
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Percy Faith & His Orchestra & Chorus
Both Sides Now
123 bpm • A# Maj • 03:11 • -16.66db
12% Popularity • 46% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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David Rose
Autumn Holiday
126 bpm • A Maj • 01:49 • -9.8db
18% Popularity • 44% Danceability • 44% Energy • 68% Liveness
54% Instrumentalness • 85% Positiveness
18% Popularity • 44% Danceability • 44% Energy • 68% Liveness
54% Instrumentalness • 85% Positiveness
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Ronnie Aldrich
All Those Years Ago
125 bpm • D Maj • 03:08 • -12.7db
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
28% Popularity • 55% Danceability • 39% Energy • 26% Liveness
88% Instrumentalness • 62% Positiveness
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The Melachrino Strings and Orchestra
Clopin Clopant
126 bpm • C Maj • 02:15 • -15.23db
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:19 • -8.08db
39% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
39% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
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Living Strings
It's a Great Day for the Irish
122 bpm • A# min • 02:48 • -11.68db
11% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
11% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
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The Melachrino Strings
Temptation
122 bpm • C Maj • 03:05 • -19.36db
18% Popularity • 27% Danceability • 12% Energy • 18% Liveness
22% Instrumentalness • 18% Positiveness
18% Popularity • 27% Danceability • 12% Energy • 18% Liveness
22% Instrumentalness • 18% Positiveness
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Hollyridge Strings
Don't Worry, Baby
122 bpm • A min • 02:24 • -9.23db
33% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
33% Popularity • 37% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 38% Positiveness
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Richard Clayderman
Any Dream Will Do
126 bpm • C Maj • 03:28 • -14.66db
4% Popularity • 68% Danceability • 27% Energy • 8% Liveness
84% Instrumentalness • 37% Positiveness
4% Popularity • 68% Danceability • 27% Energy • 8% Liveness
84% Instrumentalness • 37% Positiveness
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Malcolm Arnold
The Bridge On The River Kwai - The Colon...
122 bpm • D Maj • 03:02 • -15.36db
21% Popularity • 52% Danceability • 50% Energy • 13% Liveness
86% Instrumentalness • 58% Positiveness
21% Popularity • 52% Danceability • 50% Energy • 13% Liveness
86% Instrumentalness • 58% Positiveness
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Kermit Leslie & Walter Leslie real surnames Levinsky
Bermuda Holiday
126 bpm • C Maj • 02:09 • -11.75db
13% Popularity • 67% Danceability • 34% Energy • 9% Liveness
77% Instrumentalness • 74% Positiveness
13% Popularity • 67% Danceability • 34% Energy • 9% Liveness
77% Instrumentalness • 74% Positiveness
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Acker Bilk
Fly Me to the Moon (In Other Words)
122 bpm • D min • 02:59 • -14.5db
33% Popularity • 71% Danceability • 19% Energy • 18% Liveness
93% Instrumentalness • 33% Positiveness
33% Popularity • 71% Danceability • 19% Energy • 18% Liveness
93% Instrumentalness • 33% Positiveness
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André Popp
Beer Barrel Polka
126 bpm • F Maj • 02:40 • -9db
31% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Tony Mottola y Su Orquesta
C'est Si Bon
121 bpm • F# Maj • 03:02 • -12.31db
27% Popularity • 73% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
27% Popularity • 73% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Bobby Crush
As Time Goes
122 bpm • C min • 02:41 • -20db
14% Popularity • 38% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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101 Strings Orchestra
Can't Take My Eyes Off You
121 bpm • D# Maj • 03:49 • -10.87db
12% Popularity • 38% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 43% Positiveness
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Fred Neil
Everybody's Talkin'
128 bpm • E Maj • 02:57 • -13.87db
29% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
29% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
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Al Caiola
Wheels
120 bpm • C Maj • 02:07 • -12.99db
45% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
45% Popularity • 80% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 86% Positiveness
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Al Hirt
Red Roses for a Blue Lady
120 bpm • C Maj • 02:16 • -14.02db
24% Popularity • 39% Danceability • 36% Energy • 7% Liveness
85% Instrumentalness • 34% Positiveness
24% Popularity • 39% Danceability • 36% Energy • 7% Liveness
85% Instrumentalness • 34% Positiveness
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Johnny Pearson
Piano Parchment - 60 Second Edit (A)
120 bpm • D Maj • 01:04 • -18db
34% Popularity • 64% Danceability • 33% Energy • 28% Liveness
92% Instrumentalness • 42% Positiveness
34% Popularity • 64% Danceability • 33% Energy • 28% Liveness
92% Instrumentalness • 42% Positiveness
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John Barry
Rachmaninoff: Rhapsody On A Theme Of Pag...
128 bpm • C# Maj • 03:09 • -16db
40% Popularity • 27% Danceability • 11% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 27% Danceability • 11% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Fredell caparon
smooth sailing
120 bpm • G Maj • 02:27 • -18.23db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
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Edmundo Ros & His Orchestra
La Cumparsita
128 bpm • A min • 02:41 • -10.4db
30% Popularity • 60% Danceability • 34% Energy • 33% Liveness
7% Instrumentalness • 66% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 33% Liveness
7% Instrumentalness • 66% Positiveness
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Galt MacDermot
Let The Sunshine In
128 bpm • G min • 04:56 • -12.23db
17% Popularity • 42% Danceability • 50% Energy • 64% Liveness
86% Instrumentalness • 69% Positiveness
17% Popularity • 42% Danceability • 50% Energy • 64% Liveness
86% Instrumentalness • 69% Positiveness
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Kurt Edelhagen
Slowfox: 30 Takte Pro Minute - Adios
120 bpm • F Maj • 02:20 • -11.22db
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Melitop
Singing My Song
119 bpm • G# Maj • 02:17 • -17.16db
12% Popularity • 42% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 55% Positiveness
12% Popularity • 42% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 55% Positiveness
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羽田健太郎
トゥ・ラヴ・アゲイン
120 bpm • D Maj • 03:34 • -13.98db
18% Popularity • 34% Danceability • 30% Energy • 13% Liveness
30% Instrumentalness • 18% Positiveness
18% Popularity • 34% Danceability • 30% Energy • 13% Liveness
30% Instrumentalness • 18% Positiveness
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Horst Jankowski
Donkey Serenade
119 bpm • A# Maj • 03:19 • -11.07db
31% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
31% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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Frank Mills
Theme From The Silver Broom
129 bpm • A Maj • 02:30 • -16.19db
14% Popularity • 52% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 52% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Les & Larry Elgart
Adios
119 bpm • F Maj • 02:14 • -12.33db
37% Popularity • 75% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
37% Popularity • 75% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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101 Strings Orchestra
CHITTY CHITTY BANG BANG
119 bpm • D# Maj • 02:00 • -8.97db
3% Popularity • 46% Danceability • 58% Energy • 10% Liveness
83% Instrumentalness • 91% Positiveness
3% Popularity • 46% Danceability • 58% Energy • 10% Liveness
83% Instrumentalness • 91% Positiveness
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Living Strings
Do-Re-Mi
129 bpm • C Maj • 02:19 • -14.14db
20% Popularity • 41% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
20% Popularity • 41% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
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Botticelli
Song Sung Blue
119 bpm • C Maj • 02:15 • -13.81db
32% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
32% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
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Johnny Pearson
Country Fayre - 60 Second Edit
129 bpm • C Maj • 01:03 • -18db
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
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Donald Black
Born Free
119 bpm • A# Maj • 02:28 • -8.38db
14% Popularity • 40% Danceability • 72% Energy • 52% Liveness
85% Instrumentalness • 74% Positiveness
14% Popularity • 40% Danceability • 72% Energy • 52% Liveness
85% Instrumentalness • 74% Positiveness
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Kai Warner
Canadian Sunset
119 bpm • F Maj • 02:40 • -14db
35% Popularity • 42% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 42% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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101 Strings Orchestra
The 59th Street Bridge Song (Feelin' Gro...
119 bpm • C Maj • 03:22 • -14.88db
15% Popularity • 47% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
15% Popularity • 47% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
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Joaquin Borges
Amazing Grace
130 bpm • G Maj • 02:50 • -22db
32% Popularity • 18% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
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Gary Grant
Pink Champagne
130 bpm • G Maj • 01:52 • -20.25db
32% Popularity • 26% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
32% Popularity • 26% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
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St. Petersburg Orchestra Harmony
Macarthur Park
130 bpm • E min • 07:42 • -10db
19% Popularity • 22% Danceability • 56% Energy • 40% Liveness
94% Instrumentalness • 20% Positiveness
19% Popularity • 22% Danceability • 56% Energy • 40% Liveness
94% Instrumentalness • 20% Positiveness
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Alfred Hause
Un Violon Dans La Nuit
119 bpm • C Maj • 02:22 • -10.16db
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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John Fox
Super Trouper
118 bpm • C Maj • 03:06 • -15.34db
11% Popularity • 45% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 38% Positiveness
11% Popularity • 45% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 38% Positiveness
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101 Strings Orchestra
Embraceable You
119 bpm • G# Maj • 03:38 • -14.93db
8% Popularity • 24% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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The Wester Film Band
Theme From Rio Bravo (Deguello)
130 bpm • A min • 02:52 • -11.95db
19% Popularity • 27% Danceability • 44% Energy • 25% Liveness
84% Instrumentalness • 11% Positiveness
19% Popularity • 27% Danceability • 44% Energy • 25% Liveness
84% Instrumentalness • 11% Positiveness
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Harry Rabinowitz
Light And Easy
118 bpm • F min • 02:56 • -15.27db
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
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Billy May
Perfidia
118 bpm • F Maj • 03:02 • -10.48db
28% Popularity • 42% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
28% Popularity • 42% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Johnny Pearson
Old World Charm
118 bpm • D Maj • 02:29 • -16.31db
24% Popularity • 46% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
24% Popularity • 46% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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John Fox
When Will I See You Again
130 bpm • A Maj • 03:10 • -12db
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
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101 Strings Orchestra
Raindrops Keep Falling on My Head
118 bpm • G min • 02:26 • -12.56db
21% Popularity • 40% Danceability • 35% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
21% Popularity • 40% Danceability • 35% Energy • 21% Liveness
92% Instrumentalness • 38% Positiveness
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David Rose
Little House On The Prairie
118 bpm • G Maj • 02:57 • -12db
22% Popularity • 52% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
22% Popularity • 52% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
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101 String Royal Orchestra
S Wonderful
131 bpm • G# Maj • 02:14 • -11db
13% Popularity • 34% Danceability • 28% Energy • 14% Liveness
17% Instrumentalness • 15% Positiveness
13% Popularity • 34% Danceability • 28% Energy • 14% Liveness
17% Instrumentalness • 15% Positiveness
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Ronnie Aldrich
Theme From Greatest American Hero
131 bpm • D Maj • 02:46 • -16.58db
8% Popularity • 48% Danceability • 30% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
8% Popularity • 48% Danceability • 30% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
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David Rose Orchestra
Happy Heart
117 bpm • G Maj • 02:51 • -10.01db
17% Popularity • 37% Danceability • 38% Energy • 55% Liveness
66% Instrumentalness • 29% Positiveness
17% Popularity • 37% Danceability • 38% Energy • 55% Liveness
66% Instrumentalness • 29% Positiveness
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The Melachrino Strings
Stardust
131 bpm • D Maj • 04:11 • -19db
32% Popularity • 17% Danceability • 16% Energy • 30% Liveness
68% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 16% Energy • 30% Liveness
68% Instrumentalness • 4% Positiveness
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101 Strings Orchestra
THEME FROM ROCKY
130 bpm • D min • 03:08 • -10.07db
9% Popularity • 29% Danceability • 68% Energy • 38% Liveness
92% Instrumentalness • 45% Positiveness
9% Popularity • 29% Danceability • 68% Energy • 38% Liveness
92% Instrumentalness • 45% Positiveness
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Richard Clayderman
Smoke Gets In Your Eyes
131 bpm • D# Maj • 02:37 • -12.84db
16% Popularity • 42% Danceability • 34% Energy • 9% Liveness
51% Instrumentalness • 22% Positiveness
16% Popularity • 42% Danceability • 34% Energy • 9% Liveness
51% Instrumentalness • 22% Positiveness
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101 String Royal Orchestra
What Is This Thing Called Love
117 bpm • A# min • 02:43 • -11.46db
13% Popularity • 33% Danceability • 25% Energy • 10% Liveness
47% Instrumentalness • 9% Positiveness
13% Popularity • 33% Danceability • 25% Energy • 10% Liveness
47% Instrumentalness • 9% Positiveness
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Ricci Ferra
Eine Kleine Nachtmusik (Serenade G-dur K...
132 bpm • C Maj • 03:19 • -10.91db
24% Popularity • 35% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
24% Popularity • 35% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
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Acker Bilk
What a Wonderful World
132 bpm • A# Maj • 02:39 • -13.55db
30% Popularity • 37% Danceability • 19% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
30% Popularity • 37% Danceability • 19% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Louis Clark & The Royal Philharmonic Orchestra
All You Need Is Love
117 bpm • G Maj • 02:47 • -16db
30% Popularity • 28% Danceability • 29% Energy • 43% Liveness
10% Instrumentalness • 39% Positiveness
30% Popularity • 28% Danceability • 29% Energy • 43% Liveness
10% Instrumentalness • 39% Positiveness
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Ronnie Aldrich
Eye in the Sky
117 bpm • D Maj • 03:47 • -13.61db
12% Popularity • 43% Danceability • 34% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 34% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
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Hugo Winterhalter And His Orchestra
Strange Music
132 bpm • A# min • 02:42 • -12db
35% Popularity • 35% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
35% Popularity • 35% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
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101 Strings Orchestra
You're Nobody Till Somebody Loves You
117 bpm • F Maj • 02:26 • -12.14db
16% Popularity • 34% Danceability • 33% Energy • 33% Liveness
30% Instrumentalness • 43% Positiveness
16% Popularity • 34% Danceability • 33% Energy • 33% Liveness
30% Instrumentalness • 43% Positiveness
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Kai Warner
Dream
117 bpm • D# Maj • 02:28 • -13db
40% Popularity • 59% Danceability • 35% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
40% Popularity • 59% Danceability • 35% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
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Lex DeAzevedo
All I Have to Do Is Dream
116 bpm • D min • 02:05 • -12.69db
21% Popularity • 57% Danceability • 47% Energy • 21% Liveness
86% Instrumentalness • 60% Positiveness
21% Popularity • 57% Danceability • 47% Energy • 21% Liveness
86% Instrumentalness • 60% Positiveness
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Don Black
To Sir With Love
132 bpm • G Maj • 02:11 • -13.01db
21% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Melachrino Strings
Mam'selle
116 bpm • A min • 03:18 • -21.34db
39% Popularity • 30% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
39% Popularity • 30% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Botticelli
My Love
133 bpm • F Maj • 03:04 • -14.64db
23% Popularity • 25% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 32% Positiveness
23% Popularity • 25% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 32% Positiveness
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Les & Larry Elgart
Meditation
133 bpm • C min • 02:52 • -17db
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Jean Claude Borelly
Amarcord
116 bpm • B Maj • 02:29 • -8db
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
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Norman Candler
love will find a way
133 bpm • F Maj • 03:33 • -12.53db
22% Popularity • 53% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
22% Popularity • 53% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Ricardo Juarez
Too Young
133 bpm • C# Maj • 02:55 • -13.14db
31% Popularity • 70% Danceability • 69% Energy • 35% Liveness
90% Instrumentalness • 87% Positiveness
31% Popularity • 70% Danceability • 69% Energy • 35% Liveness
90% Instrumentalness • 87% Positiveness
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Percy Faith & His Orchestra & Chorus
Scarborough Fair / Canticle
115 bpm • D Maj • 03:04 • -13.28db
8% Popularity • 19% Danceability • 27% Energy • 12% Liveness
61% Instrumentalness • 25% Positiveness
8% Popularity • 19% Danceability • 27% Energy • 12% Liveness
61% Instrumentalness • 25% Positiveness
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Ballroom Dance Orchestra
Red Roses for a Blue Lady
115 bpm • C Maj • 02:24 • -11.97db
41% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
41% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
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Joaquin Borges
Malagueña
115 bpm • F# Maj • 03:57 • -21db
12% Popularity • 43% Danceability • 9% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
12% Popularity • 43% Danceability • 9% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
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Angela Morley
Starlight
115 bpm • C Maj • 02:54 • -11.79db
13% Popularity • 19% Danceability • 35% Energy • 25% Liveness
72% Instrumentalness • 20% Positiveness
13% Popularity • 19% Danceability • 35% Energy • 25% Liveness
72% Instrumentalness • 20% Positiveness
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Mantovali
Andrew Lloyde Wobber Suite
134 bpm • D Maj • 10:24 • -16.22db
3% Popularity • 19% Danceability • 26% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
3% Popularity • 19% Danceability • 26% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Tony Mottola
Woodpecker Song
135 bpm • G Maj • 01:53 • -10.86db
37% Popularity • 70% Danceability • 45% Energy • 12% Liveness
84% Instrumentalness • 95% Positiveness
37% Popularity • 70% Danceability • 45% Energy • 12% Liveness
84% Instrumentalness • 95% Positiveness
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Syd Dale
Yester-Me, Yester-You, Yesterday
114 bpm • A# Maj • 02:48 • -18db
19% Popularity • 47% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
19% Popularity • 47% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Johnny Pearson Y Su Orquesta
Ata una cinta amarilla al viejo roble
135 bpm • C Maj • 03:30 • -15db
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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Norman Candler
Enchanted Garden
114 bpm • C Maj • 03:23 • -6db
20% Popularity • 55% Danceability • 62% Energy • 34% Liveness
81% Instrumentalness • 43% Positiveness
20% Popularity • 55% Danceability • 62% Energy • 34% Liveness
81% Instrumentalness • 43% Positiveness
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Peter Callard
And I Love Her (arr. C. Egan)
114 bpm • C# min • 02:53 • -15.64db
8% Popularity • 42% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 21% Positiveness
8% Popularity • 42% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 21% Positiveness
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Horst Jankowski
Alpine Highway
135 bpm • G Maj • 02:16 • -9.71db
30% Popularity • 55% Danceability • 43% Energy • 10% Liveness
25% Instrumentalness • 50% Positiveness
30% Popularity • 55% Danceability • 43% Energy • 10% Liveness
25% Instrumentalness • 50% Positiveness
