Songs like Till There Was You by Meredith Willson
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
38% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Leonard Bernstein
West Side Story: Act II: One Hand, One H...
90 bpm • F# Maj • 03:02 • -21.03db
32% Popularity • 18% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Meredith Willson
Willson: Till There Was You
90 bpm • E Maj • 02:54 • -14.24db
1% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 48% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Louis Adrian
And This Is My Beloved
90 bpm • F Maj • 04:43 • -22db
2% Popularity • 28% Danceability • 13% Energy • 12% Liveness
19% Instrumentalness • 15% Positiveness
2% Popularity • 28% Danceability • 13% Energy • 12% Liveness
19% Instrumentalness • 15% Positiveness
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Gertrude Lawrence
I Whistle A Happy Tune
90 bpm • G# Maj • 02:44 • -19.63db
5% Popularity • 75% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 75% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Robert Lindsay
Me And My Girl - Original Cast Recording...
91 bpm • A# Maj • 03:44 • -17.59db
20% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Roy Reams
Young and Healthy
91 bpm • C Maj • 02:15 • -20.47db
19% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 48% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Meredith Willson
Till There Was You
90 bpm • D# Maj • 02:45 • -13.23db
22% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Friedrich von Flotow
Martha: Letzte Rose, wie magst du so ein...
89 bpm • F Maj • 03:42 • -24.18db
1% Popularity • 32% Danceability • 5% Energy • 33% Liveness
12% Instrumentalness • 6% Positiveness
1% Popularity • 32% Danceability • 5% Energy • 33% Liveness
12% Instrumentalness • 6% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
36% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
36% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Leonard Bernstein
West Side Story : Act II: A Boy Like Tha...
91 bpm • B min • 04:15 • -19.61db
17% Popularity • 27% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 27% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Randy Graff
You Can Always Count on Me
91 bpm • A# Maj • 04:30 • -16.63db
19% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Judy Holliday
The Party's Over
91 bpm • A# Maj • 03:11 • -11db
12% Popularity • 24% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
12% Popularity • 24% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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John Kander
Nowadays
89 bpm • E min • 03:11 • -12db
7% Popularity • 40% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 40% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Leonard Bernstein
West Side Story : Act I: Maria
88 bpm • A# Maj • 02:37 • -18.12db
27% Popularity • 19% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Frederick Loewe
My Fair Lady: I've Grown Accustomed to H...
88 bpm • C Maj • 05:21 • -15db
10% Popularity • 41% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
51% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Lt. Cable
Younger Than Springtime
88 bpm • G# Maj • 04:56 • -12db
26% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
23% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Strouse
Annie: Tomorrow
92 bpm • F# Maj • 02:07 • -13db
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
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Dick Van Dyke
Put on a Happy Face
88 bpm • A Maj • 03:35 • -10.46db
26% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Meredith Willson
My White Knight
92 bpm • C# Maj • 03:02 • -14.94db
12% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
92 bpm • F Maj • 02:18 • -12db
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Anna Maria Alberghetti
Love Makes the World Go 'Round - Remaste...
88 bpm • D Maj • 01:48 • -14.03db
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Liza Minnelli
Colored Lights
88 bpm • A min • 05:37 • -15db
12% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Natasha Richardson
Perfectly Marvelous
93 bpm • E min • 02:46 • -12.95db
30% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 66% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Leonard Bernstein
West Side Story : Act I: Something's Com...
93 bpm • G Maj • 02:36 • -19db
25% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ethel Merman
Doin' What Comes Naturally
93 bpm • A# Maj • 03:25 • -8.21db
12% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
28% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
28% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
23% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Broadway Cast Recording
Always True To You (In My Fashion)
87 bpm • D Maj • 05:14 • -9.61db
21% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Gavin Creel
I Turned the Corner / I'm Falling in Lov...
87 bpm • F# Maj • 04:11 • -14.05db
22% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 25% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rex Harrison
I'm Just An Ordinary Man - Voice
87 bpm • A# Maj • 04:42 • -15db
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Frances Nero
C'est moi - Lancelot
93 bpm • C Maj • 04:02 • -15.06db
16% Popularity • 42% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 42% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Petula Clark & Fred Astaire
When I'm Not Near the Girl I Love
93 bpm • E min • 04:22 • -12.52db
12% Popularity • 38% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Leonard Bernstein
West Side Story: Act II: A Boy Like That...
87 bpm • D Maj • 04:30 • -14db
32% Popularity • 26% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 26% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Jule Styne
Gentlemen Prefer Blondes: Diamonds Are a...
93 bpm • A# Maj • 02:57 • -10.74db
9% Popularity • 59% Danceability • 24% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 59% Danceability • 24% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone (Finale)
86 bpm • C Maj • 02:02 • -13.84db
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Carol Richards
Waitin' for My Dearie
94 bpm • G Maj • 03:00 • -15.46db
8% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jule Styne
Gypsy: Everything's Coming Up Roses
87 bpm • C Maj • 03:06 • -7.98db
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Phillipa Soo
No One Else
86 bpm • F Maj • 04:23 • -14db
31% Popularity • 29% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 29% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Danny Carroll
Overture / Audition
94 bpm • F min • 04:43 • -13db
21% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
21% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Main Title: The Carousel Waltz
86 bpm • D Maj • 01:50 • -10.26db
18% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
18% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
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Ethel Merman
I Got The Sun In The Morning
86 bpm • F Maj • 02:54 • -7.57db
15% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Louis Alter
American Serenade
86 bpm • E min • 04:12 • -15.52db
1% Popularity • 18% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
1% Popularity • 18% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Joel Grey
Friendship
95 bpm • A# Maj • 03:29 • -8.21db
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
24% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sutton Foster
Show Off
86 bpm • F Maj • 04:41 • -5.97db
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Frank Sinatra (performer), Guys and Dolls Chorus
Adelaide
95 bpm • B Maj • 03:12 • -14.93db
14% Popularity • 48% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Lottie
Tap Your Troubles Away
95 bpm • C min • 04:32 • -11.06db
13% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Rita Gardner
They Were You
95 bpm • C Maj • 02:43 • -18db
7% Popularity • 30% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 30% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Meredith Willson
Ask Not
95 bpm • A# Maj • 04:30 • -9.34db
0% Popularity • 38% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 38% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Original Broadway Cast of 'Pal Joey'
Bewitched
85 bpm • C# Maj • 03:50 • -10db
11% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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John C. Reilly
Mister Cellophane
85 bpm • E Maj • 03:57 • -13.21db
31% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
31% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Nellie Forbush
I'm In Love With A Wonderful Guy
95 bpm • C Maj • 03:20 • -12db
28% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Adler
The Pajama Game: Hey There
85 bpm • F# Maj • 03:32 • -12db
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 27% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Meredith Willson
Till There Was You
95 bpm • D# Maj • 03:18 • -19.31db
3% Popularity • 19% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 19% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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John Kander
Cabaret: Cabaret
95 bpm • A Maj • 04:29 • -11.1db
19% Popularity • 52% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 52% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
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Nell Carter
Honeysuckle Rose
96 bpm • F Maj • 03:58 • -19.8db
10% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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The Cast of The Show Boat
Can't Help Lovin' Dat Man - Original
85 bpm • G# Maj • 03:23 • -23db
7% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Scott Frankel
Will You?
85 bpm • F Maj • 03:57 • -12.91db
16% Popularity • 24% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Leonard Bernstein
West Side Story: Act I: Tonight
84 bpm • C# Maj • 06:40 • -17db
39% Popularity • 30% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 30% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Marcia Lewis
Anyone Would Love You
84 bpm • C min • 02:16 • -11.96db
12% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Renée Zellweger
Funny Honey
84 bpm • G# Maj • 03:39 • -12.38db
29% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jule Styne
Hallelujah, Baby!: My Own Morning
84 bpm • C# Maj • 04:09 • -13db
11% Popularity • 22% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 22% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
84 bpm • F# Maj • 02:51 • -14db
21% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Gwen Verdon
Funny Honey
97 bpm • G Maj • 03:26 • -18.32db
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Meredith Willson
Marguerite Waltz
97 bpm • D Maj • 02:46 • -17.45db
0% Popularity • 23% Danceability • 22% Energy • 43% Liveness
87% Instrumentalness • 39% Positiveness
0% Popularity • 23% Danceability • 22% Energy • 43% Liveness
87% Instrumentalness • 39% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Marni Nixon
Just You Wait - Voice
97 bpm • G# Maj • 02:56 • -14db
22% Popularity • 57% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 57% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
19% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Leonard Bernstein
West Side Story: Act II: Somewhere
97 bpm • D# Maj • 02:04 • -16db
39% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Judy Holliday
I Met A Girl
84 bpm • C# Maj • 02:33 • -15.37db
3% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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Jule Styne
Gypsy: Small World
83 bpm • C Maj • 02:16 • -11.07db
10% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Maryann Plunkett
Once You Lose Your Heart - Original Cast...
97 bpm • C# Maj • 03:33 • -20db
16% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Meredith Willson
Here's Love: Look, Little Girl (Reprise)
83 bpm • F Maj • 02:23 • -17.11db
0% Popularity • 32% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Broadway Cast Recording
Wunderbar
97 bpm • G# Maj • 03:21 • -10.38db
16% Popularity • 44% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 44% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Howard Keel
Higher Than a Hawk (Deeper Than a Well)
83 bpm • D# Maj • 02:12 • -9.61db
11% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
