Songs like Till We Meet Again (with Paul Weston & His Orchestra) by Doris Day
Based on a tempo of (+/- 10%) and a similar genre
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The Ames Brothers
It Only Hurts for a Little While
85 bpm • A Maj • 02:42 • -11.53db
17% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 33% Danceability • 24% Energy • 20% Liveness
1% Instrumentalness • 23% Positiveness
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Swing & Sway With Sammy Kaye With Don Cornell
That's My Desire
85 bpm • D min • 02:37 • -16.22db
15% Popularity • 32% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 32% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Poni-Tails
Born Too Late
85 bpm • E Maj • 02:19 • -10.48db
55% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Doris Day
Till We Meet Again
85 bpm • C# Maj • 02:36 • -15.75db
26% Popularity • 18% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Mercer
One For My Baby (And One More For The Ro...
85 bpm • G# Maj • 03:09 • -17.46db
17% Popularity • 36% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 36% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 37% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Ilene Woods
You're Blase
85 bpm • D# Maj • 03:10 • -15.05db
17% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Gary Grant
Night Club Affair
85 bpm • D# Maj • 02:15 • -21.25db
19% Popularity • 20% Danceability • 10% Energy • 26% Liveness
3% Instrumentalness • 14% Positiveness
19% Popularity • 20% Danceability • 10% Energy • 26% Liveness
3% Instrumentalness • 14% Positiveness
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Vic Dana
Shangri-La
86 bpm • G# Maj • 02:06 • -9.9db
22% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Liberace
Over the Rainbow
85 bpm • C min • 02:53 • -13.14db
27% Popularity • 35% Danceability • 25% Energy • 18% Liveness
68% Instrumentalness • 17% Positiveness
27% Popularity • 35% Danceability • 25% Energy • 18% Liveness
68% Instrumentalness • 17% Positiveness
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Dinah Washington
Smoke Gets In Your Eyes
84 bpm • G# Maj • 03:24 • -11db
41% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Pat Boone
If Dreams Come True - 2nd Recording / Si...
84 bpm • D# Maj • 02:42 • -13.34db
27% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Kitty Kallen
Little Things Mean a Lot
84 bpm • G# Maj • 02:59 • -12.79db
36% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Grant
Continue (reprise)
84 bpm • F Maj • 01:39 • -24db
16% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Four Lads
Moments To Remember
84 bpm • G Maj • 03:15 • -12.81db
30% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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The Merry Macs
La Paloma
84 bpm • D Maj • 02:21 • -16db
31% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
31% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Jimmy Dorsey
So Rare
84 bpm • F# Maj • 02:41 • -11db
18% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 55% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Anthony & His Orchestra
At Last
87 bpm • F Maj • 02:40 • -13.57db
16% Popularity • 38% Danceability • 16% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
16% Popularity • 38% Danceability • 16% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
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Cathy Carr
Ivory Tower
83 bpm • E Maj • 02:37 • -14.76db
17% Popularity • 53% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 53% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Gary Grant
Main Title: An Affair To Remember
84 bpm • F Maj • 01:56 • -17.6db
26% Popularity • 17% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 17% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Doris Day
Can't Help Lovin' Dat Man
83 bpm • A# Maj • 01:48 • -14.32db
24% Popularity • 41% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 24% Positiveness
24% Popularity • 41% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 24% Positiveness
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Billy Eckstine
No One but You
87 bpm • G Maj • 03:09 • -11db
33% Popularity • 34% Danceability • 27% Energy • 29% Liveness
1% Instrumentalness • 13% Positiveness
33% Popularity • 34% Danceability • 27% Energy • 29% Liveness
1% Instrumentalness • 13% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Cliff Richard
When the Girl in Your Arms Is the Girl i...
83 bpm • E Maj • 02:23 • -13db
42% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby Vee
It Might As Well Rain Until September
83 bpm • F Maj • 02:04 • -12db
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Doris Day
A Very Precious Love
83 bpm • B Maj • 03:01 • -17.66db
24% Popularity • 26% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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The Righteous Brothers
Ebb Tide
83 bpm • A Maj • 02:49 • -17db
40% Popularity • 16% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 16% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Ames Brothers
Tammy
83 bpm • C# Maj • 02:24 • -11.29db
30% Popularity • 47% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
30% Popularity • 47% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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Jo Stafford
Some Enchanted Evening
83 bpm • G# Maj • 03:14 • -14.8db
30% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Tony Brent
Walkin' to Missouri
87 bpm • C Maj • 02:46 • -12.21db
13% Popularity • 78% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 78% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Teresa Brewer
Till I Waltz Again With You
87 bpm • D Maj • 03:01 • -11db
31% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Dion & The Belmonts
Wonderful Girl
88 bpm • A# Maj • 02:40 • -9.12db
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Merry Macs
Laughing on the Outside
83 bpm • A# Maj • 02:45 • -15db
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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The Four Preps
Lazy Summer Night
83 bpm • G Maj • 02:16 • -16db
19% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Four Lads
Love Is A Many-Splendored
83 bpm • G# Maj • 03:32 • -10.54db
15% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Patsy Cline
True Love
88 bpm • D# Maj • 02:09 • -22.78db
35% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Doris Day
More
88 bpm • D Maj • 02:40 • -15.57db
31% Popularity • 31% Danceability • 24% Energy • 14% Liveness
2% Instrumentalness • 30% Positiveness
31% Popularity • 31% Danceability • 24% Energy • 14% Liveness
2% Instrumentalness • 30% Positiveness
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Helen O'Connell
Be Anything (But Be Mine)
82 bpm • B min • 02:49 • -12db
25% Popularity • 39% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 39% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Teresa Brewer
Till I Waltz Again with You
88 bpm • D# Maj • 03:00 • -13db
20% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Pat Boone
Friendly Persuasion
82 bpm • B Maj • 03:06 • -12db
33% Popularity • 14% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
33% Popularity • 14% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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Jerry Lewis
Rock-A-Bye Your Baby With A Dixie Melody
88 bpm • G Maj • 02:36 • -8.4db
16% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Patsy Cline
Love Letters In The Sand - Single Versio...
88 bpm • C Maj • 02:26 • -16db
39% Popularity • 52% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 52% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Frankie Carle
Rumors Are Flying (Alternate Take)
88 bpm • F# Maj • 02:52 • -11.99db
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 25% Liveness
3% Instrumentalness • 19% Positiveness
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Malcolm Vaughan
Chapel of the Roses
82 bpm • G Maj • 02:39 • -11db
14% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Ames Brothers
A Very Precious Love
82 bpm • D# Maj • 02:44 • -11db
18% Popularity • 38% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 38% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Tex Beneke
Give Me Five Minutes More
82 bpm • F Maj • 02:35 • -4db
27% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Don Cornell
Hold My Hand
82 bpm • D# Maj • 02:49 • -11db
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Doris Day
With a Smile and a Song
82 bpm • G Maj • 03:36 • -14.17db
11% Popularity • 21% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 21% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Pat Boone and His Orchestra
Love Letters In The Sand
88 bpm • D# Maj • 02:19 • -18.75db
44% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Ray Conniff Singers
Somewhere, My Love (Lara's Theme from "D...
89 bpm • G Maj • 02:28 • -16.1db
42% Popularity • 48% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 48% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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The Sandpipers
Softly As I Leave You
82 bpm • C Maj • 03:01 • -19.08db
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kay Kyser
How Long Did I Dream
89 bpm • F min • 03:21 • -10.71db
8% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 33% Danceability • 40% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
9% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Doris Day
It Had to Be You
82 bpm • A min • 02:39 • -17.14db
18% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 36% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sammy Cahn
It's Magic
81 bpm • F Maj • 03:22 • -17.94db
10% Popularity • 21% Danceability • 9% Energy • 27% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 27% Liveness
1% Instrumentalness • 19% Positiveness
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Jo Stafford
Alone Together
89 bpm • A min • 03:15 • -9.29db
10% Popularity • 27% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 27% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Connick, Jr.
He Is They Are
81 bpm • G Maj • 04:11 • -13.96db
35% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Pat Boone
April Love
89 bpm • G# Maj • 02:28 • -9.81db
24% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
24% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Frankie Carle and His Orchestra
One More Tomorrow
89 bpm • A Maj • 03:20 • -11.96db
35% Popularity • 39% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 39% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Doris Day
I've Never Been In Love Before
81 bpm • G Maj • 03:04 • -16db
26% Popularity • 24% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 24% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Mildred Bailey
All Of Me (1947)
81 bpm • F# Maj • 03:05 • -17.62db
17% Popularity • 29% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 29% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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The Merry Macs
You Made Me Love You
81 bpm • G Maj • 03:04 • -15db
30% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Malcolm Vaughan
My Special Angel
81 bpm • G min • 02:46 • -11db
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmie Rodgers
The Long Hot Summer
81 bpm • C Maj • 02:32 • -9.82db
13% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Billy Eckstine
Gigi
81 bpm • E Maj • 02:35 • -17.46db
22% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Doris Day
It's Magic - Version 1 - Take 6
81 bpm • F Maj • 03:28 • -15.69db
27% Popularity • 33% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 33% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Vic Dana
A Million And One
81 bpm • C Maj • 02:29 • -11.76db
37% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Engelbert Humperdinck
Two Different Worlds
90 bpm • D Maj • 02:33 • -9.69db
37% Popularity • 26% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 26% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Don Cornell
Hold My Hand
90 bpm • F Maj • 02:35 • -17db
10% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Grant
Tomorrowland
80 bpm • G Maj • 02:18 • -19.87db
20% Popularity • 35% Danceability • 9% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
20% Popularity • 35% Danceability • 9% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
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Moses Macadam
House Haunted
80 bpm • C min • 05:12 • -10.27db
18% Popularity • 41% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 41% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Jeri Southern
When I Fall In Love
80 bpm • A Maj • 03:07 • -16db
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Vic Dana
Love Is All We Need
81 bpm • A# Maj • 02:24 • -10.98db
29% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Doris Day
Sentimental Journey
80 bpm • F Maj • 03:12 • -16db
42% Popularity • 48% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
42% Popularity • 48% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Helen O'Connell
Tangerine
80 bpm • A min • 02:29 • -15db
15% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Patsy Cline
Always
80 bpm • A# Maj • 02:42 • -15.13db
36% Popularity • 26% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 26% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Mitch Miller & The Gang
My Bonnie Lies over the Ocean
80 bpm • A Maj • 02:43 • -15.08db
19% Popularity • 36% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 36% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Jeanette MacDonald
Indian Love Call
90 bpm • F Maj • 03:34 • -15.77db
12% Popularity • 24% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
12% Popularity • 24% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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Nelson Riddle
Lisbon Antigua
80 bpm • C Maj • 02:36 • -11.12db
29% Popularity • 43% Danceability • 29% Energy • 15% Liveness
91% Instrumentalness • 43% Positiveness
29% Popularity • 43% Danceability • 29% Energy • 15% Liveness
91% Instrumentalness • 43% Positiveness
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Doris Day
Love Me or Leave Me
90 bpm • C min • 02:13 • -19.16db
21% Popularity • 29% Danceability • 2% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 29% Danceability • 2% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Dorsey
Maria Elena
90 bpm • D min • 03:03 • -15.94db
24% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
24% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
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Malcolm Vaughan
Wait for Me (Ti Diro)
80 bpm • A# min • 02:33 • -10db
18% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Kay Kyser & His Orchestra
Old lamplighter
80 bpm • F Maj • 03:17 • -17.29db
4% Popularity • 24% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
4% Popularity • 24% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
28% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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The Brothers Four
Where Is Your Heart
90 bpm • D# Maj • 02:05 • -15.84db
27% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Everly Brothers
Devoted to You
91 bpm • D# Maj • 02:21 • -9.39db
53% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 59% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby Rydell
Blue Velvet - Stereo
80 bpm • A# Maj • 02:48 • -8.16db
27% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Frankie Carle
Rumors Are Flying
80 bpm • B Maj • 03:03 • -11db
16% Popularity • 29% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 29% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Rudy Vallee and His Connecticut Yankees
Dancing in the Moonlight
80 bpm • G# Maj • 02:52 • -16db
37% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
37% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
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michael holliday
Palace of Love
91 bpm • A Maj • 02:13 • -12.35db
13% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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M. Curtis
My Dreams Are Getting Better
80 bpm • D# Maj • 03:16 • -15db
13% Popularity • 62% Danceability • 15% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 15% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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Ray Peterson
Missing You
91 bpm • A Maj • 02:44 • -2.51db
34% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Nelson Eddy
Indian Love Call
91 bpm • F Maj • 03:38 • -12.77db
16% Popularity • 23% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 23% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Doris Day
Till the End of Time
79 bpm • G min • 02:59 • -14.57db
14% Popularity • 26% Danceability • 9% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
14% Popularity • 26% Danceability • 9% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness