Songs like Time for Bed by Heitor Pereira
Based on a tempo of (+/- 10%) and a similar genre
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Heitor Pereira
Time for Bed
87 bpm • A Maj • 01:26 • -17.58db
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
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Dan Romer
Meet Luca
87 bpm • C min • 04:08 • -17.04db
39% Popularity • 32% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
39% Popularity • 32% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Lorne Balfe
For Your Own Good
87 bpm • D min • 01:44 • -20.4db
18% Popularity • 19% Danceability • 24% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 24% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
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George Bruns
The Burning of the Spinning Wheels / The...
87 bpm • C min • 04:32 • -24.42db
24% Popularity • 31% Danceability • 3% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
24% Popularity • 31% Danceability • 3% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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John Powell
Tantrums Lead to Explosions
87 bpm • C Maj • 03:42 • -20.27db
9% Popularity • 16% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Mark Mancina
Great Escape
86 bpm • C min • 00:59 • -8.97db
44% Popularity • 44% Danceability • 71% Energy • 16% Liveness
52% Instrumentalness • 44% Positiveness
44% Popularity • 44% Danceability • 71% Energy • 16% Liveness
52% Instrumentalness • 44% Positiveness
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John Debney
I Need Your Head/Meeting the Mayor
87 bpm • C# Maj • 02:12 • -19.36db
9% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Anthony Lledo
When We Were Kids
86 bpm • C Maj • 02:12 • -21.95db
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Jay Vincent
Metamorphosis
86 bpm • D min • 01:28 • -16.23db
14% Popularity • 10% Danceability • 46% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 46% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Kevin Kiner
The Clones
88 bpm • G Maj • 02:29 • -10.15db
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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John Powell
Playground
87 bpm • G Maj • 01:33 • -11.51db
10% Popularity • 40% Danceability • 53% Energy • 10% Liveness
65% Instrumentalness • 19% Positiveness
10% Popularity • 40% Danceability • 53% Energy • 10% Liveness
65% Instrumentalness • 19% Positiveness
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David Newman
Tigers Try To Get Baby
86 bpm • E min • 05:41 • -9.46db
23% Popularity • 18% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
23% Popularity • 18% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
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Oliver Wallace
The Pound
89 bpm • C Maj • 01:29 • -28db
32% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
He’s Just a Kid
86 bpm • G min • 01:24 • -25db
41% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
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Jay Vincent
Zane's True Potential
88 bpm • D min • 04:05 • -16.02db
28% Popularity • 12% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Anthony Willis
Tales at Stoick's Statue
85 bpm • A Maj • 01:47 • -18.9db
22% Popularity • 13% Danceability • 13% Energy • 14% Liveness
67% Instrumentalness • 8% Positiveness
22% Popularity • 13% Danceability • 13% Energy • 14% Liveness
67% Instrumentalness • 8% Positiveness
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John Debney
Is Becca a Witch?
85 bpm • C# Maj • 05:21 • -17.66db
8% Popularity • 16% Danceability • 14% Energy • 17% Liveness
57% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 14% Energy • 17% Liveness
57% Instrumentalness • 4% Positiveness
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David Newman
Walking Through
85 bpm • A# min • 01:25 • -17.91db
35% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
35% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Anthony Lledo
Laval the Lion
89 bpm • A min • 03:17 • -17.35db
16% Popularity • 26% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Heitor Pereira
Your Favorite Book
89 bpm • D min • 01:11 • -19.06db
20% Popularity • 10% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
20% Popularity • 10% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Jay Vincent
Unchaining The Leviathan
85 bpm • E min • 02:57 • -13.36db
15% Popularity • 18% Danceability • 28% Energy • 37% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 28% Energy • 37% Liveness
91% Instrumentalness • 4% Positiveness
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Brian Tyler
Saving Brooklyn
85 bpm • D Maj • 01:47 • -11.41db
34% Popularity • 54% Danceability • 46% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
34% Popularity • 54% Danceability • 46% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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John Debney
The Legend of Parapata
85 bpm • A Maj • 00:55 • -15db
26% Popularity • 20% Danceability • 19% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 19% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
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David Newman
Baby's Wild Ride
85 bpm • F Maj • 01:56 • -8.09db
33% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
33% Popularity • 49% Danceability • 78% Energy • 6% Liveness
90% Instrumentalness • 45% Positiveness
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George Bruns
Baby
85 bpm • C Maj • 02:11 • -25.61db
35% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
35% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Daniel Pemberton
Meet The Bad Guys
90 bpm • E min • 03:39 • -8.25db
33% Popularity • 51% Danceability • 62% Energy • 26% Liveness
7% Instrumentalness • 37% Positiveness
33% Popularity • 51% Danceability • 62% Energy • 26% Liveness
7% Instrumentalness • 37% Positiveness
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Lorne Balfe
A Long Farewell
90 bpm • C Maj • 02:49 • -14.19db
18% Popularity • 14% Danceability • 11% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 11% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Mychael Danna
Family Struggle
90 bpm • D min • 01:23 • -27.64db
26% Popularity • 19% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 2% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
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John Debney
The Jungle Rescue
89 bpm • G# Maj • 03:17 • -16.66db
24% Popularity • 28% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
24% Popularity • 28% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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Joel McNeely
Here Beside Me
84 bpm • C Maj • 02:35 • -14.8db
33% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Mark Mancina
Kakamora
84 bpm • C# Maj • 04:33 • -9db
46% Popularity • 33% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
46% Popularity • 33% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
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Christopher Lennertz
Gargamel’s Lair
90 bpm • F Maj • 01:45 • -17.6db
18% Popularity • 35% Danceability • 21% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
18% Popularity • 35% Danceability • 21% Energy • 9% Liveness
11% Instrumentalness • 18% Positiveness
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Rupert Gregson-Williams
I Really Liked Your Dad
84 bpm • A# Maj • 02:13 • -25.16db
26% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
26% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
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Anthony Lledo
Hills of Chima
90 bpm • C Maj • 02:49 • -18.23db
10% Popularity • 27% Danceability • 8% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
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Kris Bowers
The Ghost Realm
84 bpm • B Maj • 03:22 • -18.88db
31% Popularity • 13% Danceability • 26% Energy • 44% Liveness
80% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 26% Energy • 44% Liveness
80% Instrumentalness • 6% Positiveness
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The Shaun The Sheep Band
Anarchy on the Farm
90 bpm • C# min • 01:17 • -13.33db
6% Popularity • 56% Danceability • 45% Energy • 18% Liveness
38% Instrumentalness • 15% Positiveness
6% Popularity • 56% Danceability • 45% Energy • 18% Liveness
38% Instrumentalness • 15% Positiveness
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Mark Mancina
Climbing
90 bpm • D Maj • 00:54 • -21.99db
47% Popularity • 69% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
47% Popularity • 69% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Ninjago Music
LEGO Ninjago Dragon Hunt
90 bpm • F min • 03:40 • -10.59db
25% Popularity • 16% Danceability • 67% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 67% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
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Alan Menken
Campfire
84 bpm • G Maj • 03:21 • -21.29db
39% Popularity • 14% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 5% Positiveness
39% Popularity • 14% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 5% Positiveness
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Michael Giacchino
World's Worst Animal Shelter
84 bpm • F min • 04:24 • -18.78db
20% Popularity • 28% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 5% Positiveness
20% Popularity • 28% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 5% Positiveness
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Ned Washington
Up a Tree / The Fall / Timothy's Theory
91 bpm • A min • 01:32 • -7db
26% Popularity • 53% Danceability • 18% Energy • 33% Liveness
41% Instrumentalness • 12% Positiveness
26% Popularity • 53% Danceability • 18% Energy • 33% Liveness
41% Instrumentalness • 12% Positiveness
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Joel McNeely
A Very Familiar Coat
91 bpm • C Maj • 02:32 • -12.75db
29% Popularity • 27% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 27% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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Mark Mancina
The Hook
84 bpm • G Maj • 01:09 • -22.15db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Ninjago Music
LEGO Ninjago Sons of Garmadon / The Quie...
83 bpm • B min • 07:03 • -11.76db
26% Popularity • 23% Danceability • 55% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
26% Popularity • 23% Danceability • 55% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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John Debney
The Great Battle/Friends Forever
83 bpm • G# Maj • 06:17 • -16db
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
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Heitor Pereira
Bedtime for Gru and the Minions
91 bpm • B min • 01:02 • -18.67db
18% Popularity • 22% Danceability • 20% Energy • 18% Liveness
91% Instrumentalness • 24% Positiveness
18% Popularity • 22% Danceability • 20% Energy • 18% Liveness
91% Instrumentalness • 24% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Brian Tyler
Can You Dig It (Iron Man 3 Main Titles)
91 bpm • E min • 02:42 • -6.91db
42% Popularity • 52% Danceability • 92% Energy • 34% Liveness
70% Instrumentalness • 34% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 34% Liveness
70% Instrumentalness • 34% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Ludwig Göransson
Inconvenient Genetics
83 bpm • F min • 03:35 • -28.42db
12% Popularity • 20% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Patrick Doyle
Bathroom Life Lesson
92 bpm • C Maj • 02:19 • -20.82db
18% Popularity • 65% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
18% Popularity • 65% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Heitor Pereira
Make a Wish
91 bpm • D# Maj • 02:26 • -19.46db
23% Popularity • 33% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
23% Popularity • 33% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Anthony Willis
Parental Duet / Night Light Adventure
92 bpm • G Maj • 01:15 • -19.92db
34% Popularity • 30% Danceability • 26% Energy • 7% Liveness
50% Instrumentalness • 11% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 7% Liveness
50% Instrumentalness • 11% Positiveness
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Brian Tyler
2 Player Game
83 bpm • E min • 05:07 • -10.34db
32% Popularity • 24% Danceability • 38% Energy • 18% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 24% Danceability • 38% Energy • 18% Liveness
95% Instrumentalness • 22% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Teen Titans Go!
Justice League Returns / Saved by Titans
82 bpm • F Maj • 00:55 • -11db
22% Popularity • 13% Danceability • 40% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 40% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Marc Shaiman
Kite Takes Off
92 bpm • F Maj • 02:40 • -12.21db
29% Popularity • 18% Danceability • 46% Energy • 16% Liveness
16% Instrumentalness • 6% Positiveness
29% Popularity • 18% Danceability • 46% Energy • 16% Liveness
16% Instrumentalness • 6% Positiveness
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Mark Mancina
Saving Dusty
82 bpm • C Maj • 01:07 • -27.62db
27% Popularity • 16% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Amie Doherty
Squirrel Chase
92 bpm • G Maj • 01:01 • -12.01db
32% Popularity • 45% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
32% Popularity • 45% Danceability • 30% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Michael Giacchino
Whose Engine is This?
82 bpm • B min • 01:22 • -25db
29% Popularity • 23% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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George Bruns
Poor Bear
82 bpm • G min • 01:08 • -19.12db
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Heitor Pereira
The Fairy Party
82 bpm • B Maj • 01:27 • -10.15db
23% Popularity • 34% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 34% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Daniel Pemberton
Tricky Fox
82 bpm • E min • 01:08 • -23.11db
27% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Junkie XL
Sonic's Home
93 bpm • G Maj • 01:18 • -32.1db
16% Popularity • 19% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Chris Hajian
Woody's New Home
82 bpm • D Maj • 01:00 • -18.14db
12% Popularity • 28% Danceability • 13% Energy • 23% Liveness
96% Instrumentalness • 20% Positiveness
12% Popularity • 28% Danceability • 13% Energy • 23% Liveness
96% Instrumentalness • 20% Positiveness
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Rob Simonsen
Trapped
82 bpm • F min • 04:55 • -16.35db
23% Popularity • 22% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 22% Danceability • 18% Energy • 22% Liveness
89% Instrumentalness • 3% Positiveness
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Oliver Wallace
A New Collar / Jock & Trusty / It's Jim ...
81 bpm • G Maj • 03:17 • -17db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
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Heitor Pereira
El Macho's Lair
82 bpm • E min • 03:32 • -12.39db
22% Popularity • 24% Danceability • 43% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 43% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Joel McNeely
Naming Gruff
93 bpm • D min • 02:45 • -19.11db
16% Popularity • 38% Danceability • 20% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
16% Popularity • 38% Danceability • 20% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
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Dan Romer
Phantom Tail
81 bpm • G Maj • 02:09 • -23.48db
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
50% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
50% Instrumentalness • 6% Positiveness
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Alan Menken
Eric to the Rescue
81 bpm • G min • 03:43 • -16.41db
26% Popularity • 39% Danceability • 20% Energy • 36% Liveness
73% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 20% Energy • 36% Liveness
73% Instrumentalness • 19% Positiveness
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Joby Talbot
Willy and Noodle at the Zoo
93 bpm • A# Maj • 02:25 • -23.1db
53% Popularity • 24% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
53% Popularity • 24% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 6% Positiveness
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Michael Giacchino
History’s Biggest Loser Cars
81 bpm • C min • 02:26 • -24.44db
28% Popularity • 16% Danceability • 3% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 3% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
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Germaine Franco
El RÃo
80 bpm • C min • 01:27 • -31.02db
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Heitor Pereira
The Big Battle
80 bpm • A Maj • 07:23 • -12.98db
22% Popularity • 31% Danceability • 41% Energy • 22% Liveness
65% Instrumentalness • 7% Positiveness
22% Popularity • 31% Danceability • 41% Energy • 22% Liveness
65% Instrumentalness • 7% Positiveness
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Mark Mancina
Crop Duster
80 bpm • D Maj • 01:19 • -13.88db
28% Popularity • 34% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 24% Positiveness
28% Popularity • 34% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 24% Positiveness
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Junkie XL
Meet Sonic (Before We Start I Gotta Tell...
94 bpm • D Maj • 01:32 • -9.11db
36% Popularity • 24% Danceability • 44% Energy • 10% Liveness
31% Instrumentalness • 8% Positiveness
36% Popularity • 24% Danceability • 44% Energy • 10% Liveness
31% Instrumentalness • 8% Positiveness
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Julian Nott
Ravaged In The Night
94 bpm • D min • 01:45 • -16.45db
10% Popularity • 27% Danceability • 23% Energy • 21% Liveness
84% Instrumentalness • 19% Positiveness
10% Popularity • 27% Danceability • 23% Energy • 21% Liveness
84% Instrumentalness • 19% Positiveness
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Oliver Wallace
Good-Bye Peter - Shanghaied
80 bpm • C Maj • 00:55 • -23.33db
34% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
34% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
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James Newton Howard
Being People Is Hard
80 bpm • A min • 04:04 • -20.59db
24% Popularity • 13% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Heitor Pereira
Home Invasion
80 bpm • C Maj • 01:57 • -11.24db
21% Popularity • 50% Danceability • 53% Energy • 25% Liveness
68% Instrumentalness • 11% Positiveness
21% Popularity • 50% Danceability • 53% Energy • 25% Liveness
68% Instrumentalness • 11% Positiveness
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Ninjago Music
LEGO Ninjago Morro, Master of Wind
94 bpm • D# Maj • 04:34 • -12.9db
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 15% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Rolfe Kent
Mending the Dramyan
80 bpm • G Maj • 00:53 • -15.87db
8% Popularity • 23% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
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Julian Nott
Transformation
94 bpm • D Maj • 04:05 • -12.98db
11% Popularity • 24% Danceability • 30% Energy • 12% Liveness
63% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 30% Energy • 12% Liveness
63% Instrumentalness • 12% Positiveness
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Brian Tyler
The Warp Pipe
80 bpm • A Maj • 02:05 • -13.72db
33% Popularity • 20% Danceability • 22% Energy • 3% Liveness
71% Instrumentalness • 3% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 3% Liveness
71% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Unleashing The Panda
80 bpm • C min • 02:06 • -11.47db
20% Popularity • 42% Danceability • 30% Energy • 4% Liveness
53% Instrumentalness • 8% Positiveness
20% Popularity • 42% Danceability • 30% Energy • 4% Liveness
53% Instrumentalness • 8% Positiveness
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Lorne Balfe
Your Greatest Enemy
80 bpm • D min • 02:41 • -14.19db
22% Popularity • 43% Danceability • 59% Energy • 7% Liveness
84% Instrumentalness • 9% Positiveness
22% Popularity • 43% Danceability • 59% Energy • 7% Liveness
84% Instrumentalness • 9% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
33% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Mychael Danna & Jeff Danna
If They're Freaks, Then So Are All Of Yo...
80 bpm • A min • 01:08 • -17.06db
8% Popularity • 23% Danceability • 14% Energy • 4% Liveness
48% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 14% Energy • 4% Liveness
48% Instrumentalness • 7% Positiveness
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Patrick Doyle
Delete and Rescue
80 bpm • G Maj • 03:24 • -13.02db
15% Popularity • 17% Danceability • 47% Energy • 33% Liveness
85% Instrumentalness • 8% Positiveness
15% Popularity • 17% Danceability • 47% Energy • 33% Liveness
85% Instrumentalness • 8% Positiveness
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Heitor Pereira
Going to Save the World
95 bpm • E Maj • 01:25 • -9.56db
33% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Matthew Margeson
Young Jedi Adventures Main Title
79 bpm • D# Maj • 01:39 • -10.46db
29% Popularity • 13% Danceability • 46% Energy • 11% Liveness
64% Instrumentalness • 26% Positiveness
29% Popularity • 13% Danceability • 46% Energy • 11% Liveness
64% Instrumentalness • 26% Positiveness
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Ned Washington
Loading the Train / Casey Junior / Stork...
79 bpm • F Maj • 04:59 • -6.56db
22% Popularity • 36% Danceability • 46% Energy • 10% Liveness
49% Instrumentalness • 66% Positiveness
22% Popularity • 36% Danceability • 46% Energy • 10% Liveness
49% Instrumentalness • 66% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Tim Davies
Strickler
79 bpm • C# Maj • 01:44 • -25.79db
22% Popularity • 8% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Brian Tyler
Bonus Level
96 bpm • C Maj • 01:01 • -9.77db
32% Popularity • 28% Danceability • 26% Energy • 13% Liveness
50% Instrumentalness • 19% Positiveness
32% Popularity • 28% Danceability • 26% Energy • 13% Liveness
50% Instrumentalness • 19% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness