Songs like Time Hard by The Pioneers
Based on a tempo of (+/- 10%) and a similar genre
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Ken Parker
I Can't Hide
83 bpm • C Maj • 02:25 • -8.72db
18% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Norris Cole
It Serious Man
83 bpm • C# Maj • 04:21 • -4.7db
1% Popularity • 69% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 69% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Lee Perry & The Upsetters
Run For Cover
83 bpm • A# Maj • 02:46 • -11.26db
21% Popularity • 81% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
21% Popularity • 81% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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The Jamaicans
Love Uprising
83 bpm • G# Maj • 02:27 • -8db
19% Popularity • 70% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 70% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Glen Adams
Run Come Dance
83 bpm • E min • 02:33 • -5db
34% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Slim Smith
Build My World Around You
83 bpm • D Maj • 02:46 • -7.21db
19% Popularity • 75% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 59% Positiveness
19% Popularity • 75% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 59% Positiveness
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Willie Williams
Armagideon Time - Disco Mix Vocal
83 bpm • D# min • 02:24 • -13db
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Hopeton Lewis
Express Yourself
83 bpm • A# min • 02:34 • -12.85db
40% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
40% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
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The Pioneers
Time Hard
83 bpm • C Maj • 02:31 • -9.39db
29% Popularity • 69% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 69% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Norris Cole
Pretty Looks Pretty Looks
83 bpm • C# min • 03:53 • -5.65db
1% Popularity • 71% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 71% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Joya Landis
Moonlight Lover
82 bpm • F Maj • 02:20 • -11.01db
25% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Slim Smith
Rougher Yet
83 bpm • D# min • 03:06 • -7.74db
28% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Pat Kelly
Little Boy Blue
82 bpm • A# Maj • 02:46 • -5.82db
40% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Dennis Alcapone
Wake Up Jamaica
82 bpm • F Maj • 02:34 • -11.72db
22% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Pioneers
Give Me a Little Loving
84 bpm • A# Maj • 02:45 • -7.5db
17% Popularity • 79% Danceability • 53% Energy • 10% Liveness
5% Instrumentalness • 92% Positiveness
17% Popularity • 79% Danceability • 53% Energy • 10% Liveness
5% Instrumentalness • 92% Positiveness
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Dandy
People Get Ready
84 bpm • F# Maj • 02:27 • -10.14db
12% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
12% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Dobby Dobson
Loving Pauper
84 bpm • G Maj • 03:18 • -8db
18% Popularity • 74% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
18% Popularity • 74% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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The Kingstonians
Winey Winey
82 bpm • C# Maj • 02:52 • -10.66db
25% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Scotty
Draw Your Brakes
82 bpm • F Maj • 02:55 • -11db
41% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Jackie Edwards
Too Experienced
84 bpm • F# min • 02:56 • -6.09db
13% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Stranger Cole
Last Flight To Reggae City
84 bpm • E Maj • 02:48 • -10.55db
17% Popularity • 79% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 79% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 89% Positiveness
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Big Youth
Cool Breeze
82 bpm • F Maj • 03:30 • -15.11db
37% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 80% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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The Slickers
Johnny To Bad
82 bpm • G Maj • 03:10 • -10.57db
21% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
21% Popularity • 73% Danceability • 61% Energy • 30% Liveness
7% Instrumentalness • 80% Positiveness
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The Kingstonians
Hold Down
84 bpm • C Maj • 02:51 • -11.69db
26% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
26% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
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The Pioneers
Long Up Your Mouth
82 bpm • C Maj • 02:01 • -9.97db
21% Popularity • 85% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 85% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Norris Cole
Ease the Shackles from My Brothers
82 bpm • B Maj • 04:35 • -4.63db
1% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Marcia Griffiths
Feel Like Jumping
82 bpm • C Maj • 03:33 • -9db
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
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Ken Parker
I Can't Hide
82 bpm • C Maj • 02:25 • -10.84db
45% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
45% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
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Federals
Penny for Your Song
82 bpm • G# Maj • 02:58 • -8.71db
18% Popularity • 83% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
18% Popularity • 83% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
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The Melodians
Come On Little Girl
82 bpm • G Maj • 02:26 • -13.28db
29% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Pioneers
You'll Never Get Away
84 bpm • C min • 02:50 • -11.05db
6% Popularity • 84% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 84% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Clancy Eccles
Two of a Kind
82 bpm • D Maj • 02:48 • -9.65db
16% Popularity • 66% Danceability • 37% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
16% Popularity • 66% Danceability • 37% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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The Versatiles
Worries (A Yard)
82 bpm • A# Maj • 02:25 • -10.01db
12% Popularity • 74% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 74% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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The Tennors
Ride Your Donkey
82 bpm • C# Maj • 02:03 • -6.43db
33% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Hopeton Lewis
Rock A Shacka
81 bpm • C min • 02:30 • -8.59db
18% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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The Melodians
Last Train to Expo 67
81 bpm • D Maj • 02:54 • -11.04db
22% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
22% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
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The Silvertones
In the Midnight Hour
81 bpm • A# min • 02:41 • -8.33db
19% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 73% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Clancy Eccles
What Will Your Mama Say
85 bpm • D min • 03:18 • -10.38db
27% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Versatiles
Spread Your Bed
85 bpm • F# Maj • 02:14 • -8.43db
23% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Rudy Mills
John Jones
81 bpm • C Maj • 03:20 • -5.44db
31% Popularity • 79% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 93% Positiveness
31% Popularity • 79% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 93% Positiveness
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Pat Kelly
Somebodys Baby
85 bpm • F Maj • 02:59 • -7.62db
31% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Keith
Stop That Train
81 bpm • F Maj • 03:20 • -19db
52% Popularity • 77% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 73% Positiveness
52% Popularity • 77% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 73% Positiveness
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The Melodians
Hey, Girl
81 bpm • F Maj • 02:22 • -9.92db
20% Popularity • 80% Danceability • 65% Energy • 12% Liveness
81% Instrumentalness • 97% Positiveness
20% Popularity • 80% Danceability • 65% Energy • 12% Liveness
81% Instrumentalness • 97% Positiveness
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The Tennors
Cleopatra
81 bpm • G Maj • 02:12 • -11.3db
31% Popularity • 80% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 80% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Jackie Edwards
Johnny Gunman
81 bpm • A# Maj • 02:18 • -8.56db
14% Popularity • 84% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
14% Popularity • 84% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
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The Ethiopians
Give Me Your Love
81 bpm • E min • 02:23 • -9.99db
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Uniques
My Conversation
85 bpm • C# Maj • 03:27 • -14db
37% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
37% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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Joya Landis
Moonlight Lover
81 bpm • F Maj • 02:23 • -11db
33% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Charmers
Skinhead Train
85 bpm • F min • 02:41 • -5.73db
19% Popularity • 76% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 76% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Justin Hinds
Once A Man Twice A Child
85 bpm • D min • 02:51 • -12.89db
24% Popularity • 88% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 88% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Shorty The President
President Mash Up the Resident
85 bpm • G# min • 02:49 • -5.46db
16% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
16% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
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The Ethiopians
The Whip
85 bpm • A# Maj • 03:01 • -8.75db
31% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
31% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Dandy Livingstone
Don't Break Your Promise
85 bpm • F min • 02:52 • -12.11db
31% Popularity • 85% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 85% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Tennors
Do the Reggae (aka Do the Reggay Dance)
80 bpm • G# Maj • 02:38 • -12.08db
18% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 93% Positiveness
18% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 93% Positiveness
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Phyllis Dillon
One Life to Live, One Life to Give (aka ...
86 bpm • F Maj • 02:33 • -11.02db
36% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Rudy Mills
A Long Story
80 bpm • A# Maj • 03:11 • -3.59db
27% Popularity • 75% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 75% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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The Gladiators
Sweet Soul Music
86 bpm • F Maj • 01:58 • -7.15db
34% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Derrick Morgan
River To The Bank
80 bpm • C# Maj • 02:05 • -8.62db
11% Popularity • 82% Danceability • 60% Energy • 7% Liveness
2% Instrumentalness • 98% Positiveness
11% Popularity • 82% Danceability • 60% Energy • 7% Liveness
2% Instrumentalness • 98% Positiveness
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Ken Parker
A Change Gonna Come
80 bpm • C Maj • 02:54 • -15.23db
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
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Justin Hinds & The Dominoes
Do All the Good (aka Once a Man)
86 bpm • D min • 02:49 • -11.71db
19% Popularity • 87% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 87% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Dave & Ansell Collins
Double Barrel
80 bpm • D# Maj • 02:45 • -3.87db
37% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Clancy Eccles
Feel the Rhythm
86 bpm • B Maj • 02:31 • -6.75db
26% Popularity • 78% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 78% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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The Pioneers
Get Ready
87 bpm • E min • 02:42 • -14.04db
7% Popularity • 82% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 82% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Versatiles
The Time Has Come
80 bpm • E Maj • 02:04 • -9.99db
20% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Pluto Shervington
Dat
87 bpm • D Maj • 03:56 • -13db
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Ethiopians
Come On Now
79 bpm • C Maj • 03:15 • -11.84db
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
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Norris Cole
Two Face Rat
79 bpm • C# Maj • 04:24 • -4.05db
1% Popularity • 64% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
1% Popularity • 64% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Clancy Eccles
Say What You're Saying
79 bpm • A# Maj • 02:06 • -10db
18% Popularity • 70% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 70% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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The Pioneers
Nosey Parker
79 bpm • A# Maj • 05:29 • -11.69db
6% Popularity • 84% Danceability • 33% Energy • 10% Liveness
10% Instrumentalness • 81% Positiveness
6% Popularity • 84% Danceability • 33% Energy • 10% Liveness
10% Instrumentalness • 81% Positiveness
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Dandy Livingstone
Everybody Loves a Winner
87 bpm • C Maj • 02:48 • -9.29db
12% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
12% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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The Untouchables
Tighten Up
79 bpm • C Maj • 02:39 • -6.72db
39% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
39% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
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The Kingstonians
Mix It Up
87 bpm • C Maj • 02:42 • -10.49db
22% Popularity • 86% Danceability • 46% Energy • 9% Liveness
25% Instrumentalness • 84% Positiveness
22% Popularity • 86% Danceability • 46% Energy • 9% Liveness
25% Instrumentalness • 84% Positiveness
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Ken Parker
How Could I
87 bpm • G Maj • 02:26 • -13.49db
26% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Clancy Eccles
Rod of Correction
79 bpm • F Maj • 02:24 • -7.36db
22% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Jamaicans
Ba Ba Boom
79 bpm • E Maj • 02:51 • -5.93db
23% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Dandy
(People Get Ready) Let's do Rocksteady
79 bpm • F Maj • 02:49 • -10.07db
31% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Gaylads
ABC Rocksteady
79 bpm • A# Maj • 02:08 • -9.71db
31% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Bruce Ruffin
Rain
79 bpm • B min • 02:21 • -7.5db
27% Popularity • 46% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 46% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Ken Parker
True, True, True
79 bpm • G Maj • 02:14 • -9.91db
20% Popularity • 66% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 80% Positiveness
20% Popularity • 66% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 80% Positiveness
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Phyllis Dillon
Love the One You're With
79 bpm • A Maj • 02:51 • -9.92db
29% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Jackie Bernard
Another Scorcher
79 bpm • C# min • 02:46 • -12.52db
20% Popularity • 78% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 78% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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The Pioneers
Starvation (Edit)
88 bpm • A# Maj • 02:23 • -10.02db
24% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Slim Smith
Ain't Too Proud To Beg
79 bpm • D Maj • 02:40 • -14db
17% Popularity • 70% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 70% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Ethiopians
Train to Skaville
88 bpm • G# Maj • 02:57 • -12.53db
50% Popularity • 79% Danceability • 26% Energy • 35% Liveness
55% Instrumentalness • 56% Positiveness
50% Popularity • 79% Danceability • 26% Energy • 35% Liveness
55% Instrumentalness • 56% Positiveness
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Ken Parker
True True True
79 bpm • G Maj • 02:15 • -10db
37% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
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Tyrone Taylor
Delilah
78 bpm • G Maj • 02:28 • -12.73db
14% Popularity • 54% Danceability • 40% Energy • 15% Liveness
86% Instrumentalness • 50% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 15% Liveness
86% Instrumentalness • 50% Positiveness
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Dave & Ansell Collins
On Broadway
78 bpm • A# Maj • 03:09 • -9.48db
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Clarendonians
I'm Sorry
78 bpm • C# Maj • 02:59 • -11db
18% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Pat Kelly
Talk About Love
78 bpm • A Maj • 02:43 • -13db
32% Popularity • 75% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
32% Popularity • 75% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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The Gaylads
It's Hard To Confess
78 bpm • G# Maj • 02:26 • -7.79db
32% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
32% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
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Ken Parker
Help Me Make It Through the Night (Shake...
88 bpm • G Maj • 02:31 • -12.03db
22% Popularity • 70% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 70% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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The Wanderers
Wiggle Waggle
88 bpm • G Maj • 01:55 • -6.92db
18% Popularity • 68% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 68% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Dave & Ansell Collins
I the Third (Karate)
88 bpm • A# Maj • 02:56 • -10.32db
15% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Val Bennett
Reggae City
88 bpm • F# Maj • 02:04 • -9.09db
26% Popularity • 82% Danceability • 51% Energy • 34% Liveness
90% Instrumentalness • 87% Positiveness
26% Popularity • 82% Danceability • 51% Energy • 34% Liveness
90% Instrumentalness • 87% Positiveness
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Clancy Eccles
Fattie Fattie
89 bpm • G# min • 02:42 • -9.56db
28% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Norris Cole
Man Na Man
78 bpm • B min • 04:32 • -4.65db
4% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
4% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Pioneers
Warm and Tender Love
78 bpm • D# Maj • 02:55 • -5.35db
4% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Lord Creator
Come Down (69 Version)
89 bpm • D# Maj • 02:18 • -10.48db
31% Popularity • 81% Danceability • 41% Energy • 14% Liveness
64% Instrumentalness • 95% Positiveness
31% Popularity • 81% Danceability • 41% Energy • 14% Liveness
64% Instrumentalness • 95% Positiveness
