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Time is on My Side
Songs like
Time is on My Side
by
Irma Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Jennifer O'Connor
Already Gone
112 bpm • A Maj • 03:21 • -6.34db
19% Popularity • 53% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Rasmus Walter
Something so Strong
112 bpm • C Maj • 03:25 • -9db
15% Popularity • 65% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Irma Thomas
Time is on My Side
112 bpm • C Maj • 02:47 • -11.42db
10% Popularity • 51% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Wilson
Alright Lady (Let's Make A Baby)
113 bpm • C# Maj • 03:50 • -3.8db
5% Popularity • 70% Danceability • 80% Energy • 2% Liveness
0% Instrumentalness • 91% Positiveness
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The James Hunter Six
Show Her
112 bpm • F min • 02:36 • -8.37db
28% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Jon Spencer Blues Explosion
Confused (Sansano)
113 bpm • A Maj • 02:59 • -3.92db
28% Popularity • 66% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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James Carr
Pouring Water on a Drowning Man
111 bpm • C Maj • 02:39 • -7.82db
35% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Wild Magnolias
Brother John Is Gone / Herc-Jolly-John
111 bpm • G Maj • 05:31 • -10db
29% Popularity • 64% Danceability • 75% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
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Irma Thomas
Girl Needs Boy
113 bpm • C Maj • 01:59 • -14.77db
7% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Ikettes
I'm Blue (The Gong Gong Song)
111 bpm • G# min • 02:33 • -8db
34% Popularity • 67% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
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Rosco Gordon
No More Doggin'
113 bpm • D# Maj • 03:06 • -7.35db
13% Popularity • 59% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Freddie Scott
Same Old Beat
111 bpm • G Maj • 02:41 • -6db
23% Popularity • 61% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Lee Moses
She's a Bad Girl
111 bpm • C Maj • 02:59 • -7db
16% Popularity • 52% Danceability • 90% Energy • 20% Liveness
8% Instrumentalness • 64% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Marcia Ball
Yield Not To Temptation
111 bpm • G Maj • 03:05 • -8.48db
3% Popularity • 58% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Bradley
Ain't It a Sin
114 bpm • C# Maj • 03:49 • -9db
48% Popularity • 74% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Carla Thomas
B-A-B-Y
114 bpm • G# Maj • 02:57 • -11.98db
58% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Arthur Banes
Gold Rush
114 bpm • C Maj • 03:24 • -3.67db
3% Popularity • 95% Danceability • 74% Energy • 5% Liveness
16% Instrumentalness • 88% Positiveness
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Jeff Russo
Ship of Fools
114 bpm • D Maj • 07:05 • -16db
19% Popularity • 64% Danceability • 29% Energy • 6% Liveness
10% Instrumentalness • 16% Positiveness
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Irma Thomas
Wait, Wait, Wait
111 bpm • A# Maj • 02:35 • -11db
21% Popularity • 55% Danceability • 27% Energy • 78% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Batiste
Saint James Infirmary Blues
110 bpm • C# min • 04:18 • -15db
37% Popularity • 50% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Ann Peebles
Beware
110 bpm • A min • 03:09 • -9.51db
29% Popularity • 93% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Taryn Manning
Chains - Acapella
110 bpm • C# Maj • 04:22 • -13.68db
15% Popularity • 77% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Sister Wynona Carr
Dragnet For Jesus - Take 1
110 bpm • F min • 02:49 • -13db
14% Popularity • 75% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Richie Havens
Freedom - Extended Live Version
114 bpm • B min • 09:07 • -13.73db
14% Popularity • 43% Danceability • 37% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Dyke & The Blazers
My Sisters' And My Brothers' Day Is Comi...
114 bpm • A# min • 02:20 • -10.53db
15% Popularity • 80% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Brenton Wood
Baby, You Got It - Remastered
110 bpm • A# min • 01:54 • -10.55db
31% Popularity • 89% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Elvin Bishop
Fooled Around And Fell In Love
110 bpm • A# Maj • 04:45 • -7.6db
27% Popularity • 63% Danceability • 68% Energy • 14% Liveness
24% Instrumentalness • 59% Positiveness
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Blondie
Once I Had A Love (AKA The Disco Song) -...
115 bpm • C# min • 03:13 • -9.14db
22% Popularity • 75% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 92% Positiveness
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Irma Thomas
While The City Sleeps
115 bpm • C Maj • 02:39 • -13.93db
4% Popularity • 62% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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MFSB
Love is the Message - Single Version
115 bpm • C Maj • 02:38 • -10.44db
12% Popularity • 48% Danceability • 61% Energy • 5% Liveness
1% Instrumentalness • 68% Positiveness
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Ann Peebles
99 Pounds
115 bpm • C Maj • 02:18 • -7.96db
34% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Rush
I Wanna Do the Do
109 bpm • A Maj • 04:41 • -6.51db
21% Popularity • 83% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Hamilton Leithauser
Heartstruck (Wild Hunger)
115 bpm • F Maj • 03:30 • -6.76db
30% Popularity • 51% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Sam Cooke
Mean Old World
109 bpm • G Maj • 03:45 • -9.46db
39% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Irma Thomas
We Got Something Good
115 bpm • C Maj • 02:34 • -13.85db
21% Popularity • 70% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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The James Hunter Six
Heartbreak
115 bpm • A Maj • 04:23 • -11.47db
32% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Adams
There Is Always One More Time
109 bpm • C# Maj • 03:43 • -16.26db
15% Popularity • 61% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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The Emotions
My Honey And Me
116 bpm • F Maj • 03:36 • -15.01db
23% Popularity • 89% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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Professor Longhair
Go To The Mardi Gras
116 bpm • A# Maj • 03:32 • -12db
15% Popularity • 47% Danceability • 81% Energy • 71% Liveness
68% Instrumentalness • 93% Positiveness
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The Temptations
I Know I'm Losing You
108 bpm • C Maj • 02:48 • -11.72db
12% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Irma Thomas
It's Raining
109 bpm • G Maj • 02:01 • -10.86db
22% Popularity • 61% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Frank Foster
The Time Has Come
108 bpm • G Maj • 02:22 • -8.86db
28% Popularity • 60% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Gil Scott-Heron
Your Daddy Loves You
116 bpm • D min • 04:06 • -14db
21% Popularity • 73% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Ann Peebles
99 Lbs
116 bpm • C Maj • 02:19 • -10.04db
42% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Tower Of Power
What Is Hip
108 bpm • D Maj • 04:46 • -9.61db
7% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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The Bogmen
Oceans Apart
116 bpm • G Maj • 03:10 • -5.33db
16% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Soul Inc
Ultra Blue
108 bpm • C Maj • 02:01 • -7.83db
14% Popularity • 70% Danceability • 75% Energy • 10% Liveness
95% Instrumentalness • 97% Positiveness
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Bettye Swann
(My Heart Is) Closed For The Season
108 bpm • G min • 03:02 • -10.19db
33% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Rickie Lee Jones
Circle in the Sand
108 bpm • G Maj • 03:29 • -7.05db
3% Popularity • 56% Danceability • 73% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
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Jimmy Scott
Day By Day
108 bpm • G min • 06:55 • -11.17db
11% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The James Hunter Six
This Is Where We Come In
108 bpm • B min • 04:31 • -9db
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Breakestra
Dark Clouds Rain Soul
116 bpm • A Maj • 06:08 • -4.89db
19% Popularity • 86% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Floyd
Don't Tell Your Mama
117 bpm • G Maj • 03:57 • -10.61db
12% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Callahan
America!
107 bpm • D min • 05:33 • -11.39db
31% Popularity • 59% Danceability • 47% Energy • 7% Liveness
12% Instrumentalness • 68% Positiveness
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Cowboy Junkies
Dreaming My Dreams With You
107 bpm • F Maj • 04:31 • -30.87db
38% Popularity • 57% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Rufus Thomas
Do The Push And Pull
107 bpm • C# Maj • 03:22 • -10db
8% Popularity • 85% Danceability • 68% Energy • 19% Liveness
78% Instrumentalness • 51% Positiveness
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Irma Thomas
Please Send Me Someone To Love
118 bpm • G min • 02:30 • -10.78db
15% Popularity • 40% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Nick Waterhouse
High Tiding
118 bpm • F min • 02:48 • -9.54db
28% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Randy Newman
It's Lonely at the Top
107 bpm • G min • 02:16 • -13.63db
21% Popularity • 66% Danceability • 11% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
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The Temptations
Cloud Nine
118 bpm • D Maj • 03:48 • -9.63db
11% Popularity • 76% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Mr. Geo
One Look
106 bpm • F Maj • 04:17 • -10.45db
10% Popularity • 87% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Little Willie John
No Regrets
106 bpm • A# Maj • 02:38 • -8.02db
25% Popularity • 47% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Lyle Lovett
M- O- N- E- Y
118 bpm • D min • 03:17 • -15.4db
27% Popularity • 77% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Irma Thomas
Take A Look
106 bpm • G Maj • 03:20 • -12.69db
13% Popularity • 56% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Gary Numan
M.E,
106 bpm • C Maj • 04:41 • -7.01db
15% Popularity • 50% Danceability • 81% Energy • 18% Liveness
3% Instrumentalness • 29% Positiveness
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Keith
I Only See You
106 bpm • D# Maj • 02:00 • -7.8db
10% Popularity • 89% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Todd Rundgren
Can We Still Be Friends
118 bpm • C# min • 03:36 • -8.28db
13% Popularity • 46% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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The Dramatics
Your Love Was Strange
106 bpm • C Maj • 03:04 • -9db
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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George Clinton & The P-Funk All Stars
Atomic Dog
106 bpm • D Maj • 05:01 • -7.05db
11% Popularity • 54% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Holly Golightly
Demolition Girl
119 bpm • B min • 03:42 • -4.94db
16% Popularity • 58% Danceability • 92% Energy • 21% Liveness
11% Instrumentalness • 30% Positiveness
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Noah Hawley
Didn't Leave Nobody But The Baby
119 bpm • G# Maj • 02:53 • -11.81db
31% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Marcia Ball
Love Maker
105 bpm • G Maj • 04:17 • -9.81db
3% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Gil Scott-Heron
B Movie
105 bpm • D Maj • 07:11 • -13.24db
14% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Richie Havens
Morning Morning
105 bpm • D# Maj • 02:17 • -15.5db
31% Popularity • 57% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Burdon
Spill The Wine - Remastered
119 bpm • D min • 05:00 • -9db
5% Popularity • 82% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
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O.V. Wright
Into Something (Can't Shake Loose)
120 bpm • F min • 04:24 • -5.76db
21% Popularity • 64% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Thelma Houston
Saturday Night Sunday Morning
105 bpm • F# min • 03:08 • -12db
11% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Ann Peebles
Come To Mama
105 bpm • A min • 02:56 • -12db
13% Popularity • 87% Danceability • 49% Energy • 4% Liveness
4% Instrumentalness • 97% Positiveness
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Daniel Johnston
The Story of an Artist
105 bpm • C Maj • 05:08 • -10db
25% Popularity • 43% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 67% Positiveness
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Sean Rowe
You Keep Coming Alive
105 bpm • G# Maj • 03:43 • -13db
31% Popularity • 56% Danceability • 37% Energy • 8% Liveness
64% Instrumentalness • 32% Positiveness
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Solomon Burke
The Judgement
105 bpm • C Maj • 03:30 • -12.69db
19% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hurray For The Riff Raff
Pa'lante
105 bpm • G Maj • 05:53 • -7db
30% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Tanya Hart
The Music Lives On: Chapter Three
105 bpm • D# Maj • 08:56 • -7.6db
13% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Temptations
Papa Was A Rolling Stone
120 bpm • F min • 07:12 • -11.61db
43% Popularity • 85% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Spectral Sun
Good Feeling - Original Mix
120 bpm • C Maj • 06:32 • -5.94db
14% Popularity • 87% Danceability • 57% Energy • 7% Liveness
16% Instrumentalness • 14% Positiveness
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The James Hunter Six
Minute By Minute
104 bpm • G# min • 03:39 • -7db
28% Popularity • 85% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Stew & The Negro Problem
Klown Wit da Nuclear Code
104 bpm • B min • 03:44 • -7.13db
11% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Charles Bradley
This Love Ain't Big Enough
121 bpm • G Maj • 02:50 • -4.28db
25% Popularity • 58% Danceability • 98% Energy • 8% Liveness
33% Instrumentalness • 87% Positiveness
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Michael Hurley
Hog of the Forsaken
121 bpm • D Maj • 03:18 • -10.23db
20% Popularity • 66% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Dorsey
Holy Cow
121 bpm • G# Maj • 02:31 • -9.87db
24% Popularity • 88% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Irma Thomas
Break-A-Way - Remastered
121 bpm • D# Maj • 02:33 • -10.25db
30% Popularity • 69% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
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Ann Peebles
Come to Mama
103 bpm • A min • 02:58 • -8.99db
35% Popularity • 87% Danceability • 59% Energy • 3% Liveness
2% Instrumentalness • 97% Positiveness
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Bettye Swann
I'm Lonely For You
103 bpm • A min • 02:43 • -12.42db
30% Popularity • 57% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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B.B. King
To Know You Is To Love You - Single Vers...
103 bpm • A min • 03:53 • -7.56db
14% Popularity • 82% Danceability • 61% Energy • 16% Liveness
42% Instrumentalness • 84% Positiveness
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Ronnie Walker
Love Is An Illusion
103 bpm • C Maj • 02:49 • -10.56db
24% Popularity • 67% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
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Gil Scott-Heron
Whitey on the Moon
103 bpm • C# Maj • 01:59 • -11.49db
28% Popularity • 64% Danceability • 56% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
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Irma Thomas
Breakaway
121 bpm • D# Maj • 02:36 • -8.81db
30% Popularity • 63% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 93% Positiveness
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Graham Parker
Dreamin'
103 bpm • A Maj • 02:30 • -7db
8% Popularity • 66% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Time is on My Side