Songs like Time Is Wasting by Josh Ritter
Based on a tempo of (+/- 10%) and a similar genre
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Josh Ritter
Rumors
113 bpm • G min • 03:31 • -6.21db
27% Popularity • 75% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 75% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Amanda Shires
When You Need a Train It Never Comes
113 bpm • G min • 04:14 • -10db
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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The Decemberists
All Arise!
113 bpm • D Maj • 03:09 • -3.31db
34% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jay Farrar
One Fast Move or I'm Gone
113 bpm • A# Maj • 04:15 • -10db
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Lone Bellow
You Never Need Nobody
113 bpm • G Maj • 04:49 • -8db
32% Popularity • 38% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 38% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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A.A. Bondy
Lovers' Waltz
113 bpm • G# Maj • 03:26 • -8.5db
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
46% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
46% Instrumentalness • 23% Positiveness
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Deer Tick
Twenty Miles
114 bpm • C Maj • 03:43 • -7.1db
47% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Calexico
Follow the Water
114 bpm • F# Maj • 03:45 • -11.29db
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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John Doe
The Golden State
114 bpm • D Maj • 02:58 • -6db
27% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Dawes
The Way You Laugh
114 bpm • C Maj • 03:48 • -9.83db
28% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Great Lake Swimmers
Alone but Not Alone
114 bpm • G Maj • 03:17 • -8.08db
38% Popularity • 52% Danceability • 77% Energy • 25% Liveness
94% Instrumentalness • 85% Positiveness
38% Popularity • 52% Danceability • 77% Energy • 25% Liveness
94% Instrumentalness • 85% Positiveness
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Water Liars
Let It Breathe
114 bpm • B Maj • 02:39 • -16.11db
44% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Vandaveer
The Wild Mercury
112 bpm • B Maj • 03:43 • -9.3db
21% Popularity • 73% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 73% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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A.A. Bondy
I Can See the Pines are Dancing
114 bpm • C# Maj • 03:42 • -9.26db
12% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Jason Collett
Hangover Days
112 bpm • A Maj • 04:36 • -9.95db
21% Popularity • 84% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Blitzen Trapper
Taking It Easy Too Long
114 bpm • D Maj • 02:56 • -10.15db
30% Popularity • 59% Danceability • 37% Energy • 10% Liveness
34% Instrumentalness • 63% Positiveness
30% Popularity • 59% Danceability • 37% Energy • 10% Liveness
34% Instrumentalness • 63% Positiveness
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Dawes
Someone Will
114 bpm • F Maj • 03:33 • -9.11db
31% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Purdy
Cinderella & The A Train
112 bpm • G Maj • 02:32 • -7.29db
16% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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the everybodyfields
Aeroplane
112 bpm • A Maj • 03:27 • -7.5db
16% Popularity • 50% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 50% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Felice Brothers
Jack at the Asylum
111 bpm • G Maj • 03:39 • -9db
31% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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David Myles
When It Comes My Turn
114 bpm • F Maj • 03:31 • -11db
34% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Jayhawks
Quiet Corners & Empty Spaces
115 bpm • C# min • 03:06 • -6.28db
36% Popularity • 54% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 54% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Dead Tongues
Won't Be Long
115 bpm • A Maj • 03:45 • -5.65db
39% Popularity • 49% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 49% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Uncle Tupelo
Still Be Around
111 bpm • E Maj • 02:44 • -9.72db
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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The Decemberists
January Hymn
111 bpm • D Maj • 03:12 • -10db
38% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Head And The Heart
Shake
111 bpm • E Maj • 04:01 • -8db
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
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Son Volt
Back Against the Wall
111 bpm • F Maj • 03:27 • -6db
34% Popularity • 43% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Blind Pilot
Just One
111 bpm • G Maj • 04:29 • -8.82db
38% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Felice Brothers
Special Announcement
115 bpm • D Maj • 04:14 • -7.05db
30% Popularity • 53% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 53% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Pug
Hymn #35
111 bpm • D Maj • 03:11 • -8.95db
43% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Decemberists
Sons & Daughters
115 bpm • D Maj • 05:13 • -8.26db
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Whiskeytown
Crazy About You
115 bpm • E min • 02:45 • -8.94db
34% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Ritter
Bonfire
111 bpm • E Maj • 02:51 • -8.28db
2% Popularity • 57% Danceability • 68% Energy • 23% Liveness
1% Instrumentalness • 50% Positiveness
2% Popularity • 57% Danceability • 68% Energy • 23% Liveness
1% Instrumentalness • 50% Positiveness
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Eddie Berman
Easy Rider
115 bpm • E Maj • 03:49 • -10db
47% Popularity • 57% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
47% Popularity • 57% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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The New Basement Tapes
Diamond Ring
110 bpm • A Maj • 02:53 • -9.87db
32% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Joe Pug
Hymn #101
116 bpm • D Maj • 04:40 • -9.59db
42% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Bob Schneider
Han Solo
116 bpm • D Maj • 03:08 • -7.81db
31% Popularity • 68% Danceability • 64% Energy • 8% Liveness
73% Instrumentalness • 55% Positiveness
31% Popularity • 68% Danceability • 64% Energy • 8% Liveness
73% Instrumentalness • 55% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’ve Been Failing
116 bpm • D# Maj • 03:00 • -8.47db
48% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
48% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Josh Ritter
Cumberland
110 bpm • C Maj • 02:17 • -4db
3% Popularity • 73% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
3% Popularity • 73% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Jakob Dylan
Something Good This Way Comes
116 bpm • A Maj • 03:37 • -9.66db
34% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Max Gomez
Run from You
116 bpm • C Maj • 03:59 • -7.52db
18% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Lone Bellow
To The Woods
110 bpm • C Maj • 01:59 • -14.51db
28% Popularity • 71% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 11% Positiveness
28% Popularity • 71% Danceability • 10% Energy • 12% Liveness
8% Instrumentalness • 11% Positiveness
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Nathaniel Rateliff
When You're Here
116 bpm • A Maj • 01:48 • -12.15db
37% Popularity • 76% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 76% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Hiss Golden Messenger
Caledonia, My Love
117 bpm • F Maj • 03:00 • -16.86db
49% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Ritter
Galahad
116 bpm • C Maj • 04:16 • -6.9db
23% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Horse Feathers
Working Poor
116 bpm • A Maj • 03:16 • -12.7db
36% Popularity • 63% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
36% Popularity • 63% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
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The New Basement Tapes
Liberty Street
117 bpm • G Maj • 02:44 • -11.73db
29% Popularity • 46% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 46% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Blitzen Trapper
God & Suicide
109 bpm • C Maj • 02:21 • -7.61db
40% Popularity • 70% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 70% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The Avett Brothers
I Wish I Was
109 bpm • B Maj • 05:16 • -8.86db
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Isbell
How To Forget
117 bpm • D Maj • 04:04 • -12.27db
18% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ray LaMontagne
Shelter
117 bpm • C Maj • 04:36 • -14.75db
46% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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The Decemberists
Why Would I Now?
117 bpm • G Maj • 03:42 • -5.84db
19% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Amanda Shires
Pale Fire
117 bpm • C Maj • 03:16 • -14.51db
29% Popularity • 54% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
29% Popularity • 54% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
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A.A. Bondy
Killed Myself When I Was Young
117 bpm • E Maj • 03:50 • -7.87db
26% Popularity • 75% Danceability • 41% Energy • 22% Liveness
3% Instrumentalness • 69% Positiveness
26% Popularity • 75% Danceability • 41% Energy • 22% Liveness
3% Instrumentalness • 69% Positiveness
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James McMurtry
Rachel's Song
117 bpm • F# Maj • 04:39 • -10.86db
29% Popularity • 67% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
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Josh Ritter
Girl In The War
117 bpm • D# Maj • 04:22 • -8db
21% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The New Basement Tapes
The Whistle Is Blowing
117 bpm • C Maj • 05:16 • -10.28db
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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Horse Feathers
Old Media
109 bpm • F# min • 03:38 • -7db
24% Popularity • 57% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 57% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Aoife O'Donovan
Oh, Mama
109 bpm • G Maj • 04:18 • -8.43db
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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A.A. Bondy
American Hearts
118 bpm • D Maj • 04:16 • -9.62db
22% Popularity • 50% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 50% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Nathaniel Rateliff
What A Drag
108 bpm • G Maj • 03:34 • -10db
45% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
45% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Josh Ritter
A Certain Light
109 bpm • C Maj • 02:48 • -8.05db
4% Popularity • 57% Danceability • 53% Energy • 13% Liveness
3% Instrumentalness • 58% Positiveness
4% Popularity • 57% Danceability • 53% Energy • 13% Liveness
3% Instrumentalness • 58% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
50% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Matt the Electrician
I Will Do The Breathing
108 bpm • G# Maj • 04:31 • -7.81db
20% Popularity • 78% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 78% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Wild Reeds
Only Songs
108 bpm • F# Maj • 04:36 • -5db
33% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Doucet
Broken One
118 bpm • E Maj • 04:03 • -7.86db
10% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Justin Townes Earle
One More Night In Brooklyn
118 bpm • A Maj • 03:04 • -10.55db
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Ritter
In Your Arms Awhile
108 bpm • G Maj • 02:03 • -5.82db
0% Popularity • 47% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 47% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Blitzen Trapper
Not Your Lover
118 bpm • C Maj • 02:50 • -13db
41% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dead Man Winter
This House Is on Fire
108 bpm • G Maj • 04:00 • -9.88db
18% Popularity • 36% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
18% Popularity • 36% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Jason Isbell
Mutineer
108 bpm • D Maj • 03:01 • -13db
29% Popularity • 52% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 52% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jay Farrar
Hoping Machine
108 bpm • C Maj • 04:52 • -8.51db
14% Popularity • 31% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 31% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Grant-Lee Phillips
Smoke and Sparks
119 bpm • C Maj • 03:39 • -10.92db
15% Popularity • 47% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
15% Popularity • 47% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Josh Ritter
Ground Don't Want Me
108 bpm • C Maj • 04:18 • -8.25db
20% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Townes Earle
Maybe A Moment
119 bpm • D Maj • 03:05 • -7.39db
32% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tift Merritt
Sweet Spot
119 bpm • A# Maj • 02:50 • -8db
36% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
36% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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The Felice Brothers
Little Ann
119 bpm • C Maj • 03:23 • -12db
31% Popularity • 53% Danceability • 24% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
31% Popularity • 53% Danceability • 24% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
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Bahamas
You're Bored, I'm Old
119 bpm • C Maj • 02:40 • -11.74db
23% Popularity • 78% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 78% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Dawes
Somewhere Along The Way
119 bpm • A# Maj • 05:39 • -9.64db
35% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Ritter
Wolves
119 bpm • D Maj • 04:04 • -4.98db
13% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Middle Brother
Million Dollar Bill
119 bpm • G Maj • 04:03 • -9.45db
41% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Caitlin Canty
Get Up
119 bpm • A Maj • 03:44 • -12.14db
36% Popularity • 57% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
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Whiskeytown
Don't Wanna Know Why
119 bpm • C Maj • 03:59 • -10.01db
33% Popularity • 66% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 66% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Loudon Wainwright III
You Can't Fail Me Now
119 bpm • D Maj • 03:45 • -7.99db
29% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Josh Ritter
Getting Ready to Get Down
107 bpm • F Maj • 03:16 • -4.92db
28% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Middle Brother
Portland
119 bpm • D Maj • 05:05 • -6.93db
32% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Greg Brown
Two Little Feet
107 bpm • D Maj • 04:50 • -14.95db
29% Popularity • 61% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 61% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Calexico
In Your Own Time
120 bpm • A# Maj • 03:09 • -9.89db
22% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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A.A. Bondy
There's a Reason
120 bpm • C# Maj • 04:12 • -13.23db
21% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Ritter
New Lover
120 bpm • E Maj • 04:28 • -8db
5% Popularity • 59% Danceability • 74% Energy • 14% Liveness
29% Instrumentalness • 46% Positiveness
5% Popularity • 59% Danceability • 74% Energy • 14% Liveness
29% Instrumentalness • 46% Positiveness
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Robert Ellis
California
120 bpm • G# min • 03:50 • -8.82db
14% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Kathleen Edwards
In State
120 bpm • A Maj • 03:56 • -4db
28% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Deer Tick
Ashamed
120 bpm • C Maj • 02:13 • -5.57db
44% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Hiss Golden Messenger
Jenny of the Roses
120 bpm • G# Maj • 03:38 • -6db
39% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
