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Songs like
Time
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Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Hans Zimmer
Time
63 bpm • G Maj • 04:35 • -16.81db
73% Popularity • 29% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Nicholas Britell
The Middle of the World
64 bpm • G min • 02:02 • -14.76db
49% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Ludwig Göransson
Destroyer Of Worlds
64 bpm • C# min • 02:54 • -17.41db
64% Popularity • 27% Danceability • 20% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Howard Shore
Many Meetings
65 bpm • C Maj • 03:05 • -20.61db
54% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Yann Tiersen
La valse d'Amélie - Version orchestre
64 bpm • A min • 02:00 • -9db
55% Popularity • 19% Danceability • 34% Energy • 12% Liveness
13% Instrumentalness • 25% Positiveness
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Ennio Morricone
Gabriel's Oboe
61 bpm • D Maj • 02:14 • -17.2db
61% Popularity • 23% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Ramin Djawadi
The Night King
61 bpm • A# Maj • 08:50 • -16.34db
55% Popularity • 18% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Max Richter
On the Nature of Daylight
65 bpm • A# min • 06:11 • -12.74db
66% Popularity • 6% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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James Newton Howard
Rue's Farewell
66 bpm • A min • 04:59 • -20.54db
42% Popularity • 6% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Alan Silvestri
Porch
66 bpm • G min • 00:58 • -28.8db
49% Popularity • 13% Danceability • 4% Energy • 12% Liveness
59% Instrumentalness • 8% Positiveness
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Hans Zimmer
Now We Are Free
66 bpm • F# min • 03:58 • -20.25db
15% Popularity • 7% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
60% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Enya
May It Be
59 bpm • A Maj • 03:31 • -17.08db
64% Popularity • 13% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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Kevin Kiner
Burying the Dead
67 bpm • D Maj • 02:16 • -15.72db
50% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Clint Mansell
Summer Overture
67 bpm • F Maj • 02:35 • -13.06db
43% Popularity • 43% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Scott Benson Band
Requiem for a Dream
67 bpm • G min • 04:57 • -10db
53% Popularity • 16% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Hans Zimmer
Solomon
59 bpm • E min • 03:31 • -17db
45% Popularity • 6% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel / Orch. Hale: Keyboard Suite No. ...
67 bpm • D min • 03:27 • -24.04db
65% Popularity • 9% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Max Richter
She Remembers
68 bpm • F# min • 03:49 • -21.52db
50% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Vangelis
Rachel's Song
59 bpm • D min • 04:48 • -19.39db
52% Popularity • 38% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Ramin Djawadi
Home
68 bpm • C Maj • 02:30 • -16db
48% Popularity • 11% Danceability • 18% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Severus and Lily
68 bpm • A min • 06:08 • -26db
47% Popularity • 6% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Brian Tyler
Thor: The Dark World
68 bpm • A# Maj • 02:10 • -9.67db
47% Popularity • 32% Danceability • 71% Energy • 19% Liveness
96% Instrumentalness • 24% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 2: N...
58 bpm • E min • 02:46 • -18.76db
68% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Martin Phipps
Fairytale
68 bpm • F Maj • 04:47 • -15.32db
39% Popularity • 17% Danceability • 10% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Hans Zimmer
Honor Him
68 bpm • F# min • 01:19 • -24db
65% Popularity • 19% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Joep Beving
Sleeping Lotus
69 bpm • G min • 02:32 • -26.54db
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Nicholas Britell
Agape
69 bpm • A# Maj • 02:55 • -19.61db
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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James Horner
For The Love Of A Princess
69 bpm • A min • 04:07 • -25.77db
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Alexandre Desplat
The Resurrection Stone
69 bpm • C# min • 04:32 • -28.13db
48% Popularity • 16% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Frozen Planet
58 bpm • D Maj • 04:23 • -14.47db
37% Popularity • 6% Danceability • 27% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Nino Rota
Love Theme From "The Godfather"
69 bpm • C# Maj • 02:38 • -12.71db
50% Popularity • 20% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Jeremy Soule
From Past to Present
69 bpm • C Maj • 05:04 • -21.53db
60% Popularity • 7% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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John Powell
Stoick's Ship
69 bpm • G min • 03:47 • -21.18db
45% Popularity • 14% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Rachel Portman
Main Title
70 bpm • D min • 03:07 • -22db
51% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Austin Farwell
New Home (Slowed)
70 bpm • B Maj • 02:54 • -27.72db
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Hans Zimmer
Honor (Main Title Theme from "The Pacifi...
69 bpm • C# Maj • 02:56 • -14.83db
53% Popularity • 19% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Into the Fray
70 bpm • C Maj • 01:49 • -26.53db
40% Popularity • 27% Danceability • 4% Energy • 22% Liveness
86% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
43% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Ennio Morricone
The Mission: Gabriel's Oboe
70 bpm • D Maj • 03:12 • -13.91db
56% Popularity • 16% Danceability • 26% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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James Horner
Rooftop Kiss
70 bpm • G Maj • 02:34 • -36.28db
48% Popularity • 8% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Hans Zimmer
A Time of Quiet Between the Storms
71 bpm • B min • 04:21 • -20.89db
70% Popularity • 7% Danceability • 7% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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John Powell
Po Finds The Truth
70 bpm • C min • 05:03 • -16.31db
44% Popularity • 18% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Austin Farwell
New Home
72 bpm • F Maj • 02:06 • -22.79db
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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James Horner
Becoming one of "The People" Becoming on...
71 bpm • C# Maj • 07:43 • -26.31db
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Denez Prigent
Gortoz A Ran
72 bpm • A# min • 05:51 • -13.98db
49% Popularity • 12% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Hans Zimmer
First Step
71 bpm • A min • 01:47 • -19.01db
58% Popularity • 16% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Samuel Barber
Barber: Adagio for Strings
73 bpm • A# min • 08:57 • -24db
48% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
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Joe Hisaishi
Merry-Go-Round of Life - from 'Howl's Mo...
72 bpm • G min • 05:11 • -12.57db
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
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Ludovico Einaudi
Wind Song
73 bpm • B min • 03:18 • -32.31db
66% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Daft Punk
Overture
73 bpm • C# Maj • 02:28 • -15db
48% Popularity • 10% Danceability • 8% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 1
73 bpm • G Maj • 03:25 • -36.86db
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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James Horner
The Ludlows
73 bpm • G Maj • 05:40 • -28db
53% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Alexandre Desplat
Lily's Theme
73 bpm • F# Maj • 02:28 • -28.66db
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
73 bpm • G Maj • 02:32 • -18.75db
70% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
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John Williams
Leaving Hogwarts
73 bpm • D Maj • 02:13 • -21.27db
58% Popularity • 18% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Oppenheimer
73 bpm • D Maj • 02:16 • -15.95db
58% Popularity • 8% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Vangelis
Conquest of Paradise
74 bpm • D Maj • 04:38 • -14.26db
62% Popularity • 43% Danceability • 30% Energy • 23% Liveness
57% Instrumentalness • 16% Positiveness
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Howard Shore
Evenstar
74 bpm • E min • 03:15 • -26.19db
58% Popularity • 12% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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John Williams
Hedwig's Theme
73 bpm • D min • 05:09 • -17.1db
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Yehezkel Raz
Ballerina
76 bpm • D# Maj • 01:11 • -35.71db
75% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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John Murphy
In the House - In a Heartbeat
76 bpm • D min • 04:18 • -15.3db
55% Popularity • 43% Danceability • 11% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Hans Zimmer
Tennessee
76 bpm • C Maj • 03:39 • -17.33db
59% Popularity • 8% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
44% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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London Philharmonic Orchestra
Adagio for Strings, Op. 11a
78 bpm • A# min • 08:22 • -16.3db
46% Popularity • 15% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Philip Glass
Opening
77 bpm • C min • 05:53 • -30.94db
52% Popularity • 18% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Howard Shore
The Breaking of the Fellowship
79 bpm • D Maj • 07:20 • -20.55db
58% Popularity • 13% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Anže Rozman
Prehistoric Planet Suite
78 bpm • F Maj • 09:09 • -18.74db
35% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi Variation (Arr. for Piano from C...
79 bpm • G min • 01:52 • -16.97db
68% Popularity • 43% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Thomas Newman
American Beauty
77 bpm • G min • 03:06 • -31.96db
61% Popularity • 21% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Joe Hisaishi
One Summer Day
79 bpm • C Maj • 03:09 • -15.96db
65% Popularity • 41% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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James Newton Howard
London
79 bpm • D min • 02:38 • -20.74db
49% Popularity • 44% Danceability • 16% Energy • 36% Liveness
93% Instrumentalness • 11% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
49% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Steve Jablonsky
Arrival to Earth
79 bpm • C min • 05:26 • -16.4db
61% Popularity • 10% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Thomas Newman
Any Other Name
78 bpm • G min • 04:06 • -33.19db
56% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Joep Beving
Beving: Ala
79 bpm • G min • 02:00 • -22.84db
66% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Hans Zimmer
Flight
80 bpm • F Maj • 04:18 • -15.13db
59% Popularity • 8% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
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Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Junkie XL
Brothers In Arms
80 bpm • G# Maj • 04:22 • -8.9db
42% Popularity • 46% Danceability • 94% Energy • 19% Liveness
97% Instrumentalness • 56% Positiveness
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Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
51% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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John Williams
Duel of the Fates
80 bpm • D Maj • 04:14 • -15.76db
61% Popularity • 47% Danceability • 41% Energy • 28% Liveness
85% Instrumentalness • 28% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
52% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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James Newton Howard
Corynorhinus
80 bpm • F min • 05:04 • -25.39db
45% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Batman
80 bpm • A# min • 06:47 • -16.52db
57% Popularity • 21% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Hans Zimmer
Oogway's Legacy
80 bpm • F Maj • 02:00 • -15.83db
51% Popularity • 22% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Ludwig Göransson
American Prometheus
80 bpm • C# min • 02:37 • -21.31db
62% Popularity • 11% Danceability • 14% Energy • 7% Liveness
44% Instrumentalness • 6% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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