Songs like Timeless by We Three
Based on a tempo of (+/- 10%) and a similar genre
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We Three
Timeless
115 bpm • A Maj • 03:30 • -5.77db
33% Popularity • 66% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 66% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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East Love
Cute but Psycho
115 bpm • B Maj • 02:55 • -6db
36% Popularity • 85% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 85% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Chord Overstreet
Stone Man
115 bpm • C Maj • 02:36 • -13.71db
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 69% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Avery Lynch
When It Ends
115 bpm • C Maj • 03:49 • -8.68db
39% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Icarus Account
Oceans Between Us
115 bpm • B Maj • 04:35 • -9.81db
33% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
Straight Back Down
115 bpm • F Maj • 03:25 • -7.11db
47% Popularity • 66% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 66% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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We Three
Nightlight
115 bpm • C Maj • 03:18 • -8db
42% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Mountenz
Hard to Breathe
115 bpm • B Maj • 03:09 • -4db
33% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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CJ Starnes
Vulnerable
114 bpm • F Maj • 03:21 • -12.36db
26% Popularity • 43% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 43% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Thomas Day
Wildflower - Acoustic
114 bpm • C Maj • 02:39 • -8.45db
31% Popularity • 74% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 74% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Icarus Account
Tsunami
116 bpm • G# Maj • 04:19 • -6.58db
20% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jonah Marais
War Paint
116 bpm • G# Maj • 03:20 • -9db
25% Popularity • 76% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 76% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kiera Loveless
Behind the Scenes
114 bpm • F Maj • 03:38 • -8.61db
19% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Maddie Wilson
How You Get The Girl
114 bpm • F Maj • 04:20 • -11db
27% Popularity • 78% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 78% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Derek Hough
Say It Now
116 bpm • E Maj • 03:39 • -5.11db
21% Popularity • 66% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 66% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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We Three
Broke in two
114 bpm • C# Maj • 03:38 • -7.23db
29% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jason Reeves
Forever Isn't Long Enough
117 bpm • G Maj • 03:48 • -7db
23% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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VACAY
Shaky Hands - Piano Version
117 bpm • A# Maj • 03:15 • -8db
21% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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BLÜ EYES
actually happy
117 bpm • E Maj • 02:59 • -5.94db
38% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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My Brothers And I
Always Be Loving You
117 bpm • B Maj • 03:28 • -9db
36% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Alexander Stewart
Shy
113 bpm • C# Maj • 03:32 • -7db
43% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
54% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Chord Overstreet
Screw Paris
117 bpm • C# min • 04:06 • -7.61db
29% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 65% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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The Icarus Account
All My Love
117 bpm • E Maj • 03:47 • -10.89db
27% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Grace
The Good Place
118 bpm • F Maj • 03:29 • -12.44db
25% Popularity • 56% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 56% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Jonah Kagen
Wish You Did
118 bpm • C# min • 02:50 • -6db
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Castro
Good For You - Acoustic
118 bpm • D# Maj • 03:37 • -7.97db
20% Popularity • 72% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 72% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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We Three
Chase Me
118 bpm • G Maj • 03:14 • -7db
28% Popularity • 75% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 75% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Zach Hood
daphne
118 bpm • B Maj • 02:24 • -7.06db
35% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 74% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Zachary Staines
Wreckage
118 bpm • F# min • 03:52 • -7.54db
19% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Tanner Azzinnaro
Damn Easy
112 bpm • A# Maj • 03:45 • -10.6db
21% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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AJ Mitchell
My Lover, My Friend
112 bpm • D Maj • 02:09 • -10db
34% Popularity • 78% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 78% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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New Rules
Cheers
112 bpm • C Maj • 02:29 • -5.96db
44% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 71% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jonathan Tilkin
Daydreamin
118 bpm • A Maj • 03:27 • -4db
37% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lillian Hepler
Say You'll Miss Me
112 bpm • G Maj • 03:50 • -7.1db
18% Popularity • 82% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 82% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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We Three
Lifeline
112 bpm • B min • 03:11 • -4.81db
45% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Chord Overstreet
Wreck Me
119 bpm • C Maj • 04:07 • -9.63db
27% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 59% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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KYRK
Half Of My Heart
119 bpm • G# Maj • 04:01 • -9.31db
27% Popularity • 46% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 46% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ocean Park Standoff
If You Were Mine - Thompson Acoustic Rem...
119 bpm • D# Maj • 03:01 • -6db
40% Popularity • 70% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 70% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Etham
Safety Pin - Stripped
111 bpm • D Maj • 03:07 • -8.56db
29% Popularity • 75% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 75% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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JC Stewart
Like I Did
120 bpm • E Maj • 03:37 • -5db
34% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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We Three
Lifeline - The Ruadhri Cushnan Mix
112 bpm • D Maj • 03:08 • -6.65db
15% Popularity • 52% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 52% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Nealon
What Makes A Man
120 bpm • E Maj • 03:15 • -6.51db
29% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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VACAY
Shaky Hands
120 bpm • A# Maj • 03:39 • -6.77db
27% Popularity • 60% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Plested
Ribcage
120 bpm • G# min • 03:15 • -7.44db
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
52% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Niall Horan
No Judgement - Acoustic
120 bpm • C# min • 03:10 • -4.54db
41% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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James TW
Big Picture
120 bpm • E Maj • 03:40 • -5.42db
31% Popularity • 91% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 91% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Struan Shields
That's When I Wake Up
120 bpm • D# Maj • 03:56 • -8.28db
25% Popularity • 70% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 70% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Walker
Walk the Line
120 bpm • A# Maj • 03:31 • -6db
22% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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We Three
Stuck Like This
120 bpm • F min • 03:23 • -10.02db
34% Popularity • 86% Danceability • 42% Energy • 94% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 86% Danceability • 42% Energy • 94% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Simpson
Horizon
120 bpm • D Maj • 03:30 • -8db
15% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chord Overstreet
I Love You More
120 bpm • G Maj • 03:18 • -9db
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Mass Anthem
Wait for You / Apologize / How to Save a...
120 bpm • C Maj • 02:33 • -7db
38% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Nick Kingsley
The Day We Fell in Love
120 bpm • D Maj • 02:49 • -7.81db
37% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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KAYDEN
I Promised
110 bpm • G Maj • 03:55 • -6db
33% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 73% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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We Three
Secrets
120 bpm • C# Maj • 03:20 • -8db
37% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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James TW
Boys & Girls
110 bpm • G min • 03:23 • -9db
35% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Carter Anthony
Boardwalk Bench
110 bpm • E Maj • 03:18 • -10.22db
14% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
46% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Brynn Cartelli
Love You in My Mind
110 bpm • E Maj • 03:44 • -7.35db
40% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
44% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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We Three
Confident
120 bpm • C Maj • 02:53 • -10db
40% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Shada
Ballerina
110 bpm • D Maj • 02:26 • -8.95db
47% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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ehren
Jennifer Street
110 bpm • B Maj • 04:13 • -11.96db
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Etham
I Wish It Was Me - Stripped
110 bpm • F# min • 03:33 • -8.48db
34% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
41% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ron Bultongez
Learning To Love
121 bpm • C Maj • 02:53 • -6.25db
29% Popularity • 52% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 52% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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We Three
mid July
120 bpm • C Maj • 03:02 • -6.07db
28% Popularity • 78% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 78% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
38% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Maisie Peters
Look At Me Now
110 bpm • F Maj • 03:09 • -7.53db
35% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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New Rules
Late in the Evening
121 bpm • C Maj • 03:33 • -5.4db
32% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Andress
We're Not Friends
121 bpm • D Maj • 03:12 • -6.3db
42% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
49% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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We Three
If I Loved A Boy
120 bpm • E Maj • 03:48 • -3.98db
40% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Warren
Chasing Shadows - Acoustic
122 bpm • C# Maj • 02:42 • -10.14db
41% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Caleb James
I Wanna Be OK
122 bpm • C Maj • 03:47 • -8db
24% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jonah Marais
Kissing on the Moon
122 bpm • G Maj • 03:02 • -6.7db
28% Popularity • 76% Danceability • 62% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
28% Popularity • 76% Danceability • 62% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Zoe Clark
Ruin My Life
122 bpm • B Maj • 03:10 • -8.03db
28% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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We Three
Machine - R Cushnan Mix
110 bpm • F min • 03:02 • -7.94db
24% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
48% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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GUNNAR
Not Even In My Dreams
108 bpm • A# Maj • 03:05 • -7.35db
30% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Zach Hood
I Miss My Friends
108 bpm • F# Maj • 03:17 • -5db
35% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Clark
give you away
123 bpm • C# Maj • 03:38 • -9.85db
32% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sody
Nothing Ever Changes
123 bpm • B Maj • 03:02 • -7db
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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We Three
So They Say
109 bpm • C Maj • 03:21 • -5.71db
33% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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BLÜ EYES
halcyon
123 bpm • C# Maj • 03:19 • -8db
35% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
39% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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New Rules
Home Sweet Hotel
107 bpm • F# min • 03:17 • -4.83db
28% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Kays
Rich Boy
107 bpm • G Maj • 02:57 • -8.71db
38% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sody
Let You Know
124 bpm • E min • 03:10 • -6.71db
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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We Three
Kissin' When We're Mad
122 bpm • E Maj • 03:05 • -7db
41% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Brynn Cartelli
Imaginary Stranger
124 bpm • D Maj • 03:33 • -7.94db
24% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Maisie Peters
Personal Best
107 bpm • D Maj • 02:55 • -10.77db
36% Popularity • 46% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 46% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Marielle Kraft
Test Drive
124 bpm • B min • 03:06 • -8.42db
15% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
