Songs like Tirkha Lagi Rahyo by Yash Kumar
Based on a tempo of (+/- 10%) and a similar genre
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Lalit Mohan Joshi
Laal Range Sindoor
112 bpm • F# min • 06:10 • -3.79db
27% Popularity • 73% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 73% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Ram Thapa
Kati Baschyau Maitikai
112 bpm • A min • 03:05 • -9.51db
27% Popularity • 54% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 54% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Yash Kumar
Tirkha Lagi Rahyo
112 bpm • B min • 04:01 • -8.44db
1% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Sunil Giri
Kasto Yo Man
112 bpm • G# Maj • 04:06 • -4db
30% Popularity • 56% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 56% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Sanjeep Pradhan
Deurali Ko Chautarima
111 bpm • E Maj • 04:11 • -9.78db
24% Popularity • 69% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Swaroop Raj Acharya
Bal Garera
113 bpm • E Maj • 06:35 • -3.81db
17% Popularity • 50% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 50% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Bhoomi
Jeno Dhaak Achhe Aar Kathi Nai
111 bpm • A min • 04:27 • -9db
33% Popularity • 76% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 76% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Laxman Shesh
Timro Samjhana
110 bpm • C Maj • 05:34 • -8.79db
10% Popularity • 71% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 71% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Himal Shrestha
Kati Baschhau Maitikai Kausima
113 bpm • A Maj • 05:46 • -3db
22% Popularity • 81% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 81% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Rakchha Gurung
Jomsome Bazarma
110 bpm • C Maj • 03:56 • -10.77db
34% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Raj Pareek
Shyam Saanwra
114 bpm • F# Maj • 05:54 • -6.91db
36% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Nima Rumba
Mero Priyasi
114 bpm • A Maj • 04:47 • -8.5db
24% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Yash Kumar
Badhaiya Le La
110 bpm • C# Maj • 03:25 • -6.01db
0% Popularity • 50% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 50% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Dharmendra Sewan
Chatta Rumal
110 bpm • G Maj • 04:19 • -2.35db
35% Popularity • 78% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 78% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Amit Mittu
Roi Roi Gori
110 bpm • C# Maj • 05:06 • -2.56db
20% Popularity • 73% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 73% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Prashant Tamang
Gorkha Paltan
110 bpm • F Maj • 05:20 • -6.86db
35% Popularity • 87% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 87% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Anoop Sankar
Ghar Se Nikalte Hi
110 bpm • F Maj • 04:33 • -15.33db
10% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Deepak Limbu
Maile Maya Garna Janina _TM
110 bpm • D Maj • 04:47 • -6.36db
20% Popularity • 77% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 77% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Yash Kumar
Feri Kina Maanma_TM
110 bpm • F# Maj • 04:16 • -11.57db
0% Popularity • 74% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
0% Popularity • 74% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
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Trishna Gurung
Gurasai Phulyo
110 bpm • D Maj • 03:39 • -7.21db
37% Popularity • 58% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 58% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Indrajeet Mizar
Tungna Ko Dhunma
114 bpm • G Maj • 05:31 • -6.43db
27% Popularity • 76% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 76% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Amrit Gurung-nepathya
Mai Nache Cham Chamti
115 bpm • F# Maj • 05:38 • -9.64db
23% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Udit Narayan
Bagaichama Najau Timi
114 bpm • F# Maj • 06:25 • -13.07db
25% Popularity • 59% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 59% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Mahesh Kafle
Maya Birani
115 bpm • F# Maj • 04:21 • -4.19db
44% Popularity • 84% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 84% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Yash Kumar
Dherai Barsha Paxi
115 bpm • C Maj • 05:31 • -8.76db
15% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Narayan Gopal
Yo Samjhine Maan Chha
109 bpm • D# Maj • 05:02 • -11db
33% Popularity • 55% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 55% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Smita Dahal
Mayalu Timi Kata Chau
109 bpm • F min • 03:35 • -3.95db
14% Popularity • 84% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 84% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Asmita Adhikari
Maya Garaula
115 bpm • C# min • 03:35 • -4.63db
30% Popularity • 59% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 59% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Sanjay Shrestha
Euta Gaun Thiyo
109 bpm • B min • 05:13 • -8.73db
12% Popularity • 76% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 76% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Rabin Shrestha
Chhekyo Chhekyo
109 bpm • E Maj • 03:58 • -8.78db
19% Popularity • 61% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 61% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Narayan Rayamajhi
Unko Priti
115 bpm • F# Maj • 06:09 • -5.13db
19% Popularity • 66% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 66% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Deepak Bajracharya
Wora Para
115 bpm • A# Maj • 04:19 • -8.05db
29% Popularity • 80% Danceability • 71% Energy • 60% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 80% Danceability • 71% Energy • 60% Liveness
0% Instrumentalness • 89% Positiveness
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Trishna Gurung
Khani Ho Yahmu
115 bpm • A# Maj • 03:22 • -9.65db
41% Popularity • 68% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 68% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Navin Sahu
Bindiya Ke Lali
115 bpm • G# Maj • 04:18 • -4.2db
21% Popularity • 61% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 61% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Melina Rai
Ek Kaan Dui Kaan Maidan
115 bpm • C# Maj • 03:38 • -5.31db
41% Popularity • 91% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 91% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Nabin K Bhattarai
Raat Bityo
116 bpm • F Maj • 02:34 • -8.9db
43% Popularity • 84% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 84% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Yash Kumar
Ye Maya Timro
115 bpm • A Maj • 03:47 • -8.77db
17% Popularity • 38% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 38% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
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Pandavaas
Nanda Tero Dola
116 bpm • B Maj • 07:17 • -4.59db
22% Popularity • 49% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 49% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Swapnil Sharma
Mussukka Hasne
108 bpm • A Maj • 03:36 • -13.93db
29% Popularity • 69% Danceability • 50% Energy • 22% Liveness
79% Instrumentalness • 72% Positiveness
29% Popularity • 69% Danceability • 50% Energy • 22% Liveness
79% Instrumentalness • 72% Positiveness
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Pramod Kharel
Oye Jhuma Jhumkawali
108 bpm • F# Maj • 04:45 • -5.02db
38% Popularity • 76% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 76% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Ravi Raj
Kya Mohabbat Hai
107 bpm • A Maj • 03:39 • -6.38db
22% Popularity • 58% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 58% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Melina Rai
Aaja Hamro Bhet Bhako Dina
107 bpm • E Maj • 03:52 • -3.71db
39% Popularity • 68% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 68% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Yash Kumar
Sikkime Nani
116 bpm • D min • 04:28 • -7.53db
1% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 43% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Raju Lama
Dil Basyo
107 bpm • B Maj • 05:01 • -10.14db
27% Popularity • 78% Danceability • 49% Energy • 13% Liveness
4% Instrumentalness • 80% Positiveness
27% Popularity • 78% Danceability • 49% Energy • 13% Liveness
4% Instrumentalness • 80% Positiveness
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Shambhujeet Baskota
Chatta Rumal Kyamalu
106 bpm • F# Maj • 05:55 • -3.64db
20% Popularity • 63% Danceability • 90% Energy • 66% Liveness
49% Instrumentalness • 92% Positiveness
20% Popularity • 63% Danceability • 90% Energy • 66% Liveness
49% Instrumentalness • 92% Positiveness
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Prem Dhoj Pradhan
Tara Matra Haina Timi lai
117 bpm • C# Maj • 03:24 • -10.44db
21% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Kandara Band
Timi Pari
118 bpm • B Maj • 06:01 • -9.84db
22% Popularity • 64% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 64% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 45% Positiveness
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Melina Rai
Jail pani sahula
118 bpm • A Maj • 05:20 • -6.08db
39% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Sujan Chapagain
Chulbul Chulbul
106 bpm • F# Maj • 04:22 • -6.99db
39% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Sudip Giri
Tutnu Thiyo Tutyo Mutu
106 bpm • F min • 04:12 • -8.77db
26% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Durga Kaji Shakya
Dandaima Mela Lagechha
106 bpm • B min • 03:52 • -8.26db
22% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Shiva Pariyar
Pilayo Sathile
119 bpm • F Maj • 05:16 • -0.97db
32% Popularity • 40% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 40% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
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Karna Das
Pratikshya
106 bpm • B min • 06:59 • -5.56db
11% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Yash Kumar
Yo Mero Jindagi Ko
105 bpm • D Maj • 05:49 • -8.5db
6% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
6% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Sanjay Shrestha
Meri Maya
105 bpm • F Maj • 03:53 • -10.45db
17% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Umesh Pandey
Goli Sisha Ko
105 bpm • G Maj • 05:45 • -8.61db
21% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 70% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dheeraj Bhandari
Karte Hain Mere Bajrang
105 bpm • G# Maj • 09:05 • -10.89db
25% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Marmik Lama
Phul Butte Sari Male
105 bpm • C# Maj • 04:15 • -4.66db
33% Popularity • 77% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 77% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Milan Newar
Phul Butte Sari Female
105 bpm • C# Maj • 04:14 • -4.34db
43% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Ram Chandra Kafle
Lathi Charge Nagara Mero Mayama
105 bpm • D Maj • 08:14 • -6.04db
32% Popularity • 77% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 77% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Yash Kumar
Yo Mero Jindagiko
105 bpm • D Maj • 05:08 • -6.44db
2% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Sadhana Sargam
Aaja Bara Hate Patukiko
105 bpm • D# Maj • 06:35 • -4.38db
15% Popularity • 69% Danceability • 71% Energy • 50% Liveness
2% Instrumentalness • 71% Positiveness
15% Popularity • 69% Danceability • 71% Energy • 50% Liveness
2% Instrumentalness • 71% Positiveness
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Tarzan Lepcha
Samjhana Birsana
120 bpm • F Maj • 04:20 • -6.96db
25% Popularity • 66% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 66% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Ek Narayan Bhandari
Jodeko Nata
120 bpm • F Maj • 05:07 • -3.25db
13% Popularity • 60% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 60% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Indira Joshi
Ma Ta Marchhuki Kya Ho
120 bpm • C Maj • 04:10 • -2.89db
25% Popularity • 72% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 72% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Ram Chandra Kafle
Khar Kateu Ki
120 bpm • C Maj • 03:54 • -2db
17% Popularity • 55% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 55% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Yash Kumar
Nightmare - Instrumental version
120 bpm • C# Maj • 05:35 • -11.77db
6% Popularity • 87% Danceability • 30% Energy • 9% Liveness
42% Instrumentalness • 36% Positiveness
6% Popularity • 87% Danceability • 30% Energy • 9% Liveness
42% Instrumentalness • 36% Positiveness
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Rajan Raj Siwakoti
Chari Chatta Pari
120 bpm • G# Maj • 03:37 • -3.89db
27% Popularity • 78% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 78% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Tanka Budathoki
Nachana Batuli
120 bpm • A min • 04:47 • -5.15db
23% Popularity • 78% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 78% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Almoda Rana Uprety
Jyanle Timlai
120 bpm • F# Maj • 03:40 • -7db
39% Popularity • 74% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 74% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Rajesh Payal Rai
Ukali Jada
120 bpm • A# Maj • 04:06 • -5db
31% Popularity • 68% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 68% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
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Ramjeet Mahto
O Sanam Sanam Re - Original
120 bpm • A# min • 05:54 • -5.62db
33% Popularity • 69% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 69% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Basanta Thapa
Jaam Sustai
120 bpm • D Maj • 08:17 • -2.49db
20% Popularity • 72% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 72% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Ankit Babu Adhikari
K maya lagchha ra?
120 bpm • C# Maj • 03:24 • -8db
45% Popularity • 85% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 85% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Tanka Budathoki
Kasari Kasari
120 bpm • C Maj • 04:20 • -5.46db
33% Popularity • 81% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 81% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Aashish Sachin
Pirim Nalaune
120 bpm • G Maj • 04:25 • -4.09db
41% Popularity • 85% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 85% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Rajesh Payal Rai
Ful Fuleko Ban
120 bpm • A Maj • 04:24 • -9.8db
31% Popularity • 87% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 87% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Hemanta Rana
Dubo Phulyo
120 bpm • A Maj • 04:07 • -7.35db
43% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Sunil Giri
Soltini Bhani Bolako
120 bpm • G Maj • 10:05 • -4.57db
27% Popularity • 69% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 69% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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Asha Bhosle
Kina Badhdaichha Dhukdhuki
104 bpm • G Maj • 06:27 • -9.37db
4% Popularity • 54% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 54% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Udit Narayan
Aaja Hamro Bhetbhako
104 bpm • G# Maj • 05:09 • -9.71db
29% Popularity • 74% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
29% Popularity • 74% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Raju Lama-mongolian Heart
Bhawanama
120 bpm • G Maj • 05:43 • -2.68db
9% Popularity • 58% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 58% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Pushpan Pradhan
Aina Heri Heri
104 bpm • G Maj • 04:39 • -8.29db
21% Popularity • 53% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 53% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
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Ram Chandra Kafle
Achanolai Khukuri
104 bpm • G# Maj • 01:59 • -5.61db
15% Popularity • 80% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 80% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Yash Kumar
Timilai Dekhera
122 bpm • C Maj • 04:22 • -8.68db
1% Popularity • 74% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 74% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Tanka Budathoki
Kasari Kasari 3
122 bpm • F min • 04:35 • -2.21db
20% Popularity • 58% Danceability • 83% Energy • 13% Liveness
2% Instrumentalness • 68% Positiveness
20% Popularity • 58% Danceability • 83% Energy • 13% Liveness
2% Instrumentalness • 68% Positiveness
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Prem Dhoj Pradhan
Maya Namara
103 bpm • D# Maj • 03:50 • -10db
21% Popularity • 52% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 52% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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KANDARA
Timi Pari (reprise)
122 bpm • B Maj • 05:15 • -6.46db
30% Popularity • 70% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 70% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Basanta Sapkota
Marne Kasailai - Jr. Version
122 bpm • G Maj • 05:35 • -5.53db
17% Popularity • 51% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 51% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Ram Chandra Kafle
Maat Lagyo Maat Lagyo
103 bpm • B min • 03:40 • -3.75db
16% Popularity • 46% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 46% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
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Khem Raj Gurung
Ekadashi Bajaraima
122 bpm • E Maj • 04:50 • -11.13db
28% Popularity • 73% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 73% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Prakash Dutraj
Ghar Kata Ho Bainiko
103 bpm • C Maj • 12:38 • -5.67db
39% Popularity • 66% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 66% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Rajesh Payal Rai
Bigunile
122 bpm • C Maj • 05:04 • -8.47db
16% Popularity • 68% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 68% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Khemraj Gurung
Wari Jamuna Pari Jamuna
122 bpm • E Maj • 04:50 • -9.86db
23% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Nabin K Bhattarai
Timile Herda
102 bpm • C# Maj • 03:27 • -7.83db
40% Popularity • 73% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 73% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Anju Panta
Ghin Ghin Madal (Panche Baja)
102 bpm • A# Maj • 03:53 • -3.51db
29% Popularity • 65% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 65% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Hansraj Raghuwanshi
Amma Ji
102 bpm • G Maj • 05:37 • -4.08db
21% Popularity • 54% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 54% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Prasanga Thissera
Diwyanganawee
102 bpm • B Maj • 03:18 • -9.09db
19% Popularity • 83% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
19% Popularity • 83% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
