Songs like Titoli by Piero Piccioni
Based on a tempo of (+/- 10%) and a similar genre
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Bernard Herrmann
I Still Can't Sleep / The Cannot Touch H...
77 bpm • F Maj • 04:34 • -19.98db
49% Popularity • 23% Danceability • 15% Energy • 17% Liveness
58% Instrumentalness • 14% Positiveness
49% Popularity • 23% Danceability • 15% Energy • 17% Liveness
58% Instrumentalness • 14% Positiveness
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Gianni Ferrio
Elena Elena
77 bpm • C Maj • 03:16 • -15db
27% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Hareton Salvanini
Não Podes Fugir do Teu Destino
77 bpm • F Maj • 02:18 • -10db
31% Popularity • 20% Danceability • 44% Energy • 27% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 20% Danceability • 44% Energy • 27% Liveness
85% Instrumentalness • 12% Positiveness
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Nora Orlandi
Intimità
77 bpm • F min • 01:21 • -26db
38% Popularity • 48% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 30% Positiveness
38% Popularity • 48% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 30% Positiveness
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Blossom Dearie
Flamingo
77 bpm • G Maj • 03:06 • -16db
35% Popularity • 38% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
35% Popularity • 38% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
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Piero Piccioni
Classic Lover
77 bpm • F Maj • 02:16 • -15.1db
29% Popularity • 9% Danceability • 21% Energy • 13% Liveness
97% Instrumentalness • 9% Positiveness
29% Popularity • 9% Danceability • 21% Energy • 13% Liveness
97% Instrumentalness • 9% Positiveness
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Yusef Lateef
Michelle
77 bpm • D min • 01:44 • -21db
59% Popularity • 39% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
59% Popularity • 39% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Peter Thomas Sound Orchester
Eternal Song
77 bpm • C Maj • 01:04 • -25.55db
32% Popularity • 47% Danceability • 7% Energy • 11% Liveness
27% Instrumentalness • 27% Positiveness
32% Popularity • 47% Danceability • 7% Energy • 11% Liveness
27% Instrumentalness • 27% Positiveness
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Cal Tjader
Invitation - Instrumental
77 bpm • D min • 03:04 • -13.77db
32% Popularity • 28% Danceability • 19% Energy • 10% Liveness
57% Instrumentalness • 17% Positiveness
32% Popularity • 28% Danceability • 19% Energy • 10% Liveness
57% Instrumentalness • 17% Positiveness
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Nora Orlandi
Libidine 8
78 bpm • C min • 04:23 • -16db
39% Popularity • 46% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
39% Popularity • 46% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
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Alessandro Alessandroni
White Sands
76 bpm • A# Maj • 02:58 • -10.46db
50% Popularity • 53% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
50% Popularity • 53% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
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Piero Piccioni
Blue Mood
77 bpm • F Maj • 02:00 • -21.55db
46% Popularity • 48% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
46% Popularity • 48% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Alfred Newman
Airport Love Theme
78 bpm • G# min • 03:32 • -23db
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Emile Mosseri
Our Love
76 bpm • D# Maj • 02:05 • -22db
52% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
52% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Raymond Scott
The Tingling Tartness of Sprite - Instru...
78 bpm • A Maj • 01:02 • -11.94db
48% Popularity • 47% Danceability • 37% Energy • 44% Liveness
92% Instrumentalness • 48% Positiveness
48% Popularity • 47% Danceability • 37% Energy • 44% Liveness
92% Instrumentalness • 48% Positiveness
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Alberto Baldan Bembo
Samoa
78 bpm • G Maj • 01:44 • -13db
47% Popularity • 14% Danceability • 30% Energy • 28% Liveness
92% Instrumentalness • 16% Positiveness
47% Popularity • 14% Danceability • 30% Energy • 28% Liveness
92% Instrumentalness • 16% Positiveness
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Jerry Goldsmith
Love Theme From Chinatown (End Title)
78 bpm • G min • 02:02 • -11.94db
31% Popularity • 18% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 18% Danceability • 32% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
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Piero Piccioni
Amore in fiore
77 bpm • G min • 02:07 • -22.33db
35% Popularity • 9% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
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Wes Montgomery
While We're Young
78 bpm • D Maj • 02:15 • -36.61db
55% Popularity • 39% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
55% Popularity • 39% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Bruno Nicolai
In automobile - Remastered 2022
76 bpm • G Maj • 01:07 • -11.32db
26% Popularity • 47% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 47% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Davishmar
Garden Kisses (Remaster 3)
78 bpm • A# Maj • 04:06 • -9db
37% Popularity • 39% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 39% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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René Cloërec
En Cas De Malheur: Romantique
78 bpm • G min • 02:28 • -17.06db
41% Popularity • 19% Danceability • 25% Energy • 22% Liveness
83% Instrumentalness • 28% Positiveness
41% Popularity • 19% Danceability • 25% Energy • 22% Liveness
83% Instrumentalness • 28% Positiveness
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Maurice Ravel
Miroirs: III. Une barque sur l'océan
76 bpm • D Maj • 07:08 • -27.02db
58% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
58% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Enrico Intra
Nicole
75 bpm • C min • 04:19 • -17.85db
42% Popularity • 41% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
42% Popularity • 41% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Peter Thomas Sound Orchester
Teach Me, Teacher
76 bpm • D Maj • 01:07 • -16.9db
26% Popularity • 26% Danceability • 28% Energy • 18% Liveness
93% Instrumentalness • 28% Positiveness
26% Popularity • 26% Danceability • 28% Energy • 18% Liveness
93% Instrumentalness • 28% Positiveness
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Edda Dell'Orso
Le altre 6
75 bpm • F Maj • 03:11 • -27.27db
5% Popularity • 20% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
5% Popularity • 20% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
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Piero Piccioni
Anna Karenina
79 bpm • D# min • 02:19 • -13db
34% Popularity • 21% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
34% Popularity • 21% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Rahsaan Roland Kirk
Alfie
75 bpm • C Maj • 02:51 • -18.08db
38% Popularity • 45% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
38% Popularity • 45% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Alberto Baldan Bembo
Nostalgia Per Eva
79 bpm • C Maj • 02:58 • -9.75db
38% Popularity • 25% Danceability • 42% Energy • 15% Liveness
97% Instrumentalness • 44% Positiveness
38% Popularity • 25% Danceability • 42% Energy • 15% Liveness
97% Instrumentalness • 44% Positiveness
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Sandro Brugnolini
La notte muore (orchestra)
79 bpm • F Maj • 02:39 • -24db
40% Popularity • 54% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
40% Popularity • 54% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Syd Dale
Solo Theme
79 bpm • D min • 02:33 • -12db
28% Popularity • 15% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
28% Popularity • 15% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
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Edda Dell'Orso
Le altre 17
75 bpm • D Maj • 03:38 • -22.79db
6% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
6% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Peter Thomas Sound Orchester
The World's History
80 bpm • A min • 01:39 • -21db
29% Popularity • 43% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
29% Popularity • 43% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Piero Piccioni
Let's Dream Anyhow - Remastered
80 bpm • D min • 01:46 • -8.06db
31% Popularity • 39% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
31% Popularity • 39% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
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Bruno Battisti D'Amario
Spuma di mare
74 bpm • D Maj • 02:59 • -11db
29% Popularity • 49% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
29% Popularity • 49% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Justin Hurwitz
Fletcher's Song
80 bpm • D min • 01:37 • -20.67db
37% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
37% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Frankie Reyes
La Puerta
74 bpm • B min • 01:27 • -30.88db
47% Popularity • 29% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
47% Popularity • 29% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Fievel Is Glauque
Decoy
74 bpm • G min • 02:02 • -9.07db
48% Popularity • 70% Danceability • 57% Energy • 38% Liveness
5% Instrumentalness • 84% Positiveness
48% Popularity • 70% Danceability • 57% Energy • 38% Liveness
5% Instrumentalness • 84% Positiveness
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Nora Orlandi
Uccidere in silenzio 2
80 bpm • G Maj • 02:25 • -15.21db
19% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Bruno Nicolai
Incontro la contessa
80 bpm • E min • 02:07 • -30db
44% Popularity • 14% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
44% Popularity • 14% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Hareton Salvanini
Só
74 bpm • A# Maj • 03:13 • -16.79db
48% Popularity • 13% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
48% Popularity • 13% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Massimo Catalano
Foggy Night
80 bpm • G# min • 02:39 • -22.71db
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Piero Piccioni
Tears In Rome
80 bpm • C# Maj • 01:44 • -9.49db
33% Popularity • 62% Danceability • 49% Energy • 7% Liveness
5% Instrumentalness • 49% Positiveness
33% Popularity • 62% Danceability • 49% Energy • 7% Liveness
5% Instrumentalness • 49% Positiveness
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Bernard Herrmann
Main Title
80 bpm • C Maj • 02:14 • -19db
45% Popularity • 25% Danceability • 24% Energy • 14% Liveness
75% Instrumentalness • 19% Positiveness
45% Popularity • 25% Danceability • 24% Energy • 14% Liveness
75% Instrumentalness • 19% Positiveness
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Rigol
Itinerario romantico
80 bpm • D min • 03:37 • -21.65db
41% Popularity • 62% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
41% Popularity • 62% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
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Armando Trovajoli
Rossana - Bossa Nova Version
80 bpm • G Maj • 02:07 • -14db
32% Popularity • 54% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
32% Popularity • 54% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
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Sven Libaek
Water and Waves
74 bpm • D min • 01:19 • -20.43db
47% Popularity • 32% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
47% Popularity • 32% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Bruno Nicolai
La contessa, stravaganze
80 bpm • E min • 02:55 • -26.79db
16% Popularity • 14% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 14% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Piero Piccioni
Due Amanti
74 bpm • F Maj • 03:00 • -20.86db
15% Popularity • 25% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
15% Popularity • 25% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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Hareton Salvanini
Despedida
74 bpm • G min • 03:24 • -10.64db
34% Popularity • 39% Danceability • 20% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 20% Energy • 16% Liveness
75% Instrumentalness • 5% Positiveness
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Haruomi Hosono
最後の楽園
81 bpm • F Maj • 04:03 • -11.99db
46% Popularity • 57% Danceability • 49% Energy • 20% Liveness
96% Instrumentalness • 28% Positiveness
46% Popularity • 57% Danceability • 49% Energy • 20% Liveness
96% Instrumentalness • 28% Positiveness
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Piero Umiliani
Risaie
81 bpm • G Maj • 05:10 • -12.74db
35% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
35% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Jackie Gleason
Lazy Afternoon
81 bpm • F Maj • 02:47 • -20.17db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Bruno Nicolai
La contessa, visioni
81 bpm • G Maj • 02:02 • -22db
35% Popularity • 10% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
35% Popularity • 10% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
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Piero Piccioni
Aspetto ancora un giorno
80 bpm • F Maj • 02:27 • -16.27db
48% Popularity • 51% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 74% Positiveness
48% Popularity • 51% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 74% Positiveness
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Lionel Hampton
A Taste Of Honey
74 bpm • E min • 02:44 • -29db
52% Popularity • 47% Danceability • 2% Energy • 12% Liveness
60% Instrumentalness • 34% Positiveness
52% Popularity • 47% Danceability • 2% Energy • 12% Liveness
60% Instrumentalness • 34% Positiveness
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Arthur Verocai
Abertura
74 bpm • F Maj • 02:07 • -9.16db
50% Popularity • 30% Danceability • 38% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
50% Popularity • 30% Danceability • 38% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Michael Small
Lounge Music
74 bpm • G min • 02:05 • -10db
41% Popularity • 62% Danceability • 38% Energy • 18% Liveness
97% Instrumentalness • 38% Positiveness
41% Popularity • 62% Danceability • 38% Energy • 18% Liveness
97% Instrumentalness • 38% Positiveness
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Gianni Marchetti
Amore in controluce 2
81 bpm • G min • 01:12 • -28db
26% Popularity • 20% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Lelio Luttazzi
Le tue mani
81 bpm • C Maj • 01:42 • -15.1db
36% Popularity • 45% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 18% Positiveness
36% Popularity • 45% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 18% Positiveness
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Peter Thomas Sound Orchester
Coitude Melanchodelic
73 bpm • G# Maj • 03:42 • -18.33db
11% Popularity • 55% Danceability • 21% Energy • 42% Liveness
70% Instrumentalness • 21% Positiveness
11% Popularity • 55% Danceability • 21% Energy • 42% Liveness
70% Instrumentalness • 21% Positiveness
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Luigi Malatesta
Sophisticated July
81 bpm • G Maj • 01:36 • -23db
36% Popularity • 21% Danceability • 22% Energy • 20% Liveness
1% Instrumentalness • 49% Positiveness
36% Popularity • 21% Danceability • 22% Energy • 20% Liveness
1% Instrumentalness • 49% Positiveness
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Hareton Salvanini
You Can't Run Away from Your Destiny
81 bpm • F Maj • 02:32 • -9.77db
34% Popularity • 25% Danceability • 35% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
34% Popularity • 25% Danceability • 35% Energy • 16% Liveness
1% Instrumentalness • 7% Positiveness
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Giovanni Fusco
Eclisse Slow
73 bpm • G Maj • 02:44 • -24db
33% Popularity • 32% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
33% Popularity • 32% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Sven Libaek
Thatcherie
82 bpm • F min • 03:00 • -18.24db
33% Popularity • 54% Danceability • 39% Energy • 9% Liveness
97% Instrumentalness • 85% Positiveness
33% Popularity • 54% Danceability • 39% Energy • 9% Liveness
97% Instrumentalness • 85% Positiveness
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Piero Piccioni
Mexican Dream
82 bpm • F Maj • 02:01 • -14db
62% Popularity • 34% Danceability • 49% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
62% Popularity • 34% Danceability • 49% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Francesco Suppa
Portrait of Tracy - Original Version
73 bpm • C# min • 02:12 • -20db
42% Popularity • 57% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 57% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Garoto
Improviso
73 bpm • F Maj • 02:49 • -18.75db
37% Popularity • 50% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
37% Popularity • 50% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
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Hareton Salvanini
Quarto de Hotel
73 bpm • C min • 02:42 • -9.71db
60% Popularity • 29% Danceability • 17% Energy • 35% Liveness
85% Instrumentalness • 4% Positiveness
60% Popularity • 29% Danceability • 17% Energy • 35% Liveness
85% Instrumentalness • 4% Positiveness
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Giovanni Fusco
Eclisse Slow
73 bpm • G Maj • 02:47 • -27db
19% Popularity • 32% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
19% Popularity • 32% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Lelio Luttazzi
La mia donna
73 bpm • G Maj • 01:38 • -12.74db
39% Popularity • 68% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
39% Popularity • 68% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Piero Piccioni
Gioventu' di notte - Seq. 12
82 bpm • D# Maj • 02:31 • -15.57db
11% Popularity • 50% Danceability • 15% Energy • 11% Liveness
24% Instrumentalness • 30% Positiveness
11% Popularity • 50% Danceability • 15% Energy • 11% Liveness
24% Instrumentalness • 30% Positiveness
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Stefano Torossi
La Bella Addormentata
72 bpm • C Maj • 01:11 • -23.21db
32% Popularity • 26% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Alberto Baldan Bembo
Carmen Blues
82 bpm • A# Maj • 02:12 • -10db
41% Popularity • 50% Danceability • 44% Energy • 6% Liveness
96% Instrumentalness • 23% Positiveness
41% Popularity • 50% Danceability • 44% Energy • 6% Liveness
96% Instrumentalness • 23% Positiveness
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Elijah Fox
Staten Island Ferry
72 bpm • C Maj • 01:20 • -31.35db
51% Popularity • 25% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 31% Positiveness
51% Popularity • 25% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 31% Positiveness
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Caleb Arredondo
Echo Sax No.4
72 bpm • G# Maj • 01:41 • -22.71db
62% Popularity • 30% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 94% Positiveness
62% Popularity • 30% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 94% Positiveness
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Herb Alpert & The Tijuana Brass
I've Grown Accustomed To Her Face
82 bpm • F Maj • 02:26 • -17db
38% Popularity • 50% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 50% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Hugo Montenegro
Again
72 bpm • D Maj • 03:04 • -23.12db
28% Popularity • 42% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
28% Popularity • 42% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Lisa Ono
ON THE SUNNY SIDE OF THE STREET - Englis...
82 bpm • F Maj • 02:03 • -13.91db
52% Popularity • 62% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 62% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Cortex
Huit octobre 1971
82 bpm • D Maj • 04:26 • -10.51db
59% Popularity • 51% Danceability • 66% Energy • 16% Liveness
86% Instrumentalness • 78% Positiveness
59% Popularity • 51% Danceability • 66% Energy • 16% Liveness
86% Instrumentalness • 78% Positiveness
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The Little Dippers
Forever - Single Version
72 bpm • F Maj • 02:23 • -9.13db
68% Popularity • 52% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 52% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Edda Dell'Orso
Le altre 15
82 bpm • A min • 01:56 • -19.36db
32% Popularity • 54% Danceability • 32% Energy • 8% Liveness
45% Instrumentalness • 84% Positiveness
32% Popularity • 54% Danceability • 32% Energy • 8% Liveness
45% Instrumentalness • 84% Positiveness
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The Manfred Minnich Orchestra
Smoke and Dreams
72 bpm • G Maj • 03:26 • -14.71db
20% Popularity • 14% Danceability • 28% Energy • 26% Liveness
80% Instrumentalness • 31% Positiveness
20% Popularity • 14% Danceability • 28% Energy • 26% Liveness
80% Instrumentalness • 31% Positiveness
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Roberto Pregadio
Erika, Seq. 4
83 bpm • F Maj • 01:45 • -21db
41% Popularity • 43% Danceability • 28% Energy • 13% Liveness
97% Instrumentalness • 76% Positiveness
41% Popularity • 43% Danceability • 28% Energy • 13% Liveness
97% Instrumentalness • 76% Positiveness
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Piero Piccioni
The American Dream
83 bpm • G min • 03:40 • -16.49db
34% Popularity • 19% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
34% Popularity • 19% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Bernard Herrmann
Taxi Driver
72 bpm • C Maj • 03:39 • -12.92db
27% Popularity • 15% Danceability • 26% Energy • 24% Liveness
35% Instrumentalness • 8% Positiveness
27% Popularity • 15% Danceability • 26% Energy • 24% Liveness
35% Instrumentalness • 8% Positiveness
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John Cameron
Half-Forgotten Daydreams
83 bpm • A# Maj • 04:08 • -14.94db
37% Popularity • 46% Danceability • 38% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
37% Popularity • 46% Danceability • 38% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
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Cortex
Go Round
83 bpm • A min • 01:23 • -19db
60% Popularity • 53% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
60% Popularity • 53% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Brian Bennett
Ladybird
83 bpm • C Maj • 04:31 • -23.85db
35% Popularity • 56% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
35% Popularity • 56% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Armando Trovajoli
Tais-toi quand tu parles 12
83 bpm • F Maj • 01:18 • -21.43db
34% Popularity • 60% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
34% Popularity • 60% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
67% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
67% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Gianni Marchetti
Amore in controluce 1
83 bpm • G min • 02:38 • -21db
25% Popularity • 38% Danceability • 7% Energy • 11% Liveness
8% Instrumentalness • 21% Positiveness
25% Popularity • 38% Danceability • 7% Energy • 11% Liveness
8% Instrumentalness • 21% Positiveness
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Raymond Scott
Think of a Carpet (Masland Carpets) - In...
83 bpm • G# Maj • 01:02 • -13db
49% Popularity • 24% Danceability • 36% Energy • 19% Liveness
93% Instrumentalness • 28% Positiveness
49% Popularity • 24% Danceability • 36% Energy • 19% Liveness
93% Instrumentalness • 28% Positiveness
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Bruno Nicolai
Sky-Scrapers
71 bpm • B min • 01:03 • -14.24db
15% Popularity • 25% Danceability • 36% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 36% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
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Piero Umiliani
Mahè
83 bpm • G min • 02:42 • -13db
58% Popularity • 43% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 71% Positiveness
58% Popularity • 43% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 71% Positiveness
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Piero Piccioni
Amore che nasce
83 bpm • F# min • 02:56 • -22db
44% Popularity • 8% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 8% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 7% Positiveness
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Garoto
Vivo Sonhando
84 bpm • F Maj • 03:17 • -21.31db
33% Popularity • 30% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
33% Popularity • 30% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Antonio Rossi & His Orchestra
Our Day Will Come
84 bpm • G# Maj • 03:41 • -16.95db
24% Popularity • 26% Danceability • 23% Energy • 30% Liveness
89% Instrumentalness • 21% Positiveness
24% Popularity • 26% Danceability • 23% Energy • 30% Liveness
89% Instrumentalness • 21% Positiveness
