Songs like To Be Alone With You by Sufjan Stevens
Based on a tempo of (+/- 10%) and a similar genre
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Beach House
Myth
142 bpm • D# Maj • 04:18 • -6.24db
46% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
46% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
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Laura Marling
Ghosts
142 bpm • A Maj • 02:59 • -11.55db
50% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Regina Spektor
Eet
142 bpm • C# Maj • 03:50 • -11.88db
47% Popularity • 66% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 66% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Rocky Votolato
White Daisy Passing
142 bpm • C Maj • 03:10 • -11db
38% Popularity • 58% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
38% Popularity • 58% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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The Lumineers
Slow It Down
142 bpm • C# Maj • 05:07 • -14.42db
54% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Marika Hackman
Claude's Girl
141 bpm • G min • 02:38 • -20.5db
46% Popularity • 44% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
46% Popularity • 44% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Benjamin Francis Leftwich
Pictures
141 bpm • C# Maj • 02:57 • -10.23db
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sufjan Stevens
For the Widows in Paradise, For the Fath...
142 bpm • D# Maj • 03:57 • -13.92db
47% Popularity • 50% Danceability • 30% Energy • 36% Liveness
23% Instrumentalness • 61% Positiveness
47% Popularity • 50% Danceability • 30% Energy • 36% Liveness
23% Instrumentalness • 61% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Soko
We Might Be Dead By Tomorrow
144 bpm • G Maj • 02:41 • -16.56db
52% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Sigur Rós
HoppÃpolla
140 bpm • B Maj • 04:28 • -9.88db
55% Popularity • 31% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 18% Positiveness
55% Popularity • 31% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 18% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Big Thief
Masterpiece - 2023 Remaster
144 bpm • E Maj • 03:50 • -5.54db
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Bird
Fake Palindromes
144 bpm • D Maj • 02:52 • -6db
56% Popularity • 46% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 46% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Bon Iver
Lump Sum
145 bpm • A Maj • 03:21 • -17.72db
55% Popularity • 48% Danceability • 32% Energy • 13% Liveness
36% Instrumentalness • 39% Positiveness
55% Popularity • 48% Danceability • 32% Energy • 13% Liveness
36% Instrumentalness • 39% Positiveness
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Sun Kil Moon
I Know It's Pathetic but That Was the Gr...
139 bpm • D# Maj • 01:47 • -21.99db
45% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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The Avett Brothers
I And Love And You
140 bpm • D Maj • 05:00 • -9.98db
59% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Bright Eyes
We Are Nowhere and It's Now
145 bpm • A Maj • 04:12 • -8.27db
47% Popularity • 43% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
47% Popularity • 43% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Villagers
Twenty Seven Strangers
145 bpm • C Maj • 03:24 • -13db
35% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
35% Popularity • 67% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 30% Positiveness
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Sylvan Esso
Slack Jaw
139 bpm • D# Maj • 03:05 • -15db
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sufjan Stevens
All of Me Wants All of You
144 bpm • B min • 03:41 • -17.44db
54% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mazzy Star
Blue Light
139 bpm • E Maj • 05:10 • -15.51db
63% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
63% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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Alex Turner
It's hard to get around the wind
145 bpm • C Maj • 04:07 • -19db
52% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kishi Bashi
Manchester
145 bpm • D Maj • 04:06 • -8.53db
41% Popularity • 43% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 43% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Big Thief
Velvet Ring - 2023 Remaster
139 bpm • C Maj • 02:35 • -11.94db
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Michael Cera
Anyone Else but You
146 bpm • C Maj • 01:56 • -12.74db
51% Popularity • 37% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 37% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Sufjan Stevens
Enchanting Ghost
140 bpm • A min • 03:39 • -11db
33% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mojave 3
Love Songs on the Radio
146 bpm • D Maj • 05:48 • -15.67db
58% Popularity • 46% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
58% Popularity • 46% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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The Moldy Peaches
Anyone Else But You
146 bpm • G Maj • 03:00 • -12.54db
63% Popularity • 52% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 52% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
67% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Fiona Apple
I Know
146 bpm • C Maj • 04:55 • -14.22db
60% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Sufjan Stevens
All the Trees of the Field Will Clap The...
145 bpm • E Maj • 04:14 • -13.42db
43% Popularity • 63% Danceability • 22% Energy • 11% Liveness
74% Instrumentalness • 68% Positiveness
43% Popularity • 63% Danceability • 22% Energy • 11% Liveness
74% Instrumentalness • 68% Positiveness
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Death Cab for Cutie
Tiny Vessels
147 bpm • F# min • 04:21 • -8.55db
48% Popularity • 57% Danceability • 65% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
48% Popularity • 57% Danceability • 65% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
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Adrianne Lenker
symbol
147 bpm • G Maj • 03:49 • -11.59db
31% Popularity • 55% Danceability • 61% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
31% Popularity • 55% Danceability • 61% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Glen Hansard
Falling Slowly
137 bpm • C Maj • 04:04 • -11.87db
61% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Sufjan Stevens
The Transfiguration
147 bpm • A Maj • 05:18 • -8.75db
33% Popularity • 64% Danceability • 55% Energy • 7% Liveness
10% Instrumentalness • 96% Positiveness
33% Popularity • 64% Danceability • 55% Energy • 7% Liveness
10% Instrumentalness • 96% Positiveness
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Coldplay
We Never Change
137 bpm • F# min • 04:09 • -10.8db
60% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
60% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sea Wolf
Young Bodies
137 bpm • F Maj • 03:29 • -16db
37% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
37% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Radiohead
True Love Waits
136 bpm • C Maj • 04:43 • -15.57db
62% Popularity • 40% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
62% Popularity • 40% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Sufjan Stevens
He Woke Me Up Again
146 bpm • A Maj • 02:43 • -8.99db
33% Popularity • 51% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
33% Popularity • 51% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
65% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
65% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Death Cab for Cutie
A Lack of Color
136 bpm • D# Maj • 03:35 • -13db
54% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Bryce Dessner
Uranus
136 bpm • A min • 06:51 • -17.18db
25% Popularity • 37% Danceability • 26% Energy • 9% Liveness
67% Instrumentalness • 5% Positiveness
25% Popularity • 37% Danceability • 26% Energy • 9% Liveness
67% Instrumentalness • 5% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sufjan Stevens
The Mistress Witch from McClure (or, The...
146 bpm • F# Maj • 03:24 • -10.88db
29% Popularity • 51% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 51% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Band of Horses
No One's Gonna Love You
149 bpm • C# Maj • 03:37 • -3.58db
63% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Sufjan Stevens
We Won't Need Legs To Stand
150 bpm • D Maj • 02:16 • -14.31db
31% Popularity • 40% Danceability • 33% Energy • 14% Liveness
91% Instrumentalness • 38% Positiveness
31% Popularity • 40% Danceability • 33% Energy • 14% Liveness
91% Instrumentalness • 38% Positiveness
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Bryce Dessner
Venus
150 bpm • A# Maj • 04:42 • -16db
25% Popularity • 44% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
25% Popularity • 44% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
66% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Bird
A Nervous Tic Motion of the Head to the ...
133 bpm • D min • 04:59 • -10.05db
43% Popularity • 51% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 26% Positiveness
43% Popularity • 51% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 26% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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The Staves
Make It Holy
133 bpm • F min • 04:33 • -12.98db
35% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Vito's Ordination Song
134 bpm • A Maj • 07:06 • -12.99db
33% Popularity • 48% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 8% Positiveness
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Bryce Dessner
Pluto
134 bpm • C min • 04:23 • -13.37db
26% Popularity • 27% Danceability • 30% Energy • 14% Liveness
24% Instrumentalness • 13% Positiveness
26% Popularity • 27% Danceability • 30% Energy • 14% Liveness
24% Instrumentalness • 13% Positiveness
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Fleet Foxes
Featherweight
152 bpm • G min • 03:50 • -13db
44% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
44% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Mina Tindle
Give a Little Love
132 bpm • D# Maj • 03:37 • -10.56db
22% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
22% Popularity • 56% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Grizzly Bear
Ready, Able
153 bpm • C Maj • 04:17 • -9.73db
47% Popularity • 43% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 23% Positiveness
47% Popularity • 43% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 23% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
49% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Broadcast
Tears In The Typing Pool
153 bpm • A min • 02:12 • -13db
59% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Sufjan Stevens
The Owl And The Tanager
133 bpm • A# min • 06:38 • -15.47db
28% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
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Beirut
Nantes
131 bpm • C# Maj • 03:50 • -9.55db
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Hozier
In A Week
131 bpm • C Maj • 05:18 • -12db
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Damien Rice
Volcano
154 bpm • C Maj • 04:38 • -12.93db
49% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Isbells
Dreamer
154 bpm • G# Maj • 04:25 • -13.13db
40% Popularity • 63% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 43% Positiveness
40% Popularity • 63% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 43% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Lomelda
Bust
155 bpm • C Maj • 01:31 • -18db
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
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Hozier
Shrike
154 bpm • G min • 04:58 • -8.46db
63% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
63% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Alexi Murdoch
Song For You
155 bpm • E Maj • 04:17 • -25.11db
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
51% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Iron & Wine
Flightless Bird, American Mouth
155 bpm • D# Maj • 04:01 • -8db
69% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
69% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Sufjan Stevens
The Predatory Wasp of the Palisades Is O...
153 bpm • E Maj • 05:23 • -10.88db
48% Popularity • 47% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
48% Popularity • 47% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
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Adrianne Lenker
Indiana
155 bpm • C# Maj • 02:37 • -13db
58% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
