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To Be Alone
Songs like
To Be Alone
by
Nick Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Oliver Riot
Tired and Awake
77 bpm • G Maj • 03:38 • -13.55db
36% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Wilson
To Be Alone
77 bpm • G Maj • 03:36 • -10.37db
22% Popularity • 43% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Dylan Wright
All to Myself
77 bpm • A min • 03:44 • -11.24db
40% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Elina
How
77 bpm • C# Maj • 02:23 • -13.64db
40% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Aquilo
Losing You
77 bpm • C min • 03:25 • -8.69db
39% Popularity • 38% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Forest Blakk
Foolish
77 bpm • F Maj • 03:32 • -7.92db
42% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cody Simpson
golden thing
78 bpm • E Maj • 03:39 • -11.76db
52% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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carobae
i don't miss u
76 bpm • D# Maj • 02:58 • -8db
44% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Estes
Laurelli
76 bpm • C# Maj • 04:16 • -12.09db
20% Popularity • 40% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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Jonny Brenns
Stars
78 bpm • G Maj • 03:49 • -12.28db
10% Popularity • 46% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Hudson
Overwhelmed
76 bpm • D# Maj • 02:44 • -8.45db
36% Popularity • 45% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Chase Eagleson
Electric Feel
78 bpm • D# Maj • 04:32 • -17.73db
38% Popularity • 42% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron Smith
Brother
78 bpm • D Maj • 03:04 • -11.35db
27% Popularity • 33% Danceability • 38% Energy • 6% Liveness
1% Instrumentalness • 31% Positiveness
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Kevin Garrett
Factor In
76 bpm • C# Maj • 03:27 • -8.26db
36% Popularity • 64% Danceability • 54% Energy • 14% Liveness
5% Instrumentalness • 63% Positiveness
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Narrowhaven
Just Out of Reach
78 bpm • F# Maj • 03:24 • -9.81db
27% Popularity • 48% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Bootstraps
Whenever You're Around
78 bpm • G Maj • 03:22 • -8.59db
29% Popularity • 53% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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MyKey
Maybe I Was the One
78 bpm • F# Maj • 04:27 • -11.25db
31% Popularity • 54% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Will Heggadon
company - demo
78 bpm • F# Maj • 04:34 • -9.59db
11% Popularity • 40% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Nick Wilson
Obsolete
78 bpm • D Maj • 04:33 • -17.86db
14% Popularity • 48% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Aquilo
Silhouette
78 bpm • C# Maj • 03:50 • -8.37db
57% Popularity • 23% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Garrett Kato
I'll Be Around - Acoustic
76 bpm • C# Maj • 03:14 • -15.32db
33% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Joy Oladokun
Memphis
76 bpm • F Maj • 04:06 • -8.96db
26% Popularity • 31% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Aidan Martin
Sin in Your Skin
76 bpm • G min • 03:57 • -12db
38% Popularity • 49% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Belle Mt.
Origins (Acoustic)
76 bpm • D# Maj • 03:39 • -13.17db
27% Popularity • 50% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sam MacPherson
Something Simple
76 bpm • B Maj • 03:50 • -18.54db
35% Popularity • 54% Danceability • 16% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
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Black Match
Redemption
78 bpm • B min • 03:42 • -10.17db
14% Popularity • 39% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Dean Lewis
Chemicals - Acoustic
76 bpm • F# Maj • 03:54 • -11.09db
41% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Gatton
Stbcks
79 bpm • B Maj • 02:32 • -16.94db
33% Popularity • 32% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Aquilo
Six Feet Over Ground
79 bpm • A# min • 02:49 • -14.6db
27% Popularity • 40% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Kevin Garrett
Love You Less
75 bpm • C Maj • 04:43 • -11.54db
28% Popularity • 63% Danceability • 32% Energy • 10% Liveness
11% Instrumentalness • 34% Positiveness
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Boundary Run
Marigolds
75 bpm • C# min • 03:07 • -10.03db
32% Popularity • 31% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
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Jonny Brenns
Too Much to Ask
75 bpm • C Maj • 03:39 • -11.58db
13% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Rhys Lewis
Lonely As Love
79 bpm • A Maj • 03:32 • -13db
24% Popularity • 69% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Wilson
Get Up
79 bpm • G# min • 03:26 • -8.9db
17% Popularity • 52% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Hank Compton
What You've Put Me Through
75 bpm • A Maj • 04:46 • -11.02db
28% Popularity • 44% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 27% Positiveness
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Kevin Garrett
It Don't Bother Me At All
79 bpm • B Maj • 04:07 • -13db
26% Popularity • 33% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bootstraps
Replica
79 bpm • D min • 04:00 • -10.52db
22% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Quinn Lewis
Don't Love Back
79 bpm • A Maj • 03:20 • -12db
27% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Belle
Honey and Milk (Hushed)
75 bpm • F min • 04:29 • -11db
20% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Lilla Vargen
Blueprints
79 bpm • E Maj • 03:32 • -9.1db
27% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jake Wesley Rogers
Love You Like No Other
75 bpm • F# Maj • 03:47 • -8.69db
22% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Beach
Bridge Back to Your Heart
75 bpm • F# min • 04:21 • -9.57db
39% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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sød ven
borderline
79 bpm • E Maj • 03:07 • -12.83db
32% Popularity • 35% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 39% Positiveness
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James Gillespie
Love Lost
75 bpm • B Maj • 03:34 • -9db
30% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rhys Lewis
July - Bedroom Session
75 bpm • B Maj • 03:30 • -11db
45% Popularity • 58% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Dolman
Close to Home - Acoustic
75 bpm • D Maj • 03:40 • -12.12db
12% Popularity • 54% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Ewan J Phillips
Something In the Middle (Acoustic)
75 bpm • D# Maj • 03:53 • -15db
15% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Seafret
Most of Us Are Strangers
79 bpm • G min • 03:42 • -7.03db
42% Popularity • 51% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Lennon Stella
Kissing Other People - Acoustic
80 bpm • C Maj • 03:12 • -9.55db
43% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Hudson
Love, Dad
80 bpm • F# min • 04:34 • -8db
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Rhys Lewis
Better Than Today
80 bpm • C Maj • 03:49 • -10.75db
49% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Trevor Myall
All the Things
80 bpm • A Maj • 04:35 • -8.48db
28% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Etheridge
You Found Me First
80 bpm • F Maj • 04:15 • -12db
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Nick Wilson
Colour Me In
80 bpm • C min • 02:46 • -9db
13% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Emily James
kissing boys
80 bpm • B Maj • 03:10 • -15.51db
18% Popularity • 64% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Boundary Run
Lose Ourselves
80 bpm • A Maj • 03:25 • -10.48db
27% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Tors
Seventeen
80 bpm • D Maj • 03:24 • -9.77db
32% Popularity • 48% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Zocca
The Art Of Getting By
80 bpm • B Maj • 03:39 • -12db
42% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Violet Skies
I'll Buy A House - Acoustic
81 bpm • C# Maj • 03:06 • -9.03db
31% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Luz
the author
81 bpm • C Maj • 03:37 • -12.57db
51% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Owen
Made to Love You
81 bpm • C Maj • 03:27 • -10db
48% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Ed Patrick
What You See
81 bpm • D# Maj • 03:25 • -13.11db
36% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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JP Saxe
Hold It Together
81 bpm • G Maj • 03:39 • -12.51db
33% Popularity • 56% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Plested
Either You Love Me Or You Don't
81 bpm • A Maj • 03:21 • -6db
32% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Emily James
if you weren't you
81 bpm • G# Maj • 04:09 • -12.26db
19% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jack Vallier
Copenhagen
81 bpm • A min • 03:01 • -9.71db
38% Popularity • 68% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Rowley
Rain
81 bpm • G# Maj • 04:49 • -17.45db
25% Popularity • 16% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Ethan DeRose
Perfume - Acoustic
81 bpm • D# Maj • 03:25 • -10.81db
19% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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JP Saxe
25 in Barcelona
82 bpm • C Maj • 03:13 • -12.25db
46% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Violet Skies
Is She Gonna Be There? - Acoustic
73 bpm • G# Maj • 03:15 • -13.12db
22% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jackson Guthy
Still Had You
73 bpm • C Maj • 02:30 • -9db
14% Popularity • 38% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Novo Amor
Sleepless
72 bpm • G Maj • 03:22 • -7.52db
51% Popularity • 47% Danceability • 53% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
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Josh Sahunta
I'd Leave My Happy Home for You
82 bpm • E Maj • 03:35 • -9.98db
7% Popularity • 40% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Chord Overstreet
Cold Feet
82 bpm • G Maj • 03:14 • -7.68db
30% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Plested
Easier Said Than Done
82 bpm • A Maj • 03:21 • -9.68db
26% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Violet Skies
Is She Gonna Be There?
82 bpm • G# Maj • 03:00 • -9.58db
30% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Stimson
I'll Be Fine
82 bpm • E Maj • 03:08 • -10db
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Oliver Riot
Hallucinate
82 bpm • G Maj • 03:26 • -14db
43% Popularity • 53% Danceability • 30% Energy • 8% Liveness
50% Instrumentalness • 10% Positiveness
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Garrett Kato
Distant Land
82 bpm • C# Maj • 03:21 • -11.91db
41% Popularity • 54% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Ethan DeRose
Since You
72 bpm • B min • 04:08 • -14.12db
23% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Wilson
Pathetic
82 bpm • C# Maj • 03:24 • -9.07db
10% Popularity • 47% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Euan Allison
Lego Bricks
82 bpm • A Maj • 03:55 • -10.73db
32% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Will Heggadon
falling up
82 bpm • F Maj • 03:46 • -12.12db
19% Popularity • 27% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ewan J Phillips
Afterlife
72 bpm • C# Maj • 03:47 • -11.25db
22% Popularity • 34% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Bryant
Wilderness
83 bpm • D# Maj • 04:29 • -16.67db
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Ragsdale
Ghost Town
83 bpm • A# min • 06:54 • -15.21db
13% Popularity • 11% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 23% Positiveness
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Nick Wilson
Stop Your Love
82 bpm • D Maj • 03:43 • -10.73db
16% Popularity • 44% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Lilla Vargen
The One Who Truly Loves Me
71 bpm • E Maj • 03:51 • -14.83db
24% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Blake Rose
Ordinary People
71 bpm • G Maj • 04:13 • -11.66db
52% Popularity • 36% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Cooper & Gatlin
Fragile
83 bpm • E min • 03:23 • -9.98db
33% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Etheridge
Just Let Go
84 bpm • B Maj • 03:57 • -12.28db
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Jordan Hart
I Don't Want to Let You Go
84 bpm • A Maj • 03:35 • -12.7db
42% Popularity • 40% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Rhys Lewis
What If
84 bpm • C# min • 03:12 • -7.29db
36% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Boundary Run
Out Here
70 bpm • G Maj • 02:47 • -13.04db
23% Popularity • 21% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Dermot Kennedy
Shelter
85 bpm • C# Maj • 04:30 • -14.88db
37% Popularity • 37% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Chance Peña
bad days
85 bpm • D# Maj • 03:34 • -10db
44% Popularity • 37% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ross Copperman
Stars Are on Your Side
85 bpm • C Maj • 03:38 • -8.31db
41% Popularity • 26% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Oscar Blue
Silhouettes
85 bpm • A Maj • 03:54 • -11db
34% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Hudson
Give Up On Us
85 bpm • F# Maj • 02:38 • -10db
29% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Boundary Run
Bulletproof
84 bpm • F Maj • 03:18 • -11.62db
28% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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To Be Alone