Songs like to be eighteen by Katie Gregson-MacLeod
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Jensen McRae
White Boy
160 bpm • F min • 04:00 • -7.08db
34% Popularity • 31% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 31% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Katie Gregson-MacLeod
to be eighteen
160 bpm • B Maj • 03:10 • -10.66db
26% Popularity • 35% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 35% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Laura Elliott
Grinding My Teeth
159 bpm • C Maj • 03:47 • -15.09db
16% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 41% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Tiny Habits
delay
160 bpm • G Maj • 03:37 • -8db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
quinnie
talk abt
159 bpm • A# Maj • 03:28 • -21.06db
24% Popularity • 47% Danceability • 6% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
24% Popularity • 47% Danceability • 6% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
► Preview
Jaz Beeson
Short, Sweet Summer
159 bpm • E Maj • 01:04 • -9.01db
47% Popularity • 36% Danceability • 54% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
47% Popularity • 36% Danceability • 54% Energy • 32% Liveness
3% Instrumentalness • 25% Positiveness
► Preview
Sophie Holohan
Olive Branch
159 bpm • D# Maj • 04:15 • -8db
34% Popularity • 35% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 35% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Emma Foley
Dancer
158 bpm • G# Maj • 03:02 • -13.2db
34% Popularity • 38% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 38% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Rachel Chinouriri
I’m Not Perfect (But I’m Trying) - A...
158 bpm • F Maj • 03:20 • -9db
27% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Cece Coakley
Halfway
158 bpm • E Maj • 03:06 • -7.26db
15% Popularity • 50% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 50% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Genevieve Stokes
Can I
163 bpm • C Maj • 03:00 • -8.83db
38% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Sophia James
Still...
158 bpm • F Maj • 05:03 • -18.13db
31% Popularity • 37% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
31% Popularity • 37% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Siobhán Winifred
Black Hole
163 bpm • B Maj • 04:01 • -7.71db
26% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Madeline The Person
Step on Flowers
156 bpm • C Maj • 03:33 • -7.76db
22% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Adam Melchor
Rest Of My Night
156 bpm • A# Maj • 03:35 • -9.79db
22% Popularity • 34% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
22% Popularity • 34% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
► Preview
ella jane
7
164 bpm • A# Maj • 03:15 • -13db
21% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Lizzy McAlpine
what a shame
156 bpm • A# Maj • 02:48 • -11db
48% Popularity • 66% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
48% Popularity • 66% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
► Preview
Olivia Barton
Antisocial
156 bpm • C# Maj • 03:32 • -13.1db
13% Popularity • 53% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Anna Eve
Martyr
156 bpm • D Maj • 02:27 • -17.69db
28% Popularity • 41% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 41% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Carol Ades
Sadtown USA
156 bpm • E Maj • 03:10 • -7db
25% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Madeline The Person
Gladly
156 bpm • C Maj • 03:50 • -6.84db
27% Popularity • 45% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 45% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
ella jane
Dog Years
156 bpm • A# Maj • 02:21 • -12.29db
28% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Delaney Bailey
My Skin
165 bpm • F Maj • 02:50 • -19.43db
37% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Isabel Pless
Call My Own
165 bpm • A# Maj • 02:55 • -10db
19% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Wil Owen
Control Freak
155 bpm • G# Maj • 03:27 • -14.77db
20% Popularity • 34% Danceability • 14% Energy • 12% Liveness
18% Instrumentalness • 25% Positiveness
20% Popularity • 34% Danceability • 14% Energy • 12% Liveness
18% Instrumentalness • 25% Positiveness
► Preview
Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
37% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
37% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
► Preview
Katie Gregson-MacLeod
Your Ex
155 bpm • C Maj • 03:37 • -5.15db
40% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Sabrina Song
Down
165 bpm • C Maj • 03:00 • -12.76db
19% Popularity • 40% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 40% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Delaney Bailey
elementary school
166 bpm • F# Maj • 02:25 • -25.84db
35% Popularity • 43% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
35% Popularity • 43% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
► Preview
Madeline The Person
Unrecognizable
154 bpm • E Maj • 03:36 • -8.78db
22% Popularity • 51% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 51% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Faith Zapata
party in the alps
154 bpm • A# Maj • 05:13 • -23.3db
21% Popularity • 29% Danceability • 8% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
21% Popularity • 29% Danceability • 8% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
► Preview
Philip Brooks
wait till u get home
153 bpm • B Maj • 02:26 • -15.3db
46% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Matilda Mann
Margaux
167 bpm • D min • 02:26 • -14db
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Avery Lynch
useless information
168 bpm • E Maj • 03:13 • -14.72db
40% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Lexie Carroll
annual birthday cry
168 bpm • B Maj • 03:39 • -14.09db
21% Popularity • 29% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Grace Gardner
Acrobatics
152 bpm • D Maj • 03:48 • -16.68db
16% Popularity • 55% Danceability • 39% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
16% Popularity • 55% Danceability • 39% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
► Preview
Adam Melchor
Angel Numbers
152 bpm • D# Maj • 03:12 • -9db
25% Popularity • 60% Danceability • 58% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
► Preview
Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
► Preview
Isabel Pless
Love Blind
152 bpm • A# Maj • 03:32 • -20.38db
12% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Sophie Holohan
Your New Girlfriend
150 bpm • F# Maj • 03:56 • -10db
20% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
20% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
► Preview
Lisa Curtis
Gasp of Air - Acoustic Version
171 bpm • G Maj • 03:38 • -7db
30% Popularity • 38% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 38% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
TOMI
If I Wasn't Yours, Who Was I
150 bpm • G min • 03:50 • -10.46db
27% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Maria Kelly
the sum of the in-between
150 bpm • C# Maj • 04:16 • -16db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
45% Instrumentalness • 39% Positiveness
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
45% Instrumentalness • 39% Positiveness
► Preview
Alix Page
Automatic
150 bpm • F Maj • 02:33 • -9db
28% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Noah Cyrus
Hardest Part
150 bpm • F# Maj • 03:42 • -9.29db
36% Popularity • 31% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 31% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Gigi Perez
The Man
150 bpm • D Maj • 03:47 • -8.95db
28% Popularity • 39% Danceability • 42% Energy • 13% Liveness
43% Instrumentalness • 11% Positiveness
28% Popularity • 39% Danceability • 42% Energy • 13% Liveness
43% Instrumentalness • 11% Positiveness
► Preview
runo plum
growing pains
172 bpm • A# min • 03:13 • -17.18db
34% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Sophie Holohan
Good Mourning
172 bpm • C Maj • 03:06 • -12db
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Rachael Jenkins
Allergy Season
149 bpm • B Maj • 03:41 • -11.41db
33% Popularity • 31% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 31% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Etta Marcus
Provider
148 bpm • D Maj • 03:05 • -9.35db
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Isabel Pless
More to Give
148 bpm • G# Maj • 02:26 • -10.25db
37% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Hunter Metts
On The Avenue
148 bpm • C Maj • 03:28 • -12.42db
28% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Holly Humberstone
Haunted House
173 bpm • A Maj • 02:13 • -10.01db
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Siobhán Winifred
This House
148 bpm • C# Maj • 03:41 • -11db
26% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Anna Bates
Upstream
148 bpm • G# Maj • 03:03 • -13db
30% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Dora Jar
Look Back
147 bpm • E Maj • 02:58 • -13.6db
23% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
23% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Isabel Pless
Jude Law
148 bpm • D Maj • 03:32 • -13.53db
19% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Matilda Mann
If Only
174 bpm • G Maj • 03:06 • -11.48db
31% Popularity • 28% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 28% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Eliza McLamb
Older
147 bpm • B min • 04:36 • -12.56db
31% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
31% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
► Preview
Hannah Cole
Last Line
174 bpm • C Maj • 03:15 • -15.27db
32% Popularity • 21% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 21% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Olivia Barton
Baby Pictures
147 bpm • A# Maj • 03:49 • -15db
17% Popularity • 46% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 46% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
ella jane
Thief
147 bpm • D Maj • 03:26 • -9.97db
25% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Madeline The Person
Before It Gets Bad
147 bpm • A# Maj • 03:15 • -8.31db
27% Popularity • 45% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 45% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Matilda Mann
February
175 bpm • E Maj • 02:29 • -11.3db
43% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Lizzy Cameron
This Body
175 bpm • D Maj • 02:21 • -13.17db
17% Popularity • 32% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 32% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Victoria Bigelow
Make Me Blue
146 bpm • C# Maj • 03:08 • -11.49db
26% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Faith Zapata
crash on the couch
146 bpm • G Maj • 04:25 • -12.36db
25% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Annika Bennett
over
146 bpm • C# Maj • 02:14 • -9.63db
27% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Sammy Copley
Irish Goodbye
176 bpm • F# Maj • 02:09 • -14db
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
► Preview
Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Philip Brooks
come home quickly
145 bpm • F# Maj • 02:31 • -18.36db
38% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 27% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Tommy Lefroy
Shoot
177 bpm • G Maj • 02:37 • -15.25db
41% Popularity • 36% Danceability • 17% Energy • 13% Liveness
17% Instrumentalness • 15% Positiveness
41% Popularity • 36% Danceability • 17% Energy • 13% Liveness
17% Instrumentalness • 15% Positiveness
► Preview
Olivia Barton
Control Freak
144 bpm • B Maj • 02:40 • -18.03db
19% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Lina Cooper
It Hurts Too Much To Speak
144 bpm • D Maj • 01:45 • -10.91db
32% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Nieve Ella
Glasshouses
144 bpm • F# Maj • 02:55 • -10.26db
27% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
runo plum
ibuprofen
144 bpm • E min • 01:35 • -15.99db
45% Popularity • 37% Danceability • 15% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
45% Popularity • 37% Danceability • 15% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Laura Elliott
Stages
144 bpm • B Maj • 04:21 • -12.1db
17% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Theo Bleak
I Look Like A Fool To You
144 bpm • F# Maj • 03:08 • -12.92db
30% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Sophie Holohan
Real Person
144 bpm • A# min • 02:32 • -8.14db
21% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Rachael Jenkins
I Don't Know
144 bpm • D Maj • 03:16 • -14.75db
26% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Etta Marcus
Heart-Shaped Bruise
144 bpm • A Maj • 04:04 • -11db
26% Popularity • 47% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
26% Popularity • 47% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
► Preview
Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Mikayla Pasterfield
Bindi in the Dirt
178 bpm • F# min • 03:51 • -5db
40% Popularity • 22% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 22% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Fenne Lily
I Used To Hate My Body But Now I Just Ha...
144 bpm • F# Maj • 04:14 • -12.15db
17% Popularity • 55% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 55% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Genevieve Stokes
Parking Lot - Stripped
144 bpm • C Maj • 02:39 • -15db
28% Popularity • 53% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 53% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Laura Elliott
For Now
143 bpm • C Maj • 03:37 • -17.17db
19% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Katie Gregson-MacLeod
complex (live with strings)
179 bpm • C Maj • 04:22 • -8.89db
29% Popularity • 24% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 24% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
► Preview
Isabel Pless
Eldest Daughter
180 bpm • E Maj • 03:22 • -12db
34% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Carol Ades
Unlearn Me
142 bpm • G Maj • 03:12 • -9db
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jazzie Young
grown up & grown apart
180 bpm • G Maj • 03:10 • -8.88db
19% Popularity • 36% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 36% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Searows
Villain
142 bpm • G# Maj • 04:49 • -14.25db
44% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
44% Popularity • 46% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
SIGH GIRL
a song for you
180 bpm • D Maj • 03:40 • -14.35db
20% Popularity • 26% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
20% Popularity • 26% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
► Preview
Madeline The Person
Going Home
142 bpm • C Maj • 02:29 • -7.78db
22% Popularity • 61% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 61% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
