Songs like To Be Sleeping While Still Standing by I Killed The Prom Queen
Based on a tempo of (+/- 10%) and a similar genre
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Inhale Exhale
A Call To The Faithful
76 bpm • F min • 03:50 • -6.81db
25% Popularity • 33% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
25% Popularity • 33% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Still Remains
Crone
77 bpm • A# min • 05:18 • -4.55db
18% Popularity • 17% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 17% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Oh, Sleeper
In The Wake Of Pigs
78 bpm • F min • 03:09 • -4db
35% Popularity • 31% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 31% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Gwen Stacy
I Was Born With Two First Names
75 bpm • E min • 04:01 • -6db
16% Popularity • 53% Danceability • 79% Energy • 32% Liveness
1% Instrumentalness • 32% Positiveness
16% Popularity • 53% Danceability • 79% Energy • 32% Liveness
1% Instrumentalness • 32% Positiveness
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All Shall Perish
There Is Nothing Left
80 bpm • E min • 03:22 • -1.65db
44% Popularity • 38% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 38% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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The Red Shore
Effigy Of Death
71 bpm • C# min • 03:51 • -4.64db
8% Popularity • 13% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 13% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 11% Positiveness
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House Vs Hurricane
Comforting Our Thoughts in a Continuous ...
82 bpm • C min • 02:26 • -4.21db
22% Popularity • 30% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 30% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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I Killed The Prom Queen
Roses, Post Cards &
71 bpm • C Maj • 04:25 • -4.61db
12% Popularity • 27% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 27% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Oh, Sleeper
Dealers Of Fame
82 bpm • A# Maj • 02:57 • -3.51db
27% Popularity • 12% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 12% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Your Memorial
Surface
84 bpm • A# min • 03:23 • -3.94db
9% Popularity • 13% Danceability • 94% Energy • 4% Liveness
18% Instrumentalness • 17% Positiveness
9% Popularity • 13% Danceability • 94% Energy • 4% Liveness
18% Instrumentalness • 17% Positiveness
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Stick To Your Guns
This Is More
83 bpm • C Maj • 01:48 • -3db
37% Popularity • 29% Danceability • 94% Energy • 14% Liveness
8% Instrumentalness • 46% Positiveness
37% Popularity • 29% Danceability • 94% Energy • 14% Liveness
8% Instrumentalness • 46% Positiveness
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Unearth
We Are Not Anonymous
84 bpm • B min • 03:03 • -5db
27% Popularity • 34% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 52% Positiveness
27% Popularity • 34% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 52% Positiveness
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Adestria
The Masquerade
85 bpm • C# Maj • 03:36 • -2.67db
22% Popularity • 37% Danceability • 100% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 37% Danceability • 100% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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I Killed The Prom Queen
When Goodbye Means Forever
82 bpm • G# Maj • 03:57 • -3.16db
9% Popularity • 23% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 23% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Catherine
Fallacy
85 bpm • D min • 03:31 • -1.99db
12% Popularity • 37% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 37% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Hand Of Mercy
Hope Crusher
85 bpm • C# Maj • 03:54 • -4.55db
9% Popularity • 26% Danceability • 94% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
9% Popularity • 26% Danceability • 94% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Continents
Pegasus, Pegasus
86 bpm • D# min • 03:32 • -5db
16% Popularity • 21% Danceability • 98% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 21% Danceability • 98% Energy • 35% Liveness
1% Instrumentalness • 23% Positiveness
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Bury Your Dead
Magnolia
88 bpm • A# min • 02:47 • -4db
32% Popularity • 31% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 31% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Adestria
With The Wind At Your Back
85 bpm • G Maj • 03:54 • -6.44db
26% Popularity • 22% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 22% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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I Killed The Prom Queen
Never Never Land
88 bpm • G# Maj • 03:08 • -5.41db
15% Popularity • 28% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 28% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 24% Positiveness
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Destroy The Runner
Thoughts In Reverse
90 bpm • G# Maj • 02:35 • -3.04db
28% Popularity • 39% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 39% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Catherine
Evil Man, Dead Man
90 bpm • E min • 04:01 • -3.71db
17% Popularity • 41% Danceability • 98% Energy • 4% Liveness
12% Instrumentalness • 23% Positiveness
17% Popularity • 41% Danceability • 98% Energy • 4% Liveness
12% Instrumentalness • 23% Positiveness
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Hand Of Mercy
Axis
90 bpm • C min • 03:07 • -4.6db
20% Popularity • 42% Danceability • 91% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
20% Popularity • 42% Danceability • 91% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Bury Your Dead
Without You
90 bpm • C Maj • 04:38 • -5.23db
28% Popularity • 45% Danceability • 94% Energy • 70% Liveness
3% Instrumentalness • 64% Positiveness
28% Popularity • 45% Danceability • 94% Energy • 70% Liveness
3% Instrumentalness • 64% Positiveness
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Adestria
Concrete Eyes And Ivory Smiles
87 bpm • D Maj • 03:13 • -6.64db
22% Popularity • 22% Danceability • 95% Energy • 24% Liveness
3% Instrumentalness • 14% Positiveness
22% Popularity • 22% Danceability • 95% Energy • 24% Liveness
3% Instrumentalness • 14% Positiveness
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Emmure
Cross Over Attack
90 bpm • D Maj • 03:14 • -3.73db
26% Popularity • 27% Danceability • 98% Energy • 20% Liveness
86% Instrumentalness • 11% Positiveness
26% Popularity • 27% Danceability • 98% Energy • 20% Liveness
86% Instrumentalness • 11% Positiveness
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I Killed The Prom Queen
Intro
83 bpm • C Maj • 00:56 • -6.48db
7% Popularity • 36% Danceability • 89% Energy • 22% Liveness
94% Instrumentalness • 29% Positiveness
7% Popularity • 36% Danceability • 89% Energy • 22% Liveness
94% Instrumentalness • 29% Positiveness
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Destroy The Runner
Without Sight
90 bpm • G# Maj • 02:54 • -3.47db
27% Popularity • 47% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
27% Popularity • 47% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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It Dies Today
Freak Gasoline Fight Accident
91 bpm • G# Maj • 03:49 • -4db
16% Popularity • 29% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 29% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Elitist
Caves
91 bpm • G Maj • 03:51 • -3.43db
23% Popularity • 25% Danceability • 97% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
23% Popularity • 25% Danceability • 97% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
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Greeley Estates
Seven Hours
93 bpm • G Maj • 03:46 • -5.08db
17% Popularity • 36% Danceability • 90% Energy • 14% Liveness
4% Instrumentalness • 19% Positiveness
17% Popularity • 36% Danceability • 90% Energy • 14% Liveness
4% Instrumentalness • 19% Positiveness
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Emmure
When Keeping It Real Goes Wrong
90 bpm • F# Maj • 03:17 • -5.66db
40% Popularity • 33% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 33% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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I Killed The Prom Queen
My Best Wishes
92 bpm • F min • 04:01 • -4.11db
19% Popularity • 22% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 22% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Destroy The Runner
There Can Be No Hesitation
91 bpm • G# Maj • 03:35 • -3.13db
16% Popularity • 26% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 26% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Catherine
Party On The Interstate
93 bpm • G Maj • 04:10 • -3.26db
14% Popularity • 20% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 20% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Still Remains
Bliss
94 bpm • G# Maj • 03:37 • -4db
18% Popularity • 47% Danceability • 99% Energy • 32% Liveness
10% Instrumentalness • 23% Positiveness
18% Popularity • 47% Danceability • 99% Energy • 32% Liveness
10% Instrumentalness • 23% Positiveness
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The Red Shore
Sink Or Swim
95 bpm • B Maj • 04:29 • -4.44db
7% Popularity • 23% Danceability • 91% Energy • 38% Liveness
2% Instrumentalness • 26% Positiveness
7% Popularity • 23% Danceability • 91% Energy • 38% Liveness
2% Instrumentalness • 26% Positiveness
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Emmure
Rusted Over Wet Dreams
90 bpm • F# Maj • 03:08 • -4.43db
33% Popularity • 22% Danceability • 96% Energy • 22% Liveness
37% Instrumentalness • 10% Positiveness
33% Popularity • 22% Danceability • 96% Energy • 22% Liveness
37% Instrumentalness • 10% Positiveness
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I Killed The Prom Queen
Thirty One & Sevens
92 bpm • B min • 03:25 • -3.59db
34% Popularity • 41% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 41% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Destroy The Runner
Pallbearer
93 bpm • G# Maj • 04:15 • -3.13db
16% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 44% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Evergreen Terrace
Where There Is Fire We Will Carry Gasoli...
95 bpm • C# min • 03:26 • -4db
22% Popularity • 24% Danceability • 95% Energy • 9% Liveness
33% Instrumentalness • 55% Positiveness
22% Popularity • 24% Danceability • 95% Energy • 9% Liveness
33% Instrumentalness • 55% Positiveness
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American Me
Black Malicious Lie
95 bpm • F# Maj • 02:22 • -4db
21% Popularity • 54% Danceability • 98% Energy • 5% Liveness
42% Instrumentalness • 19% Positiveness
21% Popularity • 54% Danceability • 98% Energy • 5% Liveness
42% Instrumentalness • 19% Positiveness
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The Agony Scene
The Darkest Red
95 bpm • B min • 03:50 • -2.28db
27% Popularity • 50% Danceability • 100% Energy • 9% Liveness
32% Instrumentalness • 7% Positiveness
27% Popularity • 50% Danceability • 100% Energy • 9% Liveness
32% Instrumentalness • 7% Positiveness
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Emmure
10 Signs You Should Leave
91 bpm • F# Maj • 03:18 • -4.75db
36% Popularity • 27% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 27% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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I Killed The Prom Queen
Say Goodbye
92 bpm • B min • 04:12 • -2db
29% Popularity • 40% Danceability • 98% Energy • 35% Liveness
44% Instrumentalness • 25% Positiveness
29% Popularity • 40% Danceability • 98% Energy • 35% Liveness
44% Instrumentalness • 25% Positiveness
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Obey The Brave
Live And Learn
95 bpm • D# min • 03:23 • -3db
20% Popularity • 46% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Destroy The Runner
The Aleph
91 bpm • G# Maj • 03:58 • -3.98db
31% Popularity • 47% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 47% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Sea Of Treachery
Raise The Banner
95 bpm • G# Maj • 03:04 • -3.74db
8% Popularity • 46% Danceability • 99% Energy • 73% Liveness
1% Instrumentalness • 24% Positiveness
8% Popularity • 46% Danceability • 99% Energy • 73% Liveness
1% Instrumentalness • 24% Positiveness
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Spies Like Us
Happy Endings Only Happen in Movies
95 bpm • G# Maj • 04:17 • -5.2db
21% Popularity • 53% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 53% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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It Dies Today
Marigold
95 bpm • G# Maj • 03:06 • -3db
15% Popularity • 44% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 44% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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I Killed The Prom Queen
When Goodbye Means Forever (2021 Remix /...
83 bpm • G# Maj • 03:59 • -5.61db
13% Popularity • 28% Danceability • 93% Energy • 22% Liveness
2% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 93% Energy • 22% Liveness
2% Instrumentalness • 31% Positiveness
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Obey The Brave
Time For A Change
95 bpm • F# Maj • 04:09 • -2.95db
10% Popularity • 22% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 22% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 38% Positiveness
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Destroy The Runner
Saints
91 bpm • C Maj • 03:59 • -3.32db
27% Popularity • 14% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 14% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Crimson Armada
Forgive Me
95 bpm • E Maj • 03:19 • -2.4db
17% Popularity • 23% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 23% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Bury Your Dead
The Poison Apple
96 bpm • D Maj • 03:23 • -4.05db
26% Popularity • 45% Danceability • 98% Energy • 21% Liveness
9% Instrumentalness • 18% Positiveness
26% Popularity • 45% Danceability • 98% Energy • 21% Liveness
9% Instrumentalness • 18% Positiveness
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It Dies Today
Thank You For Drinking
95 bpm • F# Maj • 03:01 • -3.65db
21% Popularity • 32% Danceability • 97% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 97% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
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Evergreen Terrace
God Rocky, Is This Your Face?
96 bpm • B min • 02:46 • -3.35db
12% Popularity • 26% Danceability • 98% Energy • 78% Liveness
2% Instrumentalness • 22% Positiveness
12% Popularity • 26% Danceability • 98% Energy • 78% Liveness
2% Instrumentalness • 22% Positiveness
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I Killed The Prom Queen
Slain Upon My Faithful Sword
86 bpm • B min • 04:07 • -3db
14% Popularity • 26% Danceability • 94% Energy • 33% Liveness
62% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 94% Energy • 33% Liveness
62% Instrumentalness • 28% Positiveness
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Destroy The Runner
My Darkness
91 bpm • G# Maj • 04:03 • -2db
26% Popularity • 47% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 47% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Obey The Brave
Self Made
95 bpm • A# min • 03:40 • -2.96db
13% Popularity • 20% Danceability • 98% Energy • 33% Liveness
3% Instrumentalness • 21% Positiveness
13% Popularity • 20% Danceability • 98% Energy • 33% Liveness
3% Instrumentalness • 21% Positiveness
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Bury Your Dead
House Of Straw
96 bpm • A Maj • 04:02 • -3db
30% Popularity • 52% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 52% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 20% Positiveness
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It Dies Today
The Radiance
96 bpm • C Maj • 03:15 • -4db
15% Popularity • 44% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Still Remains
To Live and Die in Fire
96 bpm • G# Maj • 02:57 • -4db
24% Popularity • 31% Danceability • 99% Energy • 28% Liveness
16% Instrumentalness • 28% Positiveness
24% Popularity • 31% Danceability • 99% Energy • 28% Liveness
16% Instrumentalness • 28% Positiveness
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I Killed The Prom Queen
Your Shirt Would Look Better with a Colu...
92 bpm • B min • 03:50 • -2db
24% Popularity • 44% Danceability • 91% Energy • 18% Liveness
41% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 91% Energy • 18% Liveness
41% Instrumentalness • 34% Positiveness
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Dr. Acula
Fire Crotch (The Venereal Van Ride)
97 bpm • G Maj • 02:39 • -3.73db
15% Popularity • 28% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 28% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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While She Sleeps
Hearts Aside Our Horses
99 bpm • C# min • 04:05 • -5.47db
23% Popularity • 28% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 28% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Memphis May Fire
Cowbell's Makin' A Comeback
99 bpm • A Maj • 04:32 • -2.43db
20% Popularity • 39% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 39% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Obey The Brave
Early Graves
100 bpm • A# min • 02:42 • -2.98db
10% Popularity • 35% Danceability • 93% Energy • 46% Liveness
3% Instrumentalness • 23% Positiveness
10% Popularity • 35% Danceability • 93% Energy • 46% Liveness
3% Instrumentalness • 23% Positiveness
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Adestria
Compromised
100 bpm • G# Maj • 03:37 • -2.39db
28% Popularity • 23% Danceability • 98% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
28% Popularity • 23% Danceability • 98% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
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I Killed The Prom Queen
Bet It All on Black
93 bpm • G Maj • 04:14 • -2.76db
15% Popularity • 21% Danceability • 98% Energy • 9% Liveness
59% Instrumentalness • 22% Positiveness
15% Popularity • 21% Danceability • 98% Energy • 9% Liveness
59% Instrumentalness • 22% Positiveness
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Feed Her to the Sharks
Shadow Of Myself
100 bpm • G# Maj • 03:30 • -4.35db
24% Popularity • 44% Danceability • 98% Energy • 49% Liveness
14% Instrumentalness • 9% Positiveness
24% Popularity • 44% Danceability • 98% Energy • 49% Liveness
14% Instrumentalness • 9% Positiveness
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Betraying The Martyrs
The Righteous With The Wicked
100 bpm • G Maj • 04:40 • -15.91db
13% Popularity • 28% Danceability • 90% Energy • 84% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 90% Energy • 84% Liveness
0% Instrumentalness • 7% Positiveness
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Confession
The Long Way Home
100 bpm • C# Maj • 04:12 • -4.51db
20% Popularity • 42% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 42% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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Obey The Brave
It Starts Today
100 bpm • A# min • 03:06 • -2.84db
19% Popularity • 42% Danceability • 94% Energy • 25% Liveness
1% Instrumentalness • 34% Positiveness
19% Popularity • 42% Danceability • 94% Energy • 25% Liveness
1% Instrumentalness • 34% Positiveness
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Unearth
The Great Dividers
101 bpm • G Maj • 04:02 • -6db
34% Popularity • 27% Danceability • 91% Energy • 27% Liveness
11% Instrumentalness • 34% Positiveness
34% Popularity • 27% Danceability • 91% Energy • 27% Liveness
11% Instrumentalness • 34% Positiveness
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I Killed The Prom Queen
Sharks in Your Mouth
94 bpm • B min • 04:04 • -2.4db
25% Popularity • 19% Danceability • 97% Energy • 20% Liveness
33% Instrumentalness • 29% Positiveness
25% Popularity • 19% Danceability • 97% Energy • 20% Liveness
33% Instrumentalness • 29% Positiveness
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Feed Her to the Sharks
Let Go
100 bpm • D min • 05:04 • -5db
32% Popularity • 42% Danceability • 97% Energy • 13% Liveness
44% Instrumentalness • 7% Positiveness
32% Popularity • 42% Danceability • 97% Energy • 13% Liveness
44% Instrumentalness • 7% Positiveness
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MYCHILDREN MYBRIDE
Boris The Blade
101 bpm • E Maj • 04:31 • -3.7db
17% Popularity • 27% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 27% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Adestria
1984
101 bpm • G# Maj • 04:04 • -2.95db
37% Popularity • 24% Danceability • 98% Energy • 28% Liveness
1% Instrumentalness • 14% Positiveness
37% Popularity • 24% Danceability • 98% Energy • 28% Liveness
1% Instrumentalness • 14% Positiveness
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Still Remains
Ceasing to Breathe
101 bpm • G# Maj • 03:33 • -3.31db
24% Popularity • 48% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 48% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Unearth
Black Hearts Now Reign
101 bpm • A Maj • 04:03 • -7.39db
32% Popularity • 36% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 36% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Betraying The Martyrs
Life Is Precious
102 bpm • F Maj • 04:39 • -4.22db
16% Popularity • 20% Danceability • 85% Energy • 58% Liveness
4% Instrumentalness • 36% Positiveness
16% Popularity • 20% Danceability • 85% Energy • 58% Liveness
4% Instrumentalness • 36% Positiveness
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I Killed The Prom Queen
Are You Playing Dead
95 bpm • F Maj • 04:25 • -4.44db
8% Popularity • 31% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 31% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Feed Her to the Sharks
The World Is Yours
100 bpm • G# Maj • 03:53 • -5db
35% Popularity • 42% Danceability • 94% Energy • 7% Liveness
64% Instrumentalness • 8% Positiveness
35% Popularity • 42% Danceability • 94% Energy • 7% Liveness
64% Instrumentalness • 8% Positiveness
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Sea Of Treachery
Skin Deep
102 bpm • F Maj • 03:24 • -2.72db
9% Popularity • 60% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 60% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Upon A Burning Body
Scarface
102 bpm • F# Maj • 02:47 • -7.77db
23% Popularity • 32% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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MYCHILDREN MYBRIDE
Anathema
102 bpm • A Maj • 04:21 • -3.98db
16% Popularity • 35% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 35% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 4% Positiveness
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All Shall Perish
Wage Slaves
102 bpm • B Maj • 03:42 • -2db
45% Popularity • 33% Danceability • 98% Energy • 7% Liveness
39% Instrumentalness • 8% Positiveness
45% Popularity • 33% Danceability • 98% Energy • 7% Liveness
39% Instrumentalness • 8% Positiveness
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I Killed The Prom Queen
The Deepest Sleep
95 bpm • B min • 03:37 • -2.11db
15% Popularity • 38% Danceability • 98% Energy • 26% Liveness
82% Instrumentalness • 28% Positiveness
15% Popularity • 38% Danceability • 98% Energy • 26% Liveness
82% Instrumentalness • 28% Positiveness
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Feed Her to the Sharks
Buried Alive - Bonus Track
100 bpm • C# Maj • 03:36 • -4.86db
21% Popularity • 54% Danceability • 96% Energy • 84% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 54% Danceability • 96% Energy • 84% Liveness
0% Instrumentalness • 28% Positiveness
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Betraying The Martyrs
Tapestry Of Me
103 bpm • A Maj • 04:36 • -3.71db
17% Popularity • 24% Danceability • 91% Energy • 20% Liveness
51% Instrumentalness • 24% Positiveness
17% Popularity • 24% Danceability • 91% Energy • 20% Liveness
51% Instrumentalness • 24% Positiveness
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Structures
Clockwork
104 bpm • G# Maj • 02:55 • -1.37db
17% Popularity • 25% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 25% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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MYCHILDREN MYBRIDE
God Of Nothing
103 bpm • D Maj • 04:14 • -4.86db
17% Popularity • 42% Danceability • 95% Energy • 47% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 42% Danceability • 95% Energy • 47% Liveness
2% Instrumentalness • 4% Positiveness
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All Shall Perish
The Last Relapse
102 bpm • B min • 06:41 • -3db
30% Popularity • 24% Danceability • 97% Energy • 33% Liveness
71% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 97% Energy • 33% Liveness
71% Instrumentalness • 4% Positiveness
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Sirens And Sailors
Straightjacket
105 bpm • G Maj • 04:19 • -6.3db
19% Popularity • 25% Danceability • 96% Energy • 44% Liveness
17% Instrumentalness • 42% Positiveness
19% Popularity • 25% Danceability • 96% Energy • 44% Liveness
17% Instrumentalness • 42% Positiveness
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I Killed The Prom Queen
Brevity
95 bpm • E min • 05:08 • -4.57db
15% Popularity • 43% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
15% Popularity • 43% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Feed Her to the Sharks
Memory Of You - Bonus Track
100 bpm • C# min • 04:44 • -4db
35% Popularity • 44% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 44% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Phinehas
Dark Flag
104 bpm • C# Maj • 04:11 • -3.59db
30% Popularity • 37% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 37% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
