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To Be Young (Is to Be Sad, Is to Be High)
Songs like
To Be Young (Is to Be Sad, Is to Be High)
by
Ryan Adams
Based on a tempo of (+/- 10%) and a similar genre
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Tom Petty and the Heartbreakers
Swingin'
93 bpm • G Maj • 05:30 • -5.6db
45% Popularity • 40% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Adams
To Be Young (Is to Be Sad, Is to Be High...
93 bpm • G Maj • 03:28 • -9.67db
26% Popularity • 55% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Loudon Wainwright III
The Swimming Song
93 bpm • A Maj • 02:27 • -11.29db
54% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
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Justin Townes Earle
Movin' On
93 bpm • G Maj • 04:41 • -10.68db
29% Popularity • 83% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jack White
Love Interruption
94 bpm • A Maj • 02:37 • -11db
49% Popularity • 58% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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The Band
Ophelia - Remastered 2000
92 bpm • C Maj • 03:32 • -7.4db
54% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Allman Brothers Band
Blue Sky
94 bpm • E Maj • 05:11 • -13.45db
59% Popularity • 49% Danceability • 47% Energy • 13% Liveness
75% Instrumentalness • 85% Positiveness
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Ryan Adams
To Be Young (Is to Be Sad, Is to Be High...
93 bpm • G Maj • 03:04 • -6db
54% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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The Record Company
Off The Ground
92 bpm • G Maj • 04:13 • -4.57db
54% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
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Father John Misty
Hollywood Forever Cemetery Sings
94 bpm • A Maj • 03:10 • -4.13db
63% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
48% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
49% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Old Crow Medicine Show
I Hear Them All
94 bpm • A Maj • 03:03 • -7.39db
48% Popularity • 63% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Adams
Chin Up, Cheer Up
94 bpm • A# Maj • 02:58 • -5.95db
34% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Allman Brothers Band
Midnight Rider
94 bpm • G Maj • 03:00 • -9.67db
74% Popularity • 58% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
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Van Morrison
Cleaning Windows
91 bpm • F min • 04:46 • -10db
49% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Warren Zevon
Lawyers, Guns and Money
94 bpm • A Maj • 03:30 • -6.68db
54% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Counting Crows
Hanginaround
91 bpm • C Maj • 04:07 • -7db
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Faces
Stay with Me
91 bpm • A Maj • 04:39 • -8.38db
61% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
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Ryan Adams
My Winding Wheel
94 bpm • F# Maj • 03:12 • -12.88db
46% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Allman Brothers Band
Ain't Wastin' Time No More
91 bpm • D# Maj • 03:41 • -13.4db
55% Popularity • 45% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Kurt Vile
Pretty Pimpin
91 bpm • G# Maj • 04:58 • -9.07db
59% Popularity • 57% Danceability • 66% Energy • 9% Liveness
29% Instrumentalness • 76% Positiveness
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Phosphorescent
Ride On / Right On
95 bpm • G Maj • 03:44 • -7.42db
45% Popularity • 54% Danceability • 58% Energy • 15% Liveness
7% Instrumentalness • 24% Positiveness
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Jason Isbell and the 400 Unit
Hope The High Road
91 bpm • A Maj • 03:03 • -8.15db
18% Popularity • 45% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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The White Stripes
Hello Operator
95 bpm • A# Maj • 02:36 • -8.94db
53% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Loudon Wainwright III
Daughter
91 bpm • A Maj • 03:32 • -8.16db
46% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Petty
Yer So Bad
90 bpm • G Maj • 03:05 • -12.86db
60% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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The Avett Brothers
Ain't No Man
91 bpm • B Maj • 03:32 • -5.62db
57% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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R.L. Burnside
Someday Baby
90 bpm • C Maj • 03:16 • -3.8db
53% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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Bahamas
Stronger Than That
96 bpm • C Maj • 02:37 • -4db
60% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Cocker
Feelin' Alright
90 bpm • F Maj • 04:10 • -10.14db
62% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
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Tom Waits
Come On Up To The House
90 bpm • D# Maj • 04:36 • -8.52db
43% Popularity • 56% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 51% Positiveness
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John Prine
When I Get to Heaven
90 bpm • D Maj • 03:42 • -13db
44% Popularity • 58% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Adams
When The Stars Go Blue
90 bpm • A# Maj • 03:31 • -13.25db
54% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Widespread Panic
Up All Night
97 bpm • C Maj • 03:46 • -4db
46% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Deer Tick
Cocktail
97 bpm • C Maj • 04:26 • -8.03db
25% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Isbell and the 400 Unit
Dreamsicle
97 bpm • D Maj • 03:44 • -7.03db
20% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Magnolia Electric Co.
The Dark Don't Hide It
98 bpm • G Maj • 04:14 • -8.29db
35% Popularity • 46% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Lucinda Williams
2 Kool 2 Be 4-Gotten
98 bpm • D Maj • 04:42 • -10.38db
37% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Raconteurs
Old Enough
89 bpm • G Maj • 03:57 • -5db
42% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Little Feat
Fat Man in the Bathtub
88 bpm • G Maj • 04:31 • -8.67db
45% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
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Hiss Golden Messenger
Biloxi
88 bpm • A Maj • 02:51 • -6.46db
45% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Justin Townes Earle
I Don't Care - Remastered
99 bpm • C# Maj • 01:55 • -9.26db
45% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Black Joe Lewis & The Honeybears
Bitch, I Love You
98 bpm • E Maj • 02:44 • -3.73db
46% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Old Crow Medicine Show
James River Blues
99 bpm • F Maj • 03:06 • -8.1db
51% Popularity • 68% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Petty
Wildflowers
87 bpm • F Maj • 03:10 • -13.79db
69% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Shakey Graves
Dearly Departed
87 bpm • G Maj • 03:32 • -5.92db
64% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Talking Heads
Take Me to the River - 2005 Remaster
100 bpm • D Maj • 05:02 • -8.1db
58% Popularity • 66% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Grateful Dead
Casey Jones - 2013 Remaster
100 bpm • C Maj • 04:25 • -10db
59% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Jerry Garcia
Sugaree
87 bpm • C# min • 05:52 • -11.82db
46% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Van Morrison
Sweet Thing - 1999 Remaster
87 bpm • E Maj • 04:25 • -14.64db
58% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jason Isbell and the 400 Unit
Alabama Pines
100 bpm • E Maj • 03:51 • -10.12db
29% Popularity • 50% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Fruit Bats
Humbug Mountain Song
100 bpm • F# min • 03:04 • -5.36db
61% Popularity • 59% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 94% Positiveness
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Spoon
I Turn My Camera On
100 bpm • A# Maj • 03:32 • -6.42db
56% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Raconteurs
Old Enough
86 bpm • G Maj • 05:45 • -7.34db
31% Popularity • 42% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Townes Van Zandt
Lungs
101 bpm • D Maj • 02:29 • -16.65db
51% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Van Morrison
Into the Mystic - 2013 Remaster
86 bpm • G# Maj • 03:25 • -10.27db
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Parr
Rocky Raccoon
101 bpm • D# Maj • 03:40 • -8.11db
47% Popularity • 64% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Dawes
Time Spent in Los Angeles
100 bpm • G# Maj • 04:35 • -19db
39% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Tom Petty and the Heartbreakers
Walls - Circus
101 bpm • F Maj • 04:25 • -5.24db
44% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Taj Mahal
Lovin' in My Baby's Eyes
85 bpm • A# Maj • 02:40 • -8.87db
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ryan Adams
Strawberry Wine
101 bpm • G Maj • 07:58 • -20.77db
22% Popularity • 64% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Guy Clark
Dublin Blues
85 bpm • E Maj • 04:19 • -13db
45% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Shovels & Rope
Leaving Louisiana In The Broad Daylight
85 bpm • F Maj • 03:33 • -4.72db
39% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kurt Vile
Wakin on a Pretty Day
102 bpm • B Maj • 09:30 • -8.16db
52% Popularity • 38% Danceability • 78% Energy • 26% Liveness
75% Instrumentalness • 55% Positiveness
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The Barr Brothers
Never Been a Captain
102 bpm • A# Maj • 04:41 • -9.22db
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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The Lemonheads
The Outdoor Type
85 bpm • B min • 02:36 • -9db
41% Popularity • 43% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Golden Smog
Pecan Pie
102 bpm • G Maj • 02:53 • -12db
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Lucinda Williams
Righteously
102 bpm • G Maj • 04:38 • -9.78db
40% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Whiskeytown
Don't Be Sad
84 bpm • C Maj • 03:20 • -10.03db
27% Popularity • 39% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Jason Isbell
If It Takes A Lifetime
84 bpm • A Maj • 03:40 • -13.19db
24% Popularity • 55% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jackie Greene
Honey I Been Thinking About You
84 bpm • G# Maj • 04:45 • -4.01db
41% Popularity • 21% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Golden Smog
Radio King
85 bpm • G Maj • 03:09 • -12.2db
36% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Grateful Dead
Friend of the Devil
103 bpm • G Maj • 03:21 • -12.85db
63% Popularity • 64% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 89% Positiveness
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JJ Grey & Mofro
The Sweetest Thing
104 bpm • F Maj • 04:28 • -7.93db
52% Popularity • 61% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Warren Zevon
Werewolves of London
104 bpm • G Maj • 03:29 • -8.72db
67% Popularity • 75% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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John Hiatt
Cry Love
83 bpm • C Maj • 04:20 • -7.22db
41% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Waterboys
Sweet Thing - 2006 Remaster
104 bpm • A Maj • 07:12 • -6db
41% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Charley Crockett
I Am Not Afraid
83 bpm • B min • 02:44 • -6.54db
61% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Uncle Tupelo
Whiskey Bottle
104 bpm • A Maj • 04:46 • -12.86db
25% Popularity • 37% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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Jason Isbell
The Life You Chose
104 bpm • D Maj • 04:03 • -11.99db
13% Popularity • 60% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Modest Mouse
Missed the Boat
104 bpm • D Maj • 04:24 • -5.8db
57% Popularity • 71% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
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John Prine
Fish and Whistle
83 bpm • G Maj • 03:14 • -15db
52% Popularity • 72% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Allman Brothers Band
Melissa
83 bpm • E Maj • 03:55 • -14.79db
64% Popularity • 53% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 45% Positiveness
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Chuck Prophet
Willie Mays Is Up at Bat
104 bpm • E Maj • 04:58 • -4.6db
16% Popularity • 37% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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Ryan Adams
Gonna Make You Love Me
104 bpm • C# Maj • 02:36 • -8.47db
28% Popularity • 62% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Shovels & Rope
Birmingham
82 bpm • G Maj • 04:01 • -7.14db
32% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Isbell
24 Frames
105 bpm • E min • 03:13 • -10.21db
27% Popularity • 57% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Father John Misty
Well, You Can Do It Without Me
105 bpm • C min • 02:43 • -7db
57% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Velvet Underground
Sweet Jane - Full Length Version; 2015 R...
105 bpm • D Maj • 04:06 • -7.37db
55% Popularity • 62% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Van Morrison
Caravan - 2013 Remaster
82 bpm • G Maj • 05:00 • -12db
53% Popularity • 64% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Adams
Shakedown on 9th Street
105 bpm • G Maj • 02:52 • -8.36db
31% Popularity • 53% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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The Rolling Stones
Shine A Light
82 bpm • C Maj • 04:16 • -5.15db
53% Popularity • 36% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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James McMurtry
We Can't Make It Here
82 bpm • C Maj • 07:06 • -8db
37% Popularity • 42% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Patrick Sweany
Them Shoes
82 bpm • C Maj • 05:48 • -8db
48% Popularity • 40% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Deer Tick
Dirty Dishes
106 bpm • F Maj • 03:17 • -5.19db
36% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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To Be Young (Is to Be Sad, Is to Be High)