Songs like to get over you by ROSIE
Based on a tempo of (+/- 10%) and a similar genre
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ROSIE
to get over you
75 bpm • F# min • 02:50 • -6db
26% Popularity • 60% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 60% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Mia Sayoko
I Just Wanna Be Sad
75 bpm • A# min • 03:42 • -7.77db
19% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Lauren Weintraub
Missing You
75 bpm • E Maj • 03:03 • -6.15db
41% Popularity • 31% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 31% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Cassidi
Fine
74 bpm • G Maj • 03:48 • -10.65db
18% Popularity • 33% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia O'Brien
Better Than Feeling Lonely - Stripped
76 bpm • F Maj • 03:18 • -7.52db
21% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Emily James
I Saw Your Face
76 bpm • E Maj • 03:35 • -10.16db
29% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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ROSIE
I Should Just Go To Bed
76 bpm • E Maj • 03:19 • -8.76db
38% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Dylan Conrique
After All
73 bpm • B min • 03:01 • -9.62db
37% Popularity • 66% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 66% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Navvy
Scared to Be Happy
73 bpm • G Maj • 02:37 • -7.38db
41% Popularity • 41% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 41% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Andi
Runner Up
77 bpm • G Maj • 02:56 • -8.94db
30% Popularity • 31% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 31% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Maddie Zahm
Pocket Bible
77 bpm • E Maj • 01:33 • -8db
40% Popularity • 40% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 40% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Devon Gabriella
remind me
77 bpm • G min • 02:17 • -12.55db
41% Popularity • 67% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 67% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Gaustad
Red
77 bpm • F Maj • 03:06 • -8.26db
29% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Frawley
Knocking On My Heart
77 bpm • E min • 03:35 • -7.01db
46% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Michaels
That's The Kind Of Woman
77 bpm • F# min • 02:14 • -7db
35% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Katelyn Tarver
Downhill From Here
77 bpm • A Maj • 02:41 • -11.65db
15% Popularity • 54% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 54% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Maddie Zahm
Inevitable
77 bpm • G Maj • 03:22 • -7db
39% Popularity • 52% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 52% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia O'Brien
Better Than Feeling Lonely
77 bpm • F Maj • 03:14 • -5.56db
39% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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benny blanco
Unlearn - Acoustic
77 bpm • A# min • 02:37 • -11.81db
43% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Reagan Beem
Stranger, Dear
72 bpm • D Maj • 02:46 • -8.92db
31% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Gaustad
Elephant In The Room
78 bpm • F Maj • 02:43 • -9.76db
27% Popularity • 69% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 69% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Emily James
that was then
78 bpm • C# Maj • 02:54 • -8.96db
46% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Maddie Zahm
Everything to Me
73 bpm • D Maj • 02:59 • -8.59db
27% Popularity • 35% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 35% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Clendening
Sweatshirt
78 bpm • A# Maj • 02:42 • -7.21db
23% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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ROSIE
Retail Therapy
78 bpm • C# Maj • 03:01 • -9.54db
31% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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NIKI DEMAR
25
78 bpm • A# Maj • 03:29 • -9db
27% Popularity • 52% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 52% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Avery Lynch
Love Me Nicely
79 bpm • F# Maj • 03:48 • -13.43db
30% Popularity • 41% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 41% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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GRANT KNOCHE
AS IT SHOULD
71 bpm • F Maj • 02:26 • -12db
29% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Madeline The Person
Haunted
79 bpm • C Maj • 02:53 • -10db
25% Popularity • 52% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 52% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan Conrique
Baby Blue
80 bpm • C# Maj • 02:26 • -7.54db
39% Popularity • 59% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 59% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Lillian Hepler
Used to That
80 bpm • E Maj • 02:26 • -7.27db
24% Popularity • 43% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 43% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Stela Cole
Goldrush
80 bpm • G Maj • 03:05 • -7.89db
37% Popularity • 43% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 43% Danceability • 50% Energy • 54% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Bassett
Doppelgänger
80 bpm • A# Maj • 03:14 • -9.77db
47% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Lexi Jayde
homesick
80 bpm • C min • 02:51 • -6.96db
37% Popularity • 55% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Ber
Bad For Me
80 bpm • D# Maj • 02:38 • -11.45db
24% Popularity • 59% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 59% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Savanna Leigh
all ur clothes
80 bpm • F Maj • 02:48 • -5.74db
19% Popularity • 62% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 62% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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ROSIE
Screaming Underwater
81 bpm • C Maj • 02:59 • -10db
25% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Cassidi
heights
80 bpm • F# Maj • 03:25 • -10.19db
22% Popularity • 50% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Luz
the author
81 bpm • C Maj • 03:37 • -12.57db
50% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Frawley
If I Don't Laugh, I'll Cry
81 bpm • E Maj • 03:18 • -5.18db
61% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Áine Deane
Hopeless
81 bpm • D# Maj • 02:52 • -7.01db
30% Popularity • 61% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 61% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Gaustad
Jupiter
82 bpm • E Maj • 03:13 • -8.64db
33% Popularity • 56% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 56% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Haley Joelle
LA
69 bpm • C Maj • 03:20 • -11.92db
49% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Beck
Sick of It
82 bpm • A min • 03:00 • -9db
17% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Zach Hood
number one fan
82 bpm • D# Maj • 02:57 • -7.87db
29% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Oriain
Miss The Rest
82 bpm • C# Maj • 02:50 • -12.76db
33% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Clinton Kane
COLD
82 bpm • G Maj • 02:49 • -7.08db
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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renforshort
exception
82 bpm • C Maj • 03:04 • -6.29db
28% Popularity • 34% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 34% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Clendening
Get Me
82 bpm • B Maj • 02:45 • -7.95db
41% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Devon Gabriella
better this way
83 bpm • A# Maj • 03:17 • -16.34db
30% Popularity • 45% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Rosie Darling
Coping
83 bpm • F# Maj • 03:10 • -7.3db
61% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Cassidi
it doesn't hurt
83 bpm • F# min • 03:57 • -14.26db
16% Popularity • 50% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
16% Popularity • 50% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Tadhg Daly
Still Not Made It
83 bpm • D Maj • 03:14 • -6.66db
31% Popularity • 68% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Ashley Kutcher
The Night You Left
83 bpm • C# Maj • 02:39 • -8.41db
44% Popularity • 31% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 31% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Abe Parker
3 Moods
84 bpm • F Maj • 03:08 • -9.24db
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Andi
Never Rains in LA
84 bpm • A# Maj • 04:26 • -12db
20% Popularity • 50% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 50% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Emilee
Gone Away
84 bpm • A Maj • 03:48 • -14.12db
25% Popularity • 56% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Rosie Darling
Water Me Down
84 bpm • C Maj • 03:01 • -8.2db
31% Popularity • 47% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Harley Alaska
Lose You Too
84 bpm • C# Maj • 02:53 • -5db
38% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Savanna Leigh
end from the beginning
85 bpm • G# Maj • 03:26 • -8.51db
17% Popularity • 52% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
17% Popularity • 52% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Rosemary Joaquin
Like Me Better
85 bpm • C Maj • 02:39 • -9.08db
22% Popularity • 48% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 48% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Jill Baylon
Crush Phase
85 bpm • C min • 03:10 • -9.31db
22% Popularity • 49% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 49% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Annika Rose
just like you - demo
85 bpm • C# Maj • 02:50 • -12db
36% Popularity • 61% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 61% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ashley Kutcher
Survive My Own Mind
85 bpm • C# Maj • 03:13 • -8.92db
41% Popularity • 58% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 58% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Kessler
Lying
86 bpm • F# Maj • 03:05 • -8.39db
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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![see you later (ten years) [feat. JVKE] cover art](https://i.scdn.co/image/ab67616d00001e02492d9db1c528d2982f0c657d)
Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:09 • -6.85db
43% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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salem ilese
Romeo & Juliet
86 bpm • D# Maj • 03:23 • -7.83db
21% Popularity • 58% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 58% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Ashley Kutcher
Love You More
85 bpm • D# Maj • 02:49 • -10.01db
52% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Emily Burns
Hate Me Too
86 bpm • C# Maj • 03:30 • -8db
26% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Haley Joelle
Haunt You
86 bpm • C# Maj • 02:46 • -6db
44% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:08 • -6.44db
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Pittman
Harry and Sally
86 bpm • E Maj • 02:54 • -14.77db
32% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Avery Lynch
won't even know it (the birthday song)
86 bpm • B Maj • 04:12 • -19db
27% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ashley Kutcher
If I Could
87 bpm • C# Maj • 03:07 • -9.57db
42% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 32% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Reagan Beem
Sinking Slowly
87 bpm • E Maj • 03:36 • -8.35db
27% Popularity • 76% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 76% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Rosie Darling
What A Convincing Illusion
87 bpm • C Maj • 03:17 • -9db
41% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Emily Weisband
You're Cool
87 bpm • C Maj • 02:28 • -8db
26% Popularity • 40% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Andi
f u jack
88 bpm • D Maj • 02:58 • -7db
31% Popularity • 80% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 80% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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DEZI
Seen
88 bpm • C# Maj • 03:27 • -10.03db
29% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Zach Hood
Just Kids
88 bpm • G# Maj • 02:24 • -3.13db
35% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Griff
Pillow In My Arms
89 bpm • G# Maj • 03:16 • -5.35db
54% Popularity • 48% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 48% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Devon Gabriella
Love Me, Just for the Season
89 bpm • C min • 03:50 • -7.86db
17% Popularity • 30% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 30% Danceability • 45% Energy • 51% Liveness
0% Instrumentalness • 10% Positiveness
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Ashley Kutcher
Care Enough For Two (Acoustic)
89 bpm • B Maj • 02:53 • -11db
36% Popularity • 41% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 41% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Sody
hold it all together
89 bpm • A# Maj • 03:02 • -11.25db
23% Popularity • 38% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 38% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Katelyn Tarver
Made It This Far
90 bpm • G Maj • 03:48 • -6.71db
24% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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76th Street
In My Bones
90 bpm • D Maj • 03:18 • -8.86db
19% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Maddie Zahm
Ex’s Side
90 bpm • F# Maj • 02:52 • -3db
35% Popularity • 73% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 73% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Devon Gabriella
losing game
90 bpm • C# Maj • 03:00 • -19.41db
24% Popularity • 78% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 78% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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GRANT KNOCHE
THE INTRO
90 bpm • F# min • 03:08 • -6.63db
18% Popularity • 67% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 67% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Marielle Kraft
Everyone But Me
90 bpm • D Maj • 03:03 • -9.64db
28% Popularity • 65% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 65% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Bochner
pretty when u cry
90 bpm • B min • 03:38 • -12db
14% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Haley Joelle
Sideways Heart
90 bpm • A min • 02:43 • -7.32db
27% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lily Kincade
Real
91 bpm • D# Maj • 03:19 • -8.38db
41% Popularity • 66% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 66% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Ashley Kutcher
Favorite What If
91 bpm • F Maj • 02:52 • -7.31db
41% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Brynn Cartelli
If I Could
91 bpm • C# Maj • 03:18 • -6.64db
41% Popularity • 69% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 69% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Clendening
Love Song
91 bpm • C Maj • 02:35 • -10.85db
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
