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To Love And Back
Songs like
To Love And Back
by
This Century
Based on a tempo of (+/- 10%) and a similar genre
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This Century
To Love And Back
98 bpm • B Maj • 02:45 • -5.03db
19% Popularity • 56% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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King the Kid
We Are The Ones
98 bpm • E Maj • 02:45 • -4.85db
11% Popularity • 56% Danceability • 83% Energy • 52% Liveness
0% Instrumentalness • 77% Positiveness
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Plug In Stereo
Wait for Me - EP Version
98 bpm • E Maj • 03:04 • -5.59db
13% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Between The Trees
The One Thing
98 bpm • D Maj • 03:39 • -4.69db
18% Popularity • 49% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Every Avenue
Think Of You Later (Empty Room)
98 bpm • G Maj • 02:51 • -5db
40% Popularity • 58% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Sing It Loud
Don't Save Me
98 bpm • A# Maj • 03:31 • -4.51db
8% Popularity • 59% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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This Century
To Love and Back
98 bpm • B Maj • 02:46 • -5.74db
28% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The After Party
Waste the Day (Album Version)
98 bpm • D Maj • 03:50 • -4db
22% Popularity • 69% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Danger Is My Middle Name
Revenge On The Radio
98 bpm • C# Maj • 03:01 • -2.69db
14% Popularity • 52% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Allstar Weekend
Journey to the End of My Life
99 bpm • G Maj • 02:52 • -3db
21% Popularity • 50% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Making April
These Are The Nights - Acoustic Version
99 bpm • B Maj • 03:30 • -5.38db
13% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Runner Runner
Hey Alli
99 bpm • E Maj • 03:21 • -7.79db
18% Popularity • 57% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Amely
Come Back
97 bpm • G Maj • 03:09 • -4.08db
13% Popularity • 52% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
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Hot Chelle Rae
Whatever
99 bpm • C Maj • 02:53 • -6db
34% Popularity • 79% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Cute Is What We Aim For
Navigate Me
96 bpm • C min • 03:20 • -5.19db
33% Popularity • 42% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Allstar Weekend
Amy
99 bpm • G Maj • 03:46 • -4db
12% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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ATC
Closer, Faster
100 bpm • F Maj • 02:53 • -4.38db
23% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Runner Runner
Hey Alli
99 bpm • C# min • 03:22 • -7.59db
16% Popularity • 57% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Stereo Skyline
Man I Think I Love Her
100 bpm • F# Maj • 03:14 • -3.06db
41% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Junior Doctor
Leaving
100 bpm • C# Maj • 03:52 • -9.68db
18% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sing It Loud
Letting Go
100 bpm • G# min • 04:04 • -5.21db
17% Popularity • 54% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Allstar Weekend
Bend or Break
100 bpm • D Maj • 03:30 • -2.31db
18% Popularity • 54% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 72% Positiveness
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This Century
So Cruel
100 bpm • C Maj • 02:54 • -6.77db
3% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Plug In Stereo
You're on My Mind
96 bpm • G Maj • 02:59 • -7.18db
10% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Stereo Skyline
My Girl
100 bpm • G Maj • 03:08 • -3.91db
23% Popularity • 66% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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He Is We
Happily Ever After
100 bpm • E Maj • 04:04 • -4.98db
43% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Holiday Parade
Gone
101 bpm • A Maj • 04:03 • -6.13db
13% Popularity • 51% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Ready Set
Don't You Need Me
101 bpm • C Maj • 03:18 • -5.03db
17% Popularity • 66% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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This Century
No Way Out
96 bpm • G# Maj • 02:27 • -6.33db
9% Popularity • 61% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Plug In Stereo
I Blame You
101 bpm • C Maj • 02:44 • -4.89db
17% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Stereo Skyline
Why Not
100 bpm • B Maj • 02:41 • -4db
19% Popularity • 62% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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To Be Juliet's Secret
And She Said (acoustic)
95 bpm • E Maj • 04:03 • -7.49db
17% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Holiday Parade
My Philosophy
101 bpm • G# Maj • 02:52 • -4.87db
22% Popularity • 53% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Hot Chelle Rae
Radio
101 bpm • A Maj • 03:03 • -5.34db
36% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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This Century
Unforgivable
101 bpm • B min • 03:32 • -7.16db
4% Popularity • 63% Danceability • 73% Energy • 10% Liveness
6% Instrumentalness • 43% Positiveness
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The Ready Set
Luxury
95 bpm • G Maj • 03:05 • -5.59db
18% Popularity • 64% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Divided By Friday
Better Off
95 bpm • C# Maj • 03:24 • -5.9db
28% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mayday Parade
Oh Well, Oh Well - Acoustic
94 bpm • A# Maj • 04:43 • -10.41db
32% Popularity • 51% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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My Favorite Highway
Entertain The Pain
94 bpm • E Maj • 03:24 • -5db
30% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Hot Chelle Rae
The Only One
94 bpm • G Maj • 02:49 • -6.07db
25% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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This Century
Seven
95 bpm • D Maj • 04:22 • -6.72db
3% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Junior Doctor
Dancing in Your Dreams
102 bpm • A Maj • 03:32 • -5.03db
29% Popularity • 51% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Sing It Loud
Light It Up
102 bpm • D Maj • 03:11 • -4.91db
11% Popularity • 55% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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There For Tomorrow
Burn The Night Away
103 bpm • F# Maj • 03:24 • -8.77db
33% Popularity • 66% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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My Favorite Highway
Bittersweet Life
103 bpm • C Maj • 03:29 • -5.22db
23% Popularity • 56% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Runner Runner
Life After You
103 bpm • B Maj • 03:48 • -5.57db
21% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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This Century
Someone for Everyone
95 bpm • F# Maj • 03:01 • -4.53db
3% Popularity • 53% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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William Beckett
Oh, Love!
93 bpm • B min • 03:39 • -5db
21% Popularity • 60% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Hot Chelle Rae
Honestly
93 bpm • C Maj • 03:21 • -4db
45% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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To Be Juliet's Secret
Hello Love Goodbye
104 bpm • A Maj • 04:17 • -5.72db
20% Popularity • 39% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Ronnie Day
Falling for You
104 bpm • A Maj • 03:18 • -5.26db
17% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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A Change of Pace
The First Time We Ever Met
104 bpm • A min • 03:07 • -3.03db
22% Popularity • 42% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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This Century
Hot Friends
92 bpm • C# Maj • 03:13 • -6.06db
4% Popularity • 32% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Ready Set
More Than This - Bonus Track
92 bpm • C# min • 03:45 • -6.22db
17% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Divided By Friday
Face To Face
92 bpm • D Maj • 03:20 • -4db
23% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Stephen Jerzak
Miles N' Miles
105 bpm • A# Maj • 03:15 • -4.57db
13% Popularity • 59% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The Cab
High Hopes in Velvet
105 bpm • D min • 03:22 • -3.84db
31% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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A Change of Pace
Maybe Someday
105 bpm • G Maj • 03:27 • -4.43db
9% Popularity • 59% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Allstar Weekend
A Different Side Of Me
105 bpm • D Maj • 03:09 • -2.83db
34% Popularity • 59% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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This Century
Everywhere Everything
92 bpm • E Maj • 03:11 • -5db
28% Popularity • 51% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Runner Runner
Papercuts
105 bpm • C# Maj • 03:38 • -7.88db
17% Popularity • 52% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Cady Groves
I'm Still Here
105 bpm • C# Maj • 03:07 • -6.97db
16% Popularity • 43% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mayday Parade
Girls
91 bpm • E Maj • 03:22 • -4.84db
33% Popularity • 40% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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All Time Low
Just The Way I'm Not
91 bpm • D Maj • 03:16 • -3.63db
27% Popularity • 59% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Robbins
Breathe Again
91 bpm • A# Maj • 02:47 • -4.6db
8% Popularity • 50% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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This Century
Soul Sucker
105 bpm • A# Maj • 03:36 • -4db
16% Popularity • 61% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Holiday Parade
Getaway
106 bpm • F Maj • 03:36 • -4.34db
22% Popularity • 53% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Junior Doctor
Back Home
90 bpm • C Maj • 03:12 • -2.86db
24% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Hot Chelle Rae
Keep You With Me
90 bpm • G Maj • 03:29 • -4.79db
30% Popularity • 65% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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All Time Low
My Only One
106 bpm • G Maj • 04:22 • -3.32db
23% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Divided By Friday
Lost In Limbo
90 bpm • D Maj • 02:57 • -2.54db
20% Popularity • 38% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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This Century
Everywhere Everything
90 bpm • B Maj • 03:16 • -4.55db
4% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Every Avenue
Finish What You Started
90 bpm • C# min • 03:09 • -1.94db
28% Popularity • 46% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Swimming With Dolphins
Up in the Stars
90 bpm • A# Maj • 05:02 • -9.56db
24% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Danger Radio
Kiss N' Tell
90 bpm • A min • 03:41 • -4db
19% Popularity • 64% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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All Time Low
Weightless (The Secret Handshake Remix)
91 bpm • D Maj • 03:09 • -6.38db
9% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Divided By Friday
Prove It
90 bpm • F Maj • 03:24 • -4db
20% Popularity • 43% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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This Century
Relapse
90 bpm • C min • 04:29 • -8.03db
5% Popularity • 48% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Letters and Lights
Night Like This
90 bpm • C Maj • 03:14 • -7.53db
9% Popularity • 62% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Sing It Loud
Here With You
107 bpm • A Maj • 03:04 • -4.52db
14% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Sherwood
The Town That You Live In
108 bpm • B min • 03:25 • -6db
24% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Cab
I'll Run - Strings Version
108 bpm • A Maj • 04:42 • -7.03db
13% Popularity • 50% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Divided By Friday
Growing Up
90 bpm • B min • 03:12 • -3.73db
17% Popularity • 48% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Sparks The Rescue
She's A Bitch, And I'm A Fool
108 bpm • C Maj • 02:46 • -4.81db
22% Popularity • 49% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Letters and Lights
Missing You
90 bpm • D Maj • 03:35 • -7.77db
14% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Cady Groves
A Town Like This
88 bpm • G# min • 03:23 • -9.56db
12% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sing It Loud
Sugar Sweet
107 bpm • G Maj • 02:58 • -4.72db
21% Popularity • 51% Danceability • 74% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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The Morning Of
Pilot To Base
88 bpm • D Maj • 04:31 • -5.14db
8% Popularity • 48% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
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Stereo Skyline
Can't Stop
110 bpm • A# min • 02:38 • -2.75db
14% Popularity • 71% Danceability • 89% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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Danger Radio
Another Lesson in Love
110 bpm • B min • 03:04 • -3db
13% Popularity • 72% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Days
You've Been On My Mind
110 bpm • E Maj • 03:44 • -6.5db
21% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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My Favorite Highway
Go
110 bpm • F# Maj • 03:36 • -3.93db
21% Popularity • 56% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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All Time Low
No Idea
111 bpm • C# Maj • 04:23 • -4.51db
25% Popularity • 50% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Gibbs
I Like The Ones
111 bpm • A Maj • 02:51 • -2.31db
15% Popularity • 57% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Stereo Skyline
That Everything
110 bpm • G# Maj • 02:47 • -3.75db
21% Popularity • 67% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Mayday Parade
Amber Lynn - EP Version
86 bpm • F# Maj • 03:53 • -6.11db
29% Popularity • 26% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Dave Days
Last Song
110 bpm • D Maj • 03:48 • -4.97db
20% Popularity • 56% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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This Century
Tip Toe
86 bpm • C# Maj • 03:24 • -3.35db
17% Popularity • 53% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Scene Aesthetic
Yellow Birds And Coal Mines
86 bpm • G Maj • 03:58 • -9.61db
4% Popularity • 33% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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BOYS LIKE GIRLS
The First One
112 bpm • D Maj • 04:01 • -4.11db
30% Popularity • 47% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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To Love And Back