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To Notre Dame
Songs like
To Notre Dame
by
Jerry Goldsmith
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Newman
News Travels
82 bpm • A# Maj • 01:12 • -18.22db
37% Popularity • 28% Danceability • 18% Energy • 16% Liveness
70% Instrumentalness • 8% Positiveness
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Wojciech Kilar
End Credits
83 bpm • F Maj • 06:42 • -31.58db
25% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
16% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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Dave Grusin
Wishing Well And The Fratellis Find Coin
81 bpm • A min • 02:49 • -15.9db
14% Popularity • 15% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Maurice Jarre
Main Title
81 bpm • A# Maj • 01:58 • -12db
17% Popularity • 24% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Don Davis
Logos / The Matrix Main Title
81 bpm • F Maj • 00:53 • -17.84db
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
27% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Mulan's Decision
83 bpm • A# min • 03:23 • -19.27db
42% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
43% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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Andrew Lockington
Mysterious Island Main Titles
80 bpm • F Maj • 03:22 • -8db
17% Popularity • 14% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Cliff Eidelman
The Battle For Peace - Star Trek VI/Soun...
80 bpm • G# Maj • 08:02 • -21.56db
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Joel McNeely
Main Theme From Star Wars And Leia's Nig...
84 bpm • A# Maj • 03:47 • -16db
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Shirley Walker
Batman: The Animated Series - Alternate ...
80 bpm • D min • 01:08 • -13.44db
24% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Jerry Goldsmith
Mumia Attack
84 bpm • F min • 02:16 • -17.43db
23% Popularity • 16% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
26% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Dave Grusin
Fratelli Chase
80 bpm • D min • 02:47 • -13db
36% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
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Nick Glennie-Smith
I'll Go With You
80 bpm • A# min • 01:17 • -16db
33% Popularity • 23% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
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Andrew Lockington
The Center Of The Earth
80 bpm • G Maj • 04:44 • -24.26db
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Main Title
80 bpm • F Maj • 02:14 • -17.71db
29% Popularity • 35% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 14% Positiveness
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Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
26% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Dave Grusin
Plumbing
80 bpm • D min • 01:25 • -14db
35% Popularity • 68% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
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Marcel Barsotti
The Flood
80 bpm • E Maj • 01:29 • -17.1db
10% Popularity • 24% Danceability • 34% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
36% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
The Calling / The Neighborhood
85 bpm • F Maj • 04:08 • -20.42db
17% Popularity • 13% Danceability • 18% Energy • 67% Liveness
46% Instrumentalness • 6% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Carter Burwell
Fargo
85 bpm • E min • 03:03 • -22.06db
26% Popularity • 10% Danceability • 6% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Ministry of Magic
85 bpm • G# Maj • 02:47 • -17.75db
41% Popularity • 23% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Fred Steiner
Main Title And Closing Theme
79 bpm • A min • 01:23 • -13.66db
24% Popularity • 16% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Semantics
79 bpm • F min • 02:41 • -21.7db
23% Popularity • 12% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 7% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Jeff Russo
Justin’s Theme
85 bpm • A min • 02:51 • -19.43db
37% Popularity • 9% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
16% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Young
Hellbound / Second Sight Seance
86 bpm • A Maj • 07:28 • -12.09db
18% Popularity • 9% Danceability • 39% Energy • 37% Liveness
2% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
A Start
85 bpm • G# Maj • 02:28 • -24.35db
15% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Dave Grusin
Doubloon
78 bpm • F# min • 01:47 • -19.27db
24% Popularity • 21% Danceability • 12% Energy • 8% Liveness
18% Instrumentalness • 3% Positiveness
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Dennis McCarthy
Star Trek: Deep Space Nine Theme - (Sing...
78 bpm • C Maj • 04:16 • -11.31db
16% Popularity • 20% Danceability • 46% Energy • 22% Liveness
83% Instrumentalness • 8% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Carter Burwell
The Showdown
78 bpm • G Maj • 06:41 • -18db
15% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
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Stephen Barton
Make It So
86 bpm • F# Maj • 06:02 • -15.65db
28% Popularity • 9% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Batman: Mask Of The Phantasm OMPST
Batman's Destiny
78 bpm • C# Maj • 03:50 • -18.61db
19% Popularity • 20% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 5% Positiveness
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Jerry Goldsmith
Welcome Aboard, Sir
86 bpm • C Maj • 02:11 • -16.73db
24% Popularity • 12% Danceability • 31% Energy • 7% Liveness
70% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Henry Jackman
Cap's Promise
78 bpm • A Maj • 03:45 • -14db
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Stephen Barton
Leaving Spacedock
78 bpm • G# Maj • 03:44 • -14.2db
21% Popularity • 11% Danceability • 27% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
25% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Thomas Wander
We are Rich
78 bpm • B Maj • 01:05 • -17.18db
8% Popularity • 8% Danceability • 27% Energy • 47% Liveness
95% Instrumentalness • 4% Positiveness
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Wojciech Kilar
Mina / Dracula
77 bpm • E min • 04:48 • -26db
17% Popularity • 7% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Dave Grusin
The Goondocks (Goonies Theme)
87 bpm • A Maj • 02:04 • -19.83db
30% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bruce and Betty
87 bpm • D# min • 05:05 • -20.6db
18% Popularity • 9% Danceability • 11% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
End Title
87 bpm • F Maj • 05:28 • -17db
26% Popularity • 18% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
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Dennis McCarthy
Kirk's Death
87 bpm • C Maj • 02:45 • -33.83db
15% Popularity • 9% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Blake Neely
Post Engines, Pre-flight
88 bpm • C Maj • 03:52 • -14.7db
42% Popularity • 9% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Crowd Control
77 bpm • C# Maj • 03:09 • -18.99db
20% Popularity • 12% Danceability • 17% Energy • 22% Liveness
42% Instrumentalness • 7% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Trevor Jones
Chandara Bus Station
76 bpm • A min • 02:57 • -21.24db
15% Popularity • 13% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
23% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Harry Manfredini
Overlay of Evil / Main Title
76 bpm • B Maj • 03:32 • -16.08db
30% Popularity • 31% Danceability • 18% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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Christopher Young
Hellraiser
89 bpm • G# Maj • 01:42 • -18.71db
29% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Various Artists
Star Trek: Deep Space Nine Main Title - ...
89 bpm • C Maj • 01:54 • -18db
19% Popularity • 25% Danceability • 33% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Cliff Eidelman
Sign Off - Star Trek VI/Soundtrack Versi...
89 bpm • C min • 03:12 • -20.6db
22% Popularity • 12% Danceability • 4% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
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Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Henry Jackman
A Man Who's Honorable
76 bpm • G# Maj • 02:41 • -11.73db
26% Popularity • 25% Danceability • 35% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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Ramin Djawadi
There Is A God In You
89 bpm • F Maj • 01:38 • -13.17db
29% Popularity • 44% Danceability • 52% Energy • 13% Liveness
78% Instrumentalness • 5% Positiveness
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Mychael Danna
Homestead
76 bpm • A# Maj • 02:11 • -17.45db
40% Popularity • 26% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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George Fenton
Ever After Main Title
89 bpm • G min • 03:32 • -20.45db
33% Popularity • 16% Danceability • 7% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
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Cliff Eidelman
You Are My Peace
75 bpm • A min • 02:55 • -28db
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
Tarred & Feathered
90 bpm • E min • 02:20 • -15.58db
12% Popularity • 18% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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M.S.
Batman Begins: Main Theme
75 bpm • G min • 02:44 • -19db
30% Popularity • 35% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Brad Fiedel
Trust Me - Remastered 2017
75 bpm • D min • 01:39 • -11db
36% Popularity • 61% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Angelo Badalamenti
Stalingrad Overture (Universal Theme)
75 bpm • A Maj • 03:18 • -19.54db
16% Popularity • 7% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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