Songs like To Sketch Memories In Stars by Amyst
Based on a tempo of (+/- 10%) and a similar genre
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A Bullet for Pretty Boy
Tides
145 bpm • G# Maj • 03:16 • -5db
19% Popularity • 48% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 48% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Above the Broken
Directions
145 bpm • G# Maj • 04:08 • -3db
12% Popularity • 50% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 50% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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I Am Abomination
Rock N' No Soul
145 bpm • C# Maj • 03:59 • -2.81db
14% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Shoot the Girl First
A Tumor Called Marla
145 bpm • G# Maj • 04:24 • -5.21db
21% Popularity • 53% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 53% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Woe, Is Me
Mannequin Religion
145 bpm • G# Maj • 02:54 • -5.05db
35% Popularity • 44% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 44% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
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Kingdom Of Giants
Guns And Girls
145 bpm • G# Maj • 04:19 • -4.3db
20% Popularity • 28% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 28% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Tear Out The Heart
Feed Me A Stray Cat
145 bpm • A Maj • 02:50 • -3db
9% Popularity • 38% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 38% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Ten After Two
Sight At Sea
145 bpm • F min • 04:21 • -4.21db
8% Popularity • 49% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 49% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Amyst
My Heart Is Where I Left You
145 bpm • C# Maj • 03:00 • -4.95db
9% Popularity • 48% Danceability • 95% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
9% Popularity • 48% Danceability • 95% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Concepts
Shadow Walker
145 bpm • F Maj • 03:59 • -6.18db
16% Popularity • 41% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 41% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Skip The Foreplay
Mash It Up
145 bpm • A# Maj • 03:36 • -3.81db
13% Popularity • 45% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 45% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Shoot the Girl First
9th Symphony
145 bpm • A# Maj • 03:20 • -4.04db
11% Popularity • 41% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Nevada Rose
Vanity
145 bpm • B min • 03:29 • -5db
9% Popularity • 46% Danceability • 95% Energy • 38% Liveness
3% Instrumentalness • 16% Positiveness
9% Popularity • 46% Danceability • 95% Energy • 38% Liveness
3% Instrumentalness • 16% Positiveness
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Ten After Two
Truth Is…
145 bpm • F min • 03:53 • -3.91db
13% Popularity • 41% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 41% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Amyst
I'd Trade You For A Dream Catcher
145 bpm • D# min • 03:13 • -2.16db
6% Popularity • 21% Danceability • 96% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
6% Popularity • 21% Danceability • 96% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Scarlett O'Hara
Dude, You're Being That Guy
145 bpm • C# min • 03:28 • -4.77db
21% Popularity • 29% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 29% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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The Paramedic
Have A Nice Day
145 bpm • G# Maj • 03:05 • -4db
17% Popularity • 40% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 40% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Chasing Safety
One Can Only Hope
145 bpm • B min • 03:49 • -4.21db
9% Popularity • 45% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 45% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Silent Screams
Hope for Now
145 bpm • F min • 02:54 • -3.05db
8% Popularity • 37% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 37% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Forget Tomorrow
It's Not Me, It's You
145 bpm • G# Maj • 02:54 • -3db
13% Popularity • 25% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 25% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Amyst
To Sketch Memories In Stars
145 bpm • G Maj • 03:09 • -3db
10% Popularity • 45% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 45% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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We Came As Romans
Conditions
145 bpm • A# Maj • 04:01 • -2.55db
26% Popularity • 27% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 27% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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That's Outrageous!
Paging Patrick Bateman
145 bpm • G# Maj • 03:00 • -1.33db
11% Popularity • 13% Danceability • 98% Energy • 37% Liveness
17% Instrumentalness • 29% Positiveness
11% Popularity • 13% Danceability • 98% Energy • 37% Liveness
17% Instrumentalness • 29% Positiveness
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Casino Madrid
The Rocky Mountains Aren't As Rocky As U...
145 bpm • F min • 02:30 • -4db
14% Popularity • 16% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 16% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Scarlett O'Hara
Empires
144 bpm • F# Maj • 03:17 • -4.91db
15% Popularity • 52% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 52% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Through Arteries
This Is the End
146 bpm • A# min • 03:55 • -4.98db
23% Popularity • 26% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
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His Statue Falls
Increase:Decrease
146 bpm • C min • 03:21 • -3.38db
9% Popularity • 44% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 44% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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One Last Look
Dreamers
146 bpm • C# Maj • 03:57 • -3.85db
16% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie's Elsewhere
Empty Eyes
146 bpm • A# min • 04:05 • -3db
26% Popularity • 22% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 22% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Casino Madrid
Life Sentencer
146 bpm • F# Maj • 03:23 • -1.6db
19% Popularity • 29% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 29% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Scarlett O'Hara
I Make My Own Karma
144 bpm • C# min • 02:19 • -4.93db
16% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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We Came As Romans
Shapes
147 bpm • D min • 03:52 • -3.5db
24% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Avalanche Diaries
Worthy to Me
147 bpm • G# Maj • 04:08 • -2.81db
24% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Upon This Dawning
From Hell To The West
143 bpm • F min • 03:47 • -5db
16% Popularity • 40% Danceability • 97% Energy • 40% Liveness
1% Instrumentalness • 29% Positiveness
16% Popularity • 40% Danceability • 97% Energy • 40% Liveness
1% Instrumentalness • 29% Positiveness
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Chasing Safety
We Believe
143 bpm • B min • 03:48 • -3.8db
15% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
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Casino Madrid
Pyramids
146 bpm • G# Maj • 06:07 • -6.4db
11% Popularity • 30% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 30% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Kingdom Of Giants
A Test Of My Survival
143 bpm • C Maj • 03:35 • -4.25db
31% Popularity • 28% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 28% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Capture
Insomniac
148 bpm • G min • 04:36 • -5.17db
22% Popularity • 21% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 21% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 19% Positiveness
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One Last Look
If I Have to, Then I Have To
148 bpm • F# Maj • 03:14 • -5.21db
15% Popularity • 41% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 41% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Owls In the Attic
Jaws of Life
148 bpm • D# min • 03:10 • -3.64db
24% Popularity • 45% Danceability • 100% Energy • 58% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 45% Danceability • 100% Energy • 58% Liveness
0% Instrumentalness • 14% Positiveness
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Shoot the Girl First
Jagerbomb
142 bpm • C# Maj • 04:09 • -2.17db
16% Popularity • 47% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 29% Positiveness
16% Popularity • 47% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 29% Positiveness
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Amyst
We'll Play With Fire Ants Until The Wate...
141 bpm • B min • 03:32 • -3.04db
11% Popularity • 48% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 48% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Sienna Skies
Achiever
150 bpm • A Maj • 04:10 • -4.17db
3% Popularity • 21% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 21% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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A Bullet for Pretty Boy
White Noise
149 bpm • A# min • 04:06 • -4.38db
7% Popularity • 47% Danceability • 98% Energy • 30% Liveness
16% Instrumentalness • 24% Positiveness
7% Popularity • 47% Danceability • 98% Energy • 30% Liveness
16% Instrumentalness • 24% Positiveness
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One Last Look
This Confession Has Meant Nothing
142 bpm • A# min • 03:24 • -6.51db
19% Popularity • 49% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 49% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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We Came As Romans
Intentions
150 bpm • F# min • 03:00 • -2.92db
21% Popularity • 27% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 27% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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Above This
Attaboy
150 bpm • F# Maj • 03:04 • -0.68db
13% Popularity • 48% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 48% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
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Above the Broken
Lead Feet in Deep Waters
150 bpm • D Maj • 03:50 • -3.19db
14% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Owls In the Attic
It's Not over Yet
150 bpm • G Maj • 03:33 • -4db
19% Popularity • 47% Danceability • 99% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 99% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
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This Romantic Tragedy
So Far Away
150 bpm • D Maj • 03:37 • -3.95db
20% Popularity • 17% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Skip The Foreplay
Destination Nowhere
150 bpm • F# Maj • 04:03 • -5db
10% Popularity • 47% Danceability • 99% Energy • 58% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 47% Danceability • 99% Energy • 58% Liveness
0% Instrumentalness • 16% Positiveness
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Shoot the Girl First
Legend
150 bpm • C min • 04:08 • -5db
14% Popularity • 46% Danceability • 96% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
14% Popularity • 46% Danceability • 96% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
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Chasing Safety
My Revenge
150 bpm • A min • 03:50 • -4.36db
10% Popularity • 23% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Kingdom Of Giants
Who I Once Was
150 bpm • G# Maj • 03:40 • -6db
26% Popularity • 46% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 46% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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From Atlantis
Changes
140 bpm • G Maj • 03:14 • -3.83db
8% Popularity • 51% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 51% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Horizons
Find Your Light
150 bpm • B min • 03:29 • -3db
28% Popularity • 19% Danceability • 100% Energy • 76% Liveness
1% Instrumentalness • 9% Positiveness
28% Popularity • 19% Danceability • 100% Energy • 76% Liveness
1% Instrumentalness • 9% Positiveness
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Above the Broken
Join or Die
150 bpm • B min • 04:38 • -4db
15% Popularity • 49% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 49% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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That's Outrageous!
Teenage Scream
150 bpm • B min • 03:22 • -4.75db
18% Popularity • 51% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 51% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Us, From Outside
Putting A Face To Fear
140 bpm • E min • 03:07 • -5.17db
17% Popularity • 52% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 52% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Kingdom Of Giants
In Focus
150 bpm • G Maj • 03:30 • -2.38db
7% Popularity • 29% Danceability • 96% Energy • 64% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 29% Danceability • 96% Energy • 64% Liveness
0% Instrumentalness • 5% Positiveness
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One Year Later
Twisted Tongues
150 bpm • B min • 02:52 • -1.04db
19% Popularity • 43% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 43% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Horizons
Open Arms
150 bpm • C# min • 04:03 • -3db
22% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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A Bullet for Pretty Boy
The Deceiver
150 bpm • C min • 03:52 • -4db
29% Popularity • 43% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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A Faylene Sky
I Wasn't Born Again Yesterday
150 bpm • A Maj • 03:00 • -6.5db
7% Popularity • 47% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 47% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tear Out The Heart
Infamous Last Words
150 bpm • D Maj • 03:41 • -1.93db
23% Popularity • 31% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 31% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 10% Positiveness
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Woe, Is Me
Call It Like You See It
140 bpm • A# Maj • 02:01 • -2.01db
24% Popularity • 44% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 44% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Sienna Skies
Part with Pride
140 bpm • C# Maj • 03:06 • -4.91db
19% Popularity • 19% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 19% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Amyst
Feel Our Love
140 bpm • B min • 03:32 • -4.48db
3% Popularity • 52% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 52% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Words We Use
56 Chances
150 bpm • E min • 04:08 • -3.01db
13% Popularity • 15% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Whether, I
Honor Offer
140 bpm • G Maj • 03:53 • -2.73db
16% Popularity • 47% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 47% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Come The Dawn
It's Not Me, It's You
150 bpm • B min • 04:09 • -2.87db
14% Popularity • 48% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 48% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Confide
My Choice Of Words
140 bpm • G# Maj • 03:32 • -4db
25% Popularity • 44% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 44% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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For All I Am
Out of Line
140 bpm • D Maj • 03:34 • -2.58db
13% Popularity • 47% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 47% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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Above the Broken
Keep It Secret, Keep It Safe
140 bpm • G Maj • 03:59 • -3.12db
15% Popularity • 52% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 52% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 14% Positiveness
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Bruised But Not Broken
Just (Defied) Sin
140 bpm • D Maj • 04:21 • -5.15db
9% Popularity • 34% Danceability • 92% Energy • 20% Liveness
3% Instrumentalness • 22% Positiveness
9% Popularity • 34% Danceability • 92% Energy • 20% Liveness
3% Instrumentalness • 22% Positiveness
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The Paramedic
Xenophobia
140 bpm • D min • 03:49 • -3.5db
12% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 5% Positiveness
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Ten After Two
Anxious
140 bpm • G# Maj • 03:05 • -3.8db
9% Popularity • 44% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 44% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
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Chasing Safety
The Machine
140 bpm • G Maj • 03:36 • -4.67db
15% Popularity • 47% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Call US Forgotten
Under An Ashen Sky
140 bpm • D min • 04:11 • -3.79db
11% Popularity • 29% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 29% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 21% Positiveness
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Above the Broken
Hourglass
140 bpm • A Maj • 04:36 • -3.95db
10% Popularity • 44% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 44% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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From Atlantis
Growing, Caving, Searching, Sinking
140 bpm • F# min • 02:58 • -3.09db
7% Popularity • 56% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 56% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Skip The Foreplay
This City (We're Taking Over)
140 bpm • A# min • 03:01 • -3.66db
18% Popularity • 56% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 56% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Ten After Two
Satans Slumber Party
140 bpm • G Maj • 02:28 • -4.04db
10% Popularity • 45% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 45% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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One Year Later
Phantom
140 bpm • A min • 03:33 • -2.25db
12% Popularity • 52% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 52% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Call US Forgotten
Bring On The Empty Horses
140 bpm • C# Maj • 04:47 • -4db
9% Popularity • 27% Danceability • 95% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 27% Danceability • 95% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
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This Romantic Tragedy
Sounds Delicious
140 bpm • A Maj • 06:07 • -5db
10% Popularity • 28% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 28% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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From Atlantis
Pedestals
140 bpm • D Maj • 03:32 • -4.91db
18% Popularity • 49% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 49% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Skip The Foreplay
Dom Perignon
140 bpm • F# Maj • 03:07 • -3.63db
11% Popularity • 37% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 37% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Above the Broken
The Dark Half
140 bpm • F# Maj • 05:48 • -3.83db
19% Popularity • 45% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
19% Popularity • 45% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 14% Positiveness
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Make Me Famous
It's Now Or Never
140 bpm • F min • 01:12 • -3.69db
27% Popularity • 52% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Shoot the Girl First
Rest in Pieces
140 bpm • A# min • 04:43 • -2.32db
13% Popularity • 48% Danceability • 98% Energy • 38% Liveness
1% Instrumentalness • 27% Positiveness
13% Popularity • 48% Danceability • 98% Energy • 38% Liveness
1% Instrumentalness • 27% Positiveness
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Verah Falls
Throat of the World
140 bpm • F min • 03:11 • -4.37db
10% Popularity • 46% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 46% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Pyro, Ohio
Did I Mention I'm a Hypocrite?
140 bpm • D Maj • 04:28 • -4.6db
7% Popularity • 45% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 45% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Paramedic
Unstoppable (The Response Pt. 2)
150 bpm • A min • 03:56 • -1.65db
8% Popularity • 43% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 43% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Come The Dawn
Daily Gnargoyles
140 bpm • B min • 04:01 • -3.1db
7% Popularity • 50% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 50% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Fear and Wonder
The Animal Inside
140 bpm • A# min • 03:45 • -2.56db
20% Popularity • 51% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 51% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Shoot the Girl First
Autumn Skies
140 bpm • C# Maj • 03:55 • -2.13db
11% Popularity • 47% Danceability • 98% Energy • 26% Liveness
5% Instrumentalness • 21% Positiveness
11% Popularity • 47% Danceability • 98% Energy • 26% Liveness
5% Instrumentalness • 21% Positiveness
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Like Vultures
Stay in the Light
140 bpm • D Maj • 03:17 • -4.1db
7% Popularity • 50% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 50% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness