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To the Beat
Songs like
To the Beat
by
Autolog
Based on a tempo of (+/- 10%) and a similar genre
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Deep Forest
Oyme's Song
127 bpm • A# min • 05:14 • -21.2db
20% Popularity • 63% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Bremer/McCoy
Alpha & Omega
127 bpm • A min • 02:26 • -18.39db
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Laurent Ferlet
Savane
127 bpm • G Maj • 02:02 • -20.5db
7% Popularity • 58% Danceability • 17% Energy • 9% Liveness
64% Instrumentalness • 18% Positiveness
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Gracelynne
Valor
128 bpm • D# Maj • 02:00 • -23.71db
11% Popularity • 76% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Chocolate Hills
Cracking Kraken
126 bpm • C min • 03:10 • -14.93db
24% Popularity • 66% Danceability • 47% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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Skizzi
N.1
127 bpm • A min • 01:08 • -23.4db
25% Popularity • 30% Danceability • 18% Energy • 38% Liveness
7% Instrumentalness • 16% Positiveness
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Northern Sound Project
Alone
128 bpm • G Maj • 03:27 • -15.26db
16% Popularity • 61% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Kaidi Tatham
In Search of Hope, Pt. 1
129 bpm • A min • 00:57 • -23.16db
10% Popularity • 28% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Andrew Blythe
Time For A Story
128 bpm • C Maj • 01:13 • -16.93db
13% Popularity • 79% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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小畑貴裕
脱出のための推理
125 bpm • D Maj • 01:46 • -21.23db
12% Popularity • 55% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Kuma HM
Move
125 bpm • A Maj • 02:47 • -18.36db
17% Popularity • 40% Danceability • 42% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
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Arcade Alley
Momento
129 bpm • D Maj • 03:14 • -15.83db
17% Popularity • 86% Danceability • 38% Energy • 12% Liveness
71% Instrumentalness • 60% Positiveness
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Melinda Flores
Extended Power
125 bpm • F# min • 02:24 • -30.63db
15% Popularity • 79% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Jim White
St. Francis Place Set Up
125 bpm • F# Maj • 00:57 • -19.63db
19% Popularity • 50% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Melancore
Celebration
129 bpm • C Maj • 07:16 • -21.61db
9% Popularity • 40% Danceability • 26% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Feewalu
Luminous Matter
129 bpm • E min • 07:07 • -12.98db
11% Popularity • 37% Danceability • 49% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Sharon Park
Aurora Rhapsody
130 bpm • F Maj • 02:23 • -18.03db
15% Popularity • 23% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 31% Positiveness
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Macross 82-99
Even After Dark
130 bpm • E min • 01:17 • -19.21db
26% Popularity • 51% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 76% Positiveness
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Martin Phipps
Actually Her
130 bpm • D min • 03:12 • -20db
34% Popularity • 22% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Manet
Jazz in My Pants
130 bpm • D# min • 04:59 • -32.51db
16% Popularity • 37% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
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Iris Official
A Desolate Becoming
130 bpm • D Maj • 01:00 • -20.82db
10% Popularity • 56% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Boris Blank
Ancore
130 bpm • E min • 02:07 • -18.34db
16% Popularity • 50% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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James Newton Howard
Captain Boun
124 bpm • C# Maj • 01:02 • -17.51db
32% Popularity • 78% Danceability • 52% Energy • 5% Liveness
66% Instrumentalness • 87% Positiveness
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Buddha-Bar
Desert People
130 bpm • F Maj • 04:33 • -13.22db
13% Popularity • 58% Danceability • 59% Energy • 26% Liveness
79% Instrumentalness • 20% Positiveness
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Ben Prunty
Reprocessing
124 bpm • A min • 04:21 • -18.19db
25% Popularity • 60% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Sweetback
Powder
130 bpm • C min • 05:21 • -21.96db
15% Popularity • 47% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
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Hiroyuki Sawano
交響$weet 1st-Mov.:st-RING
123 bpm • A min • 04:23 • -15.06db
8% Popularity • 45% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
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Kuroyume
心臓
130 bpm • G Maj • 01:35 • -25.2db
8% Popularity • 62% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Masafumi Takada
Darkness Time
131 bpm • G min • 04:15 • -19.17db
20% Popularity • 28% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Halo
Perchance to Dream
123 bpm • F min • 01:00 • -15.88db
36% Popularity • 79% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 69% Positiveness
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Kevin Yost
Sunset Secrets
123 bpm • E min • 06:17 • -16.09db
10% Popularity • 61% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
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AstralShift
Pumpkin Märchen ~ Mitternacht
123 bpm • G# min • 02:36 • -21.84db
8% Popularity • 52% Danceability • 15% Energy • 11% Liveness
99% Instrumentalness • 47% Positiveness
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岩垂徳行
ココロスコープ 〜心理分析開...
123 bpm • F# Maj • 02:14 • -14.04db
20% Popularity • 63% Danceability • 69% Energy • 13% Liveness
88% Instrumentalness • 70% Positiveness
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Alexandre Desplat
A Better Life
123 bpm • F min • 02:27 • -12.31db
8% Popularity • 58% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Christopher Young
The Catch
123 bpm • G# min • 01:30 • -24.01db
12% Popularity • 53% Danceability • 13% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Richard Barbieri
Sleepers Awake
122 bpm • D Maj • 09:16 • -12.7db
9% Popularity • 72% Danceability • 50% Energy • 11% Liveness
84% Instrumentalness • 51% Positiveness
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Kholil Buitenzorg
Suara Seram Sangat Mencekam
122 bpm • C# min • 04:03 • -21.33db
17% Popularity • 43% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Bruno Exp
Hammers
132 bpm • F min • 01:49 • -10.4db
17% Popularity • 43% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Tottomori
Three eggs and cold coffee
122 bpm • G# Maj • 01:50 • -25.55db
19% Popularity • 74% Danceability • 14% Energy • 11% Liveness
38% Instrumentalness • 82% Positiveness
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The Mercy Stone
Let It Rain
132 bpm • C# min • 03:55 • -16.04db
10% Popularity • 64% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 23% Positiveness
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Planetarium
March of the Sardaukar
122 bpm • D Maj • 02:34 • -11.56db
10% Popularity • 66% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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Bohren & Der Club Of Gore
Midnight Walker
132 bpm • C min • 07:18 • -24.07db
33% Popularity • 27% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Vanguard Sound
Adaptative Algorithm
122 bpm • C Maj • 02:39 • -13.12db
19% Popularity • 49% Danceability • 53% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Turn On The Sunlight
Alive To Feel
133 bpm • D Maj • 04:00 • -15.51db
17% Popularity • 22% Danceability • 19% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
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Matt Beane (DonutDrums)
Cave Dungeon
133 bpm • A# Maj • 03:53 • -18.05db
13% Popularity • 64% Danceability • 40% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Project Garibaldi
3o5
133 bpm • D Maj • 01:12 • -24.85db
21% Popularity • 70% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Bard to the Core
Jump - Medieval Style
133 bpm • C Maj • 01:30 • -20.85db
27% Popularity • 78% Danceability • 18% Energy • 14% Liveness
74% Instrumentalness • 62% Positiveness
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Hiroyuki Sawano
gT→pF
121 bpm • A Maj • 04:22 • -16.43db
14% Popularity • 36% Danceability • 28% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Jim White
Soft Material
121 bpm • C Maj • 03:32 • -17.63db
19% Popularity • 25% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Seiji Yokoyama
Découvertes Anciennes
121 bpm • B min • 01:36 • -15.06db
14% Popularity • 28% Danceability • 19% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Mamadou.
Tread Slowly. - Instrumental
134 bpm • A# min • 03:36 • -17.07db
16% Popularity • 51% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Blacky
DarkSmoke
134 bpm • A min • 02:08 • -15.46db
27% Popularity • 68% Danceability • 63% Energy • 15% Liveness
83% Instrumentalness • 85% Positiveness
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Thomas Newman
Weirdest Home Videos
134 bpm • C min • 02:02 • -15.18db
30% Popularity • 83% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
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Mahuia Bridgman-Cooper
Penguins (New Zealand)
120 bpm • C# min • 01:52 • -20.31db
8% Popularity • 84% Danceability • 16% Energy • 12% Liveness
76% Instrumentalness • 75% Positiveness
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Angelo Badalamenti
The Kidnap
120 bpm • D min • 01:01 • -17.21db
29% Popularity • 72% Danceability • 26% Energy • 22% Liveness
88% Instrumentalness • 15% Positiveness
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Jean Michel P.s
Echo of the Waterfalls
120 bpm • C Maj • 03:25 • -16.97db
10% Popularity • 47% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Liquid Planet
Sita's Betrayal
120 bpm • G# Maj • 04:01 • -13.29db
10% Popularity • 50% Danceability • 48% Energy • 20% Liveness
27% Instrumentalness • 15% Positiveness
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Mychael Danna
I'd Like to Leave Please
120 bpm • A min • 01:17 • -29.53db
13% Popularity • 51% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Pau Viguer
Reflections of Yesterday
120 bpm • G min • 03:37 • -16.1db
11% Popularity • 67% Danceability • 35% Energy • 15% Liveness
84% Instrumentalness • 22% Positiveness
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GleeGroove
Electric Lights
120 bpm • C# Maj • 01:17 • -26.44db
23% Popularity • 83% Danceability • 33% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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Mystic Lofi Lounge
Lounge Layers
120 bpm • C Maj • 03:19 • -21.79db
7% Popularity • 75% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 84% Positiveness
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aristomenes the turtle
control
120 bpm • C Maj • 01:06 • -27.01db
26% Popularity • 68% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Moonspell
13!
120 bpm • B Maj • 02:42 • -14.28db
10% Popularity • 62% Danceability • 57% Energy • 41% Liveness
94% Instrumentalness • 25% Positiveness
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Louie Zong
After the Rain
120 bpm • A# Maj • 01:38 • -25.34db
24% Popularity • 39% Danceability • 9% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
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Brian Eno
Swanky
120 bpm • G# Maj • 02:50 • -21.54db
8% Popularity • 66% Danceability • 27% Energy • 7% Liveness
48% Instrumentalness • 89% Positiveness
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Daoushi le goutu
Jazz-Apple
120 bpm • C Maj • 01:12 • -17.95db
34% Popularity • 76% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
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Theodore Shapiro
Elevator Trio
120 bpm • F Maj • 03:11 • -30.77db
15% Popularity • 65% Danceability • 3% Energy • 12% Liveness
11% Instrumentalness • 11% Positiveness
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aristomenes the turtle
mint
120 bpm • C Maj • 01:06 • -29.54db
27% Popularity • 72% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 75% Positiveness
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Paul Schwartz
Vol De Nuit
120 bpm • E min • 04:30 • -13db
13% Popularity • 61% Danceability • 57% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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BeatsByMii
County Dub
120 bpm • A Maj • 01:36 • -12.19db
15% Popularity • 60% Danceability • 65% Energy • 8% Liveness
96% Instrumentalness • 71% Positiveness
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Music For Cats
I Hate Those Meeces To Pieces - Bit Thro...
120 bpm • F# min • 02:27 • -21.88db
14% Popularity • 44% Danceability • 47% Energy • 27% Liveness
89% Instrumentalness • 16% Positiveness
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Johnny Klimek
Am Tatort
120 bpm • C# min • 02:28 • -15.69db
13% Popularity • 68% Danceability • 71% Energy • 6% Liveness
86% Instrumentalness • 67% Positiveness
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アトラスサウンドチーム
静寂の先に
120 bpm • D# Maj • 04:03 • -16.18db
9% Popularity • 74% Danceability • 39% Energy • 25% Liveness
46% Instrumentalness • 55% Positiveness
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Yjovian
Mud Creatures
120 bpm • B min • 01:28 • -11.81db
30% Popularity • 86% Danceability • 51% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
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Philip Ayers
The Narrator
120 bpm • C# min • 02:01 • -18.38db
13% Popularity • 58% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
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Lindstrøm
Feel AM
120 bpm • G Maj • 05:35 • -17.24db
18% Popularity • 70% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Yuki Hayashi
真剣勝負
120 bpm • F# min • 02:49 • -13.9db
15% Popularity • 67% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
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Jamal Green
A Warm Day's Night
120 bpm • C Maj • 03:28 • -16db
22% Popularity • 57% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Ke
hidden fact
120 bpm • C Maj • 03:11 • -13.58db
11% Popularity • 74% Danceability • 31% Energy • 11% Liveness
78% Instrumentalness • 74% Positiveness
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Capcom Sound Team
英雄の帰還
120 bpm • G Maj • 01:31 • -13.7db
14% Popularity • 53% Danceability • 46% Energy • 13% Liveness
63% Instrumentalness • 66% Positiveness
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Stephen Rae
Sea Hassle
120 bpm • F Maj • 03:41 • -24.93db
19% Popularity • 37% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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E Ruscha V
In the Woods
120 bpm • A Maj • 03:23 • -11.52db
22% Popularity • 74% Danceability • 38% Energy • 6% Liveness
70% Instrumentalness • 38% Positiveness
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Sultry J
Melancholy
120 bpm • A min • 02:06 • -10.65db
11% Popularity • 89% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Christoph Bauschinger
Hallmarks
120 bpm • F Maj • 02:19 • -20.11db
9% Popularity • 76% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Nessy
Infinity
120 bpm • C Maj • 01:36 • -29.03db
18% Popularity • 46% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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Dickon Hinchliffe
Broken Glass
120 bpm • G Maj • 04:19 • -22.1db
13% Popularity • 27% Danceability • 10% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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帆足圭吾
The Mission at Hand
120 bpm • D min • 02:16 • -16.46db
11% Popularity • 29% Danceability • 26% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
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albert, al
Quarantine Sessions
135 bpm • F min • 01:23 • -17.25db
28% Popularity • 70% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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James Currier
After Dark
135 bpm • C# Maj • 01:11 • -14.6db
17% Popularity • 72% Danceability • 30% Energy • 7% Liveness
31% Instrumentalness • 77% Positiveness
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Fila Brazillia
Subtle Body
135 bpm • C# Maj • 09:04 • -32db
29% Popularity • 20% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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DJ KronoTV
I Only Have Eyes for You
135 bpm • E min • 02:46 • -30.16db
18% Popularity • 57% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 22% Positiveness
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Camilo Forero
Vanilla Segment
119 bpm • C min • 03:12 • -19.15db
18% Popularity • 26% Danceability • 21% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Tanko Beats
City Love
119 bpm • G# Maj • 01:23 • -33.15db
12% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Masashi Hamauzu
Academia
119 bpm • D min • 03:37 • -9.91db
20% Popularity • 26% Danceability • 59% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Junichi Matsumoto
Beating hearts and running a thousand mi...
119 bpm • E min • 01:52 • -16.53db
8% Popularity • 61% Danceability • 46% Energy • 13% Liveness
86% Instrumentalness • 79% Positiveness
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祖堅 正慶
White Snow, Black Steel
136 bpm • C min • 02:51 • -15.63db
31% Popularity • 55% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Capcom Sound Team
Ganado V
136 bpm • B min • 02:55 • -16.33db
17% Popularity • 60% Danceability • 77% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
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Kim Tae Hwan
It Smells Bad Somewhere
118 bpm • C# Maj • 02:07 • -18.95db
11% Popularity • 71% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 57% Positiveness
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平田 博信
Mienai Sugata Kikoenai Oto
118 bpm • G# min • 01:43 • -18.98db
8% Popularity • 66% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Old Turtles
West Country Nights
118 bpm • D# min • 01:01 • -11.15db
12% Popularity • 57% Danceability • 43% Energy • 19% Liveness
96% Instrumentalness • 52% Positiveness
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