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Today and it’s gone (Munich Session)
Songs like
Today and it’s gone (Munich Session)
by
Carlos Cipa
Based on a tempo of (+/- 10%) and a similar genre
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Matteo Myderwyk
Eternity
68 bpm • F min • 03:10 • -26.76db
32% Popularity • 33% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Ludovico Einaudi
Indian Yellow
68 bpm • D Maj • 03:14 • -35.19db
58% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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aaronk
cohesion
68 bpm • F min • 03:13 • -31db
39% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Carlos Cipa
Today and it’s gone (Munich Session)
68 bpm • E min • 04:18 • -25.09db
48% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Anna Goya
reflect
68 bpm • F min • 02:26 • -26.15db
35% Popularity • 37% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Gabríel Ólafs
Faded Leaves Fall
68 bpm • E min • 02:42 • -37db
48% Popularity • 27% Danceability • 1% Energy • 8% Liveness
52% Instrumentalness • 14% Positiveness
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Maxence Cyrin
As the Darkness Falls
68 bpm • D min • 01:40 • -26db
60% Popularity • 34% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 18% Positiveness
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ildio
sahdana
68 bpm • G Maj • 02:55 • -28.93db
57% Popularity • 46% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Eydís Evensen
Brotin
68 bpm • B min • 03:15 • -25.42db
37% Popularity • 37% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Carlos Cipa
awbsmi
68 bpm • A# min • 01:38 • -25.78db
7% Popularity • 10% Danceability • 3% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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James Heather
Beginnings
68 bpm • C Maj • 03:58 • -27db
49% Popularity • 23% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Matteo Myderwyk
Sanctus
68 bpm • A min • 02:55 • -28.69db
29% Popularity • 30% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Snorri Hallgrímsson
Lacuna
67 bpm • A# min • 01:23 • -35db
45% Popularity • 35% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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Ludovico Einaudi
Natural Light
69 bpm • C# Maj • 05:35 • -40db
59% Popularity • 22% Danceability • 0% Energy • 14% Liveness
95% Instrumentalness • 19% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
48% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Classical Slowed + Reverb
Debussy: Arabesque No. 1 - slowed + reve...
67 bpm • D Maj • 06:48 • -34.37db
33% Popularity • 35% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Rosey Chan
Autumn
69 bpm • G Maj • 04:41 • -27db
39% Popularity • 35% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Matteo Myderwyk
Sarabande for Julia
67 bpm • G min • 03:38 • -29.81db
24% Popularity • 36% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Goldbæk
Globes
67 bpm • D Maj • 02:34 • -21.89db
41% Popularity • 40% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Jef Martens
And So the Story Began
69 bpm • F# min • 01:01 • -26.94db
58% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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Sophie Hutchings
Love Letter
67 bpm • C# Maj • 02:21 • -27.06db
40% Popularity • 39% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Gabríel Ólafs
Memory - Harpa Sessions
67 bpm • A min • 02:46 • -27.68db
39% Popularity • 32% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Rosey Chan
Infinity
67 bpm • D# Maj • 07:28 • -29.62db
58% Popularity • 36% Danceability • 1% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Carlos Cipa
Sonata Fragment (Beethoven redesigned)
67 bpm • E min • 02:50 • -25.45db
22% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Aleksander Debicz
The Island
67 bpm • A min • 04:02 • -29.4db
25% Popularity • 22% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
67 bpm • F# Maj • 02:13 • -36.25db
53% Popularity • 28% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Matt Stewart-Evans
Opus #24
69 bpm • A# Maj • 01:33 • -28.39db
48% Popularity • 44% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Nobody Knows
67 bpm • G Maj • 03:18 • -34.24db
51% Popularity • 31% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Rosey Chan
How We Danced - Solo Piano Version
67 bpm • A min • 04:57 • -25.25db
15% Popularity • 34% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Carlos Cipa
Circulate
67 bpm • D# Maj • 05:10 • -25.89db
16% Popularity • 45% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Garreth Broke
A Heavy Heart
69 bpm • A min • 01:58 • -22db
50% Popularity • 50% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
69 bpm • F# Maj • 01:58 • -38db
61% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Eydís Evensen
Næturdögg
67 bpm • G# min • 02:46 • -24.14db
27% Popularity • 39% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 7: Campfire Var...
69 bpm • D# Maj • 03:36 • -29.41db
21% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Sophie Hutchings
A Dead Sea's Ripples
70 bpm • G# min • 03:00 • -23.08db
41% Popularity • 26% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Carlos Cipa
Affettuoso (Händel redesigned)
67 bpm • A Maj • 03:38 • -28.34db
7% Popularity • 35% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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Jacob Mühlrad
A Nostalgic Mind (Solo Piano Version)
66 bpm • E min • 03:26 • -25.96db
23% Popularity • 29% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Natalia Tsupryk
Son Kolo Vikon
66 bpm • D min • 03:37 • -27.78db
33% Popularity • 24% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Marta Cascales Alimbau
Ryōan-ji
66 bpm • E min • 01:42 • -30.11db
33% Popularity • 33% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Ludovico Einaudi
85mm
70 bpm • A min • 02:59 • -35db
45% Popularity • 35% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Leonardo Cupelli
Everything, Forever
66 bpm • E Maj • 01:27 • -32.35db
39% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Carlos Cipa
Sable sonatina II (on Bechstein Grand, 1...
70 bpm • D min • 01:29 • -29.02db
3% Popularity • 43% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Jim Perkins
A Memory Fades
70 bpm • D Maj • 02:04 • -22.95db
46% Popularity • 52% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
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Rosey Chan
A Short Story About Love
66 bpm • A min • 03:01 • -20.63db
20% Popularity • 41% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Biba Dupont
L'absinthe brûle
66 bpm • G min • 02:22 • -25.63db
32% Popularity • 38% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Bill Prokopow
Etude in Em
66 bpm • G Maj • 05:01 • -19.43db
20% Popularity • 34% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Carlos Cipa
Playful (on Pleyel Grand, 1834)
70 bpm • G min • 04:08 • -27.83db
3% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Sylvain Chauveau
Pour Les Oiseaux
70 bpm • C min • 01:16 • -20db
58% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Maxence Cyrin
Soft Skin
71 bpm • C min • 02:11 • -30.81db
38% Popularity • 31% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Matteo Myderwyk
Prélude
65 bpm • D min • 02:33 • -20.2db
30% Popularity • 46% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Snorri Hallgrímsson
Illusion
71 bpm • F min • 01:25 • -41.39db
32% Popularity • 35% Danceability • 0% Energy • 13% Liveness
74% Instrumentalness • 23% Positiveness
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Edvard Kravchuk
New Dawn
71 bpm • G# min • 02:54 • -28db
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Alexandre Tharaud
La valse d'Amélie
71 bpm • A min • 02:43 • -28db
17% Popularity • 30% Danceability • 3% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Jim Perkins
Outside
71 bpm • F# min • 01:58 • -24db
46% Popularity • 57% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Eamonn Watt
Reflections
65 bpm • D# Maj • 03:27 • -32db
42% Popularity • 21% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Luca Longobardi
Promenade No. 3
71 bpm • C Maj • 01:10 • -26.77db
50% Popularity • 40% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Gabríel Ólafs
Noktúrna - Upright Piano
65 bpm • C Maj • 02:01 • -28.19db
35% Popularity • 32% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Mikael Ayrapetyan
Miniatures for Piano "A Whole in Twelve"...
71 bpm • D# Maj • 04:52 • -31.75db
30% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Philip Glass
Mad Rush: Part D (Bar 232 - Bar 273)
65 bpm • F Maj • 03:30 • -36.17db
41% Popularity • 21% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ali Toygar
Morpho
72 bpm • D Maj • 02:00 • -20.77db
37% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Carlos Cipa
paon
71 bpm • G# Maj • 05:38 • -21.61db
6% Popularity • 27% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Emiliano Blangero
Libertà d'infanzia
72 bpm • D# Maj • 03:25 • -26.63db
39% Popularity • 32% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Jacob Mühlrad
In Retrospect
72 bpm • C min • 02:07 • -17.84db
26% Popularity • 25% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Dalal
Richter: A Catalogue of Afternoons
72 bpm • E Maj • 01:40 • -30.03db
30% Popularity • 43% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Jef Martens
Papillons
72 bpm • F# min • 01:02 • -23.46db
39% Popularity • 38% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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YARA
Crossroads
72 bpm • D min • 04:36 • -28.66db
15% Popularity • 25% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Claude Debussy
Préludes / Book 2, L. 123: 5. Bruyères...
64 bpm • G# Maj • 03:36 • -31.02db
62% Popularity • 30% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 23% Positiveness
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Ludovico Einaudi
Almost June
64 bpm • A# Maj • 02:53 • -33.07db
56% Popularity • 36% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Niklas Paschburg
Duvet
73 bpm • F# Maj • 03:24 • -22.78db
52% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Library Tapes
The Return
64 bpm • D# Maj • 02:18 • -33.14db
45% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Flavia Cortez
silbermond
63 bpm • F# Maj • 02:49 • -28.8db
40% Popularity • 11% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Eydís Evensen
Dagdraumur
73 bpm • A# min • 03:07 • -24.41db
34% Popularity • 28% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Sten Erland Hermundstad
Family's Song
73 bpm • C Maj • 03:00 • -27.27db
27% Popularity • 44% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Matteo Myderwyk
Nazareth (Renaissance Version)
73 bpm • G# Maj • 02:32 • -25.93db
33% Popularity • 36% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Roger Eno
Clearly
63 bpm • D# Maj • 02:29 • -25.36db
42% Popularity • 34% Danceability • 5% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Cavallo
The Weight Of Fear
74 bpm • A min • 03:13 • -27db
35% Popularity • 26% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Carlos Cipa
Nocturne
74 bpm • A min • 02:04 • -24.14db
6% Popularity • 54% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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RIOPY
Lily’s Lullaby
74 bpm • C Maj • 03:59 • -24.08db
39% Popularity • 50% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 10% Positiveness
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Gabríel Ólafs
Mamma
74 bpm • C min • 03:11 • -38.85db
35% Popularity • 22% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
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Dominique Charpentier
Sérénade
62 bpm • C Maj • 01:42 • -18.48db
37% Popularity • 38% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Carlos Cipa
The Place Where They Go
74 bpm • C min • 04:18 • -24.43db
16% Popularity • 23% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
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Erland Cooper
Mallimack - Hayden Thorpe Rework
62 bpm • C# min • 01:47 • -30.61db
52% Popularity • 36% Danceability • 1% Energy • 21% Liveness
88% Instrumentalness • 8% Positiveness
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Franz Liszt
Liszt: Wiegenlied, S. 198
62 bpm • A min • 03:09 • -26.35db
32% Popularity • 28% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: Matches
62 bpm • C Maj • 02:54 • -29.25db
31% Popularity • 34% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Jordane Tumarinson
Ambiance Dimanche
75 bpm • D# Maj • 02:29 • -30.84db
35% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Piano Novel
Connected Colors - Solo Piano Version
62 bpm • D# min • 02:48 • -25.44db
38% Popularity • 22% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Carlos Cipa
The place where they go (Munich Session)
62 bpm • C min • 04:20 • -24.53db
36% Popularity • 16% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Dominique Charpentier
Langue au chat
62 bpm • G# Maj • 01:55 • -18.4db
34% Popularity • 47% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Roger Eno
Bells
61 bpm • C Maj • 03:21 • -33.35db
29% Popularity • 47% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Mikael Ayrapetyan
Miniatures for Piano "A Whole in Twelve"...
75 bpm • C# Maj • 05:06 • -28.9db
41% Popularity • 36% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Jacob Mühlrad
Karin's Waltz (Solo Piano Version)
61 bpm • G min • 02:32 • -28.92db
27% Popularity • 38% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Taichi Chishaki
Transparency
75 bpm • D Maj • 02:45 • -27.21db
29% Popularity • 57% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Matteo Myderwyk
Aria
61 bpm • G Maj • 02:25 • -30.47db
35% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Paul Neda
Richter: Vladimir's Blues
76 bpm • A Maj • 01:53 • -33.67db
29% Popularity • 40% Danceability • 3% Energy • 6% Liveness
83% Instrumentalness • 31% Positiveness
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Today and it’s gone (Munich Session)