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Toes Cold
Songs like
Toes Cold
by
Mychael Danna
Based on a tempo of (+/- 10%) and a similar genre
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
35% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Max Richter
The Lord's Rough Ways
73 bpm • F min • 03:21 • -32.03db
31% Popularity • 21% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 5% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
44% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Pink Room
73 bpm • G# Maj • 01:24 • -32.22db
38% Popularity • 19% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Steve Jablonsky
Sir Edmund Burton
71 bpm • D min • 04:10 • -23.05db
30% Popularity • 9% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
35% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
37% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Ludwig Göransson
Ancestral Plane
73 bpm • D min • 04:27 • -23.59db
37% Popularity • 9% Danceability • 3% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
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Marco Beltrami
Friendship Theme
73 bpm • G Maj • 01:58 • -18db
29% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Arash Safaian
Resting (Short)
73 bpm • A# min • 01:32 • -23.56db
40% Popularity • 14% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Amelia Warner
Clara
73 bpm • A min • 02:58 • -16.84db
15% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Dario Marianelli
The Call
74 bpm • B Maj • 03:11 • -25db
34% Popularity • 14% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Willis
Yarmouth
74 bpm • G Maj • 02:06 • -15.05db
17% Popularity • 13% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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John Ottman
He Lost Everything
74 bpm • A min • 01:51 • -37db
29% Popularity • 7% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
34% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
43% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Into the Fray
70 bpm • C Maj • 01:49 • -26.53db
41% Popularity • 27% Danceability • 4% Energy • 22% Liveness
86% Instrumentalness • 6% Positiveness
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Mychael Danna
Goodbye Spot
74 bpm • C Maj • 04:12 • -25.11db
24% Popularity • 7% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Torin Borrowdale
The Locke Lullaby
74 bpm • C# Maj • 02:43 • -35.48db
23% Popularity • 15% Danceability • 1% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Trent Reznor and Atticus Ross
Epiphany
70 bpm • C Maj • 03:48 • -27.87db
54% Popularity • 31% Danceability • 4% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Howard Shore
Twilight and Shadow
74 bpm • E min • 03:30 • -22db
50% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mark McKenzie
Emily's Chemo
70 bpm • A# Maj • 01:22 • -18db
29% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Kevin Smuts
Cape of Storms
75 bpm • B Maj • 01:31 • -30.1db
37% Popularity • 22% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Howard Shore
Evenstar
74 bpm • E min • 03:15 • -26.19db
59% Popularity • 12% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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DeVotchKa
We're Gonna Make It
75 bpm • C# min • 02:32 • -13.68db
30% Popularity • 65% Danceability • 38% Energy • 3% Liveness
88% Instrumentalness • 46% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Isobel Waller-Bridge
Doing Nothing With Friends
75 bpm • C Maj • 02:42 • -19.65db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 11% Positiveness
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Mychael Danna
Orphans
75 bpm • A Maj • 01:36 • -22.52db
24% Popularity • 26% Danceability • 11% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
32% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Rob Lane
Gwen & Arthur
68 bpm • D# min • 00:55 • -25db
52% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Anne Nikitin
The Earth Spins
68 bpm • A# Maj • 01:49 • -18.97db
48% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Mychael Danna
We The Jury
69 bpm • D min • 02:14 • -18.9db
17% Popularity • 17% Danceability • 15% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Steven Price
The Importance Of This River
68 bpm • A Maj • 02:40 • -18.19db
29% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
31% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Theodore Shapiro
You Finish His Work
68 bpm • D Maj • 02:31 • -30.7db
24% Popularity • 7% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Possession
76 bpm • C# Maj • 03:18 • -18.98db
38% Popularity • 10% Danceability • 10% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
42% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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William Ross
Rivers
68 bpm • G Maj • 01:13 • -29.99db
35% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Carter Burwell
Meeting Miriam
67 bpm • C Maj • 01:33 • -18db
25% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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Henry Jackman
End of the Line
67 bpm • E min • 02:51 • -22.98db
35% Popularity • 22% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Mychael Danna
Hattie
68 bpm • F min • 01:25 • -26.76db
28% Popularity • 18% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
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Max Richter
I will not forget you
77 bpm • C Maj • 03:55 • -16.68db
41% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
40% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
49% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Madeline's Red Balloon
77 bpm • C Maj • 00:54 • -18db
37% Popularity • 35% Danceability • 18% Energy • 19% Liveness
84% Instrumentalness • 31% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
Oakland
67 bpm • A Maj • 01:12 • -24.21db
27% Popularity • 12% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Mark Isham
Harbor Neuroscience
78 bpm • A min • 01:19 • -25.6db
29% Popularity • 24% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
60% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
48% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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BBC Scottish Symphony Orchestra
Scotland
67 bpm • A min • 02:12 • -15db
51% Popularity • 12% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
48% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Dario Marianelli
The Pop-Up Book
78 bpm • C Maj • 01:29 • -18db
32% Popularity • 21% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
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John Debney
The Jungle Book Closes
66 bpm • F Maj • 02:13 • -16.09db
28% Popularity • 22% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Belief
66 bpm • A# Maj • 03:03 • -21db
34% Popularity • 22% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Anne Nikitin
Birth Of The Solar System
66 bpm • A# min • 01:42 • -20.74db
49% Popularity • 20% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
The Final Arrow
66 bpm • F min • 02:29 • -17.15db
45% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Howard Shore
The Breaking of the Fellowship
79 bpm • D Maj • 07:20 • -20.55db
58% Popularity • 13% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Marco Beltrami
Bek And Zaya's Theme
66 bpm • G Maj • 04:35 • -19.9db
12% Popularity • 6% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Mychael Danna
God Storm
79 bpm • A# min • 03:42 • -13.96db
20% Popularity • 16% Danceability • 42% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Stop Right Now
66 bpm • C Maj • 02:05 • -24.32db
37% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Discovering River
66 bpm • A# min • 01:11 • -20.33db
47% Popularity • 19% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
37% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
53% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Toes Cold