Songs like Toking, Dozing by Feng Suave
Based on a tempo of (+/- 10%) and a similar genre
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Parks, Squares and Alleys
We're Not Just Friends
115 bpm • E Maj • 03:07 • -7.49db
47% Popularity • 66% Danceability • 65% Energy • 8% Liveness
75% Instrumentalness • 73% Positiveness
47% Popularity • 66% Danceability • 65% Energy • 8% Liveness
75% Instrumentalness • 73% Positiveness
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Vansire
That I Miss You
115 bpm • E Maj • 02:20 • -9.26db
66% Popularity • 78% Danceability • 57% Energy • 11% Liveness
74% Instrumentalness • 97% Positiveness
66% Popularity • 78% Danceability • 57% Energy • 11% Liveness
74% Instrumentalness • 97% Positiveness
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TheSecondSex
(You're A) Special Occasion
115 bpm • A min • 03:01 • -11.44db
26% Popularity • 89% Danceability • 49% Energy • 7% Liveness
47% Instrumentalness • 82% Positiveness
26% Popularity • 89% Danceability • 49% Energy • 7% Liveness
47% Instrumentalness • 82% Positiveness
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Feng Suave
Toking, Dozing
115 bpm • G Maj • 03:46 • -13.49db
41% Popularity • 70% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 70% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Hector Gachan
Untitled '91
115 bpm • B Maj • 04:03 • -8.51db
41% Popularity • 75% Danceability • 62% Energy • 14% Liveness
36% Instrumentalness • 87% Positiveness
41% Popularity • 75% Danceability • 62% Energy • 14% Liveness
36% Instrumentalness • 87% Positiveness
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JAWNY
Crazy For Your Love
115 bpm • E Maj • 02:21 • -7.57db
45% Popularity • 70% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
45% Popularity • 70% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
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Soft Glas
Perks of Being a Sunflower
115 bpm • G# Maj • 02:57 • -7.77db
37% Popularity • 85% Danceability • 69% Energy • 10% Liveness
10% Instrumentalness • 97% Positiveness
37% Popularity • 85% Danceability • 69% Energy • 10% Liveness
10% Instrumentalness • 97% Positiveness
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Kowloon
Life in Japan
115 bpm • C Maj • 04:27 • -10.7db
38% Popularity • 86% Danceability • 43% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
38% Popularity • 86% Danceability • 43% Energy • 13% Liveness
7% Instrumentalness • 52% Positiveness
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TheSecondSex
Changin'
115 bpm • C Maj • 03:24 • -9.06db
26% Popularity • 67% Danceability • 41% Energy • 6% Liveness
67% Instrumentalness • 80% Positiveness
26% Popularity • 67% Danceability • 41% Energy • 6% Liveness
67% Instrumentalness • 80% Positiveness
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Satchy
Comfort
115 bpm • E min • 05:39 • -5.98db
32% Popularity • 57% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
32% Popularity • 57% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Reaper
HEADY
115 bpm • C# Maj • 03:31 • -6.63db
55% Popularity • 65% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 65% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Dreamer Boy
Don't Be A Fool
115 bpm • A min • 03:26 • -7.77db
40% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Feng Suave
Toking, Dozing - Live from Studio Helmbr...
115 bpm • G Maj • 04:01 • -13.26db
25% Popularity • 54% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Breakup Shoes
Nicotine Dream
115 bpm • G# Maj • 02:55 • -6db
55% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 52% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Mild Orange
Down By The River
114 bpm • E Maj • 03:56 • -7.24db
34% Popularity • 61% Danceability • 60% Energy • 14% Liveness
8% Instrumentalness • 31% Positiveness
34% Popularity • 61% Danceability • 60% Energy • 14% Liveness
8% Instrumentalness • 31% Positiveness
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Still Pigeon
Crocodile Tears
116 bpm • C min • 03:28 • -9.32db
33% Popularity • 81% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
33% Popularity • 81% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
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boy pablo
leave me alone!
116 bpm • F# Maj • 02:53 • -10.33db
42% Popularity • 70% Danceability • 60% Energy • 55% Liveness
1% Instrumentalness • 77% Positiveness
42% Popularity • 70% Danceability • 60% Energy • 55% Liveness
1% Instrumentalness • 77% Positiveness
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Sports
Tell You Something
114 bpm • A# min • 03:19 • -5.36db
44% Popularity • 84% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
44% Popularity • 84% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Dreamer Boy
Puppy Dog
114 bpm • G Maj • 03:30 • -8.29db
46% Popularity • 69% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 69% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Dameer
Michelle
116 bpm • G Maj • 03:42 • -4.17db
31% Popularity • 69% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 69% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Mild Orange
Freak In Me
114 bpm • C Maj • 03:46 • -6.28db
44% Popularity • 65% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
44% Popularity • 65% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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FLOOR CRY
Next Best Thing
114 bpm • D min • 02:50 • -9.34db
39% Popularity • 63% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 63% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 46% Positiveness
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Marlin's Dreaming
Cheeky Kids
117 bpm • A min • 03:12 • -11.18db
44% Popularity • 65% Danceability • 52% Energy • 29% Liveness
3% Instrumentalness • 86% Positiveness
44% Popularity • 65% Danceability • 52% Energy • 29% Liveness
3% Instrumentalness • 86% Positiveness
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Yeek
Only in the West
117 bpm • G Maj • 03:16 • -6.87db
51% Popularity • 96% Danceability • 54% Energy • 22% Liveness
5% Instrumentalness • 53% Positiveness
51% Popularity • 96% Danceability • 54% Energy • 22% Liveness
5% Instrumentalness • 53% Positiveness
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Ralph Castelli
Good Morning
117 bpm • C Maj • 04:22 • -10.86db
40% Popularity • 79% Danceability • 66% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
40% Popularity • 79% Danceability • 66% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Small Forward
The Reservoir
113 bpm • G# Maj • 05:08 • -9.43db
42% Popularity • 58% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 58% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Huron John
Maple Syrup Tears
113 bpm • E Maj • 03:13 • -5.03db
45% Popularity • 70% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 70% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Gus Dapperton
Ditch
113 bpm • C Maj • 03:30 • -8db
46% Popularity • 55% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
46% Popularity • 55% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Far Caspian
Between Days
117 bpm • C# Maj • 03:10 • -9db
46% Popularity • 41% Danceability • 74% Energy • 22% Liveness
73% Instrumentalness • 72% Positiveness
46% Popularity • 41% Danceability • 74% Energy • 22% Liveness
73% Instrumentalness • 72% Positiveness
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boy pablo
Feeling Lonely
118 bpm • F# min • 03:17 • -10.45db
58% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Sebastian Roca
Honestly
118 bpm • A Maj • 03:53 • -12.9db
23% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Whalen
All the Time
118 bpm • G min • 03:57 • -9.48db
25% Popularity • 76% Danceability • 70% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
25% Popularity • 76% Danceability • 70% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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HEAVY CHEST
Just You
118 bpm • G Maj • 04:04 • -8.09db
36% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Undercover Dream Lovers
Soon Enough
118 bpm • B min • 04:02 • -4.91db
20% Popularity • 82% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 82% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Gus Dapperton
Palms
118 bpm • E min • 04:00 • -8.34db
42% Popularity • 75% Danceability • 56% Energy • 13% Liveness
9% Instrumentalness • 84% Positiveness
42% Popularity • 75% Danceability • 56% Energy • 13% Liveness
9% Instrumentalness • 84% Positiveness
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Jadu Heart
Caroline
118 bpm • C Maj • 04:10 • -9db
35% Popularity • 61% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 61% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Parcels
Exotica
118 bpm • C Maj • 05:12 • -12db
48% Popularity • 82% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
48% Popularity • 82% Danceability • 31% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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Mark Whalen
Dance Like It's Saturday Night
118 bpm • F min • 03:36 • -8.35db
28% Popularity • 80% Danceability • 50% Energy • 44% Liveness
2% Instrumentalness • 53% Positiveness
28% Popularity • 80% Danceability • 50% Energy • 44% Liveness
2% Instrumentalness • 53% Positiveness
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Max Pope
6AM
118 bpm • F# min • 02:55 • -10.13db
19% Popularity • 64% Danceability • 67% Energy • 36% Liveness
1% Instrumentalness • 88% Positiveness
19% Popularity • 64% Danceability • 67% Energy • 36% Liveness
1% Instrumentalness • 88% Positiveness
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Far Caspian
Astoria
118 bpm • F Maj • 04:06 • -11.68db
32% Popularity • 74% Danceability • 77% Energy • 10% Liveness
32% Instrumentalness • 92% Positiveness
32% Popularity • 74% Danceability • 77% Energy • 10% Liveness
32% Instrumentalness • 92% Positiveness
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Rapallo
Fine Living
118 bpm • A min • 02:43 • -7.44db
30% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Kid Bloom
I Kissed a Girl, And She Kissed Me
118 bpm • A# Maj • 02:35 • -12db
57% Popularity • 76% Danceability • 48% Energy • 18% Liveness
6% Instrumentalness • 57% Positiveness
57% Popularity • 76% Danceability • 48% Energy • 18% Liveness
6% Instrumentalness • 57% Positiveness
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The MarÃas
I Don't Know You
118 bpm • A min • 03:29 • -9.62db
65% Popularity • 88% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
65% Popularity • 88% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
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The Hails
Situations
112 bpm • B Maj • 03:32 • -4.6db
33% Popularity • 75% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 75% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Fantasy Guys
It Isn't Real
112 bpm • E Maj • 02:56 • -9.32db
33% Popularity • 86% Danceability • 50% Energy • 41% Liveness
35% Instrumentalness • 87% Positiveness
33% Popularity • 86% Danceability • 50% Energy • 41% Liveness
35% Instrumentalness • 87% Positiveness
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The Brook & The Bluff
Everything Is Just a Mess
112 bpm • D# Maj • 04:43 • -10.15db
54% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Eli Smart
Come On, Come On, Come On
112 bpm • D Maj • 04:30 • -10.71db
36% Popularity • 66% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 66% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Kid Bloom
Electric U
112 bpm • C# min • 02:51 • -11.09db
63% Popularity • 94% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 94% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Charlie Burg
Channel Orange In Your Living Room
119 bpm • B Maj • 02:38 • -6.49db
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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RHNO
Ode to the Peculiar
112 bpm • F# Maj • 03:44 • -7.45db
19% Popularity • 79% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 79% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Superfan
Back to the Start
111 bpm • F Maj • 03:23 • -5db
46% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Club Kuru
Film Credits
119 bpm • A min • 03:42 • -8.19db
41% Popularity • 54% Danceability • 48% Energy • 14% Liveness
9% Instrumentalness • 36% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 14% Liveness
9% Instrumentalness • 36% Positiveness
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Dreamer Boy
Falling for the Wrong One
119 bpm • G Maj • 04:11 • -8.27db
43% Popularity • 66% Danceability • 67% Energy • 32% Liveness
2% Instrumentalness • 46% Positiveness
43% Popularity • 66% Danceability • 67% Energy • 32% Liveness
2% Instrumentalness • 46% Positiveness
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Guantanamo Bay Surf Club
Escargot Blues
111 bpm • C min • 04:10 • -13.62db
40% Popularity • 77% Danceability • 29% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
40% Popularity • 77% Danceability • 29% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
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Feng Suave
Come Gather 'Round
119 bpm • G Maj • 03:27 • -12.04db
29% Popularity • 45% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
29% Popularity • 45% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Sure Sure
Funky Galileo
111 bpm • A# Maj • 04:06 • -9db
50% Popularity • 80% Danceability • 32% Energy • 16% Liveness
16% Instrumentalness • 65% Positiveness
50% Popularity • 80% Danceability • 32% Energy • 16% Liveness
16% Instrumentalness • 65% Positiveness
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Goodvibes Sound
Sane Or Sinner
111 bpm • F# Maj • 03:46 • -8.93db
30% Popularity • 77% Danceability • 46% Energy • 10% Liveness
35% Instrumentalness • 94% Positiveness
30% Popularity • 77% Danceability • 46% Energy • 10% Liveness
35% Instrumentalness • 94% Positiveness
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FLEECE
Love Song For The Haters
119 bpm • D# Maj • 04:32 • -6.47db
31% Popularity • 38% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 38% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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No Vacation
You're Not with Me
120 bpm • F# Maj • 03:46 • -8.21db
51% Popularity • 50% Danceability • 65% Energy • 32% Liveness
15% Instrumentalness • 13% Positiveness
51% Popularity • 50% Danceability • 65% Energy • 32% Liveness
15% Instrumentalness • 13% Positiveness
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boy pablo
i just wanna go home
120 bpm • B min • 03:33 • -13.5db
42% Popularity • 63% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 25% Positiveness
42% Popularity • 63% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 25% Positiveness
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Milmine
Altered State Of Mind
120 bpm • A# Maj • 03:46 • -5.73db
46% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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RIVAGE
Physical
120 bpm • A min • 03:09 • -9.57db
20% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Hether
Oidar
120 bpm • A min • 03:28 • -10.86db
40% Popularity • 89% Danceability • 57% Energy • 17% Liveness
29% Instrumentalness • 68% Positiveness
40% Popularity • 89% Danceability • 57% Energy • 17% Liveness
29% Instrumentalness • 68% Positiveness
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Brad stank
Take Me to the Crib
120 bpm • G min • 04:22 • -12db
40% Popularity • 78% Danceability • 38% Energy • 7% Liveness
72% Instrumentalness • 39% Positiveness
40% Popularity • 78% Danceability • 38% Energy • 7% Liveness
72% Instrumentalness • 39% Positiveness
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Spendtime Palace
Chains
120 bpm • F min • 03:21 • -14db
17% Popularity • 72% Danceability • 35% Energy • 11% Liveness
58% Instrumentalness • 58% Positiveness
17% Popularity • 72% Danceability • 35% Energy • 11% Liveness
58% Instrumentalness • 58% Positiveness
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MorMor
Pass The Hours
120 bpm • F# min • 03:43 • -5.99db
43% Popularity • 78% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 78% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Inner Wave
Eclipse
120 bpm • E min • 03:04 • -5db
44% Popularity • 61% Danceability • 80% Energy • 32% Liveness
90% Instrumentalness • 66% Positiveness
44% Popularity • 61% Danceability • 80% Energy • 32% Liveness
90% Instrumentalness • 66% Positiveness
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The Undercover Dream Lovers
You Don't Have to be Lonely
120 bpm • C Maj • 04:05 • -6db
35% Popularity • 82% Danceability • 70% Energy • 13% Liveness
70% Instrumentalness • 85% Positiveness
35% Popularity • 82% Danceability • 70% Energy • 13% Liveness
70% Instrumentalness • 85% Positiveness
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The F16s
Moon Child
120 bpm • A Maj • 04:39 • -5.99db
41% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Far Caspian
The Place
120 bpm • C Maj • 04:17 • -9db
36% Popularity • 65% Danceability • 70% Energy • 37% Liveness
41% Instrumentalness • 56% Positiveness
36% Popularity • 65% Danceability • 70% Energy • 37% Liveness
41% Instrumentalness • 56% Positiveness
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Michael Seyer
Bad Bonez
120 bpm • D min • 02:41 • -13db
34% Popularity • 93% Danceability • 31% Energy • 10% Liveness
19% Instrumentalness • 33% Positiveness
34% Popularity • 93% Danceability • 31% Energy • 10% Liveness
19% Instrumentalness • 33% Positiveness
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NEIL FRANCES
Tell Me
120 bpm • G min • 03:18 • -10.86db
60% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Mild Orange
First Taste
120 bpm • C Maj • 03:07 • -6db
28% Popularity • 57% Danceability • 92% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
28% Popularity • 57% Danceability • 92% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
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Hether
In a Dream
120 bpm • A Maj • 03:00 • -9.88db
38% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Hablot Brown
Color World
110 bpm • C# min • 03:38 • -10.68db
40% Popularity • 64% Danceability • 28% Energy • 11% Liveness
31% Instrumentalness • 38% Positiveness
40% Popularity • 64% Danceability • 28% Energy • 11% Liveness
31% Instrumentalness • 38% Positiveness
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Jakob
You and I
110 bpm • C Maj • 02:42 • -9.8db
57% Popularity • 80% Danceability • 62% Energy • 14% Liveness
29% Instrumentalness • 76% Positiveness
57% Popularity • 80% Danceability • 62% Energy • 14% Liveness
29% Instrumentalness • 76% Positiveness
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sam.sts
Tokyo
110 bpm • B min • 02:56 • -14db
28% Popularity • 75% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 75% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Satchy
ILY
110 bpm • C Maj • 03:03 • -7.99db
28% Popularity • 76% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 42% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 42% Positiveness
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Phum Viphurit
Lover Boy
110 bpm • B Maj • 03:56 • -8.6db
59% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sean Matsukawa
Spiderweb
110 bpm • D Maj • 03:30 • -9.52db
16% Popularity • 98% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 98% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Inner Wave
June
110 bpm • A min • 02:39 • -7.87db
41% Popularity • 66% Danceability • 72% Energy • 32% Liveness
32% Instrumentalness • 57% Positiveness
41% Popularity • 66% Danceability • 72% Energy • 32% Liveness
32% Instrumentalness • 57% Positiveness
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The Polarity
Son of a Beach
110 bpm • C Maj • 02:52 • -9.22db
40% Popularity • 62% Danceability • 38% Energy • 10% Liveness
44% Instrumentalness • 71% Positiveness
40% Popularity • 62% Danceability • 38% Energy • 10% Liveness
44% Instrumentalness • 71% Positiveness
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Peter Cat Recording Co.
Soulless Friends
110 bpm • A Maj • 03:47 • -13db
47% Popularity • 74% Danceability • 43% Energy • 7% Liveness
3% Instrumentalness • 57% Positiveness
47% Popularity • 74% Danceability • 43% Energy • 7% Liveness
3% Instrumentalness • 57% Positiveness
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Carter Vail
Melatonin
110 bpm • D Maj • 04:54 • -10.59db
37% Popularity • 73% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 73% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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TheSecondSex
Talk to Me
110 bpm • C Maj • 02:46 • -9.14db
24% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Mild High Club
Skiptracing
109 bpm • B min • 03:39 • -9.2db
52% Popularity • 72% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 72% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Benny Sings
Passionfruit
121 bpm • C# Maj • 03:13 • -8.04db
45% Popularity • 95% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 86% Positiveness
45% Popularity • 95% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 86% Positiveness
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Video Age
Pop Therapy
121 bpm • A Maj • 03:00 • -8.25db
36% Popularity • 90% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 84% Positiveness
36% Popularity • 90% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 84% Positiveness
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T. Evann
Clementine
121 bpm • A Maj • 05:09 • -10.97db
30% Popularity • 68% Danceability • 60% Energy • 37% Liveness
6% Instrumentalness • 27% Positiveness
30% Popularity • 68% Danceability • 60% Energy • 37% Liveness
6% Instrumentalness • 27% Positiveness
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Honeywhip
Feels Good to Laugh
109 bpm • E Maj • 02:49 • -7db
34% Popularity • 77% Danceability • 78% Energy • 36% Liveness
48% Instrumentalness • 82% Positiveness
34% Popularity • 77% Danceability • 78% Energy • 36% Liveness
48% Instrumentalness • 82% Positiveness
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Tim Atlas
Compromised
109 bpm • B min • 03:46 • -8db
51% Popularity • 96% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
51% Popularity • 96% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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the booyah! kids
Don't Trust Me
109 bpm • D# Maj • 02:00 • -9db
44% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Omar Apollo
Kickback
109 bpm • A Maj • 02:51 • -5.5db
50% Popularity • 91% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 91% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Brad stank
O.T.D.
122 bpm • F min • 03:48 • -14db
47% Popularity • 76% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 16% Positiveness
47% Popularity • 76% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 16% Positiveness
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Speelburg
Headlights
122 bpm • E min • 04:29 • -7.79db
32% Popularity • 89% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
32% Popularity • 89% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Jakob
Next to Me
122 bpm • A# min • 02:04 • -7.19db
40% Popularity • 71% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 27% Positiveness
40% Popularity • 71% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 27% Positiveness
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No Vacation
Estrangers
122 bpm • E Maj • 03:19 • -6db
55% Popularity • 57% Danceability • 73% Energy • 22% Liveness
88% Instrumentalness • 47% Positiveness
55% Popularity • 57% Danceability • 73% Energy • 22% Liveness
88% Instrumentalness • 47% Positiveness
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Peach Pit
Brian's Movie
108 bpm • G Maj • 03:53 • -8db
48% Popularity • 75% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 75% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
