Songs like Tokyo Tango - Tango by Tony Evans and His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Alfred Hause
La Cumparsita (Tango) - New Recording
129 bpm • G min • 02:38 • -18.07db
22% Popularity • 42% Danceability • 17% Energy • 9% Liveness
64% Instrumentalness • 36% Positiveness
22% Popularity • 42% Danceability • 17% Energy • 9% Liveness
64% Instrumentalness • 36% Positiveness
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Irven Tidswell and His Festival Orchestra
Blue Tango
129 bpm • C Maj • 02:42 • -12.36db
12% Popularity • 64% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 59% Positiveness
12% Popularity • 64% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 59% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha: 34 Takte Pro Minute - Noch ...
129 bpm • G Maj • 02:20 • -10.38db
36% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
36% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
QUIZAS, QUIZAS, QUIZAS
129 bpm • C min • 04:31 • -9.9db
11% Popularity • 84% Danceability • 45% Energy • 6% Liveness
92% Instrumentalness • 95% Positiveness
11% Popularity • 84% Danceability • 45% Energy • 6% Liveness
92% Instrumentalness • 95% Positiveness
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Tango Orchester Alfred Hause
La Cumparsita
129 bpm • G min • 02:35 • -11.19db
11% Popularity • 44% Danceability • 33% Energy • 9% Liveness
27% Instrumentalness • 56% Positiveness
11% Popularity • 44% Danceability • 33% Energy • 9% Liveness
27% Instrumentalness • 56% Positiveness
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Stanley Black
Ecstasy Tango
130 bpm • G Maj • 02:25 • -12.62db
11% Popularity • 49% Danceability • 39% Energy • 13% Liveness
6% Instrumentalness • 50% Positiveness
11% Popularity • 49% Danceability • 39% Energy • 13% Liveness
6% Instrumentalness • 50% Positiveness
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Günter Noris
Time to Tango (Tango)
129 bpm • C Maj • 02:54 • -5.12db
13% Popularity • 64% Danceability • 72% Energy • 7% Liveness
73% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 72% Energy • 7% Liveness
73% Instrumentalness • 65% Positiveness
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Italian Ballroom
Ciliegi rosa - Cha cha cha 32 bpm
128 bpm • D# Maj • 03:45 • -7.77db
30% Popularity • 80% Danceability • 79% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
30% Popularity • 80% Danceability • 79% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
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Charles Barlow & His Orchestra
Annientamento
128 bpm • C# Maj • 02:15 • -11.07db
12% Popularity • 76% Danceability • 38% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
12% Popularity • 76% Danceability • 38% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
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The Columbia Ballroom Orchestra
I Could Have Danced All Night
128 bpm • F Maj • 02:15 • -14.42db
16% Popularity • 64% Danceability • 53% Energy • 23% Liveness
64% Instrumentalness • 90% Positiveness
16% Popularity • 64% Danceability • 53% Energy • 23% Liveness
64% Instrumentalness • 90% Positiveness
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Joe Loss & His Orchestra
Tango D'Amore
130 bpm • F Maj • 03:18 • -14.39db
16% Popularity • 67% Danceability • 32% Energy • 25% Liveness
47% Instrumentalness • 90% Positiveness
16% Popularity • 67% Danceability • 32% Energy • 25% Liveness
47% Instrumentalness • 90% Positiveness
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Orchester Werner Tauber
Fine Brown Frame
128 bpm • G Maj • 03:03 • -7.25db
12% Popularity • 67% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 67% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Gerli Padar
You Know My Name (Tango)
128 bpm • A min • 03:28 • -5.93db
12% Popularity • 62% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 62% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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The Len Phillips Big Band
The Punch and Judy Tango (Tango)
128 bpm • D min • 03:10 • -11.59db
19% Popularity • 82% Danceability • 23% Energy • 16% Liveness
59% Instrumentalness • 92% Positiveness
19% Popularity • 82% Danceability • 23% Energy • 16% Liveness
59% Instrumentalness • 92% Positiveness
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Rose's Band
The Final Countdown (Tango: 32BPM)
128 bpm • G min • 03:46 • -7.54db
24% Popularity • 73% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
24% Popularity • 73% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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The Columbia Ballroom Orchestra
Quien Sera
128 bpm • G min • 02:14 • -15.79db
24% Popularity • 82% Danceability • 43% Energy • 28% Liveness
94% Instrumentalness • 97% Positiveness
24% Popularity • 82% Danceability • 43% Energy • 28% Liveness
94% Instrumentalness • 97% Positiveness
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Sergey Sutyrin
Tango for Marcus
128 bpm • A min • 02:22 • -11.57db
28% Popularity • 75% Danceability • 55% Energy • 22% Liveness
91% Instrumentalness • 55% Positiveness
28% Popularity • 75% Danceability • 55% Energy • 22% Liveness
91% Instrumentalness • 55% Positiveness
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Orchester Werner Tauber
Pata Pata
128 bpm • G# Maj • 02:48 • -4db
14% Popularity • 77% Danceability • 87% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
14% Popularity • 77% Danceability • 87% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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Gerli Padar
Do You Always (Tango)
128 bpm • A min • 03:37 • -7.14db
20% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Dancelife Orchestra
Todo Todo Todo - ChaChaCha / 32 BPM
128 bpm • D# min • 02:08 • -8.51db
27% Popularity • 88% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 88% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Len Phillips Big Band
Todos Tango (Tango)
128 bpm • A# min • 02:58 • -10.16db
15% Popularity • 72% Danceability • 19% Energy • 16% Liveness
7% Instrumentalness • 70% Positiveness
15% Popularity • 72% Danceability • 19% Energy • 16% Liveness
7% Instrumentalness • 70% Positiveness
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The Columbia Ballroom Orchestra
Quizas, Quizas, Quizas
128 bpm • G min • 02:14 • -15.51db
15% Popularity • 82% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 96% Positiveness
15% Popularity • 82% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 96% Positiveness
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Empress Dance Band
Autumn Tango
128 bpm • F min • 03:44 • -13.71db
8% Popularity • 94% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 84% Positiveness
8% Popularity • 94% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 84% Positiveness
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Dancelife Studio Orchestra
Por Una Cabeza ((Tango / 33 Bpm))
128 bpm • A min • 02:16 • -9.89db
14% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Roberto Scaglioni
Danza burlesque - Tango burlesque
128 bpm • G Maj • 03:11 • -5.24db
25% Popularity • 84% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
25% Popularity • 84% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
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Claudio Novelli
Come un tango - Tango
128 bpm • D Maj • 02:54 • -8.28db
13% Popularity • 68% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 68% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Orchester Werner Tauber
La cucaracha
128 bpm • G# Maj • 02:38 • -7.76db
6% Popularity • 73% Danceability • 65% Energy • 37% Liveness
6% Instrumentalness • 93% Positiveness
6% Popularity • 73% Danceability • 65% Energy • 37% Liveness
6% Instrumentalness • 93% Positiveness
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The Columbia Ballroom Orchestra
Tea For Two
128 bpm • C Maj • 02:14 • -16.37db
24% Popularity • 81% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 96% Positiveness
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Tony Evans and His Orchestra
Spanish Fire - Tango
130 bpm • E min • 02:13 • -6.25db
25% Popularity • 77% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 95% Positiveness
25% Popularity • 77% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 95% Positiveness
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Kurt Edelhagen
Jive: 32 Takte Pro Minute - The Hucklebu...
127 bpm • A# Maj • 02:38 • -12.98db
21% Popularity • 72% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 84% Positiveness
21% Popularity • 72% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 84% Positiveness
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Roberto Scaglioni
Disco tango - Disco tango
128 bpm • G Maj • 03:21 • -4.83db
25% Popularity • 87% Danceability • 90% Energy • 5% Liveness
82% Instrumentalness • 88% Positiveness
25% Popularity • 87% Danceability • 90% Energy • 5% Liveness
82% Instrumentalness • 88% Positiveness
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Claudio Novelli
L'ultimo tango - Tango
128 bpm • D Maj • 03:09 • -6.43db
20% Popularity • 79% Danceability • 48% Energy • 8% Liveness
20% Instrumentalness • 75% Positiveness
20% Popularity • 79% Danceability • 48% Energy • 8% Liveness
20% Instrumentalness • 75% Positiveness
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Orchester Etienne Cap
Little Spanish cha cha
128 bpm • B min • 02:42 • -6.26db
12% Popularity • 86% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 95% Positiveness
12% Popularity • 86% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 95% Positiveness
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Tango Orchester Alfred Hause
Blue Tango
127 bpm • D Maj • 02:41 • -8.49db
27% Popularity • 54% Danceability • 52% Energy • 6% Liveness
71% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 52% Energy • 6% Liveness
71% Instrumentalness • 63% Positiveness
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Italian Ballroom
Patricia / Bandido - Cha cha cha 32 bpm
127 bpm • C Maj • 05:11 • -4.21db
20% Popularity • 82% Danceability • 85% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
20% Popularity • 82% Danceability • 85% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
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Joe Loss & His Orchestra
Don't Cry for Me Argentina (Evita)
131 bpm • G Maj • 02:45 • -14.59db
8% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Empress Orchestra
La Mariposa
127 bpm • C min • 02:16 • -8.75db
24% Popularity • 49% Danceability • 38% Energy • 10% Liveness
46% Instrumentalness • 49% Positiveness
24% Popularity • 49% Danceability • 38% Energy • 10% Liveness
46% Instrumentalness • 49% Positiveness
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The Edmund Vera Orchestra
Twilight Tango
127 bpm • D min • 02:43 • -10.25db
8% Popularity • 57% Danceability • 29% Energy • 7% Liveness
82% Instrumentalness • 80% Positiveness
8% Popularity • 57% Danceability • 29% Energy • 7% Liveness
82% Instrumentalness • 80% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha (La Golondrina Guantanamera)
127 bpm • G# Maj • 03:07 • -13.34db
42% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
42% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
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Ken Turner & His Orchestra
Tango Supreme
131 bpm • D# Maj • 03:11 • -10db
13% Popularity • 59% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 80% Positiveness
13% Popularity • 59% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 80% Positiveness
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Edmondo Comandini
Toca la Luna - Cha cha cha
127 bpm • A min • 03:42 • -6.45db
24% Popularity • 86% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 86% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Tony Evans and His Orchestra
La Bamba - Cha Cha
127 bpm • A# Maj • 03:16 • -10.87db
10% Popularity • 72% Danceability • 56% Energy • 11% Liveness
84% Instrumentalness • 90% Positiveness
10% Popularity • 72% Danceability • 56% Energy • 11% Liveness
84% Instrumentalness • 90% Positiveness
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Empress Orchestra
Por Una Cabeza
127 bpm • G# min • 02:17 • -12db
19% Popularity • 56% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
19% Popularity • 56% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
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Tango Orchester Alfred Hause
Olé Guapa
132 bpm • G Maj • 03:07 • -10db
13% Popularity • 46% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
13% Popularity • 46% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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Marc Reift Orchestra
Serenade Tango
132 bpm • C min • 03:03 • -7.36db
8% Popularity • 52% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 84% Positiveness
8% Popularity • 52% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 84% Positiveness
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Ken Turner & His Orchestra
Blauer Himmel
131 bpm • F Maj • 03:12 • -15db
11% Popularity • 57% Danceability • 35% Energy • 29% Liveness
93% Instrumentalness • 79% Positiveness
11% Popularity • 57% Danceability • 35% Energy • 29% Liveness
93% Instrumentalness • 79% Positiveness
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Ross Mitchell, His Band & Singers
Golden Tango - Tango / 33 BPM
132 bpm • C min • 02:08 • -11.38db
8% Popularity • 75% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
8% Popularity • 75% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Orchester Werner Tauber
Gipsy Tango
132 bpm • D min • 02:44 • -5.61db
21% Popularity • 64% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
21% Popularity • 64% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
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The Ballroom Dance Orchestra
Cheerful Cha Cha
132 bpm • F min • 03:09 • -7db
10% Popularity • 87% Danceability • 63% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
10% Popularity • 87% Danceability • 63% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
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Mu Carvalho
Tango Moo 2
132 bpm • F min • 01:20 • -7.86db
26% Popularity • 57% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 57% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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Marc Reift Orchestra
Senorita Linda
132 bpm • A# Maj • 02:53 • -6.24db
5% Popularity • 87% Danceability • 76% Energy • 4% Liveness
92% Instrumentalness • 97% Positiveness
5% Popularity • 87% Danceability • 76% Energy • 4% Liveness
92% Instrumentalness • 97% Positiveness
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Günter Noris
Tango of Fire (Tango)
132 bpm • A# Maj • 03:33 • -8db
9% Popularity • 74% Danceability • 33% Energy • 7% Liveness
22% Instrumentalness • 58% Positiveness
9% Popularity • 74% Danceability • 33% Energy • 7% Liveness
22% Instrumentalness • 58% Positiveness
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Orchester Etienne Cap
El Choclo
132 bpm • G min • 02:46 • -8.29db
11% Popularity • 67% Danceability • 46% Energy • 5% Liveness
95% Instrumentalness • 96% Positiveness
11% Popularity • 67% Danceability • 46% Energy • 5% Liveness
95% Instrumentalness • 96% Positiveness
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Ballroom Orchestra
In a Cha Cha Mood
126 bpm • F Maj • 03:27 • -9db
27% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Dancelife Studio Orchestra & Singers
Sway (Cha Cha Cha / 32 Bpm)
126 bpm • D min • 02:20 • -13.98db
18% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Studio Tanz Orchester Klaus Hallen
The Phantom Of The Opera - (Tango / 33 B...
132 bpm • D min • 02:57 • -11db
13% Popularity • 53% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
13% Popularity • 53% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
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Ken Turner & His Orchestra
Jealousy
132 bpm • D Maj • 03:11 • -13.65db
8% Popularity • 53% Danceability • 40% Energy • 31% Liveness
19% Instrumentalness • 73% Positiveness
8% Popularity • 53% Danceability • 40% Energy • 31% Liveness
19% Instrumentalness • 73% Positiveness
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The Ballroom Dance Orchestra
Cha Cha Cuba Libre
132 bpm • C Maj • 03:10 • -7db
10% Popularity • 71% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 87% Positiveness
10% Popularity • 71% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 87% Positiveness
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Dancelife Studio Orchestra
La Cumparsita ((Tango / 33 Bpm))
132 bpm • G min • 02:29 • -10db
16% Popularity • 75% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
16% Popularity • 75% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
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Orchester Werner Tauber
Tango a la turque
132 bpm • E min • 02:42 • -3.94db
14% Popularity • 82% Danceability • 63% Energy • 5% Liveness
73% Instrumentalness • 95% Positiveness
14% Popularity • 82% Danceability • 63% Energy • 5% Liveness
73% Instrumentalness • 95% Positiveness
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Tony Evans and His Orchestra
La Cumparsita - Tango
132 bpm • C min • 02:08 • -13db
10% Popularity • 65% Danceability • 30% Energy • 7% Liveness
46% Instrumentalness • 83% Positiveness
10% Popularity • 65% Danceability • 30% Energy • 7% Liveness
46% Instrumentalness • 83% Positiveness
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Studio Tanz Orchester Klaus Hallen
Türkischer Marsch - (Tango / 33 BPM)
132 bpm • E min • 02:38 • -8.52db
9% Popularity • 70% Danceability • 53% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
9% Popularity • 70% Danceability • 53% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
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Alfred Hause
Adios Pampa Mia (Tango) - New Recording
126 bpm • C Maj • 03:16 • -18.56db
10% Popularity • 46% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
10% Popularity • 46% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Arthur Murray Orchestra
Ole Guapa
126 bpm • A Maj • 02:30 • -9.04db
21% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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The Dancelife Orchestra
Tanguera - Tango / 31 BPM
125 bpm • F min • 02:13 • -12.12db
14% Popularity • 53% Danceability • 29% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 29% Energy • 14% Liveness
13% Instrumentalness • 47% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Tony Evans and His Orchestra
Ole Guapa - Tango
132 bpm • A Maj • 02:09 • -13db
15% Popularity • 77% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 90% Positiveness
15% Popularity • 77% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 90% Positiveness
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Victor Silvester
Pasadoble: The Spanish Gipsy Dance
125 bpm • F Maj • 02:01 • -13db
15% Popularity • 76% Danceability • 31% Energy • 7% Liveness
78% Instrumentalness • 83% Positiveness
15% Popularity • 76% Danceability • 31% Energy • 7% Liveness
78% Instrumentalness • 83% Positiveness
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Pepe Jaramillo
El Bimbo
125 bpm • A min • 02:24 • -11.14db
19% Popularity • 75% Danceability • 44% Energy • 13% Liveness
79% Instrumentalness • 93% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 13% Liveness
79% Instrumentalness • 93% Positiveness
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Tango Orchester Alfred Hause
Jalousie
125 bpm • D Maj • 03:27 • -9.23db
11% Popularity • 33% Danceability • 40% Energy • 24% Liveness
35% Instrumentalness • 31% Positiveness
11% Popularity • 33% Danceability • 40% Energy • 24% Liveness
35% Instrumentalness • 31% Positiveness
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Kurt Edelhagen
Tango: 34 Takte Pro Minute -Tango Isabel
133 bpm • C Maj • 02:10 • -12db
35% Popularity • 68% Danceability • 44% Energy • 6% Liveness
90% Instrumentalness • 86% Positiveness
35% Popularity • 68% Danceability • 44% Energy • 6% Liveness
90% Instrumentalness • 86% Positiveness
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Ballroom Orchestra
Guantanamera - Cha Cha (T/M31)
125 bpm • D Maj • 03:35 • -14db
13% Popularity • 84% Danceability • 42% Energy • 7% Liveness
92% Instrumentalness • 95% Positiveness
13% Popularity • 84% Danceability • 42% Energy • 7% Liveness
92% Instrumentalness • 95% Positiveness
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Günter Noris
Amor, Amor
133 bpm • A# Maj • 02:45 • -12.29db
23% Popularity • 62% Danceability • 82% Energy • 49% Liveness
47% Instrumentalness • 96% Positiveness
23% Popularity • 62% Danceability • 82% Energy • 49% Liveness
47% Instrumentalness • 96% Positiveness
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Lester Lanin
Espana Cani - Paso Doble
133 bpm • A Maj • 01:50 • -12db
11% Popularity • 50% Danceability • 48% Energy • 26% Liveness
93% Instrumentalness • 80% Positiveness
11% Popularity • 50% Danceability • 48% Energy • 26% Liveness
93% Instrumentalness • 80% Positiveness
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Ken Turner & His Orchestra
Ole Guapa
133 bpm • E Maj • 02:39 • -15.78db
18% Popularity • 73% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
18% Popularity • 73% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Andy Fortuna
Hot Tamale
125 bpm • F min • 03:02 • -4.73db
24% Popularity • 67% Danceability • 82% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
24% Popularity • 67% Danceability • 82% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
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Dennis Hayward and His Orchestra
What A Difference A Day makes
125 bpm • D# Maj • 02:46 • -13db
13% Popularity • 80% Danceability • 36% Energy • 6% Liveness
24% Instrumentalness • 86% Positiveness
13% Popularity • 80% Danceability • 36% Energy • 6% Liveness
24% Instrumentalness • 86% Positiveness
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Tango Orchester Alfred Hause
Hernando's Hideaway
125 bpm • G min • 02:36 • -10.33db
25% Popularity • 68% Danceability • 35% Energy • 4% Liveness
51% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 35% Energy • 4% Liveness
51% Instrumentalness • 77% Positiveness
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Arthur Murray Orchestra
Clases De Cha Cha Cha (Cha-Cha-Cha Class...
125 bpm • D Maj • 02:38 • -9.64db
27% Popularity • 87% Danceability • 67% Energy • 24% Liveness
60% Instrumentalness • 91% Positiveness
27% Popularity • 87% Danceability • 67% Energy • 24% Liveness
60% Instrumentalness • 91% Positiveness
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Ron Goodwin
Morning Train
125 bpm • A min • 02:44 • -16db
26% Popularity • 58% Danceability • 32% Energy • 4% Liveness
4% Instrumentalness • 82% Positiveness
26% Popularity • 58% Danceability • 32% Energy • 4% Liveness
4% Instrumentalness • 82% Positiveness
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StudioGroup
At This Moment - Slow Waltz / 29 Bpm
134 bpm • F Maj • 03:36 • -20.23db
14% Popularity • 42% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 42% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
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Ken Turner & His Orchestra
Cherry Pink and Apple Blossom White
124 bpm • C# Maj • 02:51 • -14.16db
21% Popularity • 68% Danceability • 49% Energy • 2% Liveness
77% Instrumentalness • 93% Positiveness
21% Popularity • 68% Danceability • 49% Energy • 2% Liveness
77% Instrumentalness • 93% Positiveness
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Francis Dupont
Cherry Pink and apple blossom
124 bpm • F Maj • 03:15 • -13.1db
29% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
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Günter Noris
El Cumbanchero
124 bpm • G min • 02:36 • -12.07db
14% Popularity • 65% Danceability • 72% Energy • 79% Liveness
3% Instrumentalness • 77% Positiveness
14% Popularity • 65% Danceability • 72% Energy • 79% Liveness
3% Instrumentalness • 77% Positiveness
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Cantovano and His Orchestra
FrenesÃ
124 bpm • G# Maj • 02:53 • -8db
28% Popularity • 75% Danceability • 70% Energy • 25% Liveness
92% Instrumentalness • 98% Positiveness
28% Popularity • 75% Danceability • 70% Energy • 25% Liveness
92% Instrumentalness • 98% Positiveness
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Orchester Werner Tauber
Auf in den Kampf Torero
124 bpm • A# Maj • 02:01 • -4.05db
9% Popularity • 80% Danceability • 88% Energy • 5% Liveness
58% Instrumentalness • 95% Positiveness
9% Popularity • 80% Danceability • 88% Energy • 5% Liveness
58% Instrumentalness • 95% Positiveness
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The Columbia Ballroom Orchestra
Viva! Paso Doble
124 bpm • G Maj • 02:01 • -14.01db
19% Popularity • 78% Danceability • 52% Energy • 33% Liveness
57% Instrumentalness • 71% Positiveness
19% Popularity • 78% Danceability • 52% Energy • 33% Liveness
57% Instrumentalness • 71% Positiveness
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Gerli Padar
Tomorrow Never Dies (Cha Cha)
124 bpm • C min • 03:28 • -7.73db
11% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Blue Angels
Promise - T 29 Bpm
124 bpm • A min • 02:53 • -8.17db
16% Popularity • 77% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 71% Positiveness
16% Popularity • 77% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 71% Positiveness
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The Dancelife Orchestra
Smooth Operator - ChaChaCha / 31 BPM
124 bpm • D min • 02:32 • -13.01db
11% Popularity • 75% Danceability • 51% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
11% Popularity • 75% Danceability • 51% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
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Cantovano and His Orchestra
Se Divierten
124 bpm • C min • 02:17 • -8.86db
17% Popularity • 81% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 99% Positiveness
17% Popularity • 81% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 99% Positiveness
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Orchester Werner Tauber
Malaguena
124 bpm • C Maj • 02:01 • -5.67db
13% Popularity • 76% Danceability • 74% Energy • 7% Liveness
6% Instrumentalness • 78% Positiveness
13% Popularity • 76% Danceability • 74% Energy • 7% Liveness
6% Instrumentalness • 78% Positiveness
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Kirsten Pecoraro
Kiss Me, Honey Honey, Kiss Me
124 bpm • C# Maj • 02:23 • -4.51db
32% Popularity • 78% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 78% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Andy Fortuna Productions
Dance With Me - Remix
124 bpm • C# Maj • 03:59 • -2.29db
12% Popularity • 78% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 78% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Blue Angels
Summer - T 33 Bpm
124 bpm • A Maj • 02:31 • -12.47db
18% Popularity • 79% Danceability • 25% Energy • 39% Liveness
80% Instrumentalness • 70% Positiveness
18% Popularity • 79% Danceability • 25% Energy • 39% Liveness
80% Instrumentalness • 70% Positiveness
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New Ballroom Dance Orchestra
Do You Cha Cha?
124 bpm • C Maj • 02:13 • -5.66db
20% Popularity • 80% Danceability • 96% Energy • 7% Liveness
91% Instrumentalness • 91% Positiveness
20% Popularity • 80% Danceability • 96% Energy • 7% Liveness
91% Instrumentalness • 91% Positiveness
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The Len Phillips Big Band
Puente at Grossinger’s (Cha Cha Cha)
124 bpm • C Maj • 02:13 • -9.33db
22% Popularity • 96% Danceability • 37% Energy • 4% Liveness
89% Instrumentalness • 87% Positiveness
22% Popularity • 96% Danceability • 37% Energy • 4% Liveness
89% Instrumentalness • 87% Positiveness
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Italian Ballroom
Nel sole nel mare - Cha cha cha 31 bpm
124 bpm • G Maj • 03:24 • -5.87db
23% Popularity • 86% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 86% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
