Songs like Tomber 7 Fois by Mylène Farmer
Based on a tempo of (+/- 10%) and a similar genre
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Emmanuel Moire
Ne s'aimer que la nuit
122 bpm • A# min • 04:07 • -8.9db
33% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Stephan Eicher
Pas d'ami (comme toi)
122 bpm • A Maj • 03:38 • -5db
37% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Anne-Laure Girbal
S'aimer est interdit
122 bpm • E Maj • 04:16 • -9.71db
34% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Laurent Voulzy
Le pouvoir des fleurs
122 bpm • A# Maj • 03:35 • -14db
53% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Gold
Laissez-nous chanter (2017 - Remaster)
122 bpm • A# Maj • 04:34 • -5.93db
40% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Les Rita Mitsouko
Ding Dang Dong (Ringing at Your Bell)
122 bpm • D min • 03:39 • -6db
54% Popularity • 64% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
54% Popularity • 64% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Julien Clerc
Utile
122 bpm • F# min • 03:01 • -9db
34% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Stephan Eicher
Pas D'Ami (Comme Toi) - Edit
122 bpm • A Maj • 03:27 • -6.68db
44% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Mylène Farmer
Tomber 7 Fois
122 bpm • F# Maj • 04:47 • -7.16db
23% Popularity • 56% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 56% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Claude François
Même si tu revenais
122 bpm • A min • 02:15 • -6.58db
41% Popularity • 49% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 49% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Gold
Tropicana
122 bpm • G Maj • 03:57 • -10.94db
14% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 78% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Début De Soirée
La vie la nuit
121 bpm • F# min • 03:52 • -10db
38% Popularity • 71% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 71% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Najoua Belyzel
Jérémie
121 bpm • G Maj • 03:34 • -7.15db
19% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 75% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Elsa
Jamais nous
123 bpm • D# min • 03:52 • -17db
38% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 71% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mylène Farmer
Consentement
123 bpm • C min • 04:39 • -8.34db
24% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Michel Berger
Mademoiselle Chang - Remasterisé en 200...
120 bpm • G min • 04:49 • -8db
30% Popularity • 85% Danceability • 82% Energy • 33% Liveness
5% Instrumentalness • 97% Positiveness
30% Popularity • 85% Danceability • 82% Energy • 33% Liveness
5% Instrumentalness • 97% Positiveness
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Gold
Josy-Ann
122 bpm • F Maj • 03:38 • -7.85db
23% Popularity • 93% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 93% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Daniel Balavoine
L'Aziza
124 bpm • C min • 04:20 • -9.43db
59% Popularity • 67% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 67% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Najoua Belyzel
Le Fléau
123 bpm • B min • 03:32 • -5.15db
23% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Alain Chamfort
Le temps qui court
120 bpm • C min • 04:09 • -15db
49% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
49% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
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Mylène Farmer
Mylène s'en fout
123 bpm • F Maj • 04:30 • -9.42db
26% Popularity • 59% Danceability • 56% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
26% Popularity • 59% Danceability • 56% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Fanny
L'Homme à la moto
124 bpm • G Maj • 03:04 • -10db
19% Popularity • 67% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 67% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Gold
Calicoba (2017 - Remaster)
121 bpm • C Maj • 04:31 • -8.96db
29% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 92% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Lara Fabian
Tout
124 bpm • C# Maj • 04:16 • -6db
49% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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François Feldman
C'Est Toi Qui M'As Fait
124 bpm • B min • 05:28 • -16.22db
30% Popularity • 74% Danceability • 65% Energy • 3% Liveness
7% Instrumentalness • 97% Positiveness
30% Popularity • 74% Danceability • 65% Energy • 3% Liveness
7% Instrumentalness • 97% Positiveness
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Renaud
La pêche à la ligne
120 bpm • B Maj • 03:34 • -11db
40% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mylène Farmer
Comme j'ai mal
121 bpm • E min • 03:52 • -7.92db
37% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Étienne Daho
Duel au soleil - 2006 Remaster
120 bpm • B Maj • 04:21 • -5db
40% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
40% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
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Emmanuel Moire
Suite et fin
120 bpm • G# Maj • 05:29 • -8.46db
16% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Lara Fabian
La Différence
124 bpm • D# Maj • 04:14 • -10.3db
44% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Images
Corps à corps
120 bpm • B min • 03:58 • -11.63db
41% Popularity • 69% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 69% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Najoua Belyzel
Gabriel
120 bpm • F min • 03:33 • -3.67db
47% Popularity • 69% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 69% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Mylène Farmer
Rêver
124 bpm • C Maj • 05:21 • -10db
42% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
42% Popularity • 47% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Alain Souchon
Les regrets
124 bpm • F# Maj • 03:59 • -9.23db
33% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Michel Berger
Ça ne tient pas debout - Remasterisé e...
120 bpm • F# min • 06:35 • -6.95db
24% Popularity • 78% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 78% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Alizée
À contre-courant
120 bpm • A min • 04:27 • -5.47db
40% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Lara Fabian
Immortelle
124 bpm • G min • 05:18 • -9.58db
43% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
43% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Nicola Sirkis
Je t'aime tant
120 bpm • A Maj • 03:04 • -7.99db
26% Popularity • 79% Danceability • 58% Energy • 10% Liveness
59% Instrumentalness • 89% Positiveness
26% Popularity • 79% Danceability • 58% Energy • 10% Liveness
59% Instrumentalness • 89% Positiveness
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Mylène Farmer
Je te dis tout
124 bpm • B min • 05:30 • -6db
27% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Amel Bent
Nouveau Français
124 bpm • A min • 03:22 • -7db
23% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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François Feldman
J'ai peur
120 bpm • C Maj • 05:42 • -14.59db
21% Popularity • 73% Danceability • 60% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
21% Popularity • 73% Danceability • 60% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
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Jean-Luc Lahaye
Papa chanteur
124 bpm • C Maj • 04:44 • -15db
33% Popularity • 54% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 40% Positiveness
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Alizée
Parler tout bas
120 bpm • F# min • 04:40 • -6.48db
28% Popularity • 52% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 52% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Maurane
Ça casse
124 bpm • F min • 04:11 • -11.54db
30% Popularity • 49% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 49% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Mylène Farmer
L'autre
124 bpm • C# Maj • 05:20 • -15db
29% Popularity • 57% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 22% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 22% Positiveness
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Francis Lalanne
On se retrouvera - Version originale 198...
120 bpm • C Maj • 02:40 • -11db
53% Popularity • 66% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 66% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Elsa
Rien que pour ça
120 bpm • A min • 02:46 • -22.68db
37% Popularity • 61% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
37% Popularity • 61% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Images
Sauvez l'amour
120 bpm • C Maj • 04:40 • -12.19db
19% Popularity • 70% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
19% Popularity • 70% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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Étienne Daho
Un homme à la mer - 2016 Remaster
120 bpm • E Maj • 03:53 • -4db
27% Popularity • 66% Danceability • 87% Energy • 16% Liveness
25% Instrumentalness • 81% Positiveness
27% Popularity • 66% Danceability • 87% Energy • 16% Liveness
25% Instrumentalness • 81% Positiveness
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Maurane
Mentir
120 bpm • G min • 04:18 • -11db
28% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Michel Jonasz
Je voulais te dire que je t'attends
124 bpm • C Maj • 04:21 • -6db
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Mylène Farmer
Elle a dit
120 bpm • F# min • 03:52 • -4.43db
27% Popularity • 56% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 56% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Michel Berger
Seras-tu là - Remasterisé en 2002
120 bpm • C# Maj • 03:43 • -9db
43% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
43% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Daniel Balavoine
Dieu que c'est beau
120 bpm • C Maj • 03:58 • -11db
25% Popularity • 72% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 72% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Elsa
Jamais nous - Remix
125 bpm • F# Maj • 03:52 • -10.06db
31% Popularity • 67% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 67% Danceability • 58% Energy • 23% Liveness
1% Instrumentalness • 28% Positiveness
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Maurane
Le monde est stone - Remastered
120 bpm • A# Maj • 05:30 • -10db
27% Popularity • 27% Danceability • 34% Energy • 95% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 27% Danceability • 34% Energy • 95% Liveness
0% Instrumentalness • 10% Positiveness
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Ysa Ferrer
Les yeux dans les yeux
125 bpm • G Maj • 03:35 • -8.38db
10% Popularity • 62% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
10% Popularity • 62% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 53% Positiveness
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Mylène Farmer
Aime
120 bpm • C# Maj • 04:16 • -5.73db
22% Popularity • 60% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
22% Popularity • 60% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Thierry Hazard
"Un jour c'est oui, un jour c'est non"
119 bpm • E min • 03:19 • -8.59db
15% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Emmanuel Moire
Adulte & Sexy
125 bpm • G min • 03:17 • -6.57db
23% Popularity • 58% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Najoua Belyzel
La trêve de l'amour
125 bpm • F min • 03:18 • -7.84db
13% Popularity • 55% Danceability • 56% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
13% Popularity • 55% Danceability • 56% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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Alizée
Gourmandises
125 bpm • G min • 04:14 • -3.96db
44% Popularity • 67% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 67% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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Jean-Pierre Mader
En résumé en conclusion
125 bpm • A min • 04:16 • -11.74db
14% Popularity • 67% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 67% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Mylène Farmer
Sentimentale
120 bpm • F# min • 04:16 • -6.11db
25% Popularity • 75% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 75% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Ysa Ferrer
Mes rêves - Radio Edit
125 bpm • G min • 04:00 • -8db
17% Popularity • 60% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 60% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Emmanuel Moire
Promis
125 bpm • G Maj • 04:01 • -9.86db
20% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Najoua Belyzel
Ma sainte-nitouche
125 bpm • F# Maj • 03:15 • -6.24db
26% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 67% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Tina Arena
Je m'appelle Bagdad
119 bpm • B min • 04:17 • -5.17db
36% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jean-Pierre Mader
Disparue
125 bpm • D min • 03:09 • -9db
43% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Mylène Farmer
Regrets
125 bpm • A# min • 05:13 • -12.5db
41% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 59% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Lorie
Entre vous deux
119 bpm • G# Maj • 03:45 • -4.58db
26% Popularity • 77% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 77% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Jean-Louis Aubert
Temps à nouveau - Edit
125 bpm • D Maj • 04:32 • -6db
27% Popularity • 64% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 35% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 35% Positiveness
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Images
Quand la musique tourne
126 bpm • G min • 03:56 • -13db
25% Popularity • 68% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 68% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Michel Sardou
Afrique adieu
118 bpm • B min • 06:38 • -11.31db
50% Popularity • 73% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 73% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Stephan Eicher
Combien de temps
126 bpm • C# Maj • 04:15 • -5.23db
38% Popularity • 64% Danceability • 91% Energy • 7% Liveness
9% Instrumentalness • 79% Positiveness
38% Popularity • 64% Danceability • 91% Energy • 7% Liveness
9% Instrumentalness • 79% Positiveness
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Mylène Farmer
Tu ne le dis pas
120 bpm • B min • 04:22 • -5.02db
29% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Niagara
Sois beau et tais-toi
126 bpm • D Maj • 02:44 • -12.66db
21% Popularity • 66% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
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Jean-Louis Aubert
Parle moi
118 bpm • A min • 03:40 • -4.21db
28% Popularity • 67% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 67% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Lara Fabian
J’y Crois Encore
126 bpm • A min • 03:29 • -6.97db
48% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Michel Sardou
Le privilège
126 bpm • C Maj • 04:07 • -12.17db
36% Popularity • 59% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 59% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Michel Polnareff
On ira tous au paradis
126 bpm • G Maj • 04:33 • -7db
46% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 46% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Mylène Farmer
C'est une belle journée
120 bpm • C Maj • 04:16 • -6.35db
52% Popularity • 67% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 67% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Lio
Les brunes comptent pas pour des prunes
126 bpm • G Maj • 03:09 • -5.44db
40% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Daniel Balavoine
Petit homme mort au combat
118 bpm • C Maj • 04:59 • -10.59db
31% Popularity • 71% Danceability • 71% Energy • 26% Liveness
1% Instrumentalness • 53% Positiveness
31% Popularity • 71% Danceability • 71% Energy • 26% Liveness
1% Instrumentalness • 53% Positiveness
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Francis Cabrel
Tout le monde y pense - Remastered
126 bpm • A min • 04:03 • -12.61db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Gold
A l'est d'Eden (2017 - Remaster)
118 bpm • C Maj • 04:43 • -4.85db
18% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Michel Polnareff
Une simple mélodie
126 bpm • G min • 03:36 • -8.11db
33% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Axelle Red
Chanson de la sorcière
118 bpm • F min • 04:31 • -9.14db
25% Popularity • 52% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 52% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Mylène Farmer
Oui mais non - Mico C Remix
119 bpm • A# min • 05:03 • -5.48db
35% Popularity • 47% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 47% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Alain Souchon
Dandy
118 bpm • A# min • 05:34 • -13.19db
24% Popularity • 75% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 75% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Étienne Daho
Tombé pour la France
127 bpm • A Maj • 04:16 • -11.93db
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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Lorie
Toute seule
117 bpm • C Maj • 03:28 • -4.76db
33% Popularity • 73% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 73% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 97% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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![Ghosts (How Can I Move On) [feat. Mylène Farmer] cover art](https://i.scdn.co/image/ab67616d00001e021655d3b831913d11c9281b3c)
Muse
Ghosts (How Can I Move On)
117 bpm • G min • 03:37 • -9db
45% Popularity • 38% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 38% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mylène Farmer
Souviens-toi du jour...
125 bpm • D# Maj • 05:03 • -7.56db
33% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lio
Tétéou
128 bpm • A Maj • 04:13 • -4.06db
15% Popularity • 62% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 62% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Diane Dufresne
Les adieux d'un sex-symbol - Remastered
128 bpm • C Maj • 05:47 • -7db
33% Popularity • 43% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 43% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Lorie
A 20 ans
117 bpm • C Maj • 03:21 • -2.89db
31% Popularity • 75% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 75% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
