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Tomorrow
Songs like
Tomorrow
by
Miner
Based on a tempo of (+/- 10%) and a similar genre
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The Wind and The Wave
Happiness Is Not A Place
114 bpm • A# min • 04:10 • -4db
37% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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River Whyless
The Hunt
114 bpm • D Maj • 03:22 • -10.41db
47% Popularity • 58% Danceability • 59% Energy • 10% Liveness
37% Instrumentalness • 28% Positiveness
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Miner
Tomorrow
114 bpm • G# Maj • 03:37 • -10db
33% Popularity • 52% Danceability • 25% Energy • 80% Liveness
0% Instrumentalness • 37% Positiveness
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Prinze George
Lights Burn Out
114 bpm • C Maj • 04:35 • -9db
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wyvern Lingo
Used
114 bpm • D Maj • 04:12 • -10.95db
41% Popularity • 38% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Konradsen
Baby Hallelujah
114 bpm • G Maj • 02:48 • -16.17db
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Shook Twins
Stay Wild
115 bpm • G# Maj • 04:57 • -10.12db
29% Popularity • 57% Danceability • 59% Energy • 13% Liveness
43% Instrumentalness • 42% Positiveness
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Aaron Espe
Anytime I Go
115 bpm • B Maj • 03:43 • -10db
30% Popularity • 64% Danceability • 72% Energy • 13% Liveness
48% Instrumentalness • 53% Positiveness
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Sam Lynch
Keeping Time
115 bpm • C# Maj • 04:24 • -14.35db
30% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Moonrise Nation
Glamour Child
115 bpm • F# Maj • 03:14 • -7.04db
33% Popularity • 64% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Erin McKeown
Sugar in a Pie
113 bpm • F min • 02:41 • -10.34db
18% Popularity • 69% Danceability • 45% Energy • 24% Liveness
1% Instrumentalness • 34% Positiveness
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Gregory Alan Isakov
Powder
113 bpm • E min • 03:12 • -10.6db
39% Popularity • 50% Danceability • 39% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
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Francesca Blanchard
My Heart
115 bpm • G Maj • 03:16 • -11db
24% Popularity • 45% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 50% Positiveness
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Henry Jamison
Gloria
115 bpm • A# Maj • 03:47 • -13.25db
28% Popularity • 41% Danceability • 28% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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The Wild Reeds
When I Go
116 bpm • A min • 02:13 • -12db
40% Popularity • 62% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Batya Levine
Lessons of the Heart
116 bpm • F# min • 03:45 • -10.98db
19% Popularity • 64% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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PHOX
Noble Heart
116 bpm • D Maj • 05:22 • -10.95db
28% Popularity • 39% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Adam Torres
Morning Rain
112 bpm • D Maj • 03:54 • -11.19db
37% Popularity • 52% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 29% Positiveness
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Doc Robinson
Mt Hood
112 bpm • G Maj • 04:49 • -18.11db
28% Popularity • 36% Danceability • 19% Energy • 14% Liveness
21% Instrumentalness • 38% Positiveness
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Lowland Hum
Friction
112 bpm • G# Maj • 03:29 • -16db
31% Popularity • 60% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 21% Positiveness
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Miner
This Time
112 bpm • G Maj • 03:47 • -9.62db
6% Popularity • 61% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Family and Friends
Rust and Bone
116 bpm • A# min • 05:15 • -6.01db
23% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Elephant Revival
Home in Your Heart
116 bpm • D Maj • 04:16 • -13.16db
30% Popularity • 40% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Jamie Drake
Wonder
116 bpm • B Maj • 02:08 • -11.33db
38% Popularity • 64% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Little Chief
Mountain Song
116 bpm • E Maj • 04:56 • -10.46db
43% Popularity • 33% Danceability • 45% Energy • 10% Liveness
21% Instrumentalness • 6% Positiveness
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David Keenan
Two Kids
112 bpm • B Maj • 06:42 • -20.31db
30% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jealous of the Birds
Goji Berry Sunset
112 bpm • A# min • 02:17 • -13.62db
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Wild Reeds
Let No Grief
112 bpm • A Maj • 04:34 • -6.72db
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The O'Pears
Find the Sun
112 bpm • G# Maj • 02:48 • -12.83db
17% Popularity • 68% Danceability • 21% Energy • 9% Liveness
9% Instrumentalness • 28% Positiveness
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Jamie Drake
Here Comes The Light
116 bpm • A Maj • 03:47 • -9.64db
18% Popularity • 71% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Family and Friends
New Eyes
112 bpm • D# Maj • 05:15 • -10db
19% Popularity • 39% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Duncan
Heart & Arrow
117 bpm • D Maj • 01:44 • -11.52db
35% Popularity • 75% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Uwade
Nostalgia
117 bpm • A min • 03:49 • -12db
38% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Miner
The Barley Bird
117 bpm • G min • 05:24 • -7.93db
4% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Jamison
The Rains
117 bpm • F# Maj • 03:31 • -11db
45% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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Laura Jean Anderson
Lonesome No More
111 bpm • G min • 03:03 • -10.98db
7% Popularity • 55% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tall Heights
Back to Autumn
111 bpm • G# Maj • 03:19 • -8db
51% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Julia Nunes
I Will Go Anywhere With You
111 bpm • D Maj • 04:17 • -7.67db
22% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Courtney Hartman
Wayside
117 bpm • A# Maj • 02:37 • -12.6db
32% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Aoife O'Donovan
Bull Frogs Croon: i. Night Fishing
117 bpm • G Maj • 03:23 • -11.99db
18% Popularity • 32% Danceability • 30% Energy • 48% Liveness
4% Instrumentalness • 27% Positiveness
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The Show Ponies
Kalamazoo
117 bpm • G Maj • 05:53 • -6.99db
27% Popularity • 50% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
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Bombadil
I Could Make You So Happy
111 bpm • E Maj • 03:27 • -15.37db
23% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Tall Heights
To Be Young
117 bpm • D Maj • 04:27 • -11.43db
30% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Harmaleighs
Girls Just Want to Have Fun
117 bpm • B Maj • 02:37 • -21.22db
29% Popularity • 60% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Henry Jamison
True North
111 bpm • E min • 04:13 • -13.68db
20% Popularity • 63% Danceability • 43% Energy • 10% Liveness
24% Instrumentalness • 30% Positiveness
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Charm of Finches
Fish In The Sea
110 bpm • D min • 04:33 • -8.58db
23% Popularity • 39% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jamie Drake
Everything's Fine
118 bpm • E min • 03:28 • -9db
24% Popularity • 48% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Prinze George
Windows
118 bpm • C Maj • 03:36 • -10.37db
23% Popularity • 63% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Kishi Bashi
Penny Rabbit and Summer Bear
110 bpm • G Maj • 03:33 • -7.91db
37% Popularity • 44% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Cereus Bright
Waves
118 bpm • D# Maj • 03:17 • -18.57db
20% Popularity • 62% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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Miner
Rest of My Days
118 bpm • G Maj • 04:15 • -6.85db
5% Popularity • 40% Danceability • 66% Energy • 20% Liveness
28% Instrumentalness • 55% Positiveness
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The Wild Reeds
Of All the Dreams
118 bpm • G Maj • 03:32 • -7.36db
32% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Rising Appalachia
Speak out
118 bpm • B Maj • 03:55 • -10.35db
37% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Careful Ones
Paper Knees
110 bpm • B Maj • 04:09 • -15.58db
20% Popularity • 70% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 32% Positiveness
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Madison Cunningham
To Another Land
110 bpm • A# Maj • 03:21 • -7.49db
21% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Drake
When the Tide Comes In
110 bpm • G# Maj • 04:28 • -9.77db
12% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Bengsons
The Keep Going Song
110 bpm • C Maj • 06:09 • -11.71db
29% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Julianna Zachariou
church st.
110 bpm • G# Maj • 02:59 • -10.59db
35% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Miner
Working in the Sun
118 bpm • F# min • 03:36 • -4.31db
6% Popularity • 44% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Nor'easters
715 – CRΣΣKS
110 bpm • A Maj • 03:04 • -11.93db
32% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Rosie Carney
Thousand - Acoustic
109 bpm • C# Maj • 03:22 • -18.08db
34% Popularity • 48% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Maya De Vitry
Go Tell a Bird
110 bpm • G Maj • 03:52 • -11.18db
20% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Gregory Alan Isakov
Unwritable Girl
109 bpm • C Maj • 02:59 • -13db
44% Popularity • 36% Danceability • 27% Energy • 11% Liveness
9% Instrumentalness • 16% Positiveness
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Beta Radio
I Am Mine
119 bpm • A# Maj • 04:04 • -11db
35% Popularity • 58% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Miner
Coal Mine
119 bpm • B min • 03:45 • -6.14db
7% Popularity • 60% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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PigPen Theatre Co.
Weathervane
109 bpm • G# Maj • 05:07 • -8.11db
19% Popularity • 46% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Wes Reeve
Honey, I
120 bpm • F# Maj • 02:33 • -10.78db
40% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Emily Brown
Take Me Up Slowly
120 bpm • E Maj • 03:22 • -17.6db
10% Popularity • 69% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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The Sea The Sea
Fall Before The Climb
108 bpm • A# Maj • 03:33 • -14.77db
23% Popularity • 53% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Gracie and Rachel
Go
120 bpm • A# min • 04:32 • -10.3db
23% Popularity • 43% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 37% Positiveness
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Miner
Last Night
109 bpm • C# min • 03:06 • -5db
22% Popularity • 65% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Takénobu
Nobody Said
120 bpm • G min • 04:06 • -11.45db
28% Popularity • 73% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 76% Positiveness
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Cereus Bright
Wasted Time
120 bpm • G Maj • 04:11 • -12db
34% Popularity • 74% Danceability • 52% Energy • 11% Liveness
39% Instrumentalness • 62% Positiveness
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Jamie Drake
Oh Well Oh Well
120 bpm • G Maj • 04:02 • -8.32db
15% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Little Quirks
Crumbled
120 bpm • C# min • 03:13 • -8.26db
37% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Honeybutter
When I Grow Up
120 bpm • G Maj • 03:31 • -19.3db
18% Popularity • 68% Danceability • 17% Energy • 37% Liveness
1% Instrumentalness • 9% Positiveness
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Miner
Golden Ocean
120 bpm • F# Maj • 03:26 • -6db
31% Popularity • 69% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Mantaraybryn
Stand Tall the Four of Us
120 bpm • F min • 03:14 • -8db
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Café Spice
She Loves And Leaves
108 bpm • D Maj • 03:56 • -12.42db
16% Popularity • 35% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Rett Madison
Shame Is a River
120 bpm • G Maj • 04:04 • -9.79db
22% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Rostam
Bike Dream - Recorded at Spotify Studios...
108 bpm • G# Maj • 03:57 • -11.03db
20% Popularity • 62% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie Drake
To My Love
108 bpm • E min • 04:37 • -8.35db
26% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Beta Radio
Sans Land
120 bpm • A Maj • 03:27 • -17.94db
22% Popularity • 49% Danceability • 16% Energy • 13% Liveness
37% Instrumentalness • 21% Positiveness
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San Fermin
Run Away With Me
120 bpm • D# min • 03:59 • -9.02db
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Toby Sebastian
Hamliar
121 bpm • G Maj • 05:01 • -7.18db
24% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Stolen Jars
Folded Out
108 bpm • G Maj • 03:08 • -10.67db
28% Popularity • 66% Danceability • 34% Energy • 11% Liveness
32% Instrumentalness • 30% Positiveness
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Lowland Hum
This Will Be Our Year
121 bpm • A Maj • 02:16 • -10.34db
39% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Takénobu
Swaying Trees
121 bpm • A# Maj • 04:28 • -12.84db
19% Popularity • 79% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 68% Positiveness
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Hush Kids
Morning Is Made
107 bpm • G Maj • 02:55 • -10db
44% Popularity • 53% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Frances Cone
Wide Awake
121 bpm • G Maj • 03:37 • -8.57db
30% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Rosie Carney
Bare
107 bpm • B Maj • 03:54 • -15db
37% Popularity • 63% Danceability • 24% Energy • 8% Liveness
71% Instrumentalness • 37% Positiveness
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Kathleen
Both Sides Now
107 bpm • F# Maj • 03:42 • -9.58db
24% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Miner
Carousel
122 bpm • C Maj • 03:23 • -5db
29% Popularity • 36% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Kittel & Co.
Waltz
107 bpm • E min • 04:39 • -17.3db
9% Popularity • 48% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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BAILEN
When The Party's Over
122 bpm • E Maj • 02:53 • -11.32db
18% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kishi Bashi
Theme from Jerome (Forgotten Words)
122 bpm • C min • 04:19 • -10.26db
26% Popularity • 44% Danceability • 35% Energy • 14% Liveness
20% Instrumentalness • 25% Positiveness
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Reuben And The Dark
Hold Me Like A Fire
122 bpm • C Maj • 03:12 • -11.25db
34% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Frances Luke Accord
Who Do You Run From
122 bpm • A# Maj • 02:42 • -14db
10% Popularity • 57% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Miner
Swan Song
122 bpm • G Maj • 04:03 • -7.8db
4% Popularity • 58% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Tomorrow