Songs like Tonight's the Night (Good Time) by Kleeer
Based on a tempo of (+/- 10%) and a similar genre
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Kleeer
Break
123 bpm • E min • 05:02 • -14.13db
13% Popularity • 89% Danceability • 36% Energy • 14% Liveness
6% Instrumentalness • 90% Positiveness
13% Popularity • 89% Danceability • 36% Energy • 14% Liveness
6% Instrumentalness • 90% Positiveness
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Cloud One
Disco Juice
123 bpm • A min • 06:59 • -9db
29% Popularity • 59% Danceability • 74% Energy • 32% Liveness
10% Instrumentalness • 67% Positiveness
29% Popularity • 59% Danceability • 74% Energy • 32% Liveness
10% Instrumentalness • 67% Positiveness
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High Fashion
Hold On - Remastered
123 bpm • G Maj • 05:26 • -9.43db
32% Popularity • 86% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 86% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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B.T. Express
This Must Be the Night for Love
123 bpm • B min • 06:26 • -8db
20% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Unlimited Touch
In the Middle
123 bpm • F# min • 05:17 • -11.42db
34% Popularity • 70% Danceability • 59% Energy • 18% Liveness
1% Instrumentalness • 93% Positiveness
34% Popularity • 70% Danceability • 59% Energy • 18% Liveness
1% Instrumentalness • 93% Positiveness
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Gayle Adams
I Don't Wanna Hear It
123 bpm • A# min • 03:56 • -13db
27% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Kleeer
I Love to Dance
123 bpm • E min • 04:26 • -15db
16% Popularity • 77% Danceability • 74% Energy • 4% Liveness
16% Instrumentalness • 67% Positiveness
16% Popularity • 77% Danceability • 74% Energy • 4% Liveness
16% Instrumentalness • 67% Positiveness
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G.Q.
Disco Nights (Rock Freak) - 7" Version
123 bpm • F min • 03:57 • -13.99db
24% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Loose Ends
Dial 999
123 bpm • C Maj • 04:55 • -12db
27% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jeanie Tracy
Can I Come over and Play with You Tonigh...
123 bpm • F# Maj • 04:18 • -14.61db
14% Popularity • 84% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
14% Popularity • 84% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Jimmy Ross
Fall Into a Trance - Original
123 bpm • A min • 05:28 • -13db
20% Popularity • 90% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
20% Popularity • 90% Danceability • 40% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
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Crown Heights Affair
Dancin'
123 bpm • C Maj • 06:16 • -7.42db
16% Popularity • 63% Danceability • 94% Energy • 26% Liveness
16% Instrumentalness • 77% Positiveness
16% Popularity • 63% Danceability • 94% Energy • 26% Liveness
16% Instrumentalness • 77% Positiveness
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Kleeer
Tonight's the Night (Good Time)
123 bpm • G# Maj • 06:15 • -12.31db
17% Popularity • 68% Danceability • 81% Energy • 19% Liveness
55% Instrumentalness • 81% Positiveness
17% Popularity • 68% Danceability • 81% Energy • 19% Liveness
55% Instrumentalness • 81% Positiveness
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Tom Browne
Fungi Mama (Bebopafunkadiscolypso)
123 bpm • D Maj • 05:51 • -7db
13% Popularity • 78% Danceability • 86% Energy • 53% Liveness
72% Instrumentalness • 62% Positiveness
13% Popularity • 78% Danceability • 86% Energy • 53% Liveness
72% Instrumentalness • 62% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:20 • -11.26db
26% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 80% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Surface
When Your X Wants You Back (12" Mix)
122 bpm • B min • 09:28 • -10.08db
24% Popularity • 88% Danceability • 58% Energy • 4% Liveness
43% Instrumentalness • 94% Positiveness
24% Popularity • 88% Danceability • 58% Energy • 4% Liveness
43% Instrumentalness • 94% Positiveness
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Booker T.
Don't Stop Your Love - Special Extended ...
122 bpm • B min • 07:40 • -10.32db
25% Popularity • 87% Danceability • 63% Energy • 34% Liveness
42% Instrumentalness • 96% Positiveness
25% Popularity • 87% Danceability • 63% Energy • 34% Liveness
42% Instrumentalness • 96% Positiveness
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Crown Heights Affair
Far Out
124 bpm • F# Maj • 06:21 • -6.42db
18% Popularity • 54% Danceability • 98% Energy • 3% Liveness
35% Instrumentalness • 82% Positiveness
18% Popularity • 54% Danceability • 98% Energy • 3% Liveness
35% Instrumentalness • 82% Positiveness
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Kleeer
Nothin' Said
123 bpm • A min • 04:51 • -12.71db
7% Popularity • 82% Danceability • 60% Energy • 4% Liveness
19% Instrumentalness • 96% Positiveness
7% Popularity • 82% Danceability • 60% Energy • 4% Liveness
19% Instrumentalness • 96% Positiveness
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Norman Connors
Look Ahead
124 bpm • G# Maj • 03:24 • -6.67db
14% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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G.Q.
Is It Cool?
124 bpm • A min • 04:08 • -11db
13% Popularity • 67% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 67% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Fat Larry's Band
Lookin' for Love
122 bpm • E min • 05:29 • -7db
38% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:09 • -13db
38% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Homegrown Syndrome
Confrontation
124 bpm • E min • 03:42 • -11.56db
27% Popularity • 82% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 82% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Kleeer
Taste the Music
123 bpm • G Maj • 07:26 • -16.98db
9% Popularity • 78% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 97% Positiveness
9% Popularity • 78% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 97% Positiveness
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Bobby Thurston
Check Out the Groove
124 bpm • B min • 07:29 • -15.34db
32% Popularity • 56% Danceability • 58% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
32% Popularity • 56% Danceability • 58% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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G.Q.
Make My Dreams a Reality
122 bpm • G Maj • 06:15 • -13db
23% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Harvey Mason
On and On
122 bpm • F Maj • 05:00 • -10db
31% Popularity • 74% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
31% Popularity • 74% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Crown Heights Affair
Dreaming a Dream (Goes Dancin')
122 bpm • A# min • 07:06 • -9.59db
9% Popularity • 51% Danceability • 76% Energy • 5% Liveness
19% Instrumentalness • 55% Positiveness
9% Popularity • 51% Danceability • 76% Energy • 5% Liveness
19% Instrumentalness • 55% Positiveness
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Rufus & Chaka Khan
I'm Dancing For Your Love
124 bpm • C Maj • 04:34 • -13.94db
18% Popularity • 83% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 83% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Kleeer
Amour
124 bpm • A min • 05:11 • -18.58db
10% Popularity • 76% Danceability • 57% Energy • 25% Liveness
32% Instrumentalness • 85% Positiveness
10% Popularity • 76% Danceability • 57% Energy • 25% Liveness
32% Instrumentalness • 85% Positiveness
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Janice McClain
Smack Dab In the Middle (12" Version)
122 bpm • A# Maj • 04:11 • -8.96db
12% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Rene & Angela
Wall To Wall
122 bpm • B Maj • 05:21 • -5.69db
20% Popularity • 89% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 89% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Stargard
Wear It Out
124 bpm • F# min • 05:17 • -12db
32% Popularity • 76% Danceability • 71% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
32% Popularity • 76% Danceability • 71% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
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Dee Dee Sharp Gamble
Breaking and Entering - 12" Version
124 bpm • A# Maj • 07:00 • -7.84db
18% Popularity • 74% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 90% Positiveness
18% Popularity • 74% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 90% Positiveness
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Rufus & Chaka Khan
Any Love
124 bpm • G min • 04:52 • -14.45db
33% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Kleeer
She Said She Loves Me
122 bpm • D min • 06:02 • -12.01db
10% Popularity • 78% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 78% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Harvey Mason
Groovin' You - 12" Version
122 bpm • F min • 06:16 • -8db
29% Popularity • 74% Danceability • 88% Energy • 8% Liveness
25% Instrumentalness • 87% Positiveness
29% Popularity • 74% Danceability • 88% Energy • 8% Liveness
25% Instrumentalness • 87% Positiveness
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Rene & Angela
Free And Easy
122 bpm • F min • 05:45 • -5db
22% Popularity • 86% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 86% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Vera Brown & Rich Girls
Too Much Too Fast
122 bpm • A# min • 05:01 • -13.87db
12% Popularity • 85% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 85% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Ingram
Groovin' on a Groove
122 bpm • F# min • 05:07 • -9.52db
10% Popularity • 77% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 77% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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The Jones Girls
Keep It Comin'
122 bpm • F min • 04:49 • -8db
28% Popularity • 79% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
28% Popularity • 79% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Kleeer
You Got Me Rockin'
124 bpm • C Maj • 05:19 • -15.08db
5% Popularity • 87% Danceability • 66% Energy • 5% Liveness
24% Instrumentalness • 80% Positiveness
5% Popularity • 87% Danceability • 66% Energy • 5% Liveness
24% Instrumentalness • 80% Positiveness
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Dexter Wansel
Let Me Rock You
124 bpm • D Maj • 04:35 • -9.42db
12% Popularity • 80% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 96% Positiveness
12% Popularity • 80% Danceability • 82% Energy • 6% Liveness
19% Instrumentalness • 96% Positiveness
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Skyy
Superlove
122 bpm • A min • 05:07 • -11.81db
18% Popularity • 90% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 90% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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G.Q.
Lies
124 bpm • F Maj • 05:18 • -12db
23% Popularity • 69% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 69% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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The Warriors
Destination
124 bpm • E min • 06:39 • -7.23db
29% Popularity • 77% Danceability • 94% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
29% Popularity • 77% Danceability • 94% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
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Aurra
In the Mood (To Groove)
124 bpm • F# Maj • 05:38 • -10.26db
10% Popularity • 72% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 72% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
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Kleeer
Keep Your Body Workin'
124 bpm • E min • 05:19 • -8.4db
9% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Narada Michael Walden
Tonight I'm Alright
122 bpm • F Maj • 05:15 • -12db
32% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
32% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
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Light Of The World
I Shot the Sheriff
122 bpm • G min • 03:58 • -12db
33% Popularity • 79% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 79% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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G.Q.
Standing Ovation
124 bpm • E Maj • 05:30 • -11db
20% Popularity • 65% Danceability • 71% Energy • 91% Liveness
2% Instrumentalness • 95% Positiveness
20% Popularity • 65% Danceability • 71% Energy • 91% Liveness
2% Instrumentalness • 95% Positiveness
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Double Exposure
Ten Percent
121 bpm • C Maj • 07:07 • -8.67db
35% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Norman Connors
Take It to the Limit - 12"
125 bpm • E min • 04:17 • -8.36db
15% Popularity • 60% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 60% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Kleeer
Take Your Heart Away
122 bpm • C# Maj • 06:09 • -14db
14% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Strikers
Inch by Inch - Remix
121 bpm • E Maj • 08:13 • -7db
12% Popularity • 85% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 85% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Mystic Merlin
Sixty Thrills A Minute
125 bpm • B min • 04:47 • -8db
15% Popularity • 84% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 84% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 82% Positiveness
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Con Funk Shun
Ms. Got-The-Body
125 bpm • G min • 03:53 • -10.19db
26% Popularity • 92% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
26% Popularity • 92% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Jimmy Ross
Chocolate Ice - Original
121 bpm • B min • 05:51 • -11.64db
29% Popularity • 88% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 88% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Skyy
Call Me
121 bpm • D Maj • 06:22 • -8.68db
43% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
43% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Kleeer
Running Back to You
125 bpm • D min • 07:24 • -12.77db
14% Popularity • 67% Danceability • 40% Energy • 24% Liveness
16% Instrumentalness • 96% Positiveness
14% Popularity • 67% Danceability • 40% Energy • 24% Liveness
16% Instrumentalness • 96% Positiveness
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The Strikers
Inch By Inch
121 bpm • C# min • 08:12 • -14db
11% Popularity • 85% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 85% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Brick
Living from the Mind
121 bpm • A# min • 03:35 • -6db
25% Popularity • 75% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 75% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Norman Connors
Take It to the Limit
125 bpm • E min • 03:52 • -7.56db
17% Popularity • 62% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 62% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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B.T. Express
Peace Pipe
125 bpm • E min • 06:04 • -5.99db
17% Popularity • 68% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 68% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Dayton
Eyes On You - Remastered
121 bpm • D# min • 06:45 • -7db
11% Popularity • 66% Danceability • 80% Energy • 8% Liveness
13% Instrumentalness • 81% Positiveness
11% Popularity • 66% Danceability • 80% Energy • 8% Liveness
13% Instrumentalness • 81% Positiveness
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Kleeer
Tonight - Joey Negro Tonight It's Partyt...
121 bpm • C min • 07:01 • -7.48db
8% Popularity • 77% Danceability • 70% Energy • 7% Liveness
71% Instrumentalness • 67% Positiveness
8% Popularity • 77% Danceability • 70% Energy • 7% Liveness
71% Instrumentalness • 67% Positiveness
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Mass Production
Welcome to Our World (Of Merry Music)
121 bpm • C Maj • 07:32 • -13db
20% Popularity • 69% Danceability • 84% Energy • 3% Liveness
20% Instrumentalness • 92% Positiveness
20% Popularity • 69% Danceability • 84% Energy • 3% Liveness
20% Instrumentalness • 92% Positiveness
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Taana Gardner
Work That Body (2012 - Remaster)
125 bpm • D Maj • 07:47 • -8.34db
19% Popularity • 73% Danceability • 73% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
19% Popularity • 73% Danceability • 73% Energy • 15% Liveness
4% Instrumentalness • 41% Positiveness
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Slave
You and Me
121 bpm • F Maj • 06:43 • -11.43db
18% Popularity • 65% Danceability • 72% Energy • 26% Liveness
8% Instrumentalness • 67% Positiveness
18% Popularity • 65% Danceability • 72% Energy • 26% Liveness
8% Instrumentalness • 67% Positiveness
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Bobby Thurston
Check Out the Groove - Radio Edit
121 bpm • B min • 03:50 • -13.89db
32% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Steve Shelto
Don't Give Your Love Away - Original Mix
121 bpm • B min • 06:48 • -9db
15% Popularity • 71% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 61% Positiveness
15% Popularity • 71% Danceability • 57% Energy • 7% Liveness
4% Instrumentalness • 61% Positiveness
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Kleeer
Tonight's the Night (Good Time)
121 bpm • G# Maj • 06:19 • -10.89db
3% Popularity • 70% Danceability • 76% Energy • 6% Liveness
65% Instrumentalness • 81% Positiveness
3% Popularity • 70% Danceability • 76% Energy • 6% Liveness
65% Instrumentalness • 81% Positiveness
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Gayle Adams
Plain Out of Luck
121 bpm • G# Maj • 07:35 • -14db
19% Popularity • 77% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
19% Popularity • 77% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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Hi-Gloss
It's Up to You
121 bpm • F Maj • 05:45 • -11db
21% Popularity • 87% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 88% Positiveness
21% Popularity • 87% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 88% Positiveness
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Linx
You're Lying
121 bpm • A Maj • 03:48 • -16db
28% Popularity • 69% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 69% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Thurston
You Got What It Takes
121 bpm • A Maj • 09:33 • -14.29db
30% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
30% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
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Ripple
The Beat Goes on and On
126 bpm • A# Maj • 04:32 • -15.06db
23% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The O'Jays
Put Our Heads Together
120 bpm • F# min • 05:40 • -7.55db
34% Popularity • 84% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 84% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Sparkle
Handsome Man (2012 - Remaster)
120 bpm • A Maj • 06:23 • -8.45db
16% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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George Duke
I Want You for Myself
120 bpm • C Maj • 06:38 • -12db
23% Popularity • 79% Danceability • 54% Energy • 3% Liveness
3% Instrumentalness • 96% Positiveness
23% Popularity • 79% Danceability • 54% Energy • 3% Liveness
3% Instrumentalness • 96% Positiveness
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Inner Life
Pay Girl
126 bpm • C Maj • 05:51 • -9.53db
9% Popularity • 86% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 86% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 96% Positiveness
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Kleeer
Keeep Your Body Workin'
126 bpm • G Maj • 05:19 • -13.89db
16% Popularity • 62% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 62% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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John Davis & The Monster Orchestra
BOURGIE, BOURGIE
120 bpm • C Maj • 06:12 • -10db
21% Popularity • 80% Danceability • 69% Energy • 14% Liveness
16% Instrumentalness • 95% Positiveness
21% Popularity • 80% Danceability • 69% Energy • 14% Liveness
16% Instrumentalness • 95% Positiveness
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One Way
Music
120 bpm • A# min • 07:18 • -15db
25% Popularity • 79% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 79% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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One Way Featuring Al Hudson
Music
120 bpm • G# Maj • 07:16 • -11db
17% Popularity • 84% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 63% Positiveness
17% Popularity • 84% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 63% Positiveness
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Gino Soccio
Hold Tight
120 bpm • D# Maj • 05:18 • -16.42db
34% Popularity • 91% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 91% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Mass Production
Shanté
126 bpm • F# Maj • 06:18 • -19.94db
13% Popularity • 82% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 74% Positiveness
13% Popularity • 82% Danceability • 34% Energy • 11% Liveness
10% Instrumentalness • 74% Positiveness
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Kleeer
I Shall Get Over
120 bpm • A# Maj • 06:24 • -17.29db
5% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
5% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Gayle Adams
Your Love Is a Life Saver
120 bpm • B Maj • 05:52 • -14.3db
29% Popularity • 74% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
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G.Q.
Boogie Oogie Oogie - 12" Disco Remix
126 bpm • C Maj • 06:12 • -14db
13% Popularity • 80% Danceability • 53% Energy • 2% Liveness
4% Instrumentalness • 96% Positiveness
13% Popularity • 80% Danceability • 53% Energy • 2% Liveness
4% Instrumentalness • 96% Positiveness
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Fat Larry's Band
Be My Lady
120 bpm • C min • 05:04 • -8.58db
33% Popularity • 74% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 74% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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High Fashion
When The Lover Strikes - Remastered
126 bpm • A Maj • 04:26 • -6.97db
7% Popularity • 72% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 72% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Fantasy
You're Too Late
120 bpm • G# min • 06:33 • -11.71db
23% Popularity • 81% Danceability • 48% Energy • 4% Liveness
11% Instrumentalness • 92% Positiveness
23% Popularity • 81% Danceability • 48% Energy • 4% Liveness
11% Instrumentalness • 92% Positiveness
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Kleeer
Get Tough
120 bpm • D min • 08:20 • -11.66db
12% Popularity • 68% Danceability • 70% Energy • 5% Liveness
7% Instrumentalness • 84% Positiveness
12% Popularity • 68% Danceability • 70% Energy • 5% Liveness
7% Instrumentalness • 84% Positiveness
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Debra Laws
On My Own
120 bpm • C Maj • 04:21 • -8db
23% Popularity • 68% Danceability • 72% Energy • 4% Liveness
4% Instrumentalness • 80% Positiveness
23% Popularity • 68% Danceability • 72% Energy • 4% Liveness
4% Instrumentalness • 80% Positiveness
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Thelma Houston
If You Feel It
120 bpm • D Maj • 05:56 • -13db
23% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
23% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
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A Taste Of Honey
Ain't Nothin' But A Party - Remastered
126 bpm • F Maj • 04:55 • -5.53db
24% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
