Songs like Too Fast by X Lovers
Based on a tempo of (+/- 10%) and a similar genre
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Opia
So Long
166 bpm • A Maj • 02:48 • -12.39db
20% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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X Lovers
Too Fast
166 bpm • C# Maj • 02:33 • -4.11db
33% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Nicky Youre
Never Go Wrong
165 bpm • F Maj • 02:35 • -6.45db
55% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Phil Good
Thank You
165 bpm • A Maj • 02:18 • -6.62db
41% Popularity • 70% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
41% Popularity • 70% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Sam MacPherson
Rookie
168 bpm • G Maj • 02:50 • -5.53db
28% Popularity • 51% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Forrest Nolan
stupid i miss u
168 bpm • G Maj • 02:20 • -5.75db
46% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
43% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Motel 7
Same Side
164 bpm • B Maj • 02:21 • -9.91db
16% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Blake Rose
Lady
168 bpm • G# Maj • 04:02 • -4db
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
40% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Jagwar Twin
Shine
170 bpm • F# Maj • 02:56 • -5.36db
35% Popularity • 42% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 42% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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MacKenzie Bourg
Big
170 bpm • D Maj • 02:44 • -5.68db
25% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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HARBOUR
Get You High
170 bpm • C Maj • 03:54 • -6.14db
51% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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push baby
Change My Mind
170 bpm • G Maj • 03:32 • -11.2db
16% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Winnetka Bowling League
The Romantic Way
162 bpm • F# Maj • 03:04 • -5db
27% Popularity • 54% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 54% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Lovaas
Tired
162 bpm • F min • 03:22 • -8.62db
22% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Mills
Five N' Dime
161 bpm • A Maj • 02:53 • -8.13db
33% Popularity • 61% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Zachary Knowles
carpool
172 bpm • A# Maj • 02:44 • -9.17db
46% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Williams*
Summer Fantasy
160 bpm • C# min • 03:27 • -5db
24% Popularity • 74% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 74% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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remy
he's not your boyfriend, he's your boy f...
160 bpm • F# Maj • 02:55 • -7.96db
34% Popularity • 73% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 73% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Free Arlo
friendzone
160 bpm • A# Maj • 02:31 • -5.55db
14% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Lance Redeker
Truman
160 bpm • C Maj • 03:28 • -7.31db
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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JORDY
I Just Wanna Be Loved
160 bpm • C Maj • 03:09 • -5.56db
32% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Zachary Knowles
let you go
172 bpm • B min • 02:07 • -7.35db
24% Popularity • 65% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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OCTAVIO the Dweeb
4letterword
160 bpm • G# Maj • 03:20 • -4.91db
32% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
14% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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EBEN
Jenny
174 bpm • D Maj • 02:10 • -6.05db
22% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Landon Conrath
lowercase
175 bpm • B Maj • 02:38 • -9.29db
56% Popularity • 74% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 74% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
42% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Phil Good
Falling
157 bpm • A# Maj • 02:50 • -6.78db
24% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Deza
Boy Violet
157 bpm • B Maj • 02:58 • -9db
30% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Aidan Bissett
Dumped
176 bpm • B Maj • 02:43 • -4.58db
16% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
51% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Landon Conrath
Acetone
158 bpm • D# Maj • 03:22 • -8.51db
49% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Also Joe
Two Straws
156 bpm • E Maj • 03:13 • -9.97db
31% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Why Don't We
Lotus Inn
156 bpm • D Maj • 03:15 • -5db
51% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Forrest Nolan
Hotel Room
156 bpm • C# Maj • 02:59 • -8.04db
24% Popularity • 80% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 80% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Lauv
Billy
177 bpm • D Maj • 03:00 • -8.75db
42% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Landon Conrath
Papercuts
176 bpm • A# Maj • 02:52 • -6db
55% Popularity • 62% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 62% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Theo Kandel
Running Blind
155 bpm • E Maj • 03:44 • -6.4db
17% Popularity • 72% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 72% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Forrest Nolan
you make me feel alright
156 bpm • D# Maj • 02:58 • -10.49db
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Peach Tree Rascals
Change My Mind
178 bpm • C# Maj • 02:01 • -5.47db
47% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Tony Ferrari
Napkins
178 bpm • A# Maj • 02:34 • -7.58db
13% Popularity • 70% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 70% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Landon Conrath
July
178 bpm • E Maj • 03:23 • -5.69db
40% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
45% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Zachary Knowles
time of night
180 bpm • E Maj • 02:32 • -10.48db
23% Popularity • 62% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 62% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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X Lovers
Sweatshirt
152 bpm • F Maj • 03:17 • -5.72db
32% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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COIN
Crash My Car
184 bpm • F Maj • 03:08 • -5.86db
64% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
64% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Landon Conrath
Casanova
154 bpm • G Maj • 02:42 • -6.51db
44% Popularity • 59% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 59% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Peach Tree Rascals
Song From Hell
150 bpm • F# Maj • 03:03 • -5.04db
35% Popularity • 62% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 62% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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toast
i've been calling
150 bpm • A Maj • 02:24 • -7db
28% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Zachary Knowles
johnny & june
182 bpm • G# min • 02:44 • -8db
28% Popularity • 60% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 60% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Aidan Bissett
So High
150 bpm • C Maj • 02:49 • -6.14db
29% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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X Lovers
LOVE
150 bpm • G# Maj • 02:36 • -4.62db
20% Popularity • 74% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 74% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Thomston
JPA989
150 bpm • C Maj • 02:56 • -11.35db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
21% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
26% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Juniper
Angelina
150 bpm • D# Maj • 03:10 • -7db
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Spencer Sutherland
Wonder
150 bpm • D Maj • 03:24 • -7.53db
45% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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X Lovers
LOVE
150 bpm • G# Maj • 02:35 • -4.6db
18% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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nodisco.
Permanent Residence
148 bpm • A# Maj • 03:51 • -5.03db
12% Popularity • 73% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 73% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Point Blank Society
Let's Turn Gray
148 bpm • C# min • 03:42 • -9.92db
27% Popularity • 79% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 79% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Levi Rowan
Let it Go
148 bpm • G# Maj • 02:34 • -5.15db
29% Popularity • 70% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 70% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Grady
All In
147 bpm • G Maj • 02:43 • -7.77db
33% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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push baby
@thebackoftheparty
188 bpm • C Maj • 02:48 • -8.17db
24% Popularity • 73% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 73% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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X Lovers
dreams where ur murdered - sped up + rev...
148 bpm • A# Maj • 01:43 • -12.25db
3% Popularity • 66% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 66% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 75% Positiveness
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renforshort
museum
188 bpm • A# Maj • 02:37 • -6.92db
25% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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david hugo
Hot Mess
146 bpm • C# Maj • 02:17 • -5.45db
38% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Shockley
Close Enough
146 bpm • A# min • 02:54 • -7.59db
20% Popularity • 77% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 77% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Landon Conrath
Jericho
145 bpm • F# Maj • 03:27 • -7.82db
51% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Aidan Bissett
Grocery Store Girl
145 bpm • G Maj • 02:43 • -6.38db
13% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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X Lovers
Life
146 bpm • G Maj • 02:45 • -5db
14% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:27 • -6.79db
22% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cody Fry
Take You There
144 bpm • B min • 03:36 • -8.55db
31% Popularity • 57% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 57% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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dempsey hope
time flies
144 bpm • G# Maj • 02:18 • -9.4db
36% Popularity • 51% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 51% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Devin Kennedy
Happy Yet
143 bpm • D Maj • 02:33 • -8db
26% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Landon Conrath
Pieces
194 bpm • C# Maj • 02:43 • -8.11db
41% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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X Lovers
Play Your Game
144 bpm • F# Maj • 02:41 • -5.39db
22% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Toddy Smith
Unmotivated
196 bpm • C Maj • 02:49 • -8.09db
20% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Cody Lovaas
Just So You Know
202 bpm • A Maj • 03:16 • -7.54db
42% Popularity • 64% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 64% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
32% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
