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Too Late Babe
Songs like
Too Late Babe
by
The Lowest Pair
Based on a tempo of (+/- 10%) and a similar genre
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The Lowest Pair
Keweenaw Flower
169 bpm • F Maj • 03:23 • -12.27db
29% Popularity • 32% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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The Riverside
Oregon, Virginia
170 bpm • D Maj • 03:54 • -11.77db
37% Popularity • 54% Danceability • 30% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
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Drew Holcomb & The Neighbors
American Beauty
168 bpm • A Maj • 02:38 • -15.74db
53% Popularity • 64% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Grace
Tennessee Dust
171 bpm • E Maj • 03:16 • -11.08db
30% Popularity • 32% Danceability • 38% Energy • 12% Liveness
8% Instrumentalness • 46% Positiveness
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Them Coulee Boys
Just Friends
167 bpm • G# Maj • 03:34 • -7.98db
15% Popularity • 36% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Rayland Baxter
Willy's Song
167 bpm • C# min • 03:43 • -8.2db
50% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Lowest Pair
Too Late Babe
169 bpm • D Maj • 04:49 • -8db
34% Popularity • 37% Danceability • 68% Energy • 14% Liveness
63% Instrumentalness • 25% Positiveness
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Joe Pug
Exit
172 bpm • G Maj • 02:57 • -11.43db
29% Popularity • 38% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Aunt Martha
Neighbor Song
173 bpm • A# Maj • 04:15 • -15.46db
36% Popularity • 46% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 90% Positiveness
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Fruit Bats
Ocean
166 bpm • C Maj • 03:18 • -13.19db
50% Popularity • 56% Danceability • 27% Energy • 11% Liveness
14% Instrumentalness • 31% Positiveness
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Kate Rhudy
Boy from Charlevoix
173 bpm • C Maj • 02:35 • -6db
25% Popularity • 55% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Caamp
Apple Tree Blues
173 bpm • G# Maj • 03:32 • -11db
60% Popularity • 54% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 74% Positiveness
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The Lowest Pair
Wild Animals
168 bpm • A# min • 04:34 • -7.29db
15% Popularity • 52% Danceability • 74% Energy • 31% Liveness
16% Instrumentalness • 80% Positiveness
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The Riverside
Ole Montana
165 bpm • D# Maj • 04:32 • -9.77db
14% Popularity • 33% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
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Town Meeting
West of Seattle
173 bpm • G Maj • 04:20 • -9.18db
34% Popularity • 45% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Brother Brothers
Red And Gold
174 bpm • A# Maj • 02:19 • -17db
39% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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William Prince
Wasted
174 bpm • F# min • 02:44 • -9.8db
34% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Rayland Baxter
Mother, Mother
164 bpm • E Maj • 03:35 • -19.24db
32% Popularity • 37% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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The Lowest Pair
Holy Buckets
168 bpm • E Maj • 03:17 • -11.74db
5% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Brothers Comatose
Valerie
175 bpm • G Maj • 04:54 • -10db
46% Popularity • 34% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ruston Kelly
Brave
164 bpm • C# Maj • 03:13 • -14.87db
50% Popularity • 49% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Avett Brothers
Prison To Heaven
163 bpm • D Maj • 03:17 • -8.12db
27% Popularity • 50% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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The Lil Smokies
Carry Me
162 bpm • G Maj • 04:50 • -7.65db
16% Popularity • 27% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Gregory Alan Isakov
All Shades of Blue
161 bpm • D Maj • 03:33 • -11db
51% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Lowest Pair
Minnesota, Mend Me
170 bpm • C Maj • 04:02 • -9.22db
20% Popularity • 44% Danceability • 45% Energy • 8% Liveness
8% Instrumentalness • 38% Positiveness
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The Riverside
Sierra
176 bpm • D Maj • 04:11 • -10.7db
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Dead Horses
All I Really Need to Know
178 bpm • G Maj • 04:15 • -10.93db
14% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ana Egge
Dance Around the Room with Me
160 bpm • A Maj • 02:58 • -12.67db
15% Popularity • 68% Danceability • 36% Energy • 24% Liveness
2% Instrumentalness • 59% Positiveness
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Twisted Pine
When I Called Your Name
160 bpm • C Maj • 04:12 • -7.81db
29% Popularity • 53% Danceability • 51% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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The Stray Birds
Dream in Blue
179 bpm • D Maj • 03:32 • -11db
42% Popularity • 45% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Lowest Pair
The Sky Is Green
166 bpm • D Maj • 03:41 • -11.74db
11% Popularity • 49% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Emily Scott Robinson
Old Gods
179 bpm • C# Maj • 03:46 • -11db
38% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Riverside
When I Heard You Calling
180 bpm • A# Maj • 04:03 • -10.42db
25% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Dead Horses
Lay Me Down
181 bpm • C Maj • 04:21 • -10.81db
24% Popularity • 43% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Steep Canyon Rangers
Honey on My Tongue
182 bpm • C Maj • 03:23 • -6.23db
42% Popularity • 41% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Bones of J.R. Jones
Stay Wild
157 bpm • D Maj • 04:45 • -7.82db
39% Popularity • 57% Danceability • 76% Energy • 10% Liveness
31% Instrumentalness • 61% Positiveness
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The Lowest Pair
When They Dance the Mountains Shake
165 bpm • D Maj • 03:39 • -12.8db
23% Popularity • 57% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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The Lil Smokies
World's on Fire
156 bpm • A Maj • 03:57 • -5.95db
19% Popularity • 29% Danceability • 68% Energy • 25% Liveness
1% Instrumentalness • 37% Positiveness
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Andrew Duhon
Comin' around
156 bpm • F Maj • 03:32 • -8db
40% Popularity • 58% Danceability • 67% Energy • 9% Liveness
5% Instrumentalness • 57% Positiveness
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Dead Horses
Darling Dear
158 bpm • E Maj • 03:45 • -9.66db
19% Popularity • 56% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Caamp
Common Man
155 bpm • F# Maj • 02:13 • -7.17db
48% Popularity • 37% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Lula Wiles
Love Gone Wrong
155 bpm • B Maj • 03:56 • -10.39db
22% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Lowest Pair
Dreaming Of Babylon
165 bpm • C Maj • 05:08 • -12.43db
4% Popularity • 49% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Willie Watson
Dancing On My Own
184 bpm • A# Maj • 05:30 • -9.87db
21% Popularity • 38% Danceability • 20% Energy • 13% Liveness
6% Instrumentalness • 40% Positiveness
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Abigail Lapell
Devil in the Deep
155 bpm • E Maj • 03:02 • -10.34db
36% Popularity • 51% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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DeYarmond Edison
Bones
154 bpm • F Maj • 05:24 • -12.68db
38% Popularity • 53% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Craig Cardiff
Miss Ohio
154 bpm • F Maj • 04:25 • -12.36db
30% Popularity • 56% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
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Sons Of The East
You Ain't Going Nowhere
154 bpm • C Maj • 02:25 • -5db
39% Popularity • 50% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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The Lowest Pair
Howl
164 bpm • G# min • 03:01 • -12.1db
23% Popularity • 38% Danceability • 32% Energy • 6% Liveness
10% Instrumentalness • 42% Positiveness
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Bermuda Triangle
Rosey
153 bpm • G Maj • 03:45 • -11db
30% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Dead Tongues
Peaceful Ambassador
153 bpm • C Maj • 04:15 • -9.76db
18% Popularity • 45% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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St. Catherine's Child
Burden
188 bpm • A# Maj • 03:41 • -13.47db
33% Popularity • 42% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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Daniel Rodriguez
Sojourn of a Burning Sun
152 bpm • E Maj • 02:10 • -10.27db
22% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Lone Bellow
Count On Me
152 bpm • D Maj • 02:40 • -5db
46% Popularity • 37% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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The Lowest Pair
It Wished it was a Song
154 bpm • F# Maj • 02:39 • -10.69db
19% Popularity • 37% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rachel Baiman
Thinkin' On You
152 bpm • G Maj • 04:19 • -12.29db
22% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Izaak Opatz
Arm's Length Away
151 bpm • C# Maj • 03:30 • -12db
27% Popularity • 66% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
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Elephant Revival
Down to the Sea
151 bpm • F# Maj • 04:07 • -13db
37% Popularity • 35% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Caamp
Mockingbird Song
151 bpm • C Maj • 02:12 • -8.88db
42% Popularity • 50% Danceability • 61% Energy • 15% Liveness
79% Instrumentalness • 86% Positiveness
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Ian Noe
Tom Barrett
151 bpm • F Maj • 03:13 • -9.63db
52% Popularity • 39% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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The Lowest Pair
Couple of Jerks
154 bpm • B Maj • 03:43 • -9db
13% Popularity • 34% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Shovels & Rope
C'mon Utah!
150 bpm • G Maj • 03:46 • -6.44db
27% Popularity • 50% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Dead Horses
Brady Street
150 bpm • F Maj • 03:08 • -9.55db
26% Popularity • 54% Danceability • 54% Energy • 10% Liveness
36% Instrumentalness • 33% Positiveness
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Ryan Montbleau
Helplessly Hoping
150 bpm • G Maj • 03:03 • -9.58db
26% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Rachel Baiman
Something To Lose
147 bpm • C min • 03:12 • -13.14db
27% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Family and Friends
Amadeus
147 bpm • B min • 03:27 • -7db
53% Popularity • 43% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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The Lowest Pair
The Company I Keep
152 bpm • B Maj • 04:35 • -14.52db
6% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Avett Brothers
Untitled #4
147 bpm • A# Maj • 04:04 • -8.29db
46% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dead Horses
On and On
150 bpm • G Maj • 03:37 • -9db
29% Popularity • 54% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Cicada Rhythm
America's Open Roads
147 bpm • C min • 02:45 • -6.7db
29% Popularity • 58% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Old Man Luedecke
I Skipped A Stone
145 bpm • E Maj • 03:20 • -12.24db
30% Popularity • 61% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Josiah Johnson
I Wish I Had
145 bpm • E Maj • 04:45 • -8db
32% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Lowest Pair
Sweet Breath
150 bpm • D Maj • 03:03 • -10.76db
31% Popularity • 44% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Trout Steak Revival
Brighter Every Day
146 bpm • B Maj • 03:41 • -10.97db
40% Popularity • 41% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
38% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Wyatt C. Louis
Dancing with Sue
145 bpm • G# Maj • 02:52 • -9.62db
31% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Beta Radio
Bees and Swans
144 bpm • A Maj • 04:10 • -8.03db
32% Popularity • 34% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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The Lowest Pair
In The During Of A Moment
147 bpm • A Maj • 06:08 • -12db
18% Popularity • 41% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Rayland Baxter
The Woman For Me
144 bpm • F# Maj • 04:34 • -11.55db
33% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Csorba
Murmur of Yearning
144 bpm • F# Maj • 03:50 • -10.23db
30% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
60% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dustbowl Revival
The Exception
144 bpm • A# Maj • 04:07 • -7db
30% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Lula Wiles
Mama
204 bpm • A# Maj • 03:18 • -11.31db
18% Popularity • 39% Danceability • 26% Energy • 31% Liveness
2% Instrumentalness • 53% Positiveness
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Ocie Elliott
Tracks
200 bpm • F Maj • 02:48 • -12.05db
56% Popularity • 57% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 23% Positiveness
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Too Late Babe