Songs like Top of the World by Andrew Keenan-Bolger
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Priscilla Lopez
Enough
106 bpm • C# Maj • 02:38 • -6.68db
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Charles Lewis
Everlasting
106 bpm • A# Maj • 02:43 • -10.45db
26% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Darren Ritchie
One Knight
106 bpm • F# Maj • 04:00 • -12.97db
26% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Lynn Ahrens
Amayzing Gertrude - Original Broadway Ca...
105 bpm • E Maj • 02:11 • -12.25db
32% Popularity • 69% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 69% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Keenan-Bolger
Beautiful / My North Star (Reprise)
106 bpm • C Maj • 01:30 • -10.79db
0% Popularity • 26% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 26% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
39% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Gotay
Women and Sandwiches
107 bpm • G# Maj • 03:24 • -7.62db
29% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Sarah Charles Lewis
The Wheel
105 bpm • D# Maj • 04:18 • -12.44db
28% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Once On This Island Storytellers
Why We Tell the Story
105 bpm • A Maj • 03:40 • -11.45db
26% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Erika Henningsen
It Roars
107 bpm • A# Maj • 03:31 • -5db
52% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Jessica Lee Goldyn
Dance: Ten; Looks: Three
108 bpm • C Maj • 02:54 • -9.03db
32% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Mandy Gonzalez
Everything I Know
107 bpm • G# Maj • 03:56 • -11.33db
36% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Brooks Ashmanskas
Barry Is Going to Prom
108 bpm • C Maj • 02:33 • -5.7db
16% Popularity • 55% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 55% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Jeremy Kushnier
I Can't Stand Still
108 bpm • A# Maj • 02:10 • -9.16db
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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NaTasha Yvette Williams
Watch Your Back
108 bpm • G# Maj • 03:27 • -6.56db
25% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Kate Reinders
We See the Light
108 bpm • F Maj • 04:05 • -6.66db
37% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Keenan-Bolger
Beautiful
104 bpm • F Maj • 03:04 • -10.89db
0% Popularity • 30% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 30% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Prayer of the Comfort Counselor
104 bpm • A min • 02:20 • -7.14db
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Patti Murin
Love Is an Open Door
104 bpm • F# min • 03:10 • -7db
40% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Kevin Chamberlin
The Moon And Me
104 bpm • C Maj • 03:03 • -10.82db
36% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Bring It On
104 bpm • F# min • 02:38 • -5.73db
36% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lynn Ahrens
Amayzing Mayzie - Original Broadway Cast...
109 bpm • C Maj • 02:10 • -10.05db
36% Popularity • 63% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 63% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Park
To Break In a Glove
108 bpm • G Maj • 03:50 • -8.66db
47% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Wayne Alan Wilcox
Open Your Heart
103 bpm • F Maj • 01:54 • -6.58db
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Jacobs
Proud of Your Boy (Reprise)
109 bpm • F# Maj • 01:05 • -12.53db
31% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Zachary
Safer
102 bpm • G# Maj • 03:17 • -5.32db
34% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Olivia Phillip
Fixer Upper
102 bpm • G# Maj • 03:42 • -5.28db
35% Popularity • 48% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 48% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Lee Anderson
Firmer Hand / Do Right
102 bpm • C# Maj • 02:15 • -8.32db
29% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
40% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Mandy Gonzalez
When You're Home
102 bpm • A Maj • 05:20 • -7db
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Grace McLean
A Call to Pierre
111 bpm • E min • 02:22 • -7.25db
35% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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J. Robert Spencer
A Light in the Dark
101 bpm • G Maj • 02:45 • -13.93db
30% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Heidi Blickenstaff
Secondary Characters
111 bpm • C Maj • 02:25 • -7.24db
26% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Keenan-Bolger
Money Talks
101 bpm • G Maj • 02:17 • -6.71db
2% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Lauren Ward
My House
112 bpm • A# Maj • 03:47 • -14.56db
30% Popularity • 37% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 37% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sharon Wheatley
Costume Party
112 bpm • F Maj • 05:18 • -9db
40% Popularity • 72% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 72% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Danny Kosarin
Lost in the Wilderness
112 bpm • D Maj • 02:28 • -10.29db
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Nathan Lane
Happy/Sad - 2010 Original Cast Recording...
101 bpm • C# Maj • 03:55 • -13.07db
35% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Marissa Jaret Winokur
I Can Hear the Bells
112 bpm • C Maj • 04:04 • -5.78db
35% Popularity • 72% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 72% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Janet Dacal
Through the Looking Glass
100 bpm • G# Maj • 02:42 • -10db
23% Popularity • 37% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 37% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Heidi Blickenstaff
What You Got
112 bpm • G Maj • 03:00 • -5db
32% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Megan Hilty, Allison Janney, Stephanie J. Block and Ensemble
Change It
112 bpm • A# Maj • 02:45 • -7db
29% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Santino Fontana
"Me, Who Am I?"
100 bpm • G min • 02:24 • -6.43db
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nathan Lane
Live Before We Die - 2010 Original Cast ...
100 bpm • F# min • 02:48 • -15db
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Plotkin
Mama Says (You Can't Back Down)
112 bpm • A# min • 05:06 • -10db
33% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Will Roland
Voices in My Head
112 bpm • F Maj • 04:44 • -7.94db
27% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Patti Murin
For the First Time in Forever
99 bpm • F# Maj • 04:14 • -7db
41% Popularity • 44% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 44% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
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Original Cast of Amélie
Sister's Pickle
99 bpm • F# Maj • 02:07 • -7db
29% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Heidi Blickenstaff
Page Eight, at the Top / Fast Talking
114 bpm • B Maj • 04:20 • -7.02db
3% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ilana Levine
The Doctor Is In
114 bpm • D# Maj • 02:31 • -14.57db
26% Popularity • 61% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 61% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Laura Bell Bundy
Serious - Reprise
113 bpm • F Maj • 00:56 • -13.97db
41% Popularity • 80% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 80% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Matthew Morrison
Stronger - Original Broadway Cast Record...
114 bpm • G Maj • 03:23 • -7.51db
32% Popularity • 44% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 44% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:38 • -6.4db
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Lynn Ahrens
Notice Me, Horton
114 bpm • F Maj • 03:07 • -14.52db
36% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster - Reprise
99 bpm • G Maj • 00:59 • -11.53db
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tam Mutu
So Exciting! (The Pitch Song)
98 bpm • F Maj • 03:28 • -6.84db
43% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Melissa Van Der Schyff
You're Going Back to Jail
114 bpm • C min • 03:30 • -9.08db
33% Popularity • 78% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 78% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
48% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Caissie Levy
For the First Time in Forever (Reprise)
99 bpm • A Maj • 02:53 • -9.55db
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Keenan-Bolger
Sea Legs
98 bpm • G# Maj • 04:14 • -9.31db
1% Popularity • 62% Danceability • 39% Energy • 83% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 62% Danceability • 39% Energy • 83% Liveness
0% Instrumentalness • 64% Positiveness
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Matthew Morrison
Without Love
98 bpm • C Maj • 04:26 • -6.05db
31% Popularity • 70% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 70% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Kenny Raskin
Gaston
115 bpm • G Maj • 05:01 • -17db
37% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Courtney Reed
These Palace Walls
98 bpm • A Maj • 02:40 • -7db
39% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Original Broadway Cast Of School Of Rock
Give up Your Dreams
98 bpm • F Maj • 03:20 • -4db
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Stephen Schwartz
March Of The Witch Hunters
115 bpm • G# Maj • 01:31 • -8db
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Brian D'Arcy James
When Words Fail
115 bpm • G Maj • 03:09 • -10.66db
41% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Jeremy Jordan
When I Drive
115 bpm • B Maj • 02:14 • -8db
38% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Krysta Rodriguez
Crazier Than You
115 bpm • E min • 02:51 • -7.45db
46% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Original Broadway Cast Of School Of Rock
Horace Green Alma Mater
97 bpm • C Maj • 02:47 • -8.25db
31% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Alice Ripley
Wish I Were Here
97 bpm • B min • 03:06 • -8.31db
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Billy Porter
In This Corner
97 bpm • F min • 04:56 • -6.83db
28% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 69% Danceability • 73% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Hailey Kilgore
Discovering Daniel / Pray
97 bpm • E min • 06:52 • -11.76db
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Adam Riegler
What If
97 bpm • D Maj • 02:06 • -14db
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Carrie Compere
Strong
97 bpm • D Maj • 03:26 • -7.69db
40% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
36% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Martin
As We Stumble Along - Reprise
116 bpm • F Maj • 02:35 • -10db
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Sarah Charles Lewis
Follow The Stars
96 bpm • C min • 03:09 • -7db
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Q Smith
I Am Here
96 bpm • A Maj • 01:47 • -9.3db
39% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 54% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I'm Not That Smart
117 bpm • A Maj • 02:39 • -10db
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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J. Robert Spencer
I Am the One
96 bpm • A Maj • 03:16 • -6.31db
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls (Reprise)
96 bpm • C# Maj • 01:51 • -14.99db
30% Popularity • 54% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 54% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
32% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
