Songs like Tornado in a Trailer Park by Henry Jackman
Based on a tempo of (+/- 10%) and a similar genre
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Henry Jackman
Tornado in a Trailer Park
147 bpm • D Maj • 02:30 • -10db
26% Popularity • 25% Danceability • 52% Energy • 11% Liveness
63% Instrumentalness • 20% Positiveness
26% Popularity • 25% Danceability • 52% Energy • 11% Liveness
63% Instrumentalness • 20% Positiveness
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Jeff Russo
Star Trek Discovery End Credits - Season...
148 bpm • C min • 01:04 • -10.08db
15% Popularity • 25% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
15% Popularity • 25% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Ilan Eshkeri
Rooftop Chase
147 bpm • D Maj • 02:57 • -13.64db
12% Popularity • 22% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Permission To Come Aboard
146 bpm • C# Maj • 02:16 • -14.01db
21% Popularity • 32% Danceability • 48% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
21% Popularity • 32% Danceability • 48% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Destroyer
146 bpm • C min • 02:57 • -17.17db
18% Popularity • 23% Danceability • 32% Energy • 37% Liveness
88% Instrumentalness • 8% Positiveness
18% Popularity • 23% Danceability • 32% Energy • 37% Liveness
88% Instrumentalness • 8% Positiveness
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Henry Jackman
The Causeway
148 bpm • C# Maj • 02:42 • -17.34db
31% Popularity • 29% Danceability • 56% Energy • 69% Liveness
84% Instrumentalness • 6% Positiveness
31% Popularity • 29% Danceability • 56% Energy • 69% Liveness
84% Instrumentalness • 6% Positiveness
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Luis Humanoide
Republic Commando
145 bpm • C# Maj • 02:57 • -22.93db
33% Popularity • 17% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Matthew Margeson
First Jump At Calgary
145 bpm • C Maj • 03:24 • -9.62db
7% Popularity • 25% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
41% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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Jared Moreno Luna
Ant-Man and The Wasp - Main Theme
145 bpm • G Maj • 02:28 • -11.96db
16% Popularity • 80% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
16% Popularity • 80% Danceability • 36% Energy • 9% Liveness
75% Instrumentalness • 21% Positiveness
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Blake Neely
Swashbuckling Through a French Chateau
145 bpm • B min • 02:14 • -11.41db
12% Popularity • 40% Danceability • 62% Energy • 16% Liveness
78% Instrumentalness • 43% Positiveness
12% Popularity • 40% Danceability • 62% Energy • 16% Liveness
78% Instrumentalness • 43% Positiveness
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Henry Jackman
Larger Than Life
146 bpm • D Maj • 03:40 • -10.4db
19% Popularity • 22% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
19% Popularity • 22% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
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Hesham Nazih
Full Moon Fight
149 bpm • E min • 02:13 • -15.9db
27% Popularity • 26% Danceability • 28% Energy • 52% Liveness
10% Instrumentalness • 7% Positiveness
27% Popularity • 26% Danceability • 28% Energy • 52% Liveness
10% Instrumentalness • 7% Positiveness
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Mikhail Lesogorov
Jedi: Fallen Order - Cere's Theme - Epic...
150 bpm • A Maj • 01:03 • -9.14db
29% Popularity • 43% Danceability • 58% Energy • 48% Liveness
18% Instrumentalness • 12% Positiveness
29% Popularity • 43% Danceability • 58% Energy • 48% Liveness
18% Instrumentalness • 12% Positiveness
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Thomas Newman
She's Mine
150 bpm • A min • 03:53 • -10.09db
23% Popularity • 35% Danceability • 65% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
23% Popularity • 35% Danceability • 65% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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Laura Karpman
Main Title
150 bpm • D# Maj • 01:07 • -9.12db
31% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
31% Popularity • 43% Danceability • 37% Energy • 7% Liveness
66% Instrumentalness • 19% Positiveness
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John Debney
Black Widow Kicks Ass
144 bpm • G Maj • 02:11 • -15db
22% Popularity • 62% Danceability • 74% Energy • 23% Liveness
54% Instrumentalness • 9% Positiveness
22% Popularity • 62% Danceability • 74% Energy • 23% Liveness
54% Instrumentalness • 9% Positiveness
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Henry Jackman
Civil War
144 bpm • F Maj • 04:25 • -12.63db
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
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Steven Price
This Is My Home
150 bpm • F Maj • 03:43 • -19db
32% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Patrick Doyle
Loki's Lie
144 bpm • G# Maj • 01:54 • -24.27db
24% Popularity • 13% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Japanese Retake The Ridge
144 bpm • A min • 04:36 • -12.94db
24% Popularity • 25% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
24% Popularity • 25% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Jon Ekstrand
The Rise of Morbius
144 bpm • C Maj • 03:16 • -11.94db
11% Popularity • 14% Danceability • 58% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 58% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Blake Neely
London 2166 / Set a Course
144 bpm • E min • 02:51 • -18db
14% Popularity • 16% Danceability • 14% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 14% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Patrick Doyle
The Apes Attack
150 bpm • F Maj • 02:09 • -16.54db
10% Popularity • 40% Danceability • 57% Energy • 7% Liveness
35% Instrumentalness • 21% Positiveness
10% Popularity • 40% Danceability • 57% Energy • 7% Liveness
35% Instrumentalness • 21% Positiveness
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Matthew Margeson
Eddie Jumps The 90M
143 bpm • C Maj • 03:33 • -9.57db
19% Popularity • 28% Danceability • 57% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
19% Popularity • 28% Danceability • 57% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
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Greg Edmonson
Museum Bust
151 bpm • G min • 04:46 • -13.92db
22% Popularity • 36% Danceability • 58% Energy • 35% Liveness
86% Instrumentalness • 14% Positiveness
22% Popularity • 36% Danceability • 58% Energy • 35% Liveness
86% Instrumentalness • 14% Positiveness
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Theodore Shapiro
Battle of Times Square
151 bpm • C min • 03:20 • -9db
18% Popularity • 23% Danceability • 73% Energy • 14% Liveness
71% Instrumentalness • 14% Positiveness
18% Popularity • 23% Danceability • 73% Energy • 14% Liveness
71% Instrumentalness • 14% Positiveness
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Jeff Russo
Main Title (Aired Version)
143 bpm • D min • 01:33 • -12.9db
26% Popularity • 23% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 10% Positiveness
26% Popularity • 23% Danceability • 28% Energy • 5% Liveness
92% Instrumentalness • 10% Positiveness
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Mark Mothersbaugh
Twilight of the Gods
143 bpm • F# Maj • 06:14 • -17.64db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Suited And Booted
143 bpm • G# Maj • 04:25 • -10db
22% Popularity • 17% Danceability • 54% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 54% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Herbert von Karajan
Medley - Bats / Rango Theme / Ride Of Th...
152 bpm • D Maj • 04:28 • -9.51db
30% Popularity • 28% Danceability • 45% Energy • 16% Liveness
80% Instrumentalness • 14% Positiveness
30% Popularity • 28% Danceability • 45% Energy • 16% Liveness
80% Instrumentalness • 14% Positiveness
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Patrick Doyle
Zoo Breakout
142 bpm • A Maj • 02:40 • -16db
12% Popularity • 32% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
12% Popularity • 32% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Joseph Trapanese
Horse Chase
142 bpm • C# Maj • 04:43 • -15.62db
10% Popularity • 29% Danceability • 56% Energy • 12% Liveness
72% Instrumentalness • 12% Positiveness
10% Popularity • 29% Danceability • 56% Energy • 12% Liveness
72% Instrumentalness • 12% Positiveness
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Jeff Russo
Main Title (Extended)
142 bpm • A# Maj • 02:10 • -13db
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 38% Danceability • 46% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Clint Mansell
Ironclad
142 bpm • D min • 03:55 • -13.17db
13% Popularity • 33% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
13% Popularity • 33% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
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John Debney
Main Titles - Jungle Run
142 bpm • F# Maj • 02:25 • -16db
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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Tyler Bates
Showtime, A-holes
152 bpm • G# Maj • 01:27 • -11db
43% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
43% Popularity • 48% Danceability • 50% Energy • 7% Liveness
76% Instrumentalness • 27% Positiveness
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Henry Jackman
Captain America
153 bpm • F min • 09:41 • -20.36db
38% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
38% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Greg Edmonson
Atlantis of the Sands
141 bpm • D Maj • 02:33 • -11db
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 42% Danceability • 47% Energy • 21% Liveness
75% Instrumentalness • 7% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Natalie Holt
Pruned
141 bpm • C# min • 02:44 • -15db
33% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 34% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Joe Kraemer
A Flight at the Opera
141 bpm • E min • 02:22 • -15db
22% Popularity • 30% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 32% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Arena Fight
141 bpm • G# Maj • 03:32 • -12db
22% Popularity • 28% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 28% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Henry Jackman
Not That Sort Of Bank
141 bpm • D min • 03:26 • -21.31db
23% Popularity • 20% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Trevor Morris
Olympus Has Fallen
140 bpm • A# Maj • 02:00 • -20.7db
13% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Steven Price
The Beetfield
140 bpm • C# Maj • 07:59 • -16.83db
25% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Drake
Assassins
140 bpm • D Maj • 02:41 • -10.73db
27% Popularity • 50% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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John Debney
Mayhem In Monaco
140 bpm • E min • 07:25 • -13.02db
17% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
17% Popularity • 29% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Andrew Lockington
Percy Jackson: Sea of Monsters - Main Ti...
140 bpm • C Maj • 03:15 • -14db
18% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
18% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Henry Jackman
Cut to the Chase
153 bpm • C Maj • 03:09 • -9.47db
35% Popularity • 42% Danceability • 68% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
35% Popularity • 42% Danceability • 68% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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Benjamin Wallfisch
Sounds About Right, Bruce
155 bpm • C# Maj • 04:16 • -12.9db
21% Popularity • 26% Danceability • 72% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 72% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
35% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
35% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
42% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
42% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Mike Higham
Enoch's Dolls
139 bpm • C min • 02:46 • -17.69db
16% Popularity • 23% Danceability • 14% Energy • 36% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 14% Energy • 36% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Favela Escape
139 bpm • C# min • 03:35 • -16db
24% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
24% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
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Harry Gregson-Williams
Adamantium
156 bpm • C Maj • 04:17 • -21.23db
15% Popularity • 17% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Steven Price
Crossroads
140 bpm • F Maj • 08:06 • -17.54db
24% Popularity • 24% Danceability • 33% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
24% Popularity • 24% Danceability • 33% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
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Hi-Finesse
Event Horizon
156 bpm • G min • 02:46 • -8db
34% Popularity • 15% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
34% Popularity • 15% Danceability • 71% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
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Thomas Newman
Enquiry
156 bpm • D Maj • 02:49 • -13.47db
24% Popularity • 20% Danceability • 46% Energy • 19% Liveness
84% Instrumentalness • 16% Positiveness
24% Popularity • 20% Danceability • 46% Energy • 19% Liveness
84% Instrumentalness • 16% Positiveness
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Nathan Furst
Koenigsegg Race
138 bpm • C# Maj • 02:05 • -12.13db
18% Popularity • 51% Danceability • 60% Energy • 26% Liveness
79% Instrumentalness • 44% Positiveness
18% Popularity • 51% Danceability • 60% Energy • 26% Liveness
79% Instrumentalness • 44% Positiveness
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Greg Edmonson
Small Beginnings
138 bpm • A# Maj • 02:16 • -16db
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 22% Energy • 9% Liveness
67% Instrumentalness • 28% Positiveness
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Harry Gregson-Williams
Let The Games Begin
138 bpm • G# Maj • 03:02 • -12db
30% Popularity • 41% Danceability • 27% Energy • 8% Liveness
77% Instrumentalness • 28% Positiveness
30% Popularity • 41% Danceability • 27% Energy • 8% Liveness
77% Instrumentalness • 28% Positiveness
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Joe Kraemer
A Foggy Night in London
138 bpm • C Maj • 02:09 • -15.11db
26% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
26% Popularity • 43% Danceability • 37% Energy • 38% Liveness
93% Instrumentalness • 22% Positiveness
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Blake Neely
Closing The Wormhole
137 bpm • G min • 04:43 • -12.13db
22% Popularity • 18% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
22% Popularity • 18% Danceability • 55% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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Thomas Newman
Tennyson
158 bpm • A# min • 02:14 • -16.63db
29% Popularity • 39% Danceability • 14% Energy • 46% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 39% Danceability • 14% Energy • 46% Liveness
93% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Wonder Woman's Wrath
158 bpm • A Maj • 04:06 • -12.92db
47% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Henry Jackman
Lemurian Star
136 bpm • C min • 03:06 • -21db
38% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
38% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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John Paesano
New York's Only Spider-Man
159 bpm • G# Maj • 02:53 • -11.93db
44% Popularity • 46% Danceability • 61% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
44% Popularity • 46% Danceability • 61% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Heitor Pereira
The Fight with Death
136 bpm • B min • 02:23 • -13db
34% Popularity • 35% Danceability • 47% Energy • 24% Liveness
93% Instrumentalness • 12% Positiveness
34% Popularity • 35% Danceability • 47% Energy • 24% Liveness
93% Instrumentalness • 12% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Christopher Drake
Main Titles - Batman: Under The Red Hood
136 bpm • A Maj • 02:43 • -16.05db
27% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Howard Shore
Roast Mutton
135 bpm • A min • 04:03 • -13.92db
29% Popularity • 22% Danceability • 29% Energy • 17% Liveness
91% Instrumentalness • 8% Positiveness
29% Popularity • 22% Danceability • 29% Energy • 17% Liveness
91% Instrumentalness • 8% Positiveness
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Hesham Nazih
Summon the Suit
135 bpm • E Maj • 02:16 • -16db
32% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Shirley Walker
Batman Drives to Gotham
135 bpm • A# min • 00:59 • -14.2db
22% Popularity • 24% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 28% Positiveness
22% Popularity • 24% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 28% Positiveness
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John Paesano
Stick
160 bpm • G Maj • 02:11 • -15.13db
22% Popularity • 39% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
22% Popularity • 39% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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Natalie Holt
He Who Remains
135 bpm • F# Maj • 02:55 • -11db
37% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
37% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
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Hi-Finesse
Odyssey
135 bpm • D min • 02:56 • -8db
37% Popularity • 28% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
37% Popularity • 28% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Joel P West
Don't Look Down
160 bpm • C# Maj • 04:08 • -10.88db
23% Popularity • 29% Danceability • 62% Energy • 49% Liveness
79% Instrumentalness • 32% Positiveness
23% Popularity • 29% Danceability • 62% Energy • 49% Liveness
79% Instrumentalness • 32% Positiveness
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Joseph Trapanese
Becoming a Thief
134 bpm • A# min • 03:19 • -18.54db
14% Popularity • 43% Danceability • 34% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 43% Danceability • 34% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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Amie Doherty
She-Hulk: Attorney at Law
134 bpm • D Maj • 02:27 • -11.5db
18% Popularity • 39% Danceability • 41% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
18% Popularity • 39% Danceability • 41% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Surfing
134 bpm • A Maj • 03:06 • -11.04db
20% Popularity • 23% Danceability • 18% Energy • 26% Liveness
64% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 18% Energy • 26% Liveness
64% Instrumentalness • 4% Positiveness
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Christopher Drake
I Want You To Remember The One Man Who B...
133 bpm • D min • 09:53 • -14.91db
21% Popularity • 30% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 30% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Natalie Holt
Gobi, 2012
133 bpm • C# Maj • 03:00 • -16.25db
29% Popularity • 39% Danceability • 44% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 39% Danceability • 44% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Frederik Wiedmann
Justice League
133 bpm • D min • 03:46 • -14.99db
18% Popularity • 16% Danceability • 44% Energy • 39% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 44% Energy • 39% Liveness
96% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Becoming the Hood
134 bpm • D Maj • 01:30 • -14.3db
21% Popularity • 35% Danceability • 77% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
21% Popularity • 35% Danceability • 77% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
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Patrick Doyle
Ride to Observatory
132 bpm • D min • 02:10 • -18.17db
24% Popularity • 16% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
24% Popularity • 16% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
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Howard Goodall
Car Chase
132 bpm • C Maj • 03:06 • -14.9db
14% Popularity • 64% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
14% Popularity • 64% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Craig Armstrong
Hulk Theme
164 bpm • F Maj • 03:59 • -14db
33% Popularity • 31% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
33% Popularity • 31% Danceability • 33% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Henry Jackman
Not in Vain
131 bpm • C Maj • 03:59 • -13db
24% Popularity • 16% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Blake Neely
Called Some Friends To Help
132 bpm • E min • 04:16 • -13.35db
23% Popularity • 25% Danceability • 62% Energy • 19% Liveness
88% Instrumentalness • 9% Positiveness
23% Popularity • 25% Danceability • 62% Energy • 19% Liveness
88% Instrumentalness • 9% Positiveness
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Joseph Trapanese
First Heists
132 bpm • D Maj • 01:54 • -19.66db
9% Popularity • 18% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Hela vs. Asgard
131 bpm • F# min • 04:30 • -14.07db
20% Popularity • 19% Danceability • 25% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
20% Popularity • 19% Danceability • 25% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness