Songs like Tornero / Non succederà più by Anthony Ventura
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Ventura
Tornero / Non succederà più
131 bpm • G Maj • 04:52 • -16.9db
23% Popularity • 44% Danceability • 38% Energy • 16% Liveness
88% Instrumentalness • 40% Positiveness
23% Popularity • 44% Danceability • 38% Energy • 16% Liveness
88% Instrumentalness • 40% Positiveness
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Orchester Anthony Ventura
Mama Leone
131 bpm • A Maj • 04:02 • -18.15db
27% Popularity • 38% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
27% Popularity • 38% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Ronnie Aldrich and his 2 pianos
A Whiter Shade Of Pale
131 bpm • C Maj • 03:36 • -13db
34% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
34% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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The Gino Marinello Orchestra
I Have a Dream
131 bpm • A# Maj • 02:30 • -16.82db
36% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
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Sweet People
La Foret Enchantee
130 bpm • G# Maj • 03:06 • -15.33db
27% Popularity • 17% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Claudius Alzner
Deep in the heart of Texas - My Darling ...
130 bpm • C Maj • 03:24 • -12.39db
24% Popularity • 60% Danceability • 42% Energy • 14% Liveness
48% Instrumentalness • 97% Positiveness
24% Popularity • 60% Danceability • 42% Energy • 14% Liveness
48% Instrumentalness • 97% Positiveness
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Anthony Ventura
Mama Leone
131 bpm • A Maj • 04:02 • -18.7db
19% Popularity • 36% Danceability • 16% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
19% Popularity • 36% Danceability • 16% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Orchester Anthony Ventura
Ballade Pour Adeline
131 bpm • C Maj • 02:27 • -13db
34% Popularity • 49% Danceability • 30% Energy • 21% Liveness
97% Instrumentalness • 22% Positiveness
34% Popularity • 49% Danceability • 30% Energy • 21% Liveness
97% Instrumentalness • 22% Positiveness
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John Fox
When Will I See You Again
130 bpm • A Maj • 03:10 • -12db
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
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Pierre Charlon
Plaisir D'amour
130 bpm • F Maj • 02:47 • -13.64db
46% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
46% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Botticelli
Paroles paroles
133 bpm • G min • 03:31 • -14db
20% Popularity • 40% Danceability • 41% Energy • 24% Liveness
27% Instrumentalness • 45% Positiveness
20% Popularity • 40% Danceability • 41% Energy • 24% Liveness
27% Instrumentalness • 45% Positiveness
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Nikos Ignatiadis
Adio
133 bpm • A# Maj • 02:57 • -11.54db
31% Popularity • 41% Danceability • 40% Energy • 21% Liveness
85% Instrumentalness • 36% Positiveness
31% Popularity • 41% Danceability • 40% Energy • 21% Liveness
85% Instrumentalness • 36% Positiveness
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Anthony Ventura
Ballade pour Adeline
130 bpm • C Maj • 02:26 • -15.82db
27% Popularity • 50% Danceability • 27% Energy • 38% Liveness
96% Instrumentalness • 26% Positiveness
27% Popularity • 50% Danceability • 27% Energy • 38% Liveness
96% Instrumentalness • 26% Positiveness
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Ronnie Aldrich
I've Never Been to Me
133 bpm • C Maj • 03:43 • -16.57db
25% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
25% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
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The Gino Marinello Orchestra
Einsamer Hirte
128 bpm • D min • 04:19 • -16.24db
21% Popularity • 27% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 6% Positiveness
21% Popularity • 27% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 6% Positiveness
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Discovey Light Orchestra
Bilits
134 bpm • G Maj • 03:24 • -12db
48% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
48% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
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Gentlemen Of Trumpets
Eviva Espana
134 bpm • C Maj • 02:47 • -7db
31% Popularity • 71% Danceability • 80% Energy • 14% Liveness
87% Instrumentalness • 86% Positiveness
31% Popularity • 71% Danceability • 80% Energy • 14% Liveness
87% Instrumentalness • 86% Positiveness
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Combo Alfredo
Traum Melodien - Medley - Blue Spanish e...
128 bpm • A# Maj • 03:16 • -9.21db
29% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Anthony Ventura
Tornero
128 bpm • G Maj • 02:38 • -17.3db
17% Popularity • 47% Danceability • 29% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
17% Popularity • 47% Danceability • 29% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
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Sweet People
Ballade Pour Tsi-Co Tsi-Co - Instrumenta...
128 bpm • B Maj • 01:52 • -14.58db
28% Popularity • 31% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 31% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Percy Faith
Love Theme from the Godfather
135 bpm • D# min • 03:26 • -11.45db
29% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
29% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
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Discovey Light Orchestra
Abrázame
134 bpm • C min • 03:49 • -15db
38% Popularity • 55% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
38% Popularity • 55% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Johnny Pearson Y Su Orquesta
Ata una cinta amarilla al viejo roble
135 bpm • C Maj • 03:30 • -15db
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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Nikos Ignatiadis
Gardenia
127 bpm • C Maj • 02:08 • -13.4db
35% Popularity • 35% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
35% Popularity • 35% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Anthony Ventura
Paloma blanca
128 bpm • F Maj • 02:15 • -11.7db
19% Popularity • 72% Danceability • 55% Energy • 17% Liveness
3% Instrumentalness • 95% Positiveness
19% Popularity • 72% Danceability • 55% Energy • 17% Liveness
3% Instrumentalness • 95% Positiveness
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The Richard Romance Orchestra
Jamaica Farewell
135 bpm • D# Maj • 03:14 • -12.2db
24% Popularity • 62% Danceability • 41% Energy • 17% Liveness
75% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 41% Energy • 17% Liveness
75% Instrumentalness • 59% Positiveness
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Zantalino and his Orchestra
Tender Love
136 bpm • D# Maj • 02:55 • -13db
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
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Jean Claude Borelly
Pretty Woman
136 bpm • F min • 02:49 • -5.08db
29% Popularity • 51% Danceability • 74% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
29% Popularity • 51% Danceability • 74% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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Henry Dubois
Balada para Adelina
136 bpm • C Maj • 02:41 • -13.7db
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
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World Sound Orchestra
Einsamer Hirte
136 bpm • E min • 04:09 • -8.45db
15% Popularity • 40% Danceability • 48% Energy • 8% Liveness
62% Instrumentalness • 15% Positiveness
15% Popularity • 40% Danceability • 48% Energy • 8% Liveness
62% Instrumentalness • 15% Positiveness
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Frank Davis Orchestra
Great Pretender
136 bpm • C Maj • 03:29 • -7.62db
15% Popularity • 44% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 33% Positiveness
15% Popularity • 44% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 33% Positiveness
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Orchester Ambros Seelos
Rote Rosen, Rote Lippen, Roter Wein
126 bpm • C Maj • 03:27 • -5.37db
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 86% Positiveness
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 86% Positiveness
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Ronnie Aldrich
Always on My Mind
137 bpm • D Maj • 04:04 • -13db
19% Popularity • 31% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
19% Popularity • 31% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Alfred Hause
Sonate Nr. 15 C-Dur KV 545
125 bpm • C Maj • 03:27 • -12db
34% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
34% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Henry Dubois
Historia de amor
137 bpm • A min • 03:02 • -12.15db
51% Popularity • 43% Danceability • 42% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
51% Popularity • 43% Danceability • 42% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
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Glen Lucas
True Love
138 bpm • A# Maj • 02:56 • -12db
25% Popularity • 33% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 41% Positiveness
25% Popularity • 33% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 41% Positiveness
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Frank Davis Orchestra
You'll Never Walk Alone
136 bpm • A# Maj • 02:59 • -6.88db
18% Popularity • 43% Danceability • 54% Energy • 17% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 43% Danceability • 54% Energy • 17% Liveness
91% Instrumentalness • 18% Positiveness
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Pierre Charlon
A Como Amor
138 bpm • A# min • 03:13 • -12.66db
47% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
47% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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Anthony Ventura
Che angelo sei / Maledetta primavera
124 bpm • E Maj • 06:09 • -16.18db
7% Popularity • 30% Danceability • 32% Energy • 18% Liveness
97% Instrumentalness • 19% Positiveness
7% Popularity • 30% Danceability • 32% Energy • 18% Liveness
97% Instrumentalness • 19% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Orchester Anthony Ventura
Aranjuez
138 bpm • B min • 03:54 • -18.52db
38% Popularity • 24% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
38% Popularity • 24% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Francis Dupont
Cherry Pink and apple blossom
124 bpm • F Maj • 03:15 • -13.1db
28% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
28% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Pierre Charlon
Balada Para Adelina
137 bpm • C Maj • 02:40 • -9.41db
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
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The Romantic Sound Orchestra
Silvermoon
124 bpm • F Maj • 03:53 • -9.54db
28% Popularity • 34% Danceability • 51% Energy • 30% Liveness
97% Instrumentalness • 54% Positiveness
28% Popularity • 34% Danceability • 51% Energy • 30% Liveness
97% Instrumentalness • 54% Positiveness
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Das Orchester Claudius Alzner
Funiculi - funicula
138 bpm • D Maj • 02:24 • -9.65db
15% Popularity • 60% Danceability • 44% Energy • 17% Liveness
2% Instrumentalness • 82% Positiveness
15% Popularity • 60% Danceability • 44% Energy • 17% Liveness
2% Instrumentalness • 82% Positiveness
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Francis Pourcel Orchestra
El Solitario
124 bpm • D min • 04:23 • -14.11db
25% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Manco Inca
Tornerò.
124 bpm • D Maj • 05:18 • -10db
31% Popularity • 56% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 56% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
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Marco Vinicio
Tornero (Flauta de Pan version)
124 bpm • G Maj • 04:16 • -9db
34% Popularity • 40% Danceability • 68% Energy • 15% Liveness
2% Instrumentalness • 41% Positiveness
34% Popularity • 40% Danceability • 68% Energy • 15% Liveness
2% Instrumentalness • 41% Positiveness
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Nikos Ignatiadis
The Red Carnation
124 bpm • D Maj • 04:03 • -14.39db
29% Popularity • 31% Danceability • 20% Energy • 16% Liveness
80% Instrumentalness • 11% Positiveness
29% Popularity • 31% Danceability • 20% Energy • 16% Liveness
80% Instrumentalness • 11% Positiveness
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Johnny Pearson Y Su Orquesta
Concierto de Aranjuez
139 bpm • B min • 04:40 • -11db
31% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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Gary Freeman
Canto Amoroso
123 bpm • D# Maj • 03:37 • -10db
14% Popularity • 28% Danceability • 37% Energy • 15% Liveness
74% Instrumentalness • 13% Positiveness
14% Popularity • 28% Danceability • 37% Energy • 15% Liveness
74% Instrumentalness • 13% Positiveness
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Billy Vaughn y su Orquesta
Wheels
123 bpm • D Maj • 02:07 • -8db
37% Popularity • 74% Danceability • 49% Energy • 11% Liveness
39% Instrumentalness • 94% Positiveness
37% Popularity • 74% Danceability • 49% Energy • 11% Liveness
39% Instrumentalness • 94% Positiveness
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Gypsy Cafe Ensemble
Luce Del Sole
140 bpm • C Maj • 04:18 • -11.88db
32% Popularity • 63% Danceability • 19% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
32% Popularity • 63% Danceability • 19% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
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Nikos Ignatiadis
The White Boats Of Piraeus
140 bpm • A Maj • 03:47 • -14.53db
27% Popularity • 49% Danceability • 38% Energy • 18% Liveness
51% Instrumentalness • 17% Positiveness
27% Popularity • 49% Danceability • 38% Energy • 18% Liveness
51% Instrumentalness • 17% Positiveness
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Tol & Tol
Pavane
140 bpm • G Maj • 03:05 • -15.19db
31% Popularity • 20% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
31% Popularity • 20% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Sweet People
Elodie - Instrumental
140 bpm • C Maj • 02:43 • -11.53db
32% Popularity • 48% Danceability • 30% Energy • 7% Liveness
72% Instrumentalness • 37% Positiveness
32% Popularity • 48% Danceability • 30% Energy • 7% Liveness
72% Instrumentalness • 37% Positiveness
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Discovey Light Orchestra
A Mi Manera
140 bpm • F Maj • 02:56 • -13db
50% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
50% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
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Jean Claude Borelly
Le temps des fleurs
122 bpm • A min • 02:53 • -7.86db
27% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
27% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
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Johnny Pearson Y Su Orquesta
La manana ha roto
140 bpm • C Maj • 03:10 • -12db
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Waldo De Los RÃos
Nabucco, Act III: Va pensiero, Coro de e...
141 bpm • C Maj • 04:46 • -8db
31% Popularity • 39% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 39% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Orquesta Romántica de La Habana
Emmanuelle
122 bpm • C min • 03:03 • -20.32db
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Anthony Ventura
Schlafe mein Prinzchen
141 bpm • F Maj • 03:03 • -14.54db
12% Popularity • 36% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 29% Positiveness
12% Popularity • 36% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 29% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
51% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Dirk Schiefen
Funiculi, Funicula
121 bpm • D# Maj • 02:30 • -7db
27% Popularity • 68% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
27% Popularity • 68% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Zantalino and his Orchestra
Love Is Blue
121 bpm • G# Maj • 03:22 • -15.46db
25% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
25% Popularity • 48% Danceability • 40% Energy • 13% Liveness
28% Instrumentalness • 45% Positiveness
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Das Orchester Claudius Alzner
O sole mio
121 bpm • G Maj • 02:29 • -10.91db
24% Popularity • 34% Danceability • 49% Energy • 21% Liveness
27% Instrumentalness • 75% Positiveness
24% Popularity • 34% Danceability • 49% Energy • 21% Liveness
27% Instrumentalness • 75% Positiveness
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Tango Orchester Alfred Hause
Florentinische Nächte
121 bpm • D Maj • 02:59 • -10.96db
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Alfred Hause
Sonate Nr. 8 - Adagio
143 bpm • G# Maj • 03:07 • -14db
24% Popularity • 20% Danceability • 28% Energy • 17% Liveness
67% Instrumentalness • 14% Positiveness
24% Popularity • 20% Danceability • 28% Energy • 17% Liveness
67% Instrumentalness • 14% Positiveness
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Percy Faith
The Song from Moulin Rouge (Alternate Ta...
142 bpm • G Maj • 03:50 • -15.98db
40% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Gary Freeman
La Strada
143 bpm • C Maj • 03:13 • -10db
18% Popularity • 19% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Das Orchester Claudius Alzner
Capri-Fischer
121 bpm • A Maj • 02:57 • -11.22db
16% Popularity • 44% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 44% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Davis Orchestra
What a Wonderful World
120 bpm • F Maj • 02:37 • -9db
27% Popularity • 40% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
27% Popularity • 40% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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Neil Diamond
Song Sung Blue
120 bpm • C Maj • 02:54 • -15.9db
22% Popularity • 55% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
22% Popularity • 55% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
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The Romantic Sound Orchestra
The Last Rose Of Summer
120 bpm • D Maj • 03:45 • -10.85db
24% Popularity • 47% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
24% Popularity • 47% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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Angel Roque
Manuela
120 bpm • F Maj • 03:50 • -11.76db
14% Popularity • 49% Danceability • 40% Energy • 15% Liveness
75% Instrumentalness • 54% Positiveness
14% Popularity • 49% Danceability • 40% Energy • 15% Liveness
75% Instrumentalness • 54% Positiveness
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Daniela de Santos
Stonehenge
120 bpm • E Maj • 02:41 • -5.64db
33% Popularity • 50% Danceability • 64% Energy • 40% Liveness
45% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 64% Energy • 40% Liveness
45% Instrumentalness • 52% Positiveness
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Tol & Tol
Hellenic Anthem
143 bpm • C Maj • 03:20 • -13db
31% Popularity • 43% Danceability • 41% Energy • 16% Liveness
6% Instrumentalness • 44% Positiveness
31% Popularity • 43% Danceability • 41% Energy • 16% Liveness
6% Instrumentalness • 44% Positiveness
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The Richard Romance Orchestra
Mahogany
120 bpm • C Maj • 04:17 • -10.05db
12% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Sweet People
A Wonderful Day - Instrumental
120 bpm • G# Maj • 04:22 • -17.24db
29% Popularity • 26% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Angel Roque
Que No Se Rompa la Noche
143 bpm • D min • 04:14 • -10.69db
32% Popularity • 46% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 52% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 52% Positiveness
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Anthony Ventura
La vie en rose (Schau mich bitte nicht s...
144 bpm • F Maj • 03:04 • -16.01db
16% Popularity • 32% Danceability • 24% Energy • 17% Liveness
95% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 17% Liveness
95% Instrumentalness • 14% Positiveness
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The Gino Marinello Orchestra
Words
119 bpm • C Maj • 03:12 • -11.51db
29% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
29% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
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Jean Claude Borelly
Hello Dolly
144 bpm • A# Maj • 02:55 • -8db
18% Popularity • 54% Danceability • 73% Energy • 32% Liveness
51% Instrumentalness • 51% Positiveness
18% Popularity • 54% Danceability • 73% Energy • 32% Liveness
51% Instrumentalness • 51% Positiveness
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Botticelli
Forever and Ever
119 bpm • E Maj • 02:59 • -11.24db
27% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
27% Popularity • 39% Danceability • 45% Energy • 17% Liveness
79% Instrumentalness • 48% Positiveness
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Gary Freeman
The Holy Hill
144 bpm • G min • 02:31 • -10.05db
22% Popularity • 37% Danceability • 44% Energy • 35% Liveness
88% Instrumentalness • 20% Positiveness
22% Popularity • 37% Danceability • 44% Energy • 35% Liveness
88% Instrumentalness • 20% Positiveness
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Das Orchester Claudius Alzner
O mia bella Napoli
119 bpm • C Maj • 02:48 • -11.47db
16% Popularity • 37% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 37% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Anthony Ventura
Violetta
119 bpm • D Maj • 02:17 • -13.84db
17% Popularity • 58% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 53% Positiveness
17% Popularity • 58% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 53% Positiveness
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Nicolas de Angelis
Les mains ouvertes
145 bpm • C Maj • 03:33 • -12.81db
40% Popularity • 61% Danceability • 23% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
40% Popularity • 61% Danceability • 23% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
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Alfred Hause
Un Violon Dans La Nuit
119 bpm • C Maj • 02:22 • -10.16db
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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Botticelli
Song Sung Blue
119 bpm • C Maj • 02:15 • -13.81db
34% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
34% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
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Sweet People
Aria Pour Une Voix
118 bpm • A Maj • 04:52 • -13.8db
16% Popularity • 23% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
16% Popularity • 23% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
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Billy Vaughn y su Orquesta
Petite Fleur
118 bpm • G min • 02:39 • -7.95db
28% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
28% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
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Anthony Ventura
Si
145 bpm • D# Maj • 03:51 • -17.2db
16% Popularity • 26% Danceability • 32% Energy • 19% Liveness
91% Instrumentalness • 9% Positiveness
16% Popularity • 26% Danceability • 32% Energy • 19% Liveness
91% Instrumentalness • 9% Positiveness
