Songs like Tosca, S. 69: Act III: E lucevan le stelle by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
14% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
14% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
16% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Katia Ricciarelli
A. Vucchella
96 bpm • F Maj • 02:04 • -14.24db
39% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
39% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Luciano Pavarotti
La Traviata - Act. I - Libiam Ne' Lieti ...
97 bpm • A# Maj • 03:12 • -12db
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
24% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74: Che giova? ... ...
94 bpm • F# Maj • 02:20 • -13.55db
16% Popularity • 30% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
26% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quest...
98 bpm • C Maj • 04:36 • -19db
6% Popularity • 39% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 39% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vado, ma dove? oh Dei!, K. 583
100 bpm • D# Maj • 04:11 • -20db
8% Popularity • 25% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 25% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Giacomo Puccini
Manon Lescaut: Act IV: Sola, perduta, ab...
93 bpm • A# min • 04:48 • -23db
23% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance of the Hours
101 bpm • E Maj • 07:33 • -21db
14% Popularity • 35% Danceability • 7% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
14% Popularity • 35% Danceability • 7% Energy • 15% Liveness
15% Instrumentalness • 18% Positiveness
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Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Mesicku na neb...
91 bpm • F# Maj • 06:25 • -23.07db
34% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
100 bpm • A Maj • 05:06 • -16.3db
27% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
27% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Ermes Alessandro Mario
Santa Lucia luntana (Arr. Chiaramello)
102 bpm • E Maj • 05:45 • -16.61db
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Tosca / Act II: "Vissi d'arte, vissi d'a...
92 bpm • D# Maj • 03:51 • -24.03db
21% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Questo Mar Rosso" -...
92 bpm • F Maj • 04:16 • -20.28db
20% Popularity • 38% Danceability • 19% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
20% Popularity • 38% Danceability • 19% Energy • 29% Liveness
1% Instrumentalness • 34% Positiveness
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Celine Byrne
Puccini: Un bel di, vedremo, Madama Butt...
90 bpm • C# Maj • 04:17 • -15.72db
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Suor Angelica: "Senza mamma, o bimbo, tu...
92 bpm • A min • 04:26 • -15db
20% Popularity • 30% Danceability • 15% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 15% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: "Porg...
103 bpm • D# Maj • 03:57 • -21.41db
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Che gelida ...
103 bpm • G# Maj • 04:24 • -22.5db
12% Popularity • 22% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
AntonÃn Dvořák
Rusalka: Song to the Moon
89 bpm • F# Maj • 05:59 • -17.6db
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
► Preview
Giacomo Puccini
La Bohème: Che gelida manina
89 bpm • G# Maj • 04:50 • -17.57db
26% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
35% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
12% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Una furtiva l...
88 bpm • F min • 04:20 • -20db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
25% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Signore ascol...
92 bpm • C# Maj • 02:42 • -21.17db
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Sur la place" (Ch...
105 bpm • A# Maj • 07:22 • -21db
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: "Au Mont Ida,...
88 bpm • F Maj • 03:54 • -13db
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Non piangere Liù"
100 bpm • D# min • 02:17 • -15.71db
19% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
88 bpm • F Maj • 03:39 • -27.02db
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 24% Liveness
90% Instrumentalness • 5% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Fiordiligi, Dorabella and Don Alfonso's ...
87 bpm • E Maj • 03:33 • -26.71db
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "O soave fan...
101 bpm • C Maj • 04:06 • -24.95db
16% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, Act I: Habanera. L'amour est un ...
107 bpm • E min • 04:51 • -21db
13% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
Norma, Act I: Casta Diva
107 bpm • F Maj • 07:38 • -22.68db
26% Popularity • 24% Danceability • 8% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 8% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
